Jerry Actually – Page 52

Epitaph iTunes Sale

I’d like to remind you that Epitaph is having a massive summer sale on iTunes.com happening right now!!! We have eighteen albums (listed below) for the low low price of $7.99. Check them all out here: www.iTunes.com/EpitaphRecords

Additionally, we have the compilation New Noise: Vol. 1 for the insanely low cost of $2.99, which features fourteen tracks from artists/bands like Alkaline Trio, Every Time I Die, Escape The Fate, Frank Turner, Parkway Drive and more!!!

$7.99 Epitaph Album Sale:

Alkaline Trio – This Addiction

Bad Religion – All Ages

Bad Religion – New Maps of Hell

Bring Me The Horizon – Suicide Season

Converge – Axe To Fall

Escape The Fate – Dying Is Your Latest Fashion

Escape The Fate – This War is Ours

Every Time I Die – New Junk Aesthetic

Frank Turner – Poetry of the Deed

Hearsounds – Until We Surrender

I Set My Friends on Fire – You Can’t Spell Slaughter Without Laughter

New Found Glory – Not Without A Fight

Off With Their Heads – In Desolation

Our Last Night – We Will All Evolve

Rancid – Let The Dominoes Fall

Set Your Goals – This Will Be The Death Of Us

Sing It Loud – Everything Collide

Veara – What We Left Behind

JFA To Release Speed of Sound

JFA To Release Band’s First Studio Record in Over 12 Years

Legendary skate punk band JFA will be releasing the groups first studio record in over 12 years on July 27th with DC-Jam Records.

FOR IMMEDIATE RELEASE

PRLog (Press Release) – Jul 13, 2010 – Skate punk legends JFA are about to release the band’s first full length studio album, the group’s first since the 1999 release of “Only Live Once.”

“Speed of Sound” is scheduled to be released on DC-Jam Records on July 27th, 2010 through both digital download & CD and will eventually be made available on a 12″ vinyl picture disc as well.

The new record will be supported by two new music videos from the song’s “Wilson” & “Danny Sargent’s Trucks”, both which can be seen on www.BlankTV.com with the latter making it’s world premier on July 13th.

“We’re stoked to finally have this record out,” said JFA frontman Brian Brannon. “Fans of our early material will dig our new tunes that reach back to our hardcore skate punk roots.”

Pre-orders for the CD will begin on July 14th at www.Interpunk.com along with a contest for a drawing that will give away 3 new JFA skateboard decks.

Ubermanoeuvre – Burn This

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Ubermanoeuvre are a five-piece band, from South East London, UK. They have been compared to Rage Against The Machine and Enter Shikari, to name a few, and dub their own style as high energy rock.

There’s so much going on, and so many differences between each track, that it’s only fair to mention (nearly) every one.

Kicking off this, their debut album, is the title track, with an electro intro, leading into a hip-hop (with underlying synths) verse and shouty chorus, I guarantee you will never have heard anything like this before. And it will be a total mind fuck. There’s so many different elements to the one song, but don’t dismiss it yet.

Track two, ‘If I Were You (I Wouldn’t Be Me)’ opens with a very brief piece of acoustic guitar, then it’s straight into the (quite heavy) thrashing guitars. There’s also a creepy keyboard riff, adding an eerie element to the track. Even though there’s not as much going on, it’s still hard to place under a specific genre.

‘Call To Arms’ marks another change in sound, this one’s more emo, but still electro. Think HelloGoodbye meets Taking Back Sunday- cheesy cheerful, but screamo. Adding to this is the piano breakdown and the screamy choruses.

Track four, ‘Apathy Loves Company’ is one of the catchiest on the record. It’s still really odd, but by now you’ll have got used to the sheer weirdness of it all. Track five is more guitar driven, which suits them more, but then it’s back into the crazy mix with ‘Never Bring Your Girlfriend Flowers’- jazz piano under a hip-hop beat. But, somehow, it works. ‘9am: Monday’ is more hip-hop-y, with a emo/screamo chorus.

Then there’s track eight and 10, (‘Now! That’s What I Call Karma, ‘2378’) that are more downbeat and simple hip-hop rock.

As it’s so unusual compared to anything you’ll have ever heard, it’s impossible to really sum it up- so just check it out and decide for yourselves.

But, to recap, Ubermanoeuvre play screamo- electro- hip-hop, with synths- a- plenty.

There’s way too many dashes in that last sentence.

–Frankii

Hellyeah – Stampede

Rating:

The true meaning of a supergroup, Hellyeah comprises of members of Pantera, Mudvayne, Nothingface and Damageplan. Their self-titled debut took the rock world by storm, entering the US Billboard charts at number 9 and going on to sell over 365,000 copies in America alone. Their new offering, Stampede, has the potential to do the same.

