THE METEORS Celebrate The Release Of Their Newest Album SKULL N BONES

Psychobilly Legends THE METEORS Celebrate The Release Of Their Newest Album SKULL N BONES With A Killer Video For “A NIGHT IN THE TOMBS!”     Los Angeles, CA – Meteors fans have been hotly anticipating the release of the band’s newest full-length album, Skull N Bones, for awhile now, but they’ve been even more eagerly awaiting an opportunity to see the band perform live. After all, The Meteors have built their reputation as one of the most outrageously raucous bands on the planet by putting together a high energy performance at every show, blending their punk rock sensibility and attitude with the swagger and style of rockabilly. Well, today The Meteors are proud to announce that the wait for their new album is finally over as Skull N Bones officially hits the street today, and accompanying the album is a fantastic new video that will at least gives fans a taste of what’s in store for them when the band is able to launch an official, full-scale world tour behind the album. The video for “A Night In The Tombs” consists of brand new footage shot while the members are in quarantine and mixed with excellent live footage of the band from older shows. It’s a genuinely thrilling way to launch the new album and is sure to get the fans clamoring for more!


Watch the video for “A Night In The Tombs”:


Purchase Skull N Bones:https://orcd.co/the_meteors_skull_n_bones


Skull N Bones is part 1 of a planned double album with part 2, entitled The Curse Of Blood N Bones, coming later this year!
 
Track List
SIDE A
1. Chasing Evil
2. A Night In The Tombs
3. Skull N Bones
4. Get Back In The Swamp (And Jump)
5. Changeling
6. Dateless Nights

SIDE B
1. Gary Gilmore’s Eyes
2. We Will Rise
3. The Night Comes With Me
4. Zombie Noise
5. More Demons Than Most
6. Twisted

Sacri-Political – Shove It Up Your Ass!

Sacri-Political sent me a copy of their new single, Shove It Up Your Ass!, and well, fuck yeah. It rocks in an old school way that reminds me of the snottiness of Wasted Youth’s “Fuck Authority”. 

There’s, of course a very compelling reason there’s such an “old school” sound. They’ve been around for a couple minutes. According to the band’s bio:

‘Sacripolitical (1982 – 1993, 2019 – present) is a punk rock band from Marin County, CA. The name Sacripolitical refers to the band members’ attitude toward politics. Just as a person who is sacrilegious is irreverent toward the sacred, Sacripolitical plays songs, like “Peace: Under our Supervision,” “The Nihilist Void,” and “Napalm Baby,” that are politically and philosophically irreverent.’

The track is both irreverent and finger wagging, opening a view into what I think a lot of people have felt during the pandemic. It is kind of the idea that everything is pretty fucked, because everybody (politicians, corporations, racists, zealots) keep fucking everything up. Everything is fucked. It’s your fault, and you can, well, shove it up your ass. 

The music itself is a mid-tempo 3-chord banger. Very straight forward 4-piece punk rock with a little bit of a shuffle to it. It’s not out to pave new roads, but fits nicely in the well worn grooves in the asphalt. 

The B-side, “Gogol’s Nose” is in a little more of a DK vein, but with some horn parts dropped in. At any rate, I dig it. Check it out. Support local music any way you can. 

Stay safe!

Jerry Actually

MANNEQUIN PUSSY ANNOUNCE NEW EP PERFECT OUT MAY 21

MANNEQUIN PUSSY
ANNOUNCE NEW EP

PERFECT OUT MAY 21

SHARE NEW SINGLE
“CONTROL”

WATCH | LISTEN

PHOTO CREDIT: PHOBYMO

Philadelphia indie punk band Mannequin Pussy will release their new EP Perfecton May 21. The EP is the follow-up to their critically acclaimed 2019 album Patience which landed the band on End of Year lists for Flood, NPR, Pitchfork, Rolling Stone, Spin, Vogue, and more.

