JOYCE MANOR NEW ALBUM
‘40 OZ. TO FRESNO’ OUT NOW
JOYCE MANOR COLLABORATES WITH SO CAL EATERY BURGERLORDS
US HEADLINING TOUR STARTS THIS AUGUST
“as if Taking Back Sunday had attended the Guided By Voices school of songwriting,” NYT on “Gotta Let It Go”
“a hooky, straightforward rock band that can’t seem to miss, with a signature touch you can’t mistake no matter how much they tweak the details.” – Stereogum
“a refreshing burst of off-kilter rock—whether it’s emo, pop-punk, or indie rock. It’s just an undeniable jam.” – UPROXX on “Don’t Try”
“sounds like the Joyce Manor you fell in love with from the very beginning…” – SPIN on “Gotta Let It Go”
Today, Joyce Manor unveil their 6th studio album, 40 oz. To Fresno. Seeing the band return to form after a brief hiatus, it will undoubtedly please fans who have been waiting four years since 2018’s Million Dollars To Kill Me. The much anticipated record has songs that span over the last eight years, yet achieve a cohesion that marks the next chapter of Joyce Manor.
Vocalist Barry Johnson summarizes,“This album makes me think of our early tours, drinking a 40 in the van on a night drive blasting Guided By Voices and smoking cigarettes the whole way to Fresno.”
In celebration of the release, Joyce Manor have teamed up with local Los Angeles vegan fast food establishment, Burgerlords from the weekend of June 10th through June 12th. Fans and foodies alike can stop by and enjoy a unique vegan burrito created by the band, a branded hot sauce, as well as limited edition t-shirts and only 100 prints of an exclusive vinyl variant with an alternate album cover. Both the Highland Park and Chinatown, Los Angeles locations will be participating while supplies last.
Originally planning to take a break from music, Joyce Manor brought their latest project 40 oz to Fresno to life thanks to singer/guitarist Barry Johnson’s desire to keep writing during quarantine. Produced by Rob Schnapf (Elliott Smith, Tokyo Police Club, Joyce Manor’s ‘Cody’,) mixed by Tony Hoffer (Beck, Phoenix) with Tony Thaxton of Motion City Soundtrack on drums, a sense of liberation lies at the core of this project. It’s strangely fitting that the title was taken from an auto-corrected text message about Sublime. Those types of happy accidents are all over 40 oz. To Fresnoand are worth the subsequent sonic hangover.
Since forming in 2008, the pop-punk group has proved time and time again that they can capture listeners’ attention through catchy yet thought provoking lyrics, and high energy shows. Although they have an established sound that reflects the energetic and gritty nature of the band which fans have come to expect, they push the limits by experimenting throughout the recording process.
40 oz. To Fresno Track Listing
- Reason To Believe
- You’re Not Famous Anymore
- Don’t Try
- Gotta Let It Go
- Dance With Me
- Did You Ever Know
- Secret Sisters
JOYCE MANOR NORTH AMERICAN TOUR DATES
8/3/22 – Denver, CO – Ogden Theater **
8/4/22 – Omaha, NE – Slowdown **
8/5/22 – Minneapolis, MN – First Avenue **
8/6/22 – Chicago, IL – Concord Music Hall **
8/7/22 – Detroit, MI – Majestic Theater **
8/8/22 – Cleveland, OH – Agora Theater **
8/9/22 – Toronto, ON – Danforth Music Hall **
8/10/22 – Buffalo, NY – Town Ballroom **
8/12/22 – Brooklyn, NY – Brooklyn Steel **
8/13/22 – Boston, MA – Roadrunner **
8/14/22 – Philadelphia, PA – Union Transfer **
8/16/22 – Baltimore, MD – Rams Head Live **
8/17/22 – Richmond, VA – The National **
8/18/22 – Columbia, SC – The Senate **
8/19/22 – Nashville, TN – Main Stage @ Eastside Bowl **
8/20/22 – Atlanta, GA – Variety Playhouse **
8/21/22 – St. Petersburg, FL – Jannus Live **
8/3/22 – Houston, TX – Warehouse Live **
8/24/22 – Austin, TX – Far Out Lounge **
8/25/22 – Dallas, TX – Studio @ The Factory **
8/27/22 – Phoenix, AZ – The Van Buren **
1/7/23 – Long Beach, CA – Long Beach Arena ~
** w/ Citizen, Prince Daddy & The Hyena and PHONY
~ w/ PUP, Jeff Rosenstock and Slaughterhouse
ABOUT JOYCE MANOR
Joyce Manor is a band from Torrance, CA consisting of Barry Johnson (vocals/guitar), Chase Knobbe (guitar), and Matt Ebert (bass). Johnson and Knobbe started the band in 2008 in the Disneyland parking lot while sharing a bottle of cheap booze. Named after an apartment complex that Johnson would walk past every day, Joyce Manor made their debut as an acoustic two-piece. Quickly they learned that playing loud was much more fun and invited friends to join the lineup. The band has since released five studio albums; Joyce Manor (2011), Of All Things I Will Soon Grow Tired (2012), Never Hungover Again (2014), Cody (2016), Million Dollars to Kill Me (2018), and Songs From Northern Torrance (2020). Joyce Manor has toured extensively and has made festival appearances at FYF Fest, Coachella, Riot Fest, and others. Press accolades for Joyce Manor include support from Pitchfork, Stereogum, NPR, The New York Times, Brooklyn Vegan, SPIN, Rolling Stone, The FADER, and more.
