THE MIGHTY MIGHTY BOSSTONES SIGN WITH HELLCAT RECORDS SHARE “THE FINAL PARADE”

FEATURING MEMBERS OF
RANCID, THE INTERRUPTERS, FISHBONE,
THE PIETASTERS, THE SPECIALS AND MORE

Hellcat Records is pleased to welcome the progenitors of ska, The Mighty Mighty BossToneS to the family.

Today, the band shares their new track “The Final Parade.” The track heralds the ups and downs of the band’s journey, the history of ska, and features vocal cameos and guest appearances from many ska-punk luminaries. At nearly 8-mintues, the track has been referred as “The Ska Summit” by Tim Armstrong, who co-produced the track with fellow Grammy award winner Ted Hutt. “It’s a love letter to Ska music and the people that make Ska music and it’s a whole lot of fun,” says vocalist Dicky Barrett.

The features on the track include Tim Armstrong (Rancid), Aimee Interrupter & The Interrupters, Stranger Cole, Angelo Moore (Fishbone), Jake Burns (Stiff Little Fingers), Jay Navarro (Suicide Machines), Chris DeMakes, Pete Wesilewski, Roger Lima (Less Than Jake), Jimmy G (Murphy’s Law), Toby Morse, Rusty Pistachio (H2O), John Feldman (Goldfinger), Laila Khan (Sonic Boom Six), Robert Hingley (Toasters), Dan Vitale (Bim Skala Bim), Dave McWane (Big D and The Kids Table), Sirae Richardson, Erin Mackenzie, Brie McWane (The Doped Up Dollys), Jesse Wagner (Aggrolites), Karina Denike (The Dance Hall Crashers), Christian Jaccobs (The Aquabats), Jon Pebsworth (Buck O Nine), Peter Porker (The Porkers), Steve Jackson (The Pietasters), Felipe Galvan (Los Skanarles), Jet Baker (Buster Shuffle), Fumio Ito (Kemuri), Glen “The Kid” Marhevka  (Big Bad Voodoo Daddy), and Roddy Radiation (The Specials).

CHECK OUT “THE FINAL PARADE” NOW
WATCH | LISTEN

Since their formation in 1983, the BossToneS have been credited as one of the forefathers of ska punk and the creators of its subgenre, ska-core. With a career spanning over 30-years Boston’s best dressed band has built and continued to build a devoted following with their unique brass-infused brand of punk rock. To date they have released ten studio records; Devil’s Night Out (1989), More Noise and Other Disturbances (1992), Don’t Know How to Party (1993), Question the Answers (1994), Let’s Face It (1997), Pay Attention (2000), A Jackknife to a Swan (2002), Pin Points and Gin Joints (2009), The Magic of Youth (2011), and While We’re at It (2018).

The Mighty Mighty BossToneS are vocalist Dicky Barrett, bassist Joe Gittleman, saxophonists Tim “Johnny Vegas” Burton and Leon Silva, Bosstone Ben Carr, drummer Joe Sirois, guitarists Nate Albert and Lawrence Katz, keyboardist John Goetchius, and trombonist Chris Rhodes.

CREDIT: YOYO YOSEF

For More Information on The Mighty Mighty BossToneS, visit:
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The Slackers VS The Aggrolites

Fresh from the Badasonic Records as part of the Badasonic Sound Clash series Vol.1 is an always fun split 45. This one in the “bands cover bands” format.

The two track split features The Slackers take on “Countryman Fiddle” from Aggrolites, and the Aggrolites spin on The Slacker’s “Wasted Days.“

Grab a copy if you can and freshen up your sound system with a fresh take on some classic tracks. The split is currently sold out, but there’s always hope for another pressing, right?

Cheers!

Jerry Actually

Descendents Share New Track – That’s the Breaks

DESCENDENTS
SHARE NEW TRACK

“THAT’S THE BREAKS”

Today, legendary punk band Descendents share their new track “That’s The Breaks.” The track follows the politically-charged two-song single Suffrage, released ahead of the 2020 general election encouraging voting to take down the Trump administration. In triumph, “That’s The Breaks” serves as a farewell to 45 ahead of the upcoming inauguration.