Today, the band share the first look at Perfect with “Control,” with the cathartic music video directed by the band’s vocalist/guitarist Missy.

CHECK OUT “CONTROL”
WATCH | LISTEN

At the start of 2020, everything was looking up for Mannequin Pussy. The band had released their third album, Patience, and was touring steadily behind it. After nearly a decade of playing, the band finally had gotten the chance to turn music into a full-time occupation. And then, COVID-19 reached the United States, rescinding life as many people knew it. For a while, it seemed like maybe the lull would be temporary, a brief pause before things could resume as they were. And then the numbers ballooned, and the months stretched on, and memories of rooms packed with strangers started to feel alien, dangerous even in imagination. Mannequin Pussy’s new Perfect EP bursts forth from those sprawling months of social isolation and internet-fueled anxiety.

After spending most of the year apart from each other and everyone else in 2020, Mannequin Pussy decided to book studio time and work together in person again. They brought two pre-written songs into the session, but opted to write new material together on the fly from the excitement of reunion. “We just figured if we forced ourselves into this situation where someone could hit ‘record,’ something might come out,” Missy says. “We’d never written that way before.” What came out of that compressed session time with Grammy Nominated producer Will Yip, are some of Mannequin Pussy’s most furious, incandescent songs yet.

PERFECT TRACK LISTING
1. Control
2. Perfect
3. To Lose You
4. Pigs is Pigs
5. Darling

Mannequin Pussy is Missy (vocals/guitar/keys), Colins “Bear” Regisford (bass), and Kaleen Reading (drums).

ARTWORK

FOR MORE INFORMATION ON MANNEQUIN PUSSY, VISIT:
WEBSITE | FACEBOOK | INSTAGRAM | TWITTER

THE MIGHTY MIGHTY BOSSTONES ANNOUNCE NEW ALBUM

THE MIGHTY MIGHTY BOSSTONES
ANNOUNCE NEW ALBUM

WHEN GOD WAS GREAT
OUT MAY 7

SHARE “I DON’T BELIEVE IN ANYTHING”

Ska-punk pioneers The Mighty Mighty BossToneS will release their 11th studio record When God Was Great on May 7 via Hellcat Records.

Co-produced by longtime collaborator Ted Hutt (The Gaslight Anthem, Dropkick Murphys) and Rancid frontman Tim Armstrong (Transplants, Jimmy Cliff), When God Was Great is the culmination of their extensive and all-embracing career and sees the band bringing back friends, tourmates, and bandmates from the past for a sonic celebration that stresses the power of perseverance and human connection during tumultuous times. The album features 15-tracks that initially arose out of a collective sense of loss.

“We were lightly writing songs before the insanity without any sort of timeline in mind. All of a sudden, the world changed and benchmark events in a very long career that we were looking forward to, such as playing with the Madness at the Greek Theatre, were taken away from us,” explains frontman Dicky Barrett. “With all of this time on our hands, we started writing at a quickened pace and we were really inspired. As grim as everything around us was in the outside world, this was the most fun we ever had making a record.

Today, the band shares their new single “I DON’T BELIEVE IN ANYTHING”.

CHECK OUT “I DON’T BELIEVE IN ANYTHING NOW

WHEN GOD WAS GREAT TRACK LISTING
1.     DECIDE
2.     M O V E
3.     I DON’T BELIEVE IN ANYTHING
4.     CERTAIN THINGS
5.     BRUISED
6.     LONELY BOY
7.     THE KILLING OF GEORGIE (PART III)
8.     YOU HAD TO BE THERE
9.     WHEN GOD WAS GREAT
10.  WHAT IT TAKES
11.  LONG AS I CAN SEE THE LIGHT
12.  THE TRUTH HURTS
13.  IT WENT WELL
14.  I DON’T WANT TO BE YOU
15.  THE FINAL PARADE

Since their formation in 1983, the BossToneS have been credited as one of the forefathers of ska punk and the creators of its subgenre, ska-core. With a career spanning over 30-years Boston’s best dressed band has built and continued to build a devoted following with their unique brass-infused brand of punk rock. To date they have released ten studio records; Devil’s Night Out (1989), More Noise and Other Disturbances (1992), Don’t Know How to Party (1993), Question the Answers (1994), Let’s Face It (1997), Pay Attention (2000), A Jackknife to a Swan (2002), Pin Points and Gin Joints (2009), The Magic of Youth (2011), and While We’re at It (2018).