FIRST SINGLE, “SCAB ON MY BRAIN” NOW STREAMING ONLINE
WATCH: “SCAB ON MY BRAIN”
(MUSIC VIDEO ON YOUTUBE)
We are stoked to announce the latest addition to our Live in a Dive series with RKL! This is our tenth installment of the series, and takes us back over 30 years to Eindhoven, Holland. The 17-song tracklist is mainly culled from their 1987 album Rock’ n Roll Nightmare, and was recorded at the famed Eindhoven squat-turned-venue De Efenaar. The album cover features the incredible art by longtime RKL cover artist Dan Sites, who recently sat down with Fat Mike on Fat Mike’s Fat Mic to discuss his iconic career, and all things RKL, with founding member, Chris Rest. The album drops on June 3rd and is available for pre-order. Check out the absolute banger of a single, “Scab on My Brain,” streaming everywhere and anywhere that you can stream music!
The tenth installment of Fat Wreck’s Live in a Dive series takes us back over 30 years to Eindhoven, Holland. The date is May 12, 1989, not too long before Montecito, CA punks RKL – aka Rich Kids On LSD – will call it quits (for the first time, anyway). In fact, at this point, the wheels are wobbly and are starting to fall off the band. Their time in Europe is surrounded by hash smoke, booze, drugs, and debauchery that is only exacerbated by their youthful, carefree abandon. Strain is also taking its toll from hard van touring, sleepless nights, heavy drinking, drug use, and tension that is beginning to form like barnacles on the RKL ship. Especially between vocalist Jason Sears & drummer Richard ‘Bomer’ Manzullo who are struggling with the direction of the band seven years into its career. Not that you can tell that from these songs. The 17-song set – a good chunk of which is culled from 1987’s album Rock ’n Roll Nightmare – was recorded at famed Eindhoven squat-turned-venue De Effenaar, and is beautifully ragged and raw. In fact, it sounds like the band members are having the time of their lives. Probably because, despite everything going on behind the scenes, when they were onstage they were having the time of their lives!
“This definitely brings back the excitement of those days,” says Joe Raposo, who joined the band as a bassist in 1987. “Even the rough times, which were harsh, were still exciting, I have to admit. Having to deal with the musical direction change that Bomer was adamant about was definitely a bummer, as we all loved the sound of Rock N Roll Nightmare and wanted to pursue that sound for new songs. Which I think is kinda ironic, because Bomer was the one that wrote most of all the music on that album! But that’s just how he was, always progressing. Dealing with the escalation of heavy drug use was not fun and taking a toll on the members not participating. But listening to this album also brings back all of the wonderful memories of the fun we had on the road, touring in a van with [Destiny Records founder] Dave Pollack. We were all really young and just living life and going for it. We were in our teens and early twenties, and we were literally having the best time of our lives together, you know? It was like live fast, die young, and leave a beautiful corpse!”