“Loser.  Big time loser.  Delusional loser. SORE loser.  The time has come.  The time is now.  Just go, go, GO.  I don’t care how. Donald J. Trump, will you please go now!,” adds vocalist Milo Aukerman. “What’s it gonna take?  A gazillion dollars? (Oh wait, you already grifted that from supporters)… A get out of jail free card? (Only if our judicial system totally fails us)… A wooden stake through the heart?  Whatever we can do to make you go away, we need to do it.  And I don’t mean just leave the White House, I mean crawl back into your hole of hate and live out the rest of your life as a nobody.  A loser.  Because that’s what you are.  Worst. President. Ever.”

LISTEN TO “THAT’S THE BREAKS”

Formed in 1978 Descendents are Milo Aukerman (vocals), Stephen Egerton (guitar), Karl Alvarez (bass), and Bill Stevenson (drums). They have released seven studio albums, Milo Goes to College (1982), I Don’t Want to Grow Up (1985), Enjoy! (1986), All (1987), Everything Sucks (1996), Cool to Be You (2004), and Hypercaffium Spazzinate (2016).

DESCENDENTS BY KEVIN SCANLON

For more information on Descendents, visit:
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NOFX Announce New Album

INFLUENTIAL PUNK BAND NOFX ANNOUNCE NEW FULL-LENGTH,
SINGLE ALBUM 

WATCH: AVENGED SEVENFOLD, AND MORE, IN NOFX’S NEW VIDEO FOR THEIR FIRST SINGLE, “LINEWLEUM”

SINGLE ALBUM, PRODUCED BY BILL STEVENSON & JASON LIVERMORE
(BLASTING ROOM), IN STORES AND ONLINE VIA FAT WRECK CHORDS ON
FRIDAY, FEBRUARY 26 WITH PRE-ORDER AVAILABLE NOW

                                                                                               Photo credit: Jonathan Weiner


Fat Wreck Chords and longstanding California punk band NOFX are excited to announce Single Album, the band’s 14th full-length album, due out on Friday, February 26 (pre-order).  Boasting 12 new tracks and recorded at Motor Studios in San Francisco with Bill Stevenson and Jason Livermore (Rise Against, Alkaline Trio, Teenage Bottlerocket), Single Album is their most personal album to date. Check out the new video for the lead single “Linewleum,” and get the nitty gritty from the fat one himself:

“I have no idea why “Linoleum” is THE NOFX song that is covered by so many bands while other NOFX songs get hardly any attention. “Linoleum” wasn’t a single, it had no video, it got no radio play, and most importantly, it didn’t even have a chorus!!! All popular songs have choruses! WTF! So, One night I stayed up till 4:00 am checking out all the different versions on YouTube. Watching hundreds of bands from over 28 countries (mostly Indonesia) doing “Linoleum” was a humbling experience for me. So I decided to write a song that was a shout out to all those people that learned those four chords and remembered the non-rhyming lyrics. Then I asked the biggest of all the bands (Avenged Sevenfold) to play some leads on the song. Then M Shadows suggested we do a video together. Then I figured I should put all of the bands in the video. Well, I couldn’t fit all the bands, but I picked a bunch of cool ones! A song about not playing a song that’s not a hit song with a video about other bands covering the song! This is why I love punk rock writing punk songs. Rules out the door!”

Watch the music video for “Linewleum” on YouTube HERE
and stream the track on all platforms HERE

Nearly 40 years in, what else is there to say about NOFX?

And aside from the occasional negative headline, how can one of the pioneers of SoCal punk—a style hardly known for experimentation—surprise anyone these days?

The answers lie on Single Album (Fat Wreck Chords, Feb. 26), NOFX’s 14th full-length studio album. There’s the nearly six-minute post-hardcore opener (“The Big Drag”). The meta sendoff for the band’s best-known song (“Linewleum”). The reggae-inflected song about a mass shooting (“Fish in a Gun Barrel”). Even a piano ballad (“Your Last Resort”).

