I know I sometimes slack off, a lot, the last few years, but something that still inspires me to “pick up the pen” as it were, is getting refreshing new music from around the globe. Today is one of those days. Seriously, music, from around the planet, is linking us all. That is a seriously awesome connection. The technology we have available makes so much more possible. I suppose that maybe it takes away the former coveted knowledge, secret band thing of the old tape trading days, but waxing nostalgic aside, the unprecedented access to new music from far flung markets is fantastic. But I digress.
I’m listening to the Start Tomorrow EP by Finnish (Oulu, Finland) band Neverlearn. The four tracks are a quick burst of energetic, melodic punk rock. It’s maybe a bit on the pop punk tip with a hint of AFI-esque emo to it. On the whole I dig it.
The guitar leads are as smooth as the rhythm is tight. This is especially present on track 3, Gravel Pit. The vocals are pulled back and ever so slightly washed out. It gives the song an interesting far away sound.
Though there are only four tracks on the EP, it starts strong, keeps ramping up, and finishes stronger that it started.
©2016 Rad Girlfriend Records
Colorado’s porno-punks NOBODYS are back with HUSSY, their first record in 15 years! Original members JJ Nobody (Drag The River) & Randy “The Kid” Schumacher join forces with Adam Huscher & Steve Bauer (Buck O Nine)to take NOBODYS brash attitude, that you know so well, and have evolved into a full blown Rock N Fucking Roll Band.
Produced and Engineered by Chris Fogal (The Gamits) at Black In Bluhm studios. Hussy comes out late October of 2016 from Rad Girlfriend Records.
15 years is a mighty long time to go without a new record. Usually if there’s that much of a lapse in band activity, the band is essentially dead, but ya know, sometimes shit happens. Well that’s what we have here. Some shit happened and brand new batch of a musically aggressive breed of ramones-core has once again sprung forth out of Colorado. Hells yeah.
I’ve not been overly pleased for the last few iterations about the crap that I’m hearing. Everything’s been “postpunk” this and “prerock” that. Everybody has an angle. Well cut the crap and let’s get back to the Sex Drug (Sex) and Rock & Roll that we loved in the first place.
Thankfully there are bands such as NOBODYS that can muster up the gumption to kick out 13 new tracks of noteworthy punk rock. Oh sure, that averages less than a track per year in their hiatus, but you know what, I’ll take what I can get and I’ll like it!
Standout numbers include the aforementioned “Sex Drugs Sex and Rock & Roll”, “Beer for Breakfast”, (I really like the stripped down hollow sound on this track) and the auto-biographical “Joe Queer Kicked Me Out.” (The exceedingly Queers sounding riffs on this one are hilariously fantastic)
The band will have an album release show at JJ Nobody’s bar, The Triple Nickel Tavern in Colorado Springs on October 29th with Ray Carlisle from Teenage Bottlerocket will be performing acoustic at the release show. Limited Midwestern tour dates, including shows with The Mr. T Experience will follow.
You’ve got a day to be early. Get some!
Pre-order the record from Bandcamp at: http://radgirlfriendrecords.bandcamp.com/album/hussy
Or pre-order the color copies directly from the website at:
Not Loving You
Know It All
Sex Drugs Sex And Rock & Roll
He Moved To Denver
Do It All Again
Beer For Breakfast
Drop What You’re Doing
Joe Queer Kicked Me Out
Kick Me While I’m Down
Who Invited You
She Thinks I’m Sexist
© 2016 Cleopatra Records
File under old punks don’t die. For the second time this week, I’m listening to brand new music by an old school Brit band. Yesterday I was checking out a new track by trash stalwarts, Lawnmower Deth, and now I’m rocking a brand new album from veteran punk rockers, Anti-Nowhere league.
If you’re like me, your familiarity with ANL is from Metallica’s cover of So What off of Garage Days. Outside of that I had very little knowledge of the band until this new album. Kinda crazy how times changes and influence circles around. Now I’m listening to the bands that influenced the sounds I liked in the day instead of the bands that were under the influence, so to speak.
At any rate, I’m listening to a brand new album, The Cage by Anti-Nowhere League, out today (05/13/2016) and I’m digging it. 13 tracks of energetic punk rock with enough maturity under its belt that you know that it says what it means and means what it says. Tracks are tight and well produced. The songs are well balanced sonically. Vocals don’t overpower the backing tracks and the bass isn’t drowned out by the guitar. It’s got guts; quality guts!
