Young music industry visionary Neil Sheehan has recently taken over independent label Standby Records (originally owed by Nick Moore of post hardcore act Before Their Eyes) and is gearing up to re-launch the label. Specializing in fresh, cutting-edge music and operating out of Los Angeles and Cleveland, Standby Records aspires to bring superior music to the masses having secured distribution through Victory Records/Sony/RED.
Standby Records is poised to make their mark on the modern day industry with their carefully selected roster of artists. Already slated for release this month, October 28 (iTunes only) Settle The Sky ‘Now That We’re Waiting’. Look for first quarter 2009 releases from Tonight Is Glory, Count Your Blessings, Freshman 15 and Australian buzz band Guns For Glory.
At 32 Neil Sheehan is already a music industry veteran, founder of HM-Live (www.hm-live.com) an Artist Development firm, the parent company of HM Management and Concerts, formerly Hardcore Marketing, Inc., Media Science Design and Chin Music Studios all located in Cleveland, Ohio. Sheehan is one of the industry’s youngest street marketing pioneers, as well as artist manager and concert promoter. At 26, he spearheaded the original Support Our Troops Concert which became the framework for Hardcore Marketing, Inc. Also in the world of management he is responsible for launching such acts as, Forever In Terror (Metal Blade Records), The Drama Summer (Eulogy Records), Beneath The Sky (Victory Records), Driver Side Impact (Victory Records), Epicurean (Metal Blade), Before Their Eyes (Rise), Dearestzazel (One Eleven Records), Luna Mortis (Century Media), A Perfect Murder (Victory), Last Chance To Reason (Tribunal), Dead Man in Reno (Candlelight), Dead Legend (Masquerade), Deception of a Ghost (Forsaken), The Burning Season (Eulogy), Heart Set Self Destruct (Masquerade) and (Guyz Nite (20th Century Fox) to name a few.
Heading the West Coast office will be new media pioneer Jon King bringing his boundless energy and extensive experience to the Standby Records family. Jon has an extensive background in new media, music marketing and artist relations. With stints at Total Assault and M80 Music Marketing firms and Mediaskare Records already under his belt, Jon is also the former editor at Loudside.com
Crack Rock Steady sound is back with yet another incarnation. This time that familiar societal lash back is tempered with the addition of some ladies. Don’t let the kinder, gentler sound fool you. For all of its additional polish and melody, Star Fucking Hipsters may be the most subversive of the crack rock stead bands yet. SFH currently consists of the following lineup: Sturg Fuckin’ Hipster – Vocals/Guitar, Nico De Gaillo – Vocals, Frank Piegaro – Guitar/Bass, Yula Beeri – Bass, Ara Slack – Drums. Until We’re Dead contains 12 full tracks and an intro. Alternating male/female vox and some silky smooth harmonies over top of a death grip of worldly angst help to solidify the album as plenty high up on my list of currently favorites. So, please do enjoy.
Black President’s here y’all. You ready for it? Get ready for it. Welcome to some change I think we all can agree on, the debut self-titled release by punk rock quasi super group Black President. I’ve truely been looking forward to this release for some time and rest assured it does not disappoint. Black President was formed by Greg Hetson (Circle Jerks, Bad Religion) and Charlie Paulson (Goldfinger). Before the release of this recording, Hetson left the lineup due to conflicting obligations with other bands. If you want a rundown of the member history, checkout the 
Ok, here’s how it is. Sometimes things rock. Sometimes things also roll. And some other times things both rock and roll and summarily kick ass! Bad Luck Charms new self-titled release falls under that summarily kick ass category. Not to be confused with the Hobart, Tasmania band of the same moniker, Bad Luck Charms, the Brooklyn variety are punked up rock with a street brawler type of vibe not unlike The Disasters, Mike Ness or many of the Duane Peters derived bands. The new relase contains 11 tracks of heart and guts drenched with sorrow and regret. Bad Luck Charms have an undeniable appeal in that when wallowing in their bad times, your situation doesn’t seem half so bad. (plus they really do rock) So do yourself a favor and book a trip to Tasmania to tell those other guys to change their names and while your there, pick up a copy of the American Bad Luck Charms new release and listen to it the whole trip back. Go for the guts. Stay for the glory! Let’s have a round of applause (read drinks) for Bad Luck Charms.
So out of the blue I get this package in the mail. A great beginning right? You (the reader) are now intrigued about what it was that may have shown up, right? I suspect that my suspicion is correct, but I am a bit pretentious, so we’ll take that with a grain of salt. Never the less it was a CD in my mailbox from a band outta Pensacola (Wings of Gold) Florida (known to some as the Redneck Rivera) Let me tell ya though, Out of Nothing is on to something: 7 tracks blending punk and ska and gators … ok well maybe not enough gators, but they do have a nice 3rd wave thing going on, not unlike a mix of MU330 and Voodoo Glowskulls (if you can maybe imagine that, I know I am right now) … but I digress. There is guitar, there are horns, (and drums and bass and vocals et al.) Basically what I’m trying to boil down to is that Out of Nothing is a good band. They have a nice blend of punk edge and excellent horn chops (I would like to hear the horns a bit more upfront in the mix though. I’m sure the horn players would agree.) Mix aside, take note of Out of Nothing ’cause they got the rock goin’ on. Do what you can to get yourself a copy of “Everyone Perishes” because it’s good and despite the internet you can still impress your friend when you have some shit that they don’t already have. (unless they already do)
Civets are small, lithe-bodied, mostly arboreal mammals native to the tropics of Africa and Asia. Civet may also refer to the distinctive musk produced by the animal.
All aboard the Lagwagon party goers. The original Fat band is back with a new release. By my account it is an EP. Seven tracks clocking in at minus 20 total, not that EP’s are a bad thing by any means. An EP is a great amount of work when your band is focused on more than one project. (Two of the members are also in Me First and the Gimme Gimmes.) Side projects notwithstanding, the obviously back dating and self-depricating “I Think My Older Brother Used To Listen To Lagwagon” is exactly what one should expect from an older and wiser Lagwagon. The songs have more depth, both sonically and contextually. Along with additional depth comes additional weight. I’m pretty sure that must be what is making the songs a bit slower than I like 🙂 In all seriousness though, this is a must have for any fan and for all the new kids to the punk rock block, pick up a newie but a goodie from an oldie but a still goodie band. As I said, “All aboard the Lagwagon!”