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WEEZER RETURN TO INDIE-ROCK ROOTS WITH NEW ALBUM

Alternative Rock Heroes Are Back With New Album via
Epitaph Records on Sept 14

August 11, 2010 – Influential multi-platinum, Grammy® winning alternative rock band Weezer have announced plans to release a new studio album entitled Hurley this September 14th on Epitaph Records.  Starting today, fans are invited to pre-order the physical album now at EpitaphStore.com or on Amazon.com.  The album’s first single, “Memories,” can be streamed now at MySpace.com/Weezer and purchased on iTunes.

Innovative rockers Weezer have inked a deal with leading independent label Epitaph Records signaling the next phase of their acclaimed career and the return to their indie roots with a highly personal and sonically exploratory album guaranteed to delight their fans.

“So far we’ve had a really good creative collaboration with Brett Gurewitz and the other people at the label, and I’m looking forward to collaboration with other like-minded alternative music fans at the label,” Rivers Cuomo recently shared with Los Angeles Times.

“I’ve been a fan of Weezer from the beginning, and I’ve loved all their records,” says Epitaph president and founder Gurewitz.  “So it’s amazing to find myself working with them on the new one!”

“Weezer is a great band,” adds labelmate and Rancid frontman Tim Armstrong.  “I’m stoked they’re going to be part of the Epitaph family.” Continue reading WEEZER RETURN TO INDIE-ROCK ROOTS WITH NEW ALBUM

Hounds & Harlots – Demo

© 2010 Hounds & Harlots

Rating: ★★★★☆

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“What and or who are these Hounds & Harlots”, you may ask. “Am I with or am I not with them”, that is another damn fine question, one of several I fix on answering to some degree in the next few sentences. Well let’s start with the former.  Hounds & Harlots is a punk rock band rising up outta the San Francisco Bay.

The punk rock quartet consists of (at the time of this recording) Greg De Hoot on Bass and Vox, Bryan Zimmerman on Guitar and Vox, “Nice Guy” Brandon on Guitar and Vox and Cory Cunningham on Drums. What you have here is the basic ingredients for punk rock, four strapping young lads from the dark heart of the city by the bay.

The demo disc that I received is done up in modern era DIY fashion; A burned 3-track CD, hand markered for identification purpose and a b/w photocopy liner. I applaud the effort and am glad it wasn’t on cassette, ‘cause I don’t even have a cassette deck anymore. Something more to mention about the DIY ethic of the band, they are constantly rocking the social media. I, in fact, first heard of them through some mutual friends on Twitter. Way to capitalize on the new means to network.

The aforementioned disc contains three tracks: Divisadero, Wasted and Lots to Learn. They are all strong, but the clear leader is the opener, Divisadero. The track is a rollicking sing-a-long punk rock number that’ll like have you packing your bags for the neighborhood for which the band espouses so much pride. The two following tracks are both solid in their own right, but lack the catchy chorus of the lead-in number.

I will leave you with this, am I with them? Yes I am.

–Jerry Actually

The Assasinators – Weaving Spiders Come Not Here

(c) 2009 The Assasinators

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The Assisantors started out in Shelton, Wa in 2004. They recorded their first album later that year, having already played with UK Subs, Agent Orange and Poison Idea to name a few. After taking a year off playing shows in ’07 and a line-up change, they officially released their debut album, Rumour Of War in 2008. They then recorded ‘Weaving Spiders Come Not Here’, with help from Mike Herrera of Christian pop-punkers MxPx. The (ever changing) line-up currently consists of Paul- Vocals, Parris- Guitar, Zebrana (of now defunct Bastard Child)- Bass, and Drew- Drums.

As soon as you press play, the impression is given that this is on the borderline of punk and metal. It’s very heavy and fast, and the guitar riffs would fit in on a metal record. Paul’s vocals would even be suited to a metal band, but there’s a snarly and in-your-face attitude to their sound, and that’s what makes them punk rock.

‘Econarchy’ is, even though it’s heavy, a middle finger in the air number, and is one of those songs that has such a ‘fuck you’ attitude, it makes you feel like you’re not punk if you don’t sing along. ‘Got A Deal WIth The FBI’ has the same effect.

There’s a bit of a political and socio-political theme to many of the songs on this album. They manage to demonstrate their opinions, on topics most of us can relate to, but aren’t pushing their beliefs onto the listener. A good example of this is ‘Welfare Checks And Balances’.

There are two covers on Weaving Spiders…, the first is GG Allin’s ‘Drink, Fight And Fuck’ a great choice, and they manage to make it work for them well. The 2nd is ‘Out Of Control’, by the legendary Rancid- a daring choice for an underground band, but they do it justice, as the heavier Rancid sound fits the Assasinators’ sound. Not quite as good as the original, but covers rarely are.