As much as I’m enjoying it, there is some wanking solos that I could totally live without. Sometimes I dislike (ok, most of the time) when punks grow up, learn how to play and then have to prove it. … God damn punks! I trade the guitar solos for more songs for more awesome alcohol fueled sing-a-long tracks like #9 God Bless Alcohol!
For reals though, this release is some solid brand new punk rock by some serious veterans of the game. Look for them live at some of the upcoming Punk Rock Bowling events.
On a side note, WTF festival franchises? Festival events used to be cool and almost mythical. Now there’s a dozen in every town. Perhaps I’m being a bit of a snob, but I think it waters down the scene.
What’s up friends? Craving something new in your ear holes? Bam! Done. I’ve got a tasty little EP here from Joliet, IL (yeah, like as in the prison town, and Joliet Jake for you older kids) band The Lumber Jerks. I humbly present the “First Three E.P.”
As you might expect, there are three full tracks. All of which are fast paced punk rock. The songs are sweet and short and chock full of the fervor that is rarely found outside of youthful three piece combos. Not coincidentally, The Lumber Jerks are such a combo.
If I were to try to compare the sounds being kicked down by this EP, I’d mash it up somewhere around 7 Seconds, Newbomb Turks and The Humbers. It’s a great effect. You should check it out.
I guess the fellas recorded on full analog reel to reel. That’s pretty sweet. As much as I’m a proponent of the modern digital studio, there’s something just so straight up badass about rocking the analog. Of course, I’m listening to mp3s on half good PC speakers, so a lot of that is likely falling on deaf ears.
Anyways, here’s some brand new fresh faced punk rocks for you all to get your grubby little hands on.
It’s been a bit since I’ve done any reviews. I guess I kind of hit a wall with words. Occasionally, something shows up in the mail box that makes me remember why I keep doing this. A few weeks ago I received a CD from Poland. Here’s some more words about that experience:
Szewska Pasja is a four piece punk band from Łódź Poland. If you are from the USA, chances are you’re saying Where the hell is that? Well, I looked it up, ‘cause I didn’t know either. It looks to be about smack in the middle of country. Since we’re taking a bit of an instructional turn, Google Translate indicates that the band and album are: Shoemaker Passion – three, two … Take that with a grain of salt. I don’t speak Polish. Enough with the lesson though.
Szewska Pasja seems like a pretty rocking band with a mix of surf and street into their brand of punk rock. All the vocals are in Polish, which is pretty rad. It gives me a sense of how it feels to be a kid rocking out and singing along phonetically to some big pop hit from another country, well minus the pop part I guess.
Trzy, dwa provides 11 tracks of fun and often bouncy punk, heightened for me by virtue of understanding nothing but the language of the music. The musicianship is solid and the recording is quite acceptable for what, as far as I can tell, is a DIY effort from a seemingly young band.
I wish I had some mp3 links for you, but alas, all I have is this Facebook page: https://www.facebook.com/szewskapasja.12 Perhaps if you speak Polish you can find some on your own.
The takeaway: Sweet Punk Rock from the (former) Eastern Bloc!
There’s a common theme in music and especially punk music where band’s that have been around for awhile will have fans who will say “their music was better when…..” and they yearn for the “the good old days.”. Enter Blossom Hill, a pop punk band from Finland who released their debut LP, Sidetracks, in October.
On Sidetracks, the group seems to have (fairly successfully whether intentional or not) melded together what sounds like two different eras of Green Day inspired music. From the get go a listener can expect vocals that sound like they are inspired by 39/Smooth or Kerplunk eras and guitar riffs that sound derived right from the Insomniac/Nimrod timeline.
This is what I hear when I listen, and is what I am going to base my critique on. To me they sound like one my favorite Green Day eras (Insomniac/Nimrod) and my least favorite (39/Smooth). Don’t get me wrong, I did enjoy Sidetracks, but my feelings are very mixed. I hate to make direct comparisons to bands as they take time to create something their own but I can’t get over my first impressions of the album, and for a person who can still tell you what he was doing when he first heard Dookie in ’94, nothing will ever compare. At the same time, I can’t think of another band that has brought me back in time to a groups (so-called) glory days the way they have.