Although the band would get back together – twice! – after its initial break-up, things were never quite the same after the members went their separate ways the first time. As such, this record is a document of one of the last points before everything took a dive, of a band holding it together – incredibly well, it has to be said – before everything unraveled. And even though you can’t really hear that tension (“It was mostly in the background when we were on the road,” says Raposo, “but it became very evident when we were trying to write new songs”), when compared to the Double Live in Berlin live album, recorded the year before this one, there does seem to be an extra sense of urgency in these songs. They’re more primal and more ferocious, more intense and more nihilistic. Above all, though, they still sound fun as hell.
“I think we were all still just happy playing together,” says Raposo. “For the most part – I would say 95% of the time or even more than that – we were just having a blast playing every night together. And that was the most important thing. We were all on top of our game, Bomer was a fucking beast on the drums, and Jason was one of the best frontmen ever. He could get a crowd going, he could incite a riot, he could make everybody laugh, he could puke onstage at will!”
Even if there’s no puking at this gig, all of that is nevertheless clear, even 30-something years later and on record. But RKL’s Live in a Dive album – which features incredible art by longtime RKL cover artist Dan Sites – isn’t just a pure representation of the band in all its twisted, untamed glory. It’s not just the sound of a band about to fall off the cliff edge. It also serves as a bittersweet tribute to both Manzullo and Sears, who died in 2005 and 2006 respectively. These songs capture both members in their element – onstage, doing what they love, surrounded by people who love what they do. Just listen to the frantic run-through of “Break the Camel’s Back”, the guttural desperation of “Hangover”, the nervous energy of “Blocked Out”, the blistering frenzy of “Rock N Roll Nightmare”. It’s one of the last times – and certainly the last time caught on tape – that the band would sound this imperfectly perfect, this happily carefree.
“When the band got back together,” remembers Raposo, “drugs had taken a strong hold on some people, and at that point the addictions were just so bad that it couldn’t be resolved, not even with going to rehab or anything else like that. So that’s really sad. And then, of course, shortly after, death started occurring and that became the end of it. So what I really love about this record is that I can always play it and hear my friends playing, and me playing with my friends, hearing us all play together, and sharing that love on stage with one another. That’s the best thing ever. It’s a great memorial.
2. Beautiful Feeling
3. Break the Camel’s Back
5. Coming Home
6. Lay Your Weapons Down
7. Scab on My Brain
8. Drink Positive
9. Tribute to the Jester
10. Blocked Out
12. Life in a Bottle
14. Rock N Roll Nightmare
17. Ded Teds
Today, Beach Rats announce their debut album Rat Beat, out on July 29th via Epitaph Records. An impressive lineup of punk rock lifers, the band is comprised of vocalist Ari Katz (Lifetime), guitarist Pete Steinkopf (Bouncing Souls,) bassist Bryan Keinlen (Bouncing Souls,) guitarist Brian Baker (Bad Religion, Minor Threat) & Danny Windas (Let It Burn) on drums. They also share the music video for the album’s title track “Rat Beat” which embodies the nature of punk in its purest form; hard, fast and loud.
Beach Rats came to be as each member found themselves settled in the beach community of Asbury Park, New Jersey. After releasing an EP in 2018 and performing a slew of high-energy shows, the global pandemic gave the band a reason to get back to recording. The majority of the songs on Rat Beat were conceptualized and rehearsed in the basement of Brian Baker’s home and then tracked by Eric Bennett at Lakehouse Studios in only one day.
Baker recalls, “We’d go down in the basement, put on masks, open the windows and we could play – within CDC guidelines! We couldn’t go to dinner at each other’s houses but we could practice.”
The DIY spirit of punk music is very much alive in Beach Rats. With the fervor to create something new, yet nostalgic, the band intentionally wrote the 12 tracks on Rat Beat how they used to back when they were teenagers. Or as Baker puts it, “like we did before we knew how to write songs.“
Not wanting to take themselves too seriously, the band formed merely over a love of the genre. These are veterans of punk rock just having fun and trying replicate that feeling and sound of what it was like to make punk music in the 80’s.
“You’re gonna get authentic punk and hardcore from BEACH RATS because we are all from the 80’s,” Bryan Kienlen comments. “It’s literally taking it back to some of our biggest influences like Negative Approach and Poison Idea, And of course, Minor Threat.”
“Rat Beat” Tracklist
- Bikes Out!
