THE LAWRENCE ARMS ANNOUNCE SKELETON COAST OUT JULY 17

THE LAWRENCE ARMS
ANNOUNCE
SKELETON COAST
OUT JULY 17

SHARE NEW TRACK

“PTA”

Chicago bred trio The Lawrence Arms will release Skeleton Coast, their first album in six years, on July 17. The band offers fans a glimpse at the record with the release of the first single from the new record, “PTA.”

Skeleton Coast was recorded 30 miles east of El Paso, TX at Sonic Ranch Studios with longtime producer Matt Allison. It was kind of like album camp in the sense that we were in this very remote setting for two weeks and really focusing on making the record. That was a very different experience for us because we’ve always made our records in Chicago which is home and all the things about home are in the way,” says vocalist and guitarist Chris McCaughan.

The album contains the elements of the band’s sound that fans have come to love for the past two decades but recontextualizes them in a way that somehow sounds perfectly aligned with this strange time in our collective history. Although it was written and recorded before the Coronavirus upended the world, the band’s seventh studio album sounds eerily prescient as it imagines an apocalyptic future where coyotes croon and wolf packs roam free. “For a band who has been around as long as us, this is about as urgent of a record as we could make,” vocalist and bassist Brendan Kelly explains. “It may be kind of dark but it’s really about searching for light in the darkness and finding it, as small as those moments may seem. That’s sort of where we’re at: Collecting the scraps of things that could make for a bearable existence in dark times.”

SKELETON COAST TRACK LISTING
1. Quiet Storm
2. PTA
3. Belly Of The Whale
4. Dead Man’s Coat
5. Pigeons and Spies
6. Last Last Words
7. Demon
8. Ghostwriter
9. How To Rot
10. Under Paris
11. Goblin Fox Hunt
12. Lose Control
13. Don’t Look At Me
14. Coyote Crown

The Lawrence Arms have never had any agenda apart from just having fun and making good music. Since forming in Chicago in 1999—the trio of bassist/vocalist Brendan Kelly, guitarist/vocalist Chris McCaughan and drummer Neil Hennessy—have made albums that continually challenge the boundaries of their sound. In the process they’ve carved out a distinctive identity in the punk community that’s simultaneously gritty, beautiful, melodic and mutinous.

The Lawrence Arms by Ben Pier

For more information on The Lawrence Arms, visit:
INSTAGRAM | FACEBOOK | TWITTER

Real McKenzies – Beer and Loathing Preorder

Remember when you could safely hop on a plane and fly to the highlands of Scotland, sip whiskey, and wish you looked good in a kilt? Like you, we are anxiously awaiting the return of normalcy. Until that day, at least you can listen to a brand new Real McKenzies song! The title track is lifted off their upcoming full-length, Beer & Loathing, and it drops on July 3rd. Gadabouts, head over to our YouTube channel to get your drink on. Canadians: Stomp Records will be your source of this finely distilled recording. For the rest of the world, FAT has you covered.

Order here:

USA & everywhere else: FAT Webstore.

Canada: Stomp Records.

Europe: FAT Webstore hosted by Kingsroad.

Australia/New Zealand: FAT Webstore hosted by Artists First.

ALKALINE TRIO RELEASE 3-SONG SINGLE

LIMITED EDITION 7”
AVAILABLE FOR PRE-ORDER NOW

Today, Chicago cult rock heroes Alkaline Trio release E.P., a three-song single. The songs are now available digitally. “With the tour postponed and the current state of the world, we feel and hope that some new music will help people transcend the uncertainty and possible fear they might be feeling, if even for a few minutes,” says Matt Skiba. “Music has always had a way of helping us all cope with unpleasant times. We can only hope that ours can do the same for our fans on some level. We hope you enjoy the songs.”

STREAM E.P.

The limited edition two-song 7” is available for pre-order now and is limited to 1000 blue variant in the US and 500 red in Europe. The 7” will feature “Minds Like Minefields” on Side A and “Radio Violence” on Side B. Andriano describes “Radio Violence” as, “a song about communication breakdowns, it’s about the lies we tell ourselves and others and it’s about shutting out those closest to us when we need them most.”

