SKA PUNK INTERNATIONAL FEST REVEALS LOCATION AND FIRST WAVE OF LINEUP FOR SPI FEST 2024
Windsor, CT- The highlight of 2023 for many concert goers was Ska Punk International Records’ inaugural SPI Fest at the Flamingo Cantina, in Austin, TX, headlined by the Toasters, Tsunami Bomb, the Littlest Man Band, and Hans Gruber and the Die Hards. The event sold out and was full of so much love and chaotic good. Ska lovers traveled from all over the USA and Canada last March to meet their many internet friends and musicians from the Ska Punk International community. Ever since, there’s been folks asking when the next festival would be? And where?
With the intention of making each SPI Fest a travel destination, Ska Punk international will be moving the location from year to year. Ska Punk International Records, in partnership with CT Ska Productions, is proud to announce that the 2nd annual SPI Fest will be held on May 17 and 18th at 25 Central St in Windsor, CT.
Gary Woodruff of CT Ska Productions jumped at the chance to partner with SPI, stating, “When Chris asked me to work with him on the festival, I knew it was fit. Part of our mission is to bring acts to CT that might otherwise skip the state.”
SPI Fest will be held at a new all ages venue known as 25 Central Street.
About the venue, Woodruff says, “Partnering with 25 Central Street as a venue was a logical choice. The new space is a former vaudeville theater with a main floor and a mezzanine that’s perfect for the event, accommodating vendors, and most importantly allowing all ages attendance.“
25 Central Street is in the Windsor Historic District within walking distance of Windsor Railroad Station. Windsor, CT is just outside of Hartford, CT and one of the first English settlements in North America. Windsor is on the land of the Pequot and Mohegan Native Americans.
SPI Fest will take place across two days, May 17 and May 18, 2024. The lineup consists of bands from Ska Punk International Records as well as friends of the Dallas based record label. Many of the groups perform ska music and its various subgenres. As part of today’s announcement, the record label announces they are proud to bring back their own Hans Gruber and the Die Hards (Austin, TX) and Mega Infinity (Wantagh, NY) for a second year in a row. PWRUP (Agawam, MA), Bumsy and the Moochers (Chicago, IL), and Eevie Echoes and the Locations (Brooklyn, NY) from Ska Punk International Records are also announced today. In addition to performers from SPI Records, they are proud to be working with headliner and crowd favorite Catbite (Philadelphia, PA), Call Me Malcolm (UK) and Matamoska (Los Angeles, CA).
The label and festival team and all of the bands hope to bring the same chaotic good energy as the 2023 festival. In addition to the community values being reflected in the event itself, the label’s initiative to give back will include Punk Rock Saves Lives, who will be present to raise funds and awareness for their projects and swab guests for the bone marrow registry. Ska Punk International has been raising funds for life saving initiatives to prevent cancer from the first compilation the label released in 2021, Songs for Moms.
About Ska Punk International Records Ska Punk International is a record label run out of founder Chris Reeves’ home in the Dallas-Fort Worth area. When Chris founded SPI Records in 2021, he founded the record label on 3 principles, community, accessibility and giving back.
About CT Ska Productions
CT Ska Productions is an all volunteer organization that provides safe spaces for awesome bands to play dope shows while raising money for charities that support diversity equity and inclusion.
Today, Southern California punk legends Social Distortion announce an epic co-headlining tour across the US with fellow Epitaph label mates Bad Religion that kicks off in Bakersfield, California on April 9th 2024. With additional support from The Lovebombs, the two iconic bands will join forces to bring their signature sounds and beloved catalogs to stages across the continent, showcasing their enduring legacy and influence on the punk rock movement.
Social Distortion frontman Mike Ness comments, “It gives me great pleasure to announce that in April we will be going on a nationwide co- headlining tour with our friends in Bad Religion. Yes, we are back in action and can’t wait for this tour!! We did this with them in Australia in 2022 and the shows were amazing!”
He continues, “We have also decided in celebration of the 40-year anniversary and re-release of ‘Mommy’s Little Monster’ that we will be playing the album in its entirety. This should be a very special tour and we are all looking forward to it.”
“Bad Religion and Social Distortion first played together in 1980,” Bad Religion singer Greg Graffin adds. “Though we evolved in different directions, we both carried the torch of Southern California punk all along the way. Now we’re so excited to be on the same stage again.”