It is, as frontman and bassist Fat Mike repeatedly describes, “a dark album.” That wasn’t the original intent. By early 2020, NOFX—which includes guitarist El Hefe, guitarist Eric Melvin, and drummer Smelly—had written and recorded enough songs for a planned double album to be released that fall. Like so much about 2020, those plans changed.

“When you write a double album, you write differently,” Mike says. “I was writing really different songs, and some fun songs, but you have to make a double album interesting enough to listen to the whole way. I wanted to make a perfect double album, and I didn’t accomplish that. So I decided to just make a single album, hence the title.”

Recorded at Motor Studios in San Francisco with Bill Stevenson and Jason Livermore (Rise Against, Alkaline Trio, Teenage Bottlerocket), Single Album pares down the roughly 23 songs NOFX tracked. “I just kept adding songs,” Mike says. “I was maybe a little out of my mind.”

How so? “I was pretty high on drugs that year,” he adds. While fans may wonder what else is new, Single Album casts the frontman’s habits in a surprisingly harsh light. While “Grieve Soto” eulogizes beloved Adolescents founder Steve Soto, it takes a meta turn when Eric Melvin warns Mike to be “cautious, more respectful, less obnoxious.”“Birmingham” has what people in recovery call “a moment of clarity,” when he realized he was an addict.

“That was a clarity moment in my life when I was by myself, and the sun’s coming up, and I’m scraping cocaine off the floor, like, ‘Eww, gross. I shouldn’t be doing this,’” Mike says. “So what did I do? I ordered more.” After being hospitalized with a bleeding ulcer—a terrifying experience that caused him to vomit blood—Mike entered rehab in fall 2020. He promptly wrote another new album while there and has been sober since.

Unsurprisingly, Single Album represents his most personal work to date. Heartbreak permeates “I Love You More Than I Hate Me” and “Your Last Resort.” “Fuck Euphemism” dives into Mike’s sexuality for a “pronoun bar fight.” “Doors and Fours” is a grim look into the early ’80s LA punk scene, when dozens of people—many of them Mike’s friends—overdosed on a prescription drug combo. “The Big Drag” is a personal vow to make the most of life, even when it undeniably sucks. “It’s one of my favorite NOFX songs ever. I don’t get sick of listening to that song,” Mike says of “The Big Drag.” “No measure is the same length. Every time a new chord change happens, there’s a different rhythm to the guitar. The bass never stays on one note. You’re not sure when the chords are going to change because they always change at a different point.”

In other words, it’s unpredictable—just like NOFX. Turns out there is a lot to say about them, even after all this time.

Fat Wreck Chords will release Single Album on Feb. 26, 2021.
Single Album track-listing

1. The Big Drag
2. I Love You More Than I Hate Me
3. Fuck Euphemism
4. Fish in a Gun Barrel
5. Birmingham
6. Linewleum
7. My Bro Cancervive Cancer
8. Grieve Soto
9. Doors and Fours
10. Your Last Resort

Burning Nickels releases EP – Bernie Goes To College

Burning Nickels (containing members of Trashed Ambulance and The Moröns) has dropped their latest release – a 5 song EP called Bernie Goes To College via High End Denim Records. Recorded and mixed at Overserved Studios in Red Deer, Alberta, the songs are a heaping pile of fun, bubblegum pop punk. With subject matter ranging from the excellence of their niece to the unstoppable force known as Jerome the dog, listeners are encouraged to kick off their shoes, put their feet up, and forget about their worries for the 15 minutes it takes to spin this EP!


Guitarist/Singer/A-hole Josh Hauta comments on the creation of the EP.: “We had a bunch of silly songs in our repertoire that certainly didn’t fit in with our other bands so we decided that since the only rule we have in Burning Nickels is that there are no rules, we made the call to go super fluffy fun punk with this one. Walking and Waiting was actually a song that Ozone and I’s wives grandfather (they’re sisters, not the same person) had written and recorded onto a 45 back in the 50’s so we gave it the old Nickels twist. He’s sure to hate it. Then I blew my voice out singing along to the Boney M Christmas album so luckily, Rob and Ozone stepped up to write and sing on Summer Boner and Long Minute, respectively. I think it all turned out wonderful!”