‘Badge And Gun’ and ‘Doin’ Fine’ are the punkiest tunes on the album, with their attitude and sound, and will go down brilliantly live.

The title track is the slowest, showing there’s more to them than heavy punk/metal.  This one is the closest to traditional new-school punk, and is definitely the highlight of the record.

The Assasinators have lots of potential. Expect to hear a lot more from this band in the near future, especially if they can write more songs like the title track to this impressive sophomore release.

-Frankii

Mad Sin – Burn and Rise

(c) 2010 People Like You Records

Rating: ★★★★½

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Legendary Psychobilly band-deluxe, Mad Sin, is back with a brand new release.  Burn and , released on 04/23/2010, marks the eleventh release from these German born psychos.  It has been twenty three some odd years since Mad Sin was born out of youthful ideals and punk rock attitude.

Twenty three years appears to be the magic number for breathing new life. While 2005’s Dead Moon’s Calling was no slouch of a release, it lacks that vitality that is apparent on Burn and Rise. It appears that unlike a lot of bands who somehow keep trucking over the years, spewing out increasing blandness and living off their past, Mad Sin keeps getting better and stronger. I think that it is fair to say that Burn and Rise is my favorite release yet.

From what I understand, 2009 was a rough year for Mad Sin, including the death of friends, infighting amongst the band and a brush with death for Koefte Deville. Life in general and a hard living rock-n-roll lifestyle were taking their toll. Yet after all the hardship, the band persevered. They rallied and came back to record a power-house of a release; a true testament to the idea that what doesn’t kill you just makes you stronger.

The nineteen tracks in total (with intros and outros and all that rot) don’t fail to impress with speed, intensity, demon fueled guitar riffs, characteristic vocal inflections and a very full solid sound. Despite the darkness and gloom that is so closely associated with the genre, Burn and Rise is spewing forth with brand new life.

The last word is this, Mad Sin is an integral part of the core of Psychobilly today and Burn and Rise is a juicy bit of blood red icing on a coffin shaped cake.

–Jerry Actually

New Devil’s Brigade Album

July 14, 2010 – Los Angeles, CA – Celebrated Bay Area punk legend Matt Freeman of Rancid and Operation Ivy fame will release the long awaited, self-titled debut album for his side project Devils Brigade on August 31 via Hellcat Records.  The bass player has assimilated a touring band to join him this fall when they hit the road with labelmates Street Dogs on a US tour.

Devils Brigade was conceived in 2000, when bassist Matt Freeman began writing songs with Tim Armstrong between Rancid tours.  This led to a few EPs and some songs on Hellcat’s Give Em The Boot compilation, but the project was put on the back burner when Rancid began touring and recording again.  Years went by and after Rancid took a break from touring on the Let The Dominoes Fall record, Matt got the itch to reactivate the project with a new studio album.

“The original concept for this record was going to be a musical,” says Freeman.  “Tim had been kicking around an idea of doing a musical about the building of the Golden Gate Bridge.  He had the title “Half Way To Hell Club.”  This was based on the name for the bridge workers who fell off the bridge while it was being built and fell into the safety net that was between them and the ocean.  We grew up in the East Bay looking at that bridge and it has always been a part of our lives.  Six of those songs ended up on the Devils Brigade record.  The other songs were all original Devils Brigade songs from the first demo.  We thought they were still good and we should record them again.”

In early 2010, Matt and Tim entered the studio with DJ Bonebrake from the influential punk group X and recorded twelve quick tempered songs featuring Matt’s signature, snarling vocals along with his snap, thumping upright bass, which shine through on roots driven punk tracks like  “I’m Moving Through,” “Who’s Gonna Save Your Now” and “My Own Man Now.”

“It was a great vibe in the studio,” Matt adds.  “The record has a real live and loose vibe.  Loose in a good way.  Tim’s guitar style blended really well with DJ and everything clicked very quickly.  We had a lot of fun making this record.  I am going to take it out on the road whenever I can when Rancid is not doing anything.”

Promises – Hopeless Sons

(c) 2010 Pee Records

Queensland, Australia’s Promises have only been playing together as a band since January 2010, but have still managed to get into the studio, and get signed to a label. This, their first EP, was written and recorded in two months. A week after they’d finished recording, they were signed by independent label, Pee Records.

Right from the beginning it’s clear this isn’t going to be true, old-school hardcore. Realistically, it’s metal- whether the band or the fans like it or not, that’s the truth. Yeah they’ve got the image right, but their sound is nothing like the original heroes of hardcore.

As soon as the vocals kick in on opener ‘No Story Left Untold’, the thing that strikes you is Zaca’s, unusual style. Though it’s not unusual in a good way. He seems to struggle in between the traditional hardcore scream/growl and normal, albeit angry, singing. It becomes unbearable at times, with the voice changing so frequently, with each word comes the ups and downs of growls and singing.