PRE-ORDER E.P.

E.P. TRACK LISTING
1. Minds Like Minefields
2. Radio Violence
3. Smokestack

Alkaline Trio’s upcoming North American co-headlining tour with Bad Religion has been postponed. The tour will be rescheduled for fall 2020 and all previously purchased tickets will be honored.

ABOUT ALKALINE TRIO
Since emerging in 1996, Alkaline Trio have become one of punk rock’s most progressive and unique bands of the last decade, rousing a dedicated legion of passionate supporters with nine fan-adored albums and relentless world-wide touring.

The band’s recent release, Is This Thing Cursed? debuted #2 on the current alternative albums chart, #9 on the top current albums chart and #68 on the Billboard 200. The album hearkens to the creative process of the early days, when the band rehearsed in a tiny apartment on the edge of Chicago’s Humboldt Park in the band’s hometown. Produced and mixed by Cameron Webb (Pennywise, Motörhead), it is the first Alkaline Trio album written almost entirely in the studio. According to the band, the album-making process was similar to that of Maybe I’ll Catch Fire —Alkaline Trio’s darkly charged sophomore full-length.

FOR MORE INFORMATION ON ALKALINE TRIO, VISIT:
WEBSITE | FACEBOOK | INSTAGRAM | TWITTER

PEARS Share New Song

PEARS SHARE NEW SONG, “COMFORTABLY DUMB,” OFF NEW SELF-TITLED FULL-LENGTH 

BRAND NEW ALBUM, PEARS, OUT VIA FAT WRECK CHORDS ON MARCH 6

STREAM: “COMFORTABLY DUMB” VIA YOUTUBE

PREORDER: PEARS

We dropped that we would have a new PEARS album in 2020, and you didn’t have to wait long! Head over to our YouTube page right now to listen to “Comfortably Dumb!” It’s a ferocious first taste of their ripping new full-length, PEARS, out March 6th. As if that’s not enough, their album is available for pre-order today!
This is their third proper full-length and was recorded with Chris Fogal (The Gamits) at Black in Bluhm Studio in Denver. PEARS will take their latest effort on the road extensively in the coming year, with tours in the U.S., Europe, Australia, Japan, and South America. 

Photo: John Allen

Some of history’s best punk bands came and went before they had a chance to get comfortable (and boring), so it’s not surprising that PEARS frontman Zach Quinn had doubts when it came time to record the band’s third full-length. While PEARS have only existed since 2014, maybe a couple LPs and hundreds of explosive live shows were enough?

“I was perfectly prepared to have my Blue Album already,” Quinn says, laughing. “That whole fucking cliché of ‘Our best record’s behind us.’

With the imminent release of PEARS (March 6, Fat Wreck Chords), Quinn says, “Maybe not!” But there’s no maybe about it. PEARS is a significant step forward for a band that has grown by leaps and bounds on each album.

Recorded with Chris Fogal (The Gamits) at Black in Bluhm Studio in Denver, PEARS is 14 songs and 31 minutes of the band’s signature hardcore: heavy, melodic, blistering, pointed, and surprisingly catchy. While it continues down the path set by Green Starand 2015’s Go to Prison, PEARS finds the band taking a different creative approach.

“The last PEARS record, almost every detail was worked out before we ever stepped foot into the studio,” Quinn explains. “This record, we went in with skeletons of songs and put things together on the fly. ”

“We never could afford the studio time to be in there 24/7,” adds guitarist/vocalist Brian Pretus. “A couple of songs ended up being stuff that we wrote on the spot.”

Those include “Naptime,” which moves from loping pop to group-chant hardcore in the space of two minutes, and penultimate track “Traveling Time,” which Pretus describes as a “palate cleanser.” Basically, a midtempo pop song, “Traveling Time” began as a Quinn solo track but found its way onto PEARS thanks to the band’s more open studio approach.

“Collectively, we figured we’ve danced around pop music our entire career so far,” Quinn says, “but we were like, ‘Let’s just do a full-on fucking pop tune. Why not?”