CREDIT: YOYO YOSEF

NOFX RELEASE NEW FULL-LENGTH SINGLE ALBUM

NOFX RELEASE NEW FULL-LENGTH
SINGLE ALBUM
TODAY, FRIDAY, FEBRUARY 26, VIA FAT WRECK CHORDS

“NOFX Los Angeles punk veterans’ latest record tackles everything from drug addiction to mortality.” COS

If you think you’ve heard it all before from the veteran punks, this record begs to differ.” – Kerrang!

“NOFX’s Fat Mike on His Sobriety, Sexuality: ‘I Think I Came Out of the Closet Even More’”SPIN
STREAM: SINGLE ALBUM
(IN FULL ON ALL PLATFORMS  HERE)  

                                                                                               Photo credit: Jonathan Weiner


Fat Wreck Chords and longstanding California punk band NOFX are thrilled to present Single Album, the band’s 14th full-length studio album, out now. As frontman Fat Mike explains, “Single Album was initially supposed to be twice as long, as I wanted to make a perfect double album, and I didn’t accomplish that, so I decided to just make a single album, hence the title.” Alternative Press interviewed Fat Mike in this extensive interview, tackling everything from drug addiction to newfound sobriety. Recently, Consequence of Sound caught up with Fatty to stream their latest opus, as well as post a lengthly track-by-track where Fat Mike breaks down his lyrics, musical arrangements, and more. 

Single Album is available to stream on all platforms, with the physical product on hand via FAT’s Web Store


Check out the music video for “Fuck Euphemism” on YouTube.
Read an extensive Interview with Fat Mike & Spin about the video HERE.
View the music video for “Linewleum” on YouTube .
Watch the music video for “I Love You More Than I Hate Me” on YouTube.

Nearly 40 years in, what else is there to say about NOFX?

And aside from the occasional negative headline, how can one of the pioneers of SoCal punk—a style hardly known for experimentation—surprise anyone these days?

The answers lie on Single Album (Fat Wreck Chords, Feb. 26), NOFX’s 14th full-length studio album. There’s the nearly six-minute post-hardcore opener (“The Big Drag”). The meta sendoff for the band’s best-known song (“Linewleum”). The reggae-inflected song about a mass shooting (“Fish in a Gun Barrel”). Even a piano ballad (“Your Last Resort”).

It is, as frontman and bassist Fat Mike repeatedly describes, “a dark album.” That wasn’t the original intent. By early 2020, NOFX—which includes guitarist El Hefe, guitarist Eric Melvin, and drummer Smelly—had written and recorded enough songs for a planned double album to be released that fall. Like so much about 2020, those plans changed.

“When you write a double album, you write differently,” Mike says. “I was writing really different songs, and some fun songs, but you have to make a double album interesting enough to listen to the whole way. I wanted to make a perfect double album, and I didn’t accomplish that. So I decided to just make a single album, hence the title.”

Recorded at Motor Studios in San Francisco with Bill Stevenson and Jason Livermore (Rise Against, Alkaline Trio, Teenage Bottlerocket), Single Album pares down the roughly 23 songs NOFX tracked. “I just kept adding songs,” Mike says. “I was maybe a little out of my mind.”

How so? “I was pretty high on drugs that year,” he adds. While fans may wonder what else is new, Single Album casts the frontman’s habits in a surprisingly harsh light. While “Grieve Soto” eulogizes beloved Adolescents founder Steve Soto, it takes a meta turn when Eric Melvin warns Mike to be “cautious, more respectful, less obnoxious.”“Birmingham” has what people in recovery call “a moment of clarity,” when he realized he was an addict.