- Dress for Sick Sesh
- Heavy Conversation
- Rat Beat
- Summers End
- Clorox Boys
- Blown to Bits
- She Was a Goner
- Beach Talk
- Fuck You Dad
FOR MORE INFORMATION ON BEACH RATS, VISIT:
|Pulley Releasing New Album ‘The Golden Life’ on May 13 via SBÄM Records Stream The Title Track and Video Band Touring Europe in May (Including Shows with Bad Religion and Pennywise) “Will they ever find the golden life, Passing by the speed of light, It will come and be gone, Our system was wrong….”|
|Long-running Southern California punks Pulley, will release their new studio album “The Golden Life” on May 13, 2022 via SBÄM Records. The first single “Golden Life” is now streaming everywhere along with a lyric video (animated by Roland Pilz).|
Pre-save the album here: https://bfan.link/the-golden-life Stream the single “Golden Life” here:
Watch the video here:
Of the song, frontman (and former Major League Baseball pitcher) Scott Radinsky says, “Golden life. Observing a generation of kids who have seemingly been robbed of an experience. Life without ease of access to good, and/or bad. Much of what they have seen in the world has been negative, unimaginable terrorist acts, war and violence, a division of people. In regards to music, our generation really had to earn it if we wanted to get a proper listen or visual. Technology, although having its good aspects, has removed an experience that offered a deeper appreciation of life.”
Catch Pulley on their upcoming European dates with Bad Religion and Pennywise (separately) and on their summer Canadian tour.
Pulley is an American punk rock band from Simi Valley, California. Shortly after forming in 1995, the group signed to Epitaph Records. Over the next ten years, with the backing of the influential Los Angeles based independent label, the band issued five full length records, helping to build a cult following of supportive fans.
As time went on, Pulley members, Scott Radinsky (vocals), Mike Harder (guitar), and Tyler Rebbe (bass), continued to tour and release new music regularly, eventually adding longtime friends Trey Clinesmith on guitar and Sean Sellers on drums.
In 2019, after more than two decades performing live, both nearby and in some of the further reaches the planet, Pulley was honored to be inducted into the Ventura County Music Hall of Fame.
Furious, fast punk has always been a Pulley special. Mix it with California melodies and some serious production and you have one of the best bands around.
Scott Radinsky – Vocals
Mike Harder – Guitar
Trey Clinesmith – Guitar
Tyler Rebbe – Bass
Sean Sellers – Drums
|Tracklist – The Golden Life|
01 Repeat Offender
03 Wake Up
04 Two Winds
05 Align The Planets
07 Sad Song
08 Golden Life
10 Dust Off The Dreams
So Cal punks Moonraker who jokingly call themselves “The Michael Jordan of Baseball of Punk Rock” have released a new single + video for “Crickets” a song off their upcoming album ‘The Forest,’ out May 13 on Tiny Dragon Music / Bearded Punk Records / Bypolar Records / No Time Records.
SHARE NEW SINGLE
Philly based hardcore band Soul Glo have released their latest single, “Driponomics,” ahead of their fourth studio album Diaspora Problems due out on March 25th.
This scathing commentary on capitalism and economic disparity is contrasted with the prevalence of hypebeast culture, listing popular designers and brands in between screeching distortion and a heavy bassline. The track also features a verse from fellow Philly native, rapper Mother Maryrose.
Soul Glo explains that “Driponomics is for everyone doing what they have to do to get by and to get fly. Oftentimes lower-income and working class people are criticized for how they survive out here, especially in times of crisis. People are getting more desperate but simultaneously more creative with their income options, and this song is a salute to that. Love to Mother Maryrose whose verse on this song is one of the best moments on our album.”
Presented in a hardcore whirlwind of justified rage, Soul Glo’s sharp lyrics are always thought provoking and politically charged, with lines like: “Ain’t nothin’ as ugly as a balance in the red / I want bands on every politician’s head”
Fusing hip-hop, hardcore, and punk, the Philly outfit are fearless in their approach and even more ruthless in their delivery. Injecting their colorful narrative into predominantly white spaces, Soul Glo has the scope and ability to transcend outer appearances in hardcore music. With the release of Diaspora Problems, the band is not aiming for it to be the only album like it that exists, but instead one of many entries in a new dawn for rock music.
Soul Glo is Pierce Jordan (vocals), GG Guerra (bass, vocals, programming), and TJ Stevenson (drums).