“Full on” is a good descriptor for PEARS in general. The album opens with feedback at the beginning of the riff-heavy “Killing Me” and closes when the even riff-heavier “Cynical Serene” (whose opening plays like Nirvana by way of Hum). In between are 12 songs that shake with can’t-sit-still energy, as the band—rounded out by the ace rhythm section of bassist Erich Goodyear and drummer Jarret Nathan—shifts on a dime between parts and sounds. Elements of prog and grunge intermingle with classic hardcore and hook-laden rock—and it can happen in the space of one song. (In this case, “Worm.”)

Atop all of it are Quinn’s voice and words, which took a different approach as well on this album.

“I thought that I was going to continue the absurdist poetry thing that started with Go to Prison and amplified on Green Star,” he says. Describing Green Star as “The Iliad with shit and cum,” Quinn notes that this time, “The songs are about shit.”

Not shit in the “shit and cum” sense. Quinn writes directly about getting older (“Traveling Time”), moving past anger (“Nervous”), and the prospect of never having a family (“Daughter”), among other topics, all with the wit and candor PEARS fans have come to expect from the explosive frontman.

“It makes perfect sense that this is the third act, but it’s not what I would have predicted it to be,” Quinn says. “I wouldn’t have guessed that the album would end on a bittersweet note. It’s more uplifting than either record that we’ve done, but it’s not a happy record.”

It’s a great record regardless. PEARS will take it on the road extensively in the coming year, with tours in the U.S., Europe, Australia, Japan, and South America.

 
PEARS track listing
1. Killing Me
2. Zero Wheels
3. Comfortably Dumb
4. Dial Up
5. Rich to Rags
6. Nervous
7. Naptime
8. Pepaw
9. Worm
10. Funerals
11. Sympathy Cone
12. Daughter
13. Traveling Time
14. Cynical Serene

LAGWAGON RELEASE NEW ALBUM, RAILER

INFLUENTIAL PUNK BAND LAGWAGON RELEASE NEW ALBUM, RAILER, ON OCTOBER 4th VIA FAT WRECK CHORDS
NORTH AMERICAN CO-HEADLINING TOUR WITH FACE TO FACEANNOUNCED FOR SEPTEMBER AND OCTOBER
RAILER, PRODUCED BY CAMERON WEBB (ALKALINE TRIO, MOTÖRHEAD)

Lagwagon has also announced its fall North American co-headlining tour with label mates Face to Face. Beginning on September 27 in Tacoma, WA, the month-long tour will extend through October 27 and hit major markets such as Detroit, MI, Brooklyn, NY, Chicago, IL, Boston, MA, Atlanta, GA and more. Supports for the tour will include H20, MakeWar and Destroy Boys, and tickets are on sale now. A full listing of dates can be found below with more information on Lagwagon’s Facebook page HERE.

Unlike the last few Lagwagon albums, RAILER was written in an incredibly condensed period of time, in an attempt to capture the spirit of the band’s early days.  And it worked. While songs like “Stealing Light,” “Dangerous Animal” and “Dark Matter” bristle with a raw, ragged and pure energy that’s unusual for any band to have after almost 30 years of existence, these tracks also directly harken back to the band’s early days.

“There’s only so much one person or a group of people can do before they start to develop characteristics that become common to them,” says Cape in typically philosophical fashion, “and I think you have to be comfortable with that. And I am. I like my band and what we’ve done and I’m okay with the fact that we have our strengths and we have our limitations. I know what it is that we do well and if we stay true to that, there’s something that comes out of that that is truly original, because you’re being true to who you really are.”

At the same time RAILER, produced byCameron Webb (Alkaline Trio, Motörhead), accurately and honestly reflects who Lagwagon are in 2019, both lyrically and musically. While it sounds like these songs could have been written by a band 20 years younger, RAILER, as a collection, presents itself as youthful but jaded, frantic but exhausted, visceral yet cerebral.