“That was a clarity moment in my life when I was by myself, and the sun’s coming up, and I’m scraping cocaine off the floor, like, ‘Eww, gross. I shouldn’t be doing this,’” Mike says. “So what did I do? I ordered more.” After being hospitalized with a bleeding ulcer—a terrifying experience that caused him to vomit blood—Mike entered rehab in fall 2020. He promptly wrote another new album while there and has been sober since.

Unsurprisingly, Single Album represents his most personal work to date. Heartbreak permeates “I Love You More Than I Hate Me” and “Your Last Resort.” “Fuck Euphemism” dives into Mike’s sexuality for a “pronoun bar fight.” “Doors and Fours” is a grim look into the early ’80s LA punk scene, when dozens of people—many of them Mike’s friends—overdosed on a prescription drug combo. “The Big Drag” is a personal vow to make the most of life, even when it undeniably sucks. “It’s one of my favorite NOFX songs ever. I don’t get sick of listening to that song,” Mike says of “The Big Drag.” “No measure is the same length. Every time a new chord change happens, there’s a different rhythm to the guitar. The bass never stays on one note. You’re not sure when the chords are going to change because they always change at a different point.”

In other words, it’s unpredictable—just like NOFX. Turns out there is a lot to say about them, even after all this time.

Fat Wreck Chords will release Single Album on Feb. 26, 2021.
Single Album track-listing

1. The Big Drag

2. I Love You More Than I Hate Me

3. Fuck Euphemism

4. Fish in a Gun Barrel

5. Birmingham

6. Linewleum

7. My Bro Cancervive Cancer

8. Grieve Soto

9. Doors and Fours

10. Your Last Resort

Sex Cuts – cop bait

No time to mince words. We’re all starving for entertainment during the pandemic. So unjam your earholes and stuff some rock and roll into ‘em. 

Now listening to “Cop Bait” by Sex Cuts, a lo-fi rager from Gothenburg Sweden’s Sex Cuts. This collection of six tracks of Apocolyptica will blast new and/or additional holes in your head.

Very garage, anti-music vibe going on. I dig the dissonance. Feels a bit like old Sonic Youth meets Rollins Band. It’s a raw release. Straight to cassette, which is cool I suppose for easy and cost effective media production. Thankfully there’s digital copies, because my cassette deck is fucked and I’d never hear it otherwise.

Cheers to Sex Cuts for a banger of an EP. Check them out at their Bandcamp site. Buy some shit. Support independent music!

Tracks:
1. Designer Thoughts 03:10
2. 1994:137 03:17
3. The Politics of Sinking 02:35
4. Chaos Rites 04:15
5. Cultural Sale 03:52
6. 52 Hertz 01:40

DeeCRACKS RELEASES VIDEO FOR “WE CAN’T HELP IT”

DeeCRACKS RELEASES VIDEO FOR “WE CAN’T HELP IT” NEW ALBUM SERIOUS ISSUES AVAILABLE MARCH 12th WATCH THE VIDEO: https://youtu.be/zFc9VlQ4t_s
Vienna, AT – Austrian punk rockers DeeCRACKS have released their video for “We Can’t Help It,” the first single from their upcoming album Serious Issues which comes out March 12th on Pirates Press Records.
CLICK HERE TO WATCH THE VIDEO FOR “WE CAN’T HELP IT”
DeeCRACKS - "We Can't Help It" (Official Music Video)
“The song’s basically about life and love. How we can direct ourselves in a certain direction. Make things better or worse for us every day. But we can’t help to fall in love with someone. It just happens,” says lead singer Matt DeeCRACK.

Serious Issues is the follow-up record to the band’s 2017 LP, Sonic Delusions. The band toured relentlessly around the world in support of the album including a month-long European tour with the legendary CJ Ramone.