You can pick up the album on the High End Denim Records bandcamp or stream it on your favourite platform. There is currently no plan to release these songs physically but stranger things have happened! Stay safe!

THE DIRTY NIL DROP NEW SINGLE – “ONE MORE AND THE BILL”

THE DIRTY NIL DROP NEW SINGLE ONE MORE AND THE BILL
WATCH LIVE PERFORMANCE ON YOUTUBE   LINKS: FACEBOOK / INSTAGRAM / TWITTER / WEBSITE / MORE INFO   Today, JUNO Award-winning power trio The Dirty Nil share “One More and the Bill,” the emotional centrepiece of their forthcoming album, Fuck Art, out January 1, 2021 via Dine Alone Records and available for pre-order now.   Speaking on “One More and the Bill,” frontman Luke Bentham says:
Let’s be clear: social media hates you. One More And The Bill is an ode to the primitive, casting off the shackles and enjoying life while you’ve got it. This is one of my favourite songs we’ve ever made and we hope you enjoy!   Along with the previous releases of pop-punk gem “Done With Drugs,” the hardcore basement rock ode to young love “Doom Boy,” and “Blunt Force Concussion,” a slice of ’90’s power-pop, “One More and the Bill” is a grungy drinking song that climaxes with a vow to smash my TV, smash my phone, leave politics alone, go outside for a while.
Watch The Dirty Nil perform “One More and the Bill” live via YouTube and hear their frustration towards the toxicity of social media bubble up and boil over.
Fuck Art The Dirty Nil January 1, 2021 Dine Alone Records   1. Doom Boy 2. Blunt Force Concussion 3. Elvis ’77 4. Done With Drugs 5. Ride or Die 6. Hang Yer Moon 7. Damage Control 8. Hello Jealousy 9. Possession 10. To The Guy Who Stole My Bike 11. One More and The Bill   Fuck Art is a statement of confidence and defiance from a group that’s now three albums into the game—i.e., the point where ambitious rock bands are supposed to call in the orchestra, experiment with electronics, and try to make their Ok Computer. The Dirty Nil, by contrast, have opted to perfect the formula that, over the past decade, has landed them on stages with everyone from Against Me! to The Who. Fuck Art melts down all of their favourite ingredients—classic-rock heroism, pop-punk horsepower, ’80s indie scrappiness, ’90s alterna-crunch, speed-metal adrenaline—into a radiant, chromatic solution they can then mould and harden into unpredictable shapes.

Grade 2 Share New Track “Only Ones I Trust”

GRADE 2
SHARE “ONLY ONES I TRUST”

ARTWORK BY TIM ARMSTRONG

UK punk band Grade 2 have just released “Only Ones I Trust,” an outtake from the band’s 2019 album Graveyard Island. Co-written and produced by Rancid’s Tim Armstrong, the band hopes this feel good track with stomping choruses will “unify those who have seen struggles this year, because together in this game we are damned and we are all the same. We aim to have you singing your heart out, for now just in your living room but hopefully at a show soon!”

LISTEN TO “ONLY ONES I TRUST” NOW

Grade 2 is Sid Ryan (vocals/bass), Jack Chatfield (vocals/guitar), and Jacob Hull (drums). Formed in 2013, the band met at school where they would spend their lunch break playing covers of classic punk tunes together in the music room. Since their formation, the band has released several EPs and three studio albums; Mainstream View (2016) and Break The Routine (2017), and Graveyard Island (2019). The bands’ Hellcat debut Graveyard Island was recorded and produced by Rancid’s Tim Armstrong at Armstrong’s Shiprec Studios and mixed by The Interrupters’ Kevin Bivona.

Grade 2 by Bill Chatfield 

For More Information on Grade 2, visit:
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The Lawrence Arms – Skeleton Coast – Out now

SKELETON COAST
THE NEW ALBUM FROM
THE LAWRENCE ARMS
OUT NOW

The Lawrence Arms’ seventh studio album, Skeleton Coast is out now. Recorded in Tornillo, TX, a border town of Mexico, at Sonic Ranch Studios with longtime producer Matt Allison, the album marks the band’s first release in six years.