The idea of struggling to get by alongside an overwhelming sense of existential chaos and angst is a common thread throughout RAILER, in the bouncy desperation of “Jini,” the Bertrand Russell-inspired “The Suffering,” the breakneck despair of “Parable” and even in the carefree nostalgia of “Bubble” and its unflinching celebration of the band’s early days of “beer for pay” and the “roach-ridden pads” they used to crash at. Life has moved on in the three decades since Lagwagon started, but it’s not something the band – guitarists Chris Rest and Chris Flippin, drummer Dave Raun and bassist Joe Raposo – have entirely left behind either.  

Additionally, Cape doesn’t necessarily expect people to extract his specific philosophies from each of these songs, but they’re certainly present for the listener to seek out if they want to. At the same time, just as with Lagwagon’s earliest songs, RAILER’s songs are there to be listened to and enjoyed, to take you back to simpler times. It’s no coincidence, then, that RAILER ends with a frantic punk rock cover of Journey’s “Faithfully.” Back in their earlier days, Lagwagon’s albums often used to include cover songs, but the band hasn’t recorded one for a long time, until now. And, with this record, Lagwagon has come full-circle and rediscovered the purest version of who they’ve always been as a band. Not that that feeling was ever really lost in the first place, of course.

“I wouldn’t say ‘lost’,” confirms Cape, “but you evolve. Evolution is a journey within yourself. You go on this journey and it takes you wherever it takes you, there are multiple people along the way that you meet who have different ideas than you and as you grow, you get into different things along the way. I don’t know if you ever completely lose the sense of where you came from, but you definitely evolve away from it over time. But the thing is, it’s always there.”

Lagwagon will be making the following co-headlining appearances with Face to Face throughout September and October. Dates below.

09/27/19 – Tacoma, WA @ Spanish Ballroom at Elks Temple *
09/28/19 – Vancouver, BC @ Rickshaw Theatre *
09/29/19 – Portland, OR @ Wonder Ballroom *
10/01/19 – Salt Lake City, UT @ The Depot *
10/02/19 – Denver, CO @ Oriental Theater *
10/04/19 – Minneapolis, MN @ Skyway Theatre *
10/05/19 – Chicago, IL @ House of Blues *
10/06/19 – Detroit, MI @ St. Andrew’s Hall *
10/07/19 – Columbus, OH @ Columbus Athenaeum *
10/09/19 – Brooklyn, NY @ Warsaw *
10/10/19 – Silver Spring, MD @ The Fillmore *
10/11/19 – Sayreville, NJ @ Starland Ballroom *
10/12/19 – Norfolk, VA @ The NorVa *
10/13/19 – Boston, MA @ Paradise Rock Club *
10/15/19 – Charlotte, NC @ The Underground >
10/16/19 – Atlanta, GA @ The Masquerade >
10/17/19 – Tampa, FL @ The Ritz Ybor >
10/18/19 – Ft. Lauderdale, FL @ Culture Room >
10/19/19 – St. Augustine, FL @ St. Augustine Amphitheatre >
10/21/19 – Dallas, TX @ Gas Monkey Live! #
10/23/19 – Phoenix, AZ @ The Pressroom #
10/24/19 – Las Vegas, NV @ House of Blues #
10/26/19 – Santa Ana, CA @ The Observatory #
10/27/19 – San Diego, CA @ The Observatory North Park #

>: H2O opening
*: MakeWar opening
#: Destroy Boys opening

THE MENZINGERS SHARE NEW SONG & VIDEO “STRANGERS FOREVER”

Today Philadelphia-based punk band The Menzingers share the music video for the song “Strangers Forever,” a track off the band’s forthcoming record Hello Exile out October 4 via Epitaph. The track is a searing tribute to parting ways, backing their spiky guitars with brilliantly barbed lyrics. “Lyrically, the song is inspired by Leo Tolstoy’s classic novel, ‘Anna Karenina’. In it, the character Darya Alexandrovna learns of her husband’s infidelity and declares: ‘Even if we remain in the same house, we are strangers — strangers forever!’” explains vocalist Greg Barnett. “The idea of becoming a stranger to someone you so intimately know stuck with me and became the overarching narrative to this song.”