Then there’s ‘Flint Soles’. Only certain bands can pull off really short songs (Agnostic Front’s ‘Victim in Pain’ or Good Riddance and their ‘Overcoming Learned Behaviour’ for example) and even they aren’t as short as this one. It’s not even like it carries on into the next song, or is an outtro to the one before it- it’s just 19 pointless thrashy seconds.

Instrumentally, they’re adequate. Just the typical (so called) hardcore, nothing out of the ordinary.

The drastically varying track lengths add to the disappointment of this CD too. It’s so hard to tell whether this is meant to be heavy, fast hardcore, or verbose metalcore, it’s like even the band don’t know.

Unfortunately, this type of music is becoming increasingly popular the world over, with scene (destroying) kids thinking they know decent music, when they really don’t. If you’re a fan of real hardcore (Agnostic Front, Sick Of It All or even Black Flag, etc.) stay clear of this band.

-Frankii

Good Riddance – Capricorn One

© 2010 Fat Wreck Chords

Rating: ★★★½☆

I’ll admit that I’m not super familiar with Good Riddance. Ok, sure I know who they are. I have a couple discs but I was never that into them. From this singles collection that I’m listening to right now, I’m thinking that I have been quite remiss. Capricorn One is some seriously sweet punk rock that spans a career that I intend to spend more time looking into. The earlier more hardcore material easily evolves into the tighter more articulate punk rock that I am more familiar with.

My lack of familiarity notwithstanding, Capricorn One dishes up 21 track of to-the-point punk rock and leaves you wanting more. I’d like to note, however, that this disc, thankfully doesn’t leave me wanting more of a “Phenomenon of Craving” … not my favorite Good Riddance.

At any rate, if you’re a fan, get this. If you’re not a fan, start.

-Jerry Actually

Vaporizer – Straight edge bullshit

There is an art to brevity. There is an art to punk rock. Vaporizer has both. drugs are good, cold beer is good (thank goodness I know that my parks will be safe) Ya know what though, I’m gonna go out on a limb and recommend Vaporizer as a good buy w/o the full review. The music rocks. straight edge sucks! S0me day we shall share beers!

Street Dogs New Release

July 13, 2010 – Los Angeles, CA – The Boston bred punk band Street Dogs return to champion the working class and to re-ignite punk rock with their finest and most urgent record to date, their self-titled fifth studio album, due out on August 31 via Hellcat Records.  Following the release, the band will be touring in support of the new album along with Matt Freeman’s (Rancid) side project, Devils Brigade, and this year’s Celtic punk heroes Flatfoot 56.

Co-produced by bass player Johnny Rioux and Rick Barton and engineered and mixed by Jason Livermore (Rise Against, NOFX) at the infamous punk rock recording studio The Blasting Room in Fort Collins, CO., the self-titled Street Dogs album is a vigorous testament to the band’s longevity and ability to write inspiring punk rock that touches the soul and raises the fists.

Having spent time as a soldier in Gulf War and serving his community as a firefighter, the original Dropkick Murphys’ singer Mike McColgan sings from experience and from the heart on punk anthems like “Rattle And Roll,” “Up The Union,” “Yesterday” and “The Shape of Other Men.”

“We have songs about personal empowerment, personal freedom and the search for personal redemption on our record,” explains McColgan.  “We have a song called “Hang Em’ High” that talks about the corruption of Bernie Madoff and a song called “Wild In Portland” that speaks of economic downturn and it’s fallout.”

“There are also songs that eulogize our fallen friends who didn’t fair too well in the game of life and songs that praise our family and our roots. And a song entitled “Up The Union” for EFCA (Employee Free Choice Act) legislation which would make it less difficult for employees to organize labor unions and lessen the chance of employer reprisal for organizing.  We’ve got a Saturday night, punk rock throwdown anthem in our song “Punk Rock And Roll” and with “Rattle And Roll.”  I pay homage once again to Dorchester and Dot Rats!”

“The album is self-titled because it’s collectively as a group coming forward and saying this is our best and most definitive work so far.”

Punk rock runs deep in the veins of Street Dogs, with McColgan’s uncompromising lyrics alongside bassist Johnny Rioux, guitarists Marcus Hollar and Tobe Bean III and drummer Paul Rucker’s fist pumping street punk anthems.  The band burst onto the scene in 2002 and has released a string of classic albums including 2008’s State of Grace, which critics called “a raucous and purposeful working man’s ride” (Dallas Morning News) with “the kind of political streak rarely heard since the Clash” (Cleveland Scene).

After incessant tours around the world alongside bands like The Offspring, Alkaline Trio, Anti-Flag, Reverend Horton Heat and headlining tours in US and Europe in support of State of Grace, Street Dogs will once again lead the fight against social and political injustices with their signature style of rabble rousing punk rock and the release of their fifth studio album on August 31 followed by a headlining US tour.

Raise your fists and pint glasses with Street Dogs this fall!