Interview with Mike Ivey of Basehead
Conducted via email 11/08
Jerry Actually – When “Play With Toys” came out it was greeted with a decent amount of attention, but by the time “Not In Kansas Anymore” was released, Basehead seemed to have faded back into obscurity. Was I just not paying attention to the right channels, or did your audience pick up the ball and then drop it?
Mike Ivey – Actually, the fade back to obscurity was after “Not In Kansas Anymore,” and after we recorded the follow-up “faith” which didn’t get a major label release after parent label Imago’s BMG distribution deal ended. Prior to that Kansas sold about as much as Toys, we did got some press, and we toured opening for Stone Temple Pilots, Butthole Surfers & fIREHOSE, as well as on our own and in Europe. Therefore the fade to obscurity was a bit more gradual than described above.
Jerry Actually – In regard to the question above question, basehead came about a few years before the massive proliferation of the internet and the whole peer to peer file share phenomenon. Do you think if basehead would have been more in line with this that things would have unfolded differently?
Mike Ivey – Actually, things unfolded the way they needed to. “Play With Toys” came out right just as Soundscan was in the process of rolling out, and that multi-year run ended right before the internet really got going, so I feel fortunate to have experienced the record business prior to the traditional industry model falling apart. I’ve always been skeptical of the panacea of promises of the internet age, particularly in regards to how artists are supposed to be paid for work when everything is available for free. But in general, it’s a cost-effective means for marketing and communications in the 360 degree-DIY business model that the future seems to be calling for.
So I’ve been listening to the new Dillinger Four disc quite a bit lately. Up until recently I can’t say that I was really all that familiar with them. I had heard their name and probably have them on some comps, but hadn’t really listened to them. Based on that I have no real idea of what they’re all about. But just ’cause I’m not familiar with them doesn’t in any way mean that they aren’t from Minneapolis. It should also in no way detracts from the fact they are a pretty kick ass band. My lack of knowledge aside, this new release has apparently been a long time coming. Something on the order of six years since their last full length. All I can say is, “About Time! I suppose.” Seriously though, CIVIL WAR is a solid release featuring 13 tracks that while rockin’ also seem to be trying to re-capture times past. But with the “halcyon days” long gone by, there is still ample opportunity for scathing commentary on modern times. Any ways, if you’re like me, you’ll like this disc. It reminds me a bit of Larry Arms, though a bit more up beat. It’s Sunday. It’s early. Just go listen to it already.
From lands far east of here, in a town known unto legend as the Windy City and Chi-Town comes forth a alchemist’s concoction. Combining the dark forces of metal, the thunder of rock and the furious pace of the mighty jackalope a newer stronger less leaden band has been thrust forth thusly. Harkin unto Hay Perro I say. Listen to their five mighty tracks of sonic and rhythmic destruction. Ok, but more seriously I was getting way side tracked into the Dark Age tale of yore. Hay Perro hails from Chicago and has been around for about half a decade. “Summer of Destruction” brings it with five tracks of metal tinged rock and roll. You can certainly hear the Maiden influence as well as Kiss and perhaps a little Zeke … but what do I know? Comparisons aside Hay Perro has a fresh rock sound and from what I can gather would likely be quite formidable in front of you on a stage, preferably somewhere near to where you are. So, um, without further banter, go check ‘em out on the inter-tubes: 
First and foremost I’d like to point out that we (that usually being me) here at !upstarter review HQ really dig it when bands from across the world find their way to my inbox. I absolutely love the positive exchange of music and ideas from across this big ol’ punk rock community that I would like to refer to as the Earth. That said I’d like to introduce you to Bankrupt. Readers meet Bankrupt. Bankrupt meet my readers. Right now I’m listening to a five song EP from straight outta Budapest, Hungary. “Rocket to Riot City” is a catchy little number, albeit a short one, but full of substance despite its lack of duration. With a sound somewhere between the rockabilly of the Peacocks and the punk rock of Millencolin, Bankrupt’s Rocket to Riot City blasts back at a messed up world. I suspect there’s nothing like rioting and economic crisis amidst political disarray to make life a waking nightmare. (not that we aren’t becoming a frightening reflection of that here in the states) Despite all the chaos, Bankrupt has made a kick ass EP. I strongly urge everyone to do their part for their local economy and international relations and buy a couple copies.
CATCH THEM AND NOTHINGTON