Formed as rebellious teenage punks in the working-class suburb of Fullerton, California, Social Distortion survived their tumultuous youth to pioneer an undeniably honest and fiery brand of rock ‘n’ roll that would incorporate outlaw country, classic seventies punk and primal blues. Seven studio albums and countless electrifying live shows have earned the band a dedicated worldwide fanbase and catalog of timeless anthems including “Story Of My Life,” ”Ball And Chain,” “Prison Bound” and more. The band’s last release, Hard Times and Nursery Rhymes entered the Billboard 200 at #4 and in 2019 they celebrated 40 years as a band.
Social Distortion also share rescheduled dates for their previously postponed tour with follow SoCal rockers, The Bellrays. Ness enthuses, “I am also happy to announce the tour with “The Bellrays” from last summer will now be happening in September & October 2024. I’d like thank the fans who bought tickets for their patience while we worked on the rescheduled dates. Words can’t describe how happy I am to be back onstage doing what I love. See you all soon.”
Artist Pre-sale tickets are live today at 12 noon local time with codes: BALLANDCHAIN or SUFFER
The general on-sale will be December 15th, 10 AM local time.
IN STORES AND ONLINE VIA FAT WRECK CHORDS ON FRIDAY, FEBRUARY 9th, WITH PRE-ORDER AVAILABLE NOW
“I DON’T GIVE A SHIT ANYMORE” NOW STREAMING ON ALL PLATFORMS
AUSTRALIAN DATES ANNOUNCED WITH THE CHATS
Photo credit: Jacob McCann
(November 29, 2023 – San Francisco) Today, we get to share some truly radical news! There’s a brand new Mean Jeans jam, and it’s oozing with all the pop punk slime you can handle. “I Don’t Give a Shit Anymore,” is streaming wherever you hang out digitally. This track serves as a sneak peek of their upcoming album, BLASTED, which hits the streets on February 9th! Plus, you can pre-order it now, and grab a color variant or this sweet MJ headband. 2024 is shaping up to be an epic year with a new album, an Aussie tour on the books, and more dates in the pipeline. The Mean Jeans party bus is going full throttle! Check out what Billy Jeans had to say below:
Getting back on tour post-pandemic and doing 9 weeks with The Chats in the US and Australia reignited our appetite for shredding. We got home, wrote a new album, and recorded it by ourselves in Portland over 5 days. Blasted’s got more fast + wild loser anthems, a couple tearjerkers, more Houndy singing, and I finally figured out how to do a guitar solo. We’re kicking the year off with another Australian tour, this time a punk cavalcade of 6 bands.
From the moment they started 15 years ago, Mean Jeans have been creating their own slime punk fantasy world. Study their six previous album covers and you’ll find junkyards full of bongs and yo-yos, macaroni galaxies, Jägermeister spaceships, alien saxophonists and pink slugs in bondage dripping ooze. On their newest full-length album Blasted, the goofball trio have clearly been through wild years and seen some shit—on the cover, the three members peer out of toxic waste bins, no longer cartoons of themselves but instead incredulous country-fried maniacs who are still following a slime punk dream, and dealing with where it’s led them.
Which isn’t to say the Jeans are jaded. In fact, the band—Billy Jeans, Houndy and Junior Jeans—seem to be having as much fun as ever on this record, ripping through these 15 rapid fire ear worms without coming up for air. They seem equally focused on tight catchy songwriting and packing in Easter eggs and absurd lyrical references, including (but certainly not limited to) Tim Armstrong’s X-Filescameo, Mike Schank’s PCP overdose story in American Movie, multiple songs with lyrics about their space-obsessed kindred pop-punker Tom DeLonge, a chorus borrowed from Seal, and a not-very-legal piano collage of well-known pop-punk melodies.
Anyway, this record is a frantic and frenetic joyride, though probably one made in Rick from Rick And Morty’s Space Cruiser and through time and space, rather than any form of road-based vehicle here on Earth. But that energy was probably enhanced by the fact the band recorded Blasted all by themselves here on this planet. Well, at The Trash Treasury in Portland, OR, at any rate—the city where the band first got together and which is one of the least Earth-like cities on, well, Earth. At their own behest, the trio were left entirely to their own devices, putting themselves through their own physical paces by trying to be in two places—the control room and the recording room—at once. One of Rick’s portal guns might have helped make it easier, but who needs a producer or engineer? It’s just another cook waiting to spoil that delicious, fluorescent green, slime punk broth.