DIASPORA PROBLEMS TRACKLIST
- Gold Chain Punk (whogonbeatmyass?)
- Coming Correct Is Cheaper
- Fucked Up If True
- Jump!! (Or Get Jumped!!!)((by the future))
- Driponomics (ft. Mother Maryrose)
- (Five Years And) My Family
- The Thangs I Carry (ft. BEARCAT)
- We Wants Revenge
- John J (ft. Kathryn Edwards and Zula Wildheart)
- Spiritual Level Of Gang Shit (ft. Mckinley Dixon and Lojii)
FOR MORE INFORMATION ON SOUL GLO, VISIT:
New album Don’t Let The Sunlight Fool Ya available for pre-order
Click here to watch
New York City, NY — February 3, 2022 —New York City reggae legends THE SLACKERS are debuting the song and video for “Don’t Let The Sunlight Fool Ya” on Brooklyn Vegan which is also the title track from their brand new upcoming album. This record, their first in 7 years and 15th full-length in their career, is now available on Pirates Press Records’ webstore.
Frontman Vic Ruggiero describes the writing process and meaning behind the song: “Yeah, it’s the springtime…it looks really nice thru the window. The sun feels good… You go outside and all of a sudden you realize it’s winter still… It’s like you thought you put sugar in your coffee, but it was salt.”
(Clip from the video for “Don’t Let The Sunlight Fool Ya”)
Rolling Stone recently hailed The Slackers as “THE legendary New York City ska band” and this is by no means hyperbole. Having formed in 1991, The Slackers released their debut album in 1996, Better Late Than Never, and then signing with Epitaph Records and releasing their breakthrough full-length, Redlight, in 1997. From there, the band traveled the world and began to develop a prolific audience through their fun and energetic shows.
14 full-lengths later, countless EPs, singles, and touring all around the world playing to thousands and thousands of fans from Tokyo, Japan to their hometown of New York City, The Slackers return with Don’t Let The Sunlight Fool Ya. Marc Wasserman, author of “Skaboom! An American Ska & Reggae Oral History,” says The Slackers’ “…songs are about real darkness, depression, anger, sadness and loneliness, and some of the political songs as well are pretty vibrant.”
“In the middle of 2020, every time we started doing a livestream, we would stay after and start recording new music. By the middle of 2021, we had an album recorded. A lot of these tunes like “Don’t Let The Sunlight Fool Ya” were written right after we had just gotten out of lockdown,” says saxophonist Dave Hillyard.
The New York Times dubbed the Slackers part of ‘the sound of New York,’ and The Slackers just keep at it, only improving with age and experience – writing better and better songs, and continuing to build and strengthen that global Slackers family. Washington Post has described the impact The Slackers have left on the ska scene: “The Slackers have become the elder statesmen in American ska music, setting the stage for a new generation of musicians and a thriving scene….they remain at the top of their game.”
After releasing several singles with Pirates Press Records (“Windowland/I Almost Lost You,” “Nobody’s Listening/Sleep Outside,” and “Love I Bring), The Slackers are once again hitting the road all year long to support a new set of tunes and once again have fans around the world put on their dancing shoes for another evening with these renowned musicians. This album is a testament to the age and experience this band has accrued over their 30+ year career. These special tunes will undoubtedly travel far and wide, just like the band will, performing these songs in a club near you!