Omnigone Premiere “Rather Be Alone”

It’s certainly a good morning knowing that there is a new Omnigone song for everyone to enjoy.

As announced a few weeks back, Omnigone is a new ska-punk project helmed by Adam Davis (Link 80/Desa) that picks up where Link 80 left off. Davis collaborates with a rotating cast of musicians from bands such as: Rx Bandits, Link 80, We are the Union, Kitty Kat Fan Club, Ogikubo Station, and more! Their debut LP, No Faith, releases on September 13th via Bad Time Records. Today, you can stream “Rather Be Alone” on Rebel Noise. The track steps outside of the ska-punk realm in favor of a more traditional ska groove and features former Rx Bandits member, Steve Borth, on sax & keys.

Tour Dates:
9/13 @ 924 Gilman – Berkeley, CA w/ Dan P. (Mu330) and Kill Lincoln

Bio:
Omnigone may be a new name in the East Bay CA ska punk scene, but they’re certainly no strangers to the genre. Twenty years ago Adam Davis joined Link 80, a band that seamlessly combined ska rhythms with aggressive and politically charged hardcore punk, leaving a legacy and a sound that would change the meaning of “ska punk” indefinitely. While Link 80 is no more, Adam (Guitar/Vocals) has picked up the torch and is lighting the way with Omnigone. Joined by Barry Krippene (Link 80/Blast Bandits) and a rotating cast of players including: Brent Friedman (We Are The Union), Steve Borth (Rx Bandits / Link 80), Justin Amans (Kitty Kat Fan Club/Ogikubo Station), Jeremy Hunter (Skatune Network/We Are The Union), Bootie Pook (Beat the Red Light), Aaron Carnes (Flat Planet) & Reece Noble, Omnigone recorded thirteen tracks that make up their debut full length No Faith. No Faith hits you quick band doesn’t let up, weaving aggressive anthems across genres to make up a fun, intense, but ultimately dynamic record. Whether you’re a fan of hardcore, punk, or ska there is something for everyone on this promising debut.

Release Date: September 13th, 2019
Label: Bad Time Records
Formats: CD/Vinyl/Digital
Purchase: http://badtimerecords.limitedrun.com/products/648396-omnigone-no-faith-12-vinyl-digital
Facebook: https://www.facebook.com/0MNIG0NE/
Instagram: https://www.instagram.com/0mnig0ne/
Twitter: https://twitter.com/0mnig0ne

Off With Their Heads Announce New Album

OFF WITH THEIR HEADS ANNOUNCE NEW ALBUM ‘BE GOOD’ OUT AUGUST 16

SHARE VIDEO FOR NEW TRACK “DISAPPEAR

DIRECTED BY JONAH RAY AND FEATURING COMEDIAN KYLE KINANE

Off With Their Heads announce details on their forthcoming album Be Good, set for release on August 16. The band has shared video for the track “Disappear,” directed by Jonah Ray and featuring comedian Kyle Kinane. Watch the video for “Disappear” now.

“All the other records were about moping around and feeling sorry for yourself,” says frontman Ryan Young. “This one is less about feeling sorry for yourself and more about accepting how goddamn miserable you are.”

Young and the band members—bassist Robbie Smartwood, guitarist John Polydoros, and new drummer Kyle Manning—holed up at The Hideaway in Minneapolis with additional recording at Pachyderm Studios, a mid-century mansion where Nirvana recorded In Utero, to make Be Good. Young produced the record himself, and it was the first time he enjoyed the process, or at least tolerated it. “I don’t like how the old records sound, and I hate recording so much,” he says. “You could just hear all the dumb shit on them where I was like, whatever, just let it go, I want to get out of here.”

Forced acceptance is a big theme of Be Good, though it’s a hard-learned one, often emerging in the form of primal screams in the band’s trademark style of gruff-punk. “Hands up to the sky and shout at the top of your lungs, ‘til the floor falls out!” Young yells on the title track, sounding somewhere between motivational speaker and hard-nosed therapist.