“Studio time is just more fun when no one’s in charge,” says Billy Jeans. “To some extent, I know what I’m doing, and to some extent the other dudes know what they’re doing, but none of us are pro at all. Like, Junior would have to run over to the control room, hit the record button and then run back, all while holding the bass, and then we’d play. It’s idiotic, but when it’s just the three of us fucking around, the vibe is there.”
You can hear that all throughout Blasted. It’s a weird, wonderful and wacky album, but also not without its occasional serious moments. Mean Jeans are—still, after all these years—a band that love to party, and that’s what they continue to do on these songs. Every once in a while, though, you might catch a little regret about doing so, if not a full-on hangover. Opener “I Don’t Give A Shit Anymore” might sound like a statement of nihilistic intent, but it’s more what Billy calls an “underthinkers anthem”, a direct response to him overthinking everything all the time, while “Look What Punk’s Done To You”, “Took Too Much” and “I Don’t Know What I Did Last Summer” all address the comedown of life lived in the fast lane. But then there’s also “Something’s Going On”, which is the best (and possibly only) song that’s ever been written about the cult 1986 comedy horror b-movie Class Of Nuke ’Em High.
At the same time, the album also serves as a kind of meditation on pop-punk, about what it means to be a punk band as opposed to a band playing music in the style of punk. Can you be both? Does it even matter? Maybe. Maybe not. What matters is that, with Blasted, Mean Jeans have made a record that defines what they are and what they’re not at the same time. Most importantly, it was fun for them to make, and it’s an absolute joy to listen to. For Billy, that’s always the aim.
“We’re a band in it for the good times,” he says. I’ve always thought if we’re not having fun, then it isn’t Mean Jeans. Which isn’t a recipe for success in the music biz, but I could bitch about that all day if you want. What’s the difference between being a bitch and being punk?” He doesn’t answer his own question, but it might be found somewhere in these songs.
9 Feb 2024 in Maroochydore, QLD, Australia @ The Solbar
10 Feb 2024 in Brisbane, QLD, Australia @ The Tivoli
13 Feb 2024 in Byron Bay, NSW, Australia @ The Northern
14 Feb 2024 in Coffs Harbour, NSW, Australia @ The Hoey Moey
15 Feb 2024 in Newcastle, NSW, Australia @ King Street Band Room
16 Feb 2024 in Gosford, NSW, Australia @ Drifters Wharf
17 Feb 2024 in Sydney, AU @ Metro Theatre
20 Feb 2024 in Castlemaine, VIC, Australia @ Theatre Royal
22 Feb 2024 in Frankston, VIC, Australia @ Pelly Bar – Pier Hotel
23 Feb 2024 in Melbourne, AU @ Northcote Theatre
BLASTED track-listing
1. I Don’t Give a Shit Anymore 2. Let’s Go 3. Diagnosis 4. Lost My Mind 5. Blasted to the Moon 6. Something’s Going On 7. Reggie 8. Taco Bell Parking Lot 9. Look What Punk’s Done to You 10. Slugs 11. Break up With You 12. Took Too Much 13. I Don’t Know What I Did Last Summer 14. Living Large on a Credit Card 15. Pop Punk Casualty
We’re thrilled to announce some exciting updates and events coming your way from your favorite hardcore punk band, Millions of Dead Cops! First off, we’ve got some explosive tour dates on the horizon, with shows in the wild heartlands of Oregon and the lone star state of Texas. This is your chance to catch us live and in action, so don’t miss out! Tickets are already available for pre-sale at selected venues, so be sure to grab yours while they last.
But that’s not all, folks! Mark your calendars for a night of sonic rebellion as we celebrate the release of our brand-new album, “War Is A Racket.” Join us on November 11th at the Twilight Cafe and Bar in Portland for a record release party you won’t forget. Expect high-energy music, electrifying performances, and a taste of the raw, unapologetic MDC sound. It’s going to be an unforgettable night!