With that said, Sidetracks does not really have tracks that stand out in my mind either good or bad, and it had things I liked and things I didn’t. But if you are one of those nostalgic Green Day fans who thinks “they were better when….” check out Blossom Hill, maybe they can transport you back there.
© 2011 Dead End Story
I feel so privileged to get to listen to all the music (from all over the world) that I do. Right now I’m listening to a new single from Finland’s Dead End Story. They are a reasonably aggressive punk band with quite a bit of hardcore influence.
With this being a single, there are only two tracks, so I won’t draw this out so much, but what I’m hearing I mostly like. The guitar work is a little more melodic that I normally go for, but not so over the top that it detracts from the rest of the music. The tracks are still solid and I wouldn’t hesitate for a second to go see this band live.
It’s a more modern style of punk rock; It makes me think a bit of Rise Against.
Bottom line: new model punkcore from Finland.
Washington DC’s punk rock is back!
By Stella Bruk
The boy’s grew up and went their separate ways, and now they return, and come back with surprises.
Since 1993’s Fumble album which was actually recorded in 1990, Pete, Franz, Skeeter and Kent haven’t met for a single project.
The idea of getting together began to take shape in 2009 when Pete and Franz played together at Black Cat in Washington on December 2009 and again almost a year later in October 2010 at the Echo in LA. They all met at the Redwood last February to an insane audience, with the presence of former band member Dave Grohl, as the ordinary fan. When Dave joined Scream in 1987 he lied about his age claiming he was 20 when he was actually 17. On that night they played old songs “Still Screaming” and “This Side Up,” and new ones that included – “Stopwatch” and the one off “Jammin’ at Redwood” (originally titled Jammin’ at 606). The barrier separating the audience from the band no longer mattered because Pete Stahl and members of the audience were crowd surfing in true punk rock style.
In February2011, the four original band members Pete Stahl (vocals), Franz Stahl (guitar), Skeeter Thompson (bass) and Kent Stax (drums), went in the studio to record plus the new guitarist Clint Walsh and Dave Grohl, who ‘indirectly participated’, coz the new album was recorded entirely at Dave Grohl’s Studio 606. They met and practised what would be the second album of the project Complete Control Session. These series of studio recordings are on Side One of Dummy Records co-owners nationally syndicated all punk rock “Complete Control Radio” show. The music is released on 10” vinyl and via digital download on August 16th, 2011 via Side One Dummy Records. The first official release in the series was done by The Bouncing Souls in April 2011.
To complete this and give the album the Midas touch, John Lousteau was in charge of producing the seven-track EP Scream’s Complete Control Session which features the following tracks : Stopwatch, Get Free, Jamin at 606, Elevate, The Year Bald Head Singers Were In, Move All, Demolition Dancing.
With loads of post-hardcore riffs, power chords, multi-tracked duelling guitar tones and raw screams, the EP makes us push the furniture to the side of the room and mosh like we did years ago.
Listen the track “Stopwatch”, on their website http://www.screamdc.com/
Punk rock is not dead that’s for sure!
(c) 2010 Hirnsäule
Ok, so here’s some weird cool stuff if you’re a punk rock fan that doesn’t speak German, but doesn’t mind or thinks it’s neat when others do. From the best I can tell, this release is called “Salto” from the German band, Hirnsäule. The band’s name appears to mean “brain pillar”, which I take to probably mean “spine” … I could be way the hell off. This “disc” was a digital download, so I don’t have any concrete publishing information, so I just attributed it to the band.
On to the music though. Salto contains 15 tracks of DK/Dickies-esque warbling vocal frenzied punk. Some of the tracks are in English, some in German. Honestly it isn’t the easiest to decipher which are which. This doesn’t detract in any way from the enjoyment. I’d venture to guess that the tracks with the English titles are the ones that are done in English. I’ll let you be the judge of that though. http://www.hirnsaeule.de
The similarity to Dead Kennedys is both apparent and apparently genuine. That aside, the music is quick paced and quirky. The overall feel is garagey with just enough polish to make you want a catch a live show to compare the difference.
This is good stuff and just goes to show that in the crazy digital age, music is more accessible than ever. Maybe that takes some of the eliteist fun out of it, but so what. It’s a big damn world get out there and explore it a bit, even it you never leave your house.