Much of the self-deprecation that defined the band’s previous work has been adjusted. It was the years spent out of the van, developing a life at home in Chicago, that gave Young his newfound, slightly more positive perspective. “Not being on the road 250 days a year, actually trying to develop some sort of life outside of playing shows and drinking, you’d be surprised what that does,” he says.

If ever there was a time for Ryan Young’s distinct brand on cautious optimism, it’s now. “The title is an answer to that question of what you’re supposed to do now that the world is so awful and the climate of this stupid country is so shitty,” he says. “Be good, be loud—that’s sometimes all you can do, I guess, as cheesy as that sounds.”

Be Good Track Listing

1. Disappear – 3:15
2. Be Good – 3:32
3. You Will Die – 3:11
4. No Love – 2:53
5. Take Me Away – 4:07
6. Tear Me Apart – 2:35
7. Trash It – 3:31
8. Let It All – 2:18
9. Severe Errand – 2:53
10. Locking Eyes – 4:51
11. Death – 2:49

Off With Their Heads – Promo Photo – Credit Patrick Houdek [hi-res]

For More Information on Off With Their Heads, visit:
https://anxiousandangry.com/

SICK OF IT ALL TO RELEASE NEW ALBUM, WAKE THE SLEEPING DRAGON! VIA FAT WRECK CHORDS & CENTURY MEDIA ON NOVEMBER 2

FIRST SINGLE, “INNER VISION,” NOW STREAMING 

“It’s a blasting, screamer of a song in the vein of early Discharge or Exploited” – Consequence of Sound

 

Fat Wreck Chords is thrilled to welcome SICK OF IT ALL back to the FAT family! On November 2nd, we’ll join forces with Century Media to release their latest opus, Wake The Sleeping Dragon! We could not be more excited to be handling the CD and LP in the US, as well as the vinyl in Canada. SOIA once again teamed up with producer Jerry Farley (Lamb of God/Every Time I Die) and came out with an absolute banger. If you missed the premiere of the lead single, “Inner Vision,” Consequence of Sound has you covered. Then, once you’ve had a chance to catch your breath, pre-order your copy! Check out what SOIA had to say about returning to FAT, below:

Having a long history with both Century Media and Fat Wreck Chords, and knowing how much they care about us and the music we make, we are psyched about this joint effort! Both labels have been friends and champions of SOIA, on their roster or not.


Photo credit: Joerg Baumgarten

New York City hardcore legends SICK OF IT ALL aren’t slowing down with age, the long-standing quartet are still pissed off, and the genre stalwarts still see many years ahead. SICK OF IT ALL remain a beacon of continuity, integrity, and resolve. That’s good news for SICK OF IT ALL fans and the hardcore scene. Since forming in 1986, SICK OF IT ALL have traveled the world many times over, played in front of hundreds of thousands, and released 11 acclaimed full-length albums, the latest of which is the riotous if anthemic Wake the Sleeping Dragon!. That SICK OF IT ALL continue to live by the standards in their original charter isn’t a matter of course, it’s part of their respective DNA. Hardcore is SICK OF IT ALL. “We’re a band that thrives from frustration,” says drummer Armand Majidi. “Aging seems to work well with our message, as opposed to a good-time band who sings about partying all night. There are so many horrible aspects of the world that become more obvious to us year after year, which we didn’t see or understand before, which fuel our frustration every day. We’ve lived long enough now to see through the matrix, and thank goodness we have this band, so we can vent about it.”

And SICK OF IT ALL will voice, express, and declare their anger. As with pivotal albums Blood, Sweat and No Tears (1989), Scratch the Surface (1994), and The Last Act of Defiance (2014), the New Yorkers aren’t afraid to cut the crap on Wake the Sleeping Dragon!. Written and arranged with friend and producer The Jerry Farley (Lamb Of God, Every Time I Die)—a first—opener “Inner Vision,” “Robert Moses Was A Racist,” “Hardcore Horseshoe,” and “The Snake (Break Free)” retain SICK OF IT ALL’s signature sound but add melody, heaviness, and speed to the equation. Guest vocals by Tim McIlrath and Chuck Ragan add a new dynamic as well. Across Wake the Sleeping Dragon!’s 17 songs, SICK OF IT ALL have an album that observes tradition but has its eye on the future. “We didn’t shy away from stronger melodies on this album,” Majidi says. “So, there are some strikingly musical moments. Basically, we chose not to limit ourselves. The songs stand apart from each other by representing many different musical styles that have influenced us.”