And finally, looking ahead to 2024, we’re hard at work putting together our tour calendar for next year. We can’t wait to bring our blistering live shows to even more cities and fans. Stay tuned for updates on when and where we’ll be hitting the stage in 2024 – your city might be next! Keep the punk spirit alive, and we’ll see you at our upcoming shows and the “War Is A Racket” release party. Get ready to rock out with MDC!
Today, legendary OC punks Social Distortion announce that they have postponed their upcoming North American headlining tour due to the stage-one tonsil cancer diagnosis of vocalist Mike Ness. As he recovers from a recent surgery, the band is also temporarily halting the recording process of their eighth studio album. The previously announced tour, set to kick off on June 30th with support from fellow California rockers The Bellrays, is now being rescheduled for future dates. Check out the emotional statement from Ness below:
“We think that life is going to go according to our plan, but it has a way of saying “I don’t think so!”
In the midst of pre-production, I was diagnosed with stage one tonsil cancer. I was feeling well enough to continue with recording in the studio up until the very day before surgery. The band and I were so inspired and excited to lay down these tracks, which by the way sound f-ing AWESOME!
The recovery from surgery is a day-by-day process and in three weeks we start radiation and that should be the last therapy I need. The team of doctors are certain that once finished with this course, I will be able to start the healing and recovery process. We expect a full recovery enabling me to live a long and productive life.
It breaks my heart to post pone tours, and this album release, but time is required to heal. I can’t thank our loyal fans enough who have been waiting so patiently for this. While it will take a little longer-I promise you that it will be delivered and it will exceed your expectations.
I want you all to know that this has opened my eyes to a whole new struggle. I know it’s one that many of you or your loved ones have personally endured, and my heart goes out to you-because I now know what it’s like from this heavy experience.
I’m surrounded by love and support from my friends and family ESPECIALLY my lovely wife and incredible boys (oh and don’t forget my 3 dogs and kitty) THANK YOU ALL in advance to our unbelievable fans for YOUR love and support right now. ♥️
We WILL get through this….”
Formed as rebellious teenage punks in the working-class suburb of Fullerton, California, Social Distortion survived their tumultuous youth to pioneer an undeniably honest and fiery brand of rock ‘n’ roll that would incorporate outlaw country, classic seventies punk and primal blues. Seven studio albums and countless electrifying live shows have earned the band a dedicated worldwide fanbase and catalog of timeless anthems including “Story Of My Life,” ”Ball And Chain,” “Prison Bound” and more. The band’s last release, Hard Times and Nursery Rhymes entered the Billboard 200 at #4 and in 2019 they celebrated 40 years as a band.
SUBHUMANS ANNOUNCE U.S. TOUR COP/OUT AND UPCHUCK TO SUPPORT ON SELECT DATES SIX LPs REISSUED EARLIER THIS YEAR
Emeryville, CA – March 21, 2023 – Legendary punk band Subhumans announced a United States with support from Cop/Out and Upchuck on select dates!
This tour comes after a reissue of Subhumans’ first 6 LPs which were all remastered from the original tapes. These records were pressed on several different versions with fans from around the globe quickly snatching up copies. Additionally, a limited edition box set featuring all six records plus an exclusive 10”, slipmat, and 52 page book was released and sold out in a matter of hours.
Subhumans have more surprises and plans throughout the rest of 2023 and beyond so fans will be waiting with anticipation for subsequent announces from Dick Lucas and the rest of the band.
Catch Subhumans live: May 26 – Minneapolis, MN – Uptown VFW (w/ War//Plague, Cop/Out, Surrogates) May 27 – Milwaukee, WI – Cactus Club +May 28 – Chicago, IL – Cobra Lounge +May 29 – St Louis, MO – Off Broadway +May 30 – Indianapolis, IN – Black Circle + May 31 – Cincinnati, OH – Legends +June 01 – Cleveland, OH – Grog Shop +June 02 – Millersville, PA – Phantom Power +June 03 – Washington, DC – Black Cat #June 04 – Richmond, VA – Richmond Music Hall #June 05 – Carrboro, NC – Cat’s Cradle #June 06 – Columbia, SC – New Brookland Tavern #June 07 – Atlanta, GA – The Earl June 08 – Jacksonville, FL – Jack Rabbits #June 09 – Orlando, FL – Will’s Pub #June 10 – Tampa, FL – Brass Mug #+ – w/ Cop/Out # – w/ Upchuck
ABOUT SUBHUMANS: Subhumans are one of the most influential bands from the UK Anarcho-Punk scene of the 80’s, filed right alongside Crass and Conflict, and just as relevant today as they were during the darkest days of Thatcher’s Britain. Take your choice in how to label them – Punk, UK82, Crusty, etc, – there lies the attraction and consequent reason for their popularity, the band epitomizes non-conformity and connects with people in many different scenes.