(The cover art for Don’t Let The Sunlight Fool Ya)
Catch The Slackers on tour:
03/30/2022 – Harrisburg, PA – Stage On Herr
4/07/2022 – Rehoboth Beach, DE – Arenas
4/08/2022 – Virginia Beach, VA – Bunker Brewpub
4/10/2022 – Atlanta, GA – Masquerade
5/7/2022 – Jersey City, NJ – White Eagle Hall
5/12/2022 Ottawa, ON – Brass Monkey
5/13/2022 Montreal, QC – Cafe Campus
5/14/2022 Quebec City, QC – L’Antibar
5/17/2022 Salt Lake City, UT – Commonwealth Room
5/18/2022 Denver, Co – Oriental Theater
5/20/2022 – Dallas, TX – Three Links
5/21/2022 – Houston, TX – Scout Bar
5/22/2022 – San Antonio, TX – Rockbox
5/24/2022 – Albuquerque, NM – Launchpad
5/27/2022 – Flagstaff, Az – Yucca Room
5/28/2022 – Phoenix, Az – Crescent Ballroom
9/26/2022 – Birmingham, UK – Hare and Hounds
9/27/2022 – Manchester, UK – Retro
9/28/2022 – Huddersfield, UK – Parish
9/30/2022 – London, UK – Underworld
10/1/2022 – Leeds, UK – Brudenell Social Club
10/2/2022 – Newcastle, UK – Think Tank
10/3/2022 – Bristol, UK – Exchange
10/4/2022 – Antwerp, Belgium – Kavka
10/6/2022 – Haarlem, Netherlands – Patroonaat
10/7/2022 – Den Haag, Netherlands – Paard
10/8/2022 – Sittard, Netherlands – Ernestos
10/11/2022 – Zurich, Switzerland – Komplex
10/12/2022 – Munich, Germany – Feierwerk
10/13/2022 – Vienna, Austria – Arena
10/15/2022 – Sluderno, Italy – Loki
10/16/2022 – Nuremberg, Germany – Desi
10/17/2022 – Hannover, Germany – Lux
10/18/2022 – Berlin, Germany – S036
10/19/2022 – Hamburg, Germany – Molotov
10/21/2022 – Koln, Germany – Gebaude 9
10/22/2022 – Arlon, Belgium – L’entrepot
The Slackers are:
Vic Ruggiero – vocals, organ
Agent Jay – guitar
Dave Hillyard – saxophone
Glen Pine – trombone, vocals
Marcus Geard – bass
Ara Babajian – drums
Street Punk Icons THE CASUALTIES Ride The Storm On East Coast U.S. Tour!
Los Angeles, CA – When last we caught up with street punk legends, The Casualties, they had just released a brand new “live in the studio” album recorded in 2019 called Until Death – Studio Sessions on which the band unleashed their fury on some of the biggest songs from their extensive catalog, songs such as “Unknown Soldier,” “We Are All We Have,” “Punk Rock Love” and more! The band then followed that up with a nationwide tour with Strung Out just before the world was engulfed in the COVID-19 pandemic. But you can’t keep a good punk down so the band regrouped at the end of 2021 and launched a new tour called All Out Tour, which was rapturously received by the pit-starved punk rock faithful.
Now, The Casualties have returned for the inevitable sequel! Bigger and better than the previous iteration, All Out Tour II features a rested and rejuvenated Casualties line-up plus two special guests, Rotten Stitches and Stolen Wheelchairs. Whereas the first All Out Tour focused primarily on the western half of the U.S., Part II finds the Four Horsemen of the Punk Rock Apocalypse galloping deep into the eastern states. So get ready to join the pit – it could be your last!
Feb 08 – Mercury Lounge – Tulsa, OK
Feb 09 – 1867 Bar – Lincoln, NE
Feb 10 – Lefty’s Live Music – Des Moines, IA
Feb 11 – Sounds Of The Street Festival – Chicago, IL
Feb 12 – The Sanctuary – Detroit, MI
Feb 13 – Legends – Cincinnati, OH
Feb 15 – Now That’s Class – Cleveland, OH
Feb 16 – Mohawk Place – Buffalo, NY
Feb 17 – Empire Underground – Saint Albans, NY
Feb 18 – First Unitarian Church – Philadelphia, PA
Feb 19 – QXT’s Night Club – Newark, NJ
Feb 20 – Our Wicked Lady – Brooklyn, NY
Feb 22 – The Bunker Brewpub & Cadence Hall – Virginia Beach, VA
Feb 23 – The Masquerade – Atlanta, GA
Feb 24 – 1904 Music Hall – Jacksonville, FL
Feb 25 – Las Rosas – Miami, FL
Feb 26 – The Orpheum – Tampa, FL
Feb 27 – Will’s Pub – Orlando, FL
Order CD/Vinyl of Until Death – Studio Sessions:https://cleorecs.com/store/?s=casualties+until+death&post_type=product
ANNOUNCE NEW ALBUM
OUT CD/DIGITAL MARCH 25 VIA EPITAPH
& ON VINYL VIA SECRET VOICE
SHIPPING LATE 2022
SHARE NEW TRACK
“JUMP!! (OR GET JUMPED!!!)((BY THE FUTURE))”
WATCH | LISTEN
ON TOUR WITH CIRCA SURVIVE
BEGINNING FEBRUARY 6
Revolutionary Philadelphia hardcore band, Soul Glo is thrilled to announce their fourth studio album Diaspora Problems due out digitally on March 25. The album will be available on vinyl via Secret Voice, expected to ship late 2022. Pre-orders are available now, here.