From the off, it’s clear the roots these guys came from. The whole sound is very much reminiscent of Pantera in particular (possibly because Vinnie-Paul not only drummed on the album, but produced it too), as well as it’s other predecessors, but has a hint of a new edge to it. Likewise, it’s evident that this isn’t just going to be a well created metal masterpiece, but also a brilliantly catchy record. An instant favourite for any fan of real heavy metal.

As obvious as the members talent is from their previous work, it’s still showcased flawlessly on this record. The title track is a prime example of this, and is sure to be a huge hit at this years festivals with its distinguished chorus, perfect for crowd sing-a-longs. Another stand out track is the partly acoustic ‘Better Man’, this time for different reasons. This one is the absolute epitome of what a rock ballad should be, heartfelt (the lyrics tell the story of growing up with an alcoholic father), but still has attitude.

Of course, as with any old-school metal album, there’s going to be the element of sleaze. Some get it wrong, and end up sounding awfully cheesy, whereas some, including Hellyeah, get it spot on. The sexy touch stands out mostly in the suitably titled ‘Pole Rider’. The subject of this song is clear, so it’s only right that it should have a downright dirty sound.

Probably the best thing about this album, is the diversity. It shows the full capabilities of these musicians by differing from their previous work, as well as each track being different from all the others. Yes, it is mainly solid, guitar thrashing, drums crashing metal, but there’s also some slower songs, as well as a ballad. Take note, young bands, this much variety should be expected of any album, no matter what genre.
Hellyeah show talent in their lyric writing abilities as well, stepping it up a notch after their debut was criticised for having repetitive lyrics.

Hellyeah are just all round great musicians, they can pen some good words, and have mastered how to write amazing music with clever intricacy, but without the need for long, drawn out guitar solos. Hopefully, they’ll bring back proper heavy effin’ metal!

–Frankii

Blood for Blood Reuniting

Blood For Blood are reuniting and heading out on tour after 6 years. An official statement from the band.

“First off, we would like to thank all our fans for hanging in there over the last six long years. As of December 2010 Blood for Blood will embark on our first tour since 2004. Blood for Blood has agreed to join the Persistence Tour in Europe sharing a stage with long time friends Sick of it All as well as other acts soon to be announced.
The decision to play again was not an easy one to make. Over the last few years we have tried time and time again to contact Rob about a possible Blood for Blood reunion, but he has ignored every single attempt we have made. Therefore, we were left with no other choice but to find someone else to fill in for his BFB responsibilities. Now, let’s make this perfectly clear: we have no ill will towards Rob whatsoever. We wish him well and Blood for Blood will always be open to him.
That being said, we were left with the conundrum of finding a fill-in for Rob. After some careful thought we believe we found a perfect fill-in. We are pleased to announce that Billy Graziadei of Biohazard will be joining Blood for Blood on stage for Persistence Tour 2010.
Again thanks for all the countless emails and support letters from all our fans over the years. We are looking forward to seeing all your ugly faces again”.

BLOOD FOR BLOOD

About Blood For Blood:

If the ghost of Johnny Cash was to unexpectedly rise out of its tomb and supernaturally resurrect its musical soul in the form of a hardcore band, the result would be an anthemic, outlaw punch not unlike Boston’s favorite white trash hardcore hooligans, BLOOD FOR BLOOD.
While Cash grew up as a restless farm boy who longed for fast cars and fast women, the boys in BLOOD FOR BLOOD were reared in the projects and their outlaw spirit reflects the callous surroundings from which they were rendered. Blood For Blood are from outside. They stand on the threshold of society with all but a few toes tangling off the edge with a maniacal desperation, longing for sanity. Theirs is a journey from one end of alienation to the other – only to be flung violently back to the hole from which they crawled out of. “I been held down my whole life. This band is my opportunity to spit in society’s face…” says guitar player Rob Lind.
Inspired by bands such as Sheer Terror, Breakdown, Carnivore and Raw Deal, Blood For Blood formed as a reaction to the existing heavy music scene in Boston back in 1995. “We couldn’t relate to anything that was going on in Boston at the time,” says vocalist Erick Medina, “We wanted to hear music about the shit we saw and faced everyday. The scene at the time was a fashion show.” Blood For Blood make no mistake about what their talents are – and what talents they lack. They don’t sing. They don’t rap. They don’t dance. They don’t act. And they definitely ain’t too pretty. They are white trash hardcore rock and roll. And they have just begun their invasion of today’s hair-and-nails conscious heavy music scene.
Blood For Blood have cultivated a large, and dangerously loyal, fanbase since their inception almost a decade ago. Having toured with such acts as DROPKICK MURPHYS, TERROR, and SICK OF IT ALL, exposing their venom to the nation, the band has left an indelible and hungry mark on the scene. The band has successfully put five recordings under the belt, with four of them having been released through VICTORY RECORDS and having had received countless praise in the press worldwide. Blood For Blood has always garnered real, genuine admiration among their fans as well – fans who have been known to willingly bruise, bleed, and become scarred for them at their notoriously ‘high risk’ live shows.
Musically, few bands can touch the viscously aggressive hardcore/punk rock sound of Blood For Blood which is served up like a platter full of Sheer Terror, Madball, and The Bruisers.
Lyrically, Blood For Blood combines the depravity and pain of the world they see outside their door every day with the experiences of their own dead end lives in an outlaw-poetry style that truly affects its listeners in a deep way. “We get letters from dudes in prisons in New York, Boston, Detroit and even Alabama, telling us that our shit (music) gets them through and helps ’em face another day,” says guitarist Rob Lind. Like Cash playing his outlaw songs to the inmates decades ago, today’s redemption-seeking inmates are turning to the choruses of BLOOD FOR BLOOD for solace in hard times.