Although these hard-working fellas won’t be able to hit the road amidst the pandemic, they have not lost their DIY spirit and pension for staying active. Instead, the band has refocused their energy and will be releasing multiple music videos and live studio sessions over the next few months to promote the record.

Make no mistake about it, DeeCRACKS will be on the road as soon as the pandemic is over so we can safely enjoy these new tunes live!
Find DeeCRACKS online:
https://dee-cracks.blogspot.com/
https://www.facebook.com/deecracks/
https://twitter.com/deecracks
https://www.instagram.com/deecracks_official/
https://deecracks.bandcamp.com/

THE MIGHTY MIGHTY BOSSTONES SIGN WITH HELLCAT RECORDS SHARE “THE FINAL PARADE”

FEATURING MEMBERS OF
RANCID, THE INTERRUPTERS, FISHBONE,
THE PIETASTERS, THE SPECIALS AND MORE

Hellcat Records is pleased to welcome the progenitors of ska, The Mighty Mighty BossToneS to the family.

Today, the band shares their new track “The Final Parade.” The track heralds the ups and downs of the band’s journey, the history of ska, and features vocal cameos and guest appearances from many ska-punk luminaries. At nearly 8-mintues, the track has been referred as “The Ska Summit” by Tim Armstrong, who co-produced the track with fellow Grammy award winner Ted Hutt. “It’s a love letter to Ska music and the people that make Ska music and it’s a whole lot of fun,” says vocalist Dicky Barrett.

The features on the track include Tim Armstrong (Rancid), Aimee Interrupter & The Interrupters, Stranger Cole, Angelo Moore (Fishbone), Jake Burns (Stiff Little Fingers), Jay Navarro (Suicide Machines), Chris DeMakes, Pete Wesilewski, Roger Lima (Less Than Jake), Jimmy G (Murphy’s Law), Toby Morse, Rusty Pistachio (H2O), John Feldman (Goldfinger), Laila Khan (Sonic Boom Six), Robert Hingley (Toasters), Dan Vitale (Bim Skala Bim), Dave McWane (Big D and The Kids Table), Sirae Richardson, Erin Mackenzie, Brie McWane (The Doped Up Dollys), Jesse Wagner (Aggrolites), Karina Denike (The Dance Hall Crashers), Christian Jaccobs (The Aquabats), Jon Pebsworth (Buck O Nine), Peter Porker (The Porkers), Steve Jackson (The Pietasters), Felipe Galvan (Los Skanarles), Jet Baker (Buster Shuffle), Fumio Ito (Kemuri), Glen “The Kid” Marhevka  (Big Bad Voodoo Daddy), and Roddy Radiation (The Specials).

CHECK OUT “THE FINAL PARADE” NOW
WATCH | LISTEN

Since their formation in 1983, the BossToneS have been credited as one of the forefathers of ska punk and the creators of its subgenre, ska-core. With a career spanning over 30-years Boston’s best dressed band has built and continued to build a devoted following with their unique brass-infused brand of punk rock. To date they have released ten studio records; Devil’s Night Out (1989), More Noise and Other Disturbances (1992), Don’t Know How to Party (1993), Question the Answers (1994), Let’s Face It (1997), Pay Attention (2000), A Jackknife to a Swan (2002), Pin Points and Gin Joints (2009), The Magic of Youth (2011), and While We’re at It (2018).

The Mighty Mighty BossToneS are vocalist Dicky Barrett, bassist Joe Gittleman, saxophonists Tim “Johnny Vegas” Burton and Leon Silva, Bosstone Ben Carr, drummer Joe Sirois, guitarists Nate Albert and Lawrence Katz, keyboardist John Goetchius, and trombonist Chris Rhodes.

CREDIT: YOYO YOSEF

For More Information on The Mighty Mighty BossToneS, visit:
WEBSITE | TWITTER | INSTAGRAM | FACEBOOK