Forming in 1980, recording and releasing a series of live and demo cassette tapes on their own Bluurg label, they continued to release music throughout the 80’s – building a powerhouse of a back catalog that completely stands the test of time.
Their debut LP ‘The Day the Country Died’ (1983), with its Orwellian influence, is considered by many to be a classic and has sold in excess of 100,000 copies. The second album, ‘From the Cradle to the Grave’, came swiftly the following year (1984), and although the same frenetic pace is in evidence, this marks a significant musical development for the band.
In 1985 Subhumans broke up, citing the usual musical differences, although had managed to release a third, maybe ironically entitled, LP ‘Worlds Apart.’ A final LP was released posthumously in 1986, ‘29:29 Split Vision,’ a further demonstration of how far the band had come musically from their initial leanings.
Dick Lucas subsequently joined Culture Shock and then formed political ska-punk band Citizen Fish in 1990, both bands releasing many albums, and still playing today. Subhumans had a couple of reunion shows in the nineties, before a more permanent return for the 21st century, including several major tours of the US, the first resulting in the ‘Live in a Dive’ LP.
The Subhumans then released a further studio album in 2007, ‘Internal Riot,’ again on Bluurg Records. The band is still passionate and angry, illustrated by Dick saying “Being in a band is the source of most of my passion and drive! The live experience of sharing it with people keeps it ongoing, the release of anger, frustration and initially negative/destructive states of mind is a release from the downward spiral of keeping it all bottled up and it feels positive/constructive as a result.”
In 2019, Subhumans released their latest record “Crisis Point” on Pirates Press Records, an album that displayed ferocity and poignancy which demonstrated why Subhumans have been one of the most famed punk bands of the last half-century. Filled with the same energy that Subhumans have embodied since the early 80s, “Crisis Point” took its place alongside their other classic records as a fan-favorite album.
Upon the release of Crisis Point, Subhumans have toured Europe and the U.S. extensively, including an appearance as part of Pirates Press Records’ “Rock The Ship” event where they played aboard an aircraft carrier, which can be recapped in this video.
Street Punk Veterans THE CASUALTIES Unleash Hell On Their THRASH BASH 2022 TOUR!
Los Angeles, CA – The Casualties have long been known for being one of the most raucous and rowdy punk rock bands around today. Their live performances always teeter on the edge of chaos but the band – which consists of vocalist David Rodriguez, Jake Kolatis on guitar, Marc Eggers on drums and Rick Lopez on bass – is somehow able to keep things under just enough control to deliver their anti-fascist, anti-authoritarian, pro-real punk rock message loud and clear!
Fresh off their All Out Tour II, The Casualties are returning to the road for a series of select dates on the east coast. Be sure to catch the band’s special opener for the Canadian leg, power trio Deadwolff!
“as if Taking Back Sunday had attended the Guided By Voices school of songwriting,” NYT on “Gotta Let It Go”
“a hooky, straightforward rock band that can’t seem to miss, with a signature touch you can’t mistake no matter how much they tweak the details.” – Stereogum
“a refreshing burst of off-kilter rock—whether it’s emo, pop-punk, or indie rock. It’s just an undeniable jam.” – UPROXX on “Don’t Try”
“sounds like the Joyce Manor you fell in love with from the very beginning…” – SPIN on “Gotta Let It Go”
Today, Joyce Manor unveil their 6th studio album, 40 oz. To Fresno. Seeing the band return to form after a brief hiatus, it will undoubtedly please fans who have been waiting four years since 2018’s Million Dollars To Kill Me. The much anticipated record has songs that span over the last eight years, yet achieve a cohesion that marks the next chapter of Joyce Manor.
Vocalist Barry Johnson summarizes,“This album makes me think of our early tours, drinking a 40 in the van on a night drive blasting Guided By Voices and smoking cigarettes the whole way to Fresno.”