If you’ve plowed through all your dead ends and need to find friendship in a cold hard world…If loneliness and solitude is all you’ve know and you long to find family when you had none…If rock bottom has ever left you praying under cold street lights…If in your neighborhood, you’ve seen one too many stolen cars drive by, well, then it’s time you raise your fist in the air and join in the outlaw anthems of Blood For Blood.

BLOOD FOR BLOOD’s last album, “Serenity”, was released in May 2004.

Scarlet Grey – Fancy Blood

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Rating:

Fancy Blood is the new EP by Los Angeles band Scarlet Grey. I find the disc to be an overly produced, consumer driven, radio oriented product designed for heavily marketed to, radio baited consumer rats.

So you’re like, “ok then, what’s in it for me, the guy (or gal) you, in so many words, called a total knob douche?” To that I say, “It ain’t a total wash there buddy. I mean you can still buy some cool shit at Hot Topic, right? You just don’t tell anyone. It’ll ruin your street cred.”

Ok, but really aside from my preferential jackassery, the songs are a bit on the catchy side and they’re well played and recorded if a bit over produced. I can see how people that like emo-esque non-threatening alterna-punk could very well like this sort of thing. The question is though, do you trade eternal fame for being tomorrow’s Alphaville?

Ok, enough of my bashing. Track five, Naomi is easily the winner on the EP. It has a rather retro 60’s synthpop sound and I actually kind of like it in spite of myself.

I’ll also waste precious little time telling you about the guest vox from none other than Davey Havoc. Yes, little baby Danzig lends a hand (or throat) to the fellas of Scarlet Grey. … Remember when AFI was punk?

The bottom line is this: If you are a radio friendly rocker, don’t listen to me. Go ahead and rock this for yourself, just don’t come crying to me when your mom won’t buy you tickets to the show.

-Jerry

The Kings of Nuthin’ – Old Habits Die Hard

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Rating:

New releases from some bands are like Christmas, immediately after the preceding one you get super excited for the next. The Kings of Nuthin’ are like that for me. I’ve been looking forward to Old Habits Die Hard since before I even knew it was coming out.

The disc doesn’t fail to impress either. The now familiar sounds of booze infused 50s rock and roll hybrid with punk guts and speed and vocals like a Dicky Barrett and Tom Waits shouting match are all intact. This time around you get to enjoy 18 new tracks and revel in the level of depth that The Kings of Nuthin’ have developed over the last several years.

Funny thing is, as much as I enjoy this disc, it wasn’t immediate. Maybe it was environment or situation or my mood at the time, but I wasn’t immediately taken. Some of the more, for lack of a better term right now, “doo-wop” moments threw me. The duet seemed wrong and out of place. Then again, I tend to be the type of person that likes sophomore efforts; the kind of releases that are the gangly and often awkward ones in a bands career.

Successive listens, however, convinced me that Old Habits Die Hard has a lot more going on musically than I initially gave it credit for. The songs are tighter now and a bit more complex. Time signatures swerve and careen but magically remain upright. Instruments weave in and out and always fall back in line. The duet really has some charm … I’m still not sure about the “doo-wop”

I think though, the overarching reason why I like this release and this band is that beyond the rockin’ they craft songs that I can relate to. At some point I can’t tell if the tracks are about someone I know, someone we all know or if they, in some strange twist of fate, started writing songs about me. I don’t know about you, but that makes me feel pretty damn connected to the music.

Cheers!

–Jerry

The Flatliners – Cavalcade

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Rating:

Call me confused. When I saw this CD in the ‘inbox’ I was super excited that I had some new psychobilly from “Thee Flatliners” … turns out that an extra e makes all the difference in the world. Immediately I was disappointed. Have you ever gone to take a drink of soda or beer or whatever and grabbed someone else’s beverage instead? Even if it isn’t something bad, the initial confusion of it not being what you expected can leave a bad taste in your mouth.