LISTEN TO SKELETON COAST NOW

The album contains the elements of the band’s sound that fans have come to love for the past two decades but recontextualizes them in a way that somehow sounds perfectly aligned with this strange time in our collective history. Although it was written and recorded before the Coronavirus upended the world, the band’s seventh studio album sounds eerily prescient as it imagines an apocalyptic future where coyotes croon and wolf packs roam free. “For a band who has been around as long as us, this is about as urgent of a record as we could make,” vocalist and bassist Brendan Kelly explains. “It may be kind of dark but it’s really about searching for light in the darkness and finding it, as small as those moments may seem. That’s sort of where we’re at: Collecting the scraps of things that could make for a bearable existence in dark times.”

SKELETON COAST TRACK LISTING
1. Quiet Storm
2. PTA
3. Belly Of The Whale
4. Dead Man’s Coat
5. Pigeons and Spies
6. Last Last Words
7. Demon
8. Ghostwriter
9. How To Rot
10. Under Paris
11. Goblin Fox Hunt
12. Lose Control
13. Don’t Look At Me
14. Coyote Crown

The Lawrence Arms have never had any agenda apart from just having fun and making good music. Since forming in Chicago in 1999—the trio of bassist/vocalist Brendan Kelly, guitarist/vocalist Chris McCaughan and drummer Neil Hennessy—have made albums that continually challenge the boundaries of their sound. In the process they’ve carved out a distinctive identity in the punk community that’s simultaneously gritty, beautiful, melodic and mutinous.

The Lawrence Arms by Ben Pier

For more information on The Lawrence Arms, visit:
INSTAGRAM | FACEBOOK | TWITTER

THE LAWRENCE ARMS SHARE NEW TRACK “LAST LAST WORDS”

THE LAWRENCE ARMS
SHARE NEW TRACK

“LAST LAST WORDS”

SKELETON COAST OUT JULY 17

Today, Chicago bred trio The Lawrence Arms share “Last Last Words” off their forthcoming record Skeleton Coast out July 17 via Epitaph.

The track “is about coming to terms with your own obscurity – but like, in a pretty upbeat way,” says vocalist and guitarist Chris McCaughan. “It’s an escape dream to an edge of the world while being strangely content with some undergrown adulthood. It’s part undercover love song to the sometimes beautiful randomness of the universe and part offbeat, comical reminder to keep rewriting your unknown future. Like so much of the record, the song chases tiny flashes of light in the darkness.”

LISTEN TO “LAST LAST WORDS” NOW

Skeleton Coast was recorded 30 miles east of El Paso, TX at Sonic Ranch Studios with longtime producer Matt Allison. The album contains the elements of the band’s sound that fans have come to love for the past two decades but recontextualizes them in a way that somehow sounds perfectly aligned with this strange time in our collective history. Although it was written and recorded before the Coronavirus upended the world, the band’s seventh studio album sounds eerily prescient as it imagines an apocalyptic future where coyotes croon and wolf packs roam free. “For a band who has been around as long as us, this is about as urgent of a record as we could make,” vocalist and bassist Brendan Kelly explains. “It may be kind of dark but it’s really about searching for light in the darkness and finding it, as small as those moments may seem. That’s sort of where we’re at: Collecting the scraps of things that could make for a bearable existence in dark times.”

SKELETON COAST TRACK LISTING
1. Quiet Storm
2. PTA
3. Belly Of The Whale
4. Dead Man’s Coat
5. Pigeons and Spies
6. Last Last Words
7. Demon
8. Ghostwriter
9. How To Rot
10. Under Paris
11. Goblin Fox Hunt
12. Lose Control
13. Don’t Look At Me
14. Coyote Crown

The Lawrence Arms have never had any agenda apart from just having fun and making good music. Since forming in Chicago in 1999—the trio of bassist/vocalist Brendan Kelly, guitarist/vocalist Chris McCaughan and drummer Neil Hennessy—have made albums that continually challenge the boundaries of their sound. In the process they’ve carved out a distinctive identity in the punk community that’s simultaneously gritty, beautiful, melodic and mutinous

For more information on The Lawrence Arms, visit:
INSTAGRAM | FACEBOOK | TWITTER