In celebration of the release, Joyce Manor have teamed up with local Los Angeles vegan fast food establishment, Burgerlords from the weekend of June 10th through June 12th. Fans and foodies alike can stop by and enjoy a unique vegan burrito created by the band, a branded hot sauce, as well as limited edition t-shirts and only 100 prints of an exclusive vinyl variant with an alternate album cover. Both the Highland Park and Chinatown, Los Angeles locations will be participating while supplies last.
Originally planning to take a break from music, Joyce Manor brought their latest project 40 oz to Fresno to life thanks to singer/guitarist Barry Johnson’s desire to keep writing during quarantine. Produced by Rob Schnapf (Elliott Smith, Tokyo Police Club, Joyce Manor’s ‘Cody’,) mixed by Tony Hoffer (Beck, Phoenix) with Tony Thaxton of Motion City Soundtrack on drums, a sense of liberation lies at the core of this project. It’s strangely fitting that the title was taken from an auto-corrected text message about Sublime. Those types of happy accidents are all over 40 oz. To Fresnoand are worth the subsequent sonic hangover.
Since forming in 2008, the pop-punk group has proved time and time again that they can capture listeners’ attention through catchy yet thought provoking lyrics, and high energy shows. Although they have an established sound that reflects the energetic and gritty nature of the band which fans have come to expect, they push the limits by experimenting throughout the recording process.
Joyce Manor is a band from Torrance, CA consisting of Barry Johnson (vocals/guitar), Chase Knobbe (guitar), and Matt Ebert (bass). Johnson and Knobbe started the band in 2008 in the Disneyland parking lot while sharing a bottle of cheap booze. Named after an apartment complex that Johnson would walk past every day, Joyce Manor made their debut as an acoustic two-piece. Quickly they learned that playing loud was much more fun and invited friends to join the lineup. The band has since released five studio albums; Joyce Manor (2011), Of All Things I Will Soon Grow Tired (2012), Never Hungover Again (2014), Cody (2016), Million Dollars to Kill Me (2018), and Songs From Northern Torrance (2020). Joyce Manor has toured extensively and has made festival appearances at FYF Fest, Coachella, Riot Fest, and others. Press accolades for Joyce Manor include support from Pitchfork, Stereogum, NPR, The New York Times, Brooklyn Vegan, SPIN, Rolling Stone, The FADER, and more.
Seattle, WA — May 3, 2022 — Seattle rockers THE DROWNS have announced June tour dates along the west coast in support of their new EP “Lunatics.” The EP is available on Pirates Press Records’ webstore.
The tour begins on June 8th in Albany, California and ends on June 24th with a hometown show at the famed El Corazon in Seattle, Washington. In addition, the band will be playing three shows alongside fellow Pacific Northwest punk act Defiance.
Following this west coast tour, the band will head over to Europe for the Stomp & Shout Tour which will include several festival appearances including Rebellion, Paris Punk Rock Summer Fest, and Back To Future Festival.
“Lunatics” is the follow-up to the band’s recently released 7” “Know Who You Are” and their previous full-length “Under Tension.” For “Lunatics,” The Drowns once again got back into the studio with producer Ted Hutt (The Gaslight Anthem, Dropkick Murphys, The Bouncing Souls) to re-capture the magic they created for “Under Tension.”
The EP showcases incredible growth in The Drowns’ songwriting – revealing an array of influences the band has not showcased in their prior releases.
Catch The Drowns on tour all summer long supporting “Lunatics!”
Catch The Drowns on tour:
06/08/2022 – Albany, CA – Ivy Room 06/09/2022 – Ventura, CA – Gigi’s 06/10/2022 – Long Beach, CA – Alex’s Bar (w/ Defiance) 06/11/2022 – San Diego, CA – Kensington Club (w/ Defiance) 06/12/2022 – Los Angeles, CA – First St. Billiards (w/ Defiance) 06/13/2022 – Tempe, AZ – Yucca Tap Room 06/16/2022 – San Antonio, TX – Paper Tiger 06/17/2022 – Dallas, TX – Three Links 06/18/2022 – Austin, TX – Sunny’s Backyard 06/20/2022 – Denver, CO – HQ 06/22/2022 – Salt Lake City, UT – Aces High Saloon 06/23/2022 – Boise, ID – The Shredder 06/24