Well that is what I was experiencing with The Flatliners right off the bat. I’m glad that I stuck it out. I’ve been listening to Cavalcade for the last few days on my way to and from work. Over these last few days I’ve found a lot to enjoy. I also found some things to be concerned about, but I’ll discuss that later.

The disc provides 14 tracks of surprisingly diverse punk flavored tracks, each one with its own distinct flavor. There is a subtle Lawrence Arms quality as well as touches of Bracket. I think it speaks wonders for the roster consistency of Fat, no? Aside from the label mate similarities I hear bits of Bruce (Springsteen) and the other Bruce (Dickinson). Maybe I read too much into things though.

Aside from my initial disenchantment and eventual rock and roll epiphany, I can offer these words for The Flatliners – Cavalcade: Don’t be like me by almost not giving it a chance. That is wrong and I should know better and so should you.

A final word for the band, while I now appreciate what you’ve got going on, you’re flying dangerously close to the radio rock sun. Be careful Icarus. Be careful.

–Jerry

Hell Within Tour Dates

HELL WITHIN will be hitting the road May 21 through July 3 in support of their upcoming Thorp Records debut, God Grant Me Vengeance (in stores July 13). All dates will be supported by Letter to the Exiles (Strike First Records).

You can download the songs “Condemning The Bloodline” and the title track, “God Grant Me Vengeance,” here:

http://media.thorprecords.com/mp3s/hellwithin.condemningthebloodline.mp3

http://media.thorprecords.com/mp3s/hellwithin.godgrantmevengeance.mp3

May 21 Lowell, MA @ The Blue Shamrock (Gemstones), 21+

May 22 New London, CT @ EL ‘N’ GEE

May 23 Waretown, NJ @ Station 36 (at Waretown Firehall)

May 25 Parkersburg, WV @ The Inferno

May 27 Wilmington, De @ MOJO 13

May 28 Chesapeake, VA @ Roger’s

May 29 Rural Retreat, VA @ Rurual Retreat Community Center

May 30 Roxboro, NC @ Palace Pointe Entertainment Center

May 31 Durham, NC @ MarVell Event Center

Jun 1 Jacksonville, NC @ The Orleans House

Jun 2 Jacksonville Beach, FL @ The Ocean Club (18+)

Jun 3 Satellite Beach @ Wynfields (18+)

Jun 4 Longwood, FL @ Liquid Scrips

Jun 5 New Port Richey, FL @ Bourbon Street

Jun 7 Tallahassee, FL @ Big Daddy’s

Jun 8 Birmingham, AL @ The Nick

Jun 10 Springfield, MO @ Outland Ballroom

Jun 11 Wichita, KS @ The Eagles Lodge

Jun 13 Kilgore, TX @ Side Pocket Lounge (16+)

Jun 14 Lubbock, TX @ Tequila Jungle

Jun 15 Federal Heights, CO @ Sidekicks Saloon

Jun 16 Casper, WY @ Downtown Grill

Jun 17 Salt Lake City, UT @ Club Vegas (21+)

Jun 18 Livermore, CA @ Pine St. Bar (21+)

Jun 19 Salem, OR @ Wasteland

Jun 21 Seattle, WA @ Studio Seven

Jun 22 Garden City, ID @ BRAWL STUDIO SHOWS

Jun 24 Missoula, MT @ The Palace

Jun 26 Fargo, North Dakota @ The Nestor

Jun 27 Norfolk, NE @ The Phoenix Room

Jun 30 Peoria, IL @ The Brass Rail (18+)

Jul 2 Buffalo, NY @ Broadway Joes

Jul 3 Providence, RI @ Club Hell

Good Riddance

GOOD RIDDANCE, the legendary pioneers of melodic hardcore, are set to releaseCapricorn One on July 6th. In between putting out many acclaimed full-length albums,GOOD RIDDANCE kept themselves busy releasing a bevy of material via 7” singles.Capricorn One is a comprehensive collection of all these singles, as well as 6 previously unreleased tracks and other rarities. All the songs on the album have been digitally remastered by Jason Livermore of Blasting Room (Rise Against, Descendents, NOFX) fame. To complete the package, Capricorn One features a track by track commentary written by singer Russ Rankin. Here’s a little taste of what he penned regarding the album as a whole:

Throughout the history of Good Riddance there have been numerous songs which, for whatever reason, we weren’t able to include on our primary releases. Many of these tunes were frequently played live and most of them are still some of our own personal favorites.

Now that we are finished we felt it would be cool for our fans to be able to check out these hidden or obscurely released snapshots of our band during the apex of it’s existence. We hope they bring back fond memories for our fans and that, even if just for a moment, they can be transported back to a different time and place.