On Wake the Sleeping Dragon!, SICK OF IT ALL opted to change up the lyrical approach. While daily frustrations, political idiocy, war, power imbalances, and general inequality have long fueled SICK OF IT ALL’s no-bullshit lyrics—the album title Wake the Sleeping Dragon! refers to a protest mechanism—today they’re focusing on the bigger picture while also injecting a bit of levity into the songs. “On this record, we had a more open, communal, tongue-in-cheek approach to lyric writing,” says Majidi. “So many different topics were covered, some way more lighthearted than others. We’ve done ‘serious’ so often, that what might stand out most to people is how much fun we had with the lyrics. It’s always time for revolution, so that message is loud and clear on multiple songs, but we also sing about musical heroes like the Bad Brains (‘That Crazy White Boy Shit’), inner demons (‘The Snake (Break Free.)’), our distaste of animal abuse (‘Bull’s Anthem’), annoying narcissism on social media, friends we’ve lost, life on the road, impending wars for resources, as well as mosh pit patterns that can be linked to male pattern baldness. We’ve allowed ourselves greater lyrical freedom on this record for sure!”

For the cover, SICK OF IT ALL wanted it to tie directly into the lyrics. Designed by Ernie Parada from Hellgate Industries but inspired by Lou Koller and Parada’s ‘50s era monster movie poster idea, the cover to Wake the Sleeping Dragon! is striking in its use of yellows, oranges, reds, and black. That it also brings in SICK OF IT ALL’s Alleyway Dragon mascot captures not just the mind but part of the band’s history as well. “Lou and Ernie came up with the idea of doing monster-movie styled art as the cover,” Majidi says. “The dragon climbing the Empire State was a concept I always wanted to see brought to life, so the two ideas were destined to come together this way.  I love the fact that although it’s the same artist, there’s no obvious aspect linking Ernie’s style from his first cover (2010’s Based On A True Story) to this one.”

Wake the Sleeping Dragon! was put to proverbial tape by The Jerry Farley at Nova Studios in Staten Island, New York over two weeks and a half, while Danish producer Tue Madsen (Meshuggah, The Haunted) mixed and mastered SICK OF IT ALL’s latest rager at Antfarm Studios in Aabyhøj, Denmark. What helped the process run smoothly was Farley’s early involvement, the two five-day pre-production sessions, and the ability to record as SICK OF IT ALL progressed with the songwriting. “The Jerry Farley also became a very important part of the creation of this album,” Majidi says. “This is the first time we’ve ever had a producer involved from start to finish, including the songwriting process. His objective viewpoints helped settle a lot of little issues that could have easily become stumbling blocks, and the songs themselves ended up benefitting from them. SICK OF IT ALL and Tue Madsen have maintained a long-lasting relationship based on understanding, friendship, and most importantly, good results—three factors any band would be very happy with.”

As for SICK OF IT ALL’s next steps, the picture is clear. Majidi and team are looking for a warm reception to Wake the Sleeping Dragon! and more rounds of tours around the globe. The sleeping dragon is awakening! And SICK OF IT ALL want you to join the rebellion!

Wake the Sleeping Dragon tracklisting:
1.    Inner Vision                              01:54
2.    That Crazy White Boy Shit     02:05
3.    The Snake (Break Free)          01:57
4.    Bull’s Anthem                           02:02
5.    Robert Moses Was A Racist    01:28
6.    Self Important Shithead          00:58
7.    To The Wolves                         01:39
8.    Always With Us                        02:26
9.    Wake The Sleeping Dragon     02:02
10.  2+2                                            01:49
11.  Beef Between Vegans             02:12
12.  Hardcore Horseshoe                01:52
13.  Mental Furlough                       02:16
14.  Deep State                               01:53
15.  Bad Hombres                           02:01
16.  Work The System                    01:46
17.  The New Slavery                     02:38
SICK OF IT ALL online:
www.sickofitall.com
www.facebook.com/sickofitallny
www.instagram.com/sickofitallnyc
twitter.com/SOIANYC

ALKALINE TRIO SHARE TITLE TRACK FROM NEW ALBUM ‘IS THIS THING CURSED?’