Today, the band shares the first glimpse of the forthcoming album with “Jump!! (Or Get Jumped!!!)((by the future)),” a hardcore whirlwind of justified rage, spinning like a verbal circle pit with a steady drumbeat and swirling guitars. Lyrically, Soul Glo examine the disposability of Black art and its creators and the mental anguish of having “big big plans” in a time when a future is not guaranteed. “Many artists feel as though time is a consistent adversary when it comes to the production of their work, but there is a population of people within this group who fear even more the probability of their time permanently coming to a close before they can enjoy the fruit of their labor,” explains the band. “Many Black artists who reach superstar status do so posthumously or have a limited amount of time to establish their legacy.” Throughout the track, Soul Glo breakdown genre walls blending hip-hop, hardcore, and punk channeling the flow of Migos and Three 6 Mafia mixed with the hardcore likings of Warthog, Converge’s You Fail Me-era, and screamo cacophony akin to City of Caterpillar.
Conceptualized over the course of 2016 to 2021, Diaspora Problems was recorded in an unfinished warehouse and the band’s practice space during the hottest parts of summer 2021.
The self-produced albumexplores an artist and individuals’ self-doubt and self-hate, past traumas that can only be worked out in adulthood, financial instability and how it affects an artist, the effects of institutional and state violence, and the power of community that delivered Soul Glo through each struggle the band has endured from their inception and before. Soul Glo’s lyrics are uncompromising, written to raise awareness of social justice issues, and designed to make you look inward.
Diaspora Problems is only the beginning of what will undoubtedly be a bright future for Soul Glo, as well as a forecast for what the band is capable of musically. Hardcore punk is at the precipice of a sonic revolution as a higher variance of people find room for themselves and the expression of their lived experience within the genre. More and more people will be injecting a cultural identity and offering a narrative previously unheard and/or underappreciated by punk rockers and kindred spirits the world over. Diaspora Problems is not aiming to be the only album like it that exists, but instead one of many entries in a new dawn for rock music.
Soul Glo is Pierce Jordan (vocals), Ruben Polo (guitar), GG Guerra (bass, vocals, programming), and TJ Stevenson (drums).
DIASPORA PROBLEMS TRACKLIST
1. Gold Chain Punk (whogonbeatmyass?)
2. Coming Correct Is Cheaper
4. Fucked Up If True
5.Jump!! (Or Get Jumped!!!)((by the future))
6. Driponomics (ft. Mother Maryrose)
7. (Five Years And) My Family
8. The Thangs I Carry (ft. Bearcat)
9. We Wants Revenge
10. John J (ft. Kathryn Edwards and Zula Wildheart)
12. Spiritual Level Of Gang Shit (ft. Mckinley Dixon and Lojii)
Soul Glo will hit the road with Circa Survive and Tigers Jaw in North America starting February 6 in Fort Lauderdale, FL. January 7 – February 5 dates have been postponed, reschedule information coming soon.
SOUL GLO TOUR DATES
with Circa Survive & Tigers Jaw
2/6 Ft. Lauderdale, FL Revolution
2/8 St Petersburg, FL Jannus Live
2/9 Orlando, FL House of Blues
2/11 Atlanta, GA Masquerade
2/12 Charlotte, NC The Fillmore
2/13 Richmond, VA The National
2/15 Nashville, TN Cannery Ballroom
2/16 Louisville, KY Mercury Ballroom
2/18 Cincinnati, OH Bogarts
2/19 Detroit, MI The Majestic
2/20 Toronto, ON Opera House
2/22 Montreal, QC Fairmont Theatre
2/23 Albany, NY Empire Live
2/25 Boston, MA House of Blues
2/26 Hartford, CT The Webster
2/27 Brooklyn, NY Brooklyn Steel
3/1 Pittsburgh, PA Stage AE
3/2 Baltimore, MD Rams Head Live
3/4 Philadelphia, PA Union Transfer
3/5 Philadelphia, PA Union Transfer