ALKALINE TRIO SHARE TITLE TRACK FROM NEW ALBUM ‘IS THIS THING CURSED?’

BAND’S FIRST STUDIO RECORD IN 5 YEARS DUE OUT AUGUST 31

TOUR BEGINS TONIGHT IN ST. LOUIS

Legendary Chicago punk band Alkaline Trio have released the title track from their forthcoming album Is This Thing Cursed? The ninth studio album from Alkaline Trio, Is This Thing Cursed? is their first new music in five years.

Watch the lyric video for “Is This Thing Cursed?” by Alkaline Trio:

With its soaring vocals and furious intensity, “Is This Thing Cursed?” is the second single to be released from Is This Thing Cursed? Last month Alkaline Trio shared a song called “Blackbird,” which SPIN hailed as a “glossy, pristine pop-punk record that’s anthemic and a bit catchy in its breezy melodies.”

Produced and mixed by Cameron Webb (Pennywise, Motörhead), Is This Thing Cursed? is the first Alkaline Trio album written almost entirely in the studio. According to the band, the album-making process was similar to that of Maybe I’ll Catch Fire—Alkaline Trio’s darkly charged sophomore full-length, a 2000 release featuring the fan favorite “Radio.”

Due out on CD/digital on August 31, Is This Thing Cursed? will be released on vinyl on October 19. Pre-orders are available now at: http://www.alkalinetrio.com

 

TRACKLIST FOR IS THIS THING CURSED?:

1. Is This Thing Cursed?

2. Blackbird

3. Demon and Division

4. Little Help?

5. I Can’t Believe

6. Sweet Vampires

7. Pale Blue Ribbon

8. Goodbye Fire Island

9.  Stay

10. Heart Attacks

11. Worn So Thin

12. Throw Me To The Lions

13. Krystalline

On Friday, Alkaline Trio kicked off their recently announced headlining U.S. tour. The 29-date run wraps up on October 18 in Santa Cruz, California, with Together PANGEA supporting the band for all dates.

 

ALKALINE TRIO TOUR DATES:

Aug 06 St. Louis, MO – The Pageant

Aug 08 Royal Oak, MI – Royal Oak Music Theatre

Aug 09 Cleveland, OH – Agora Ballroom

Aug 10 Columbus, OH – Newport Music Hall

Aug 11 Buffalo, NY – Town Ballroom

Aug 13 Millvale, PA – Mr. Smalls Theatre

Aug 14 Baltimore, MD – Rams Head Live!

Aug 16 Sayreville, NJ – Starland Ballroom

Aug 17 Brooklyn, NY – Brooklyn Steel

Aug 18 Boston, MA – House of Blues

Aug 19 Philadelphia, PA – Electric Factory

Aug 21 Norfolk, VA – The NorVA

Aug 22 Carrboro, NC – Cat’s Cradle

Aug 24 Nashville, TN – Marathon Music Works

Aug 25 Atlanta, GA – The Masquerade – Heaven

Aug 26 Orlando, FL – House of Blues

Oct 04 Santa Ana, CA – The Observatory

Oct 05 Los Angeles, CA – The Wiltern

Oct 06 San Francisco, CA – Warfield Theatre

Oct 08 Portland, OR – Crystal Ballroom

Oct 09 Seattle, WA – Showbox SoDo

Oct 11 Salt Lake City, UT – The Complex

Oct 12 Denver, CO – Fillmore Auditorium

Oct 14 Las Vegas, NV – Brooklyn Bowl

Oct 15 San Diego, CA – House of Blues

Oct 16 Tempe, AZ – Marquee Theatre

Oct 18 Santa Cruz, CA – The Catalyst

-All dates with together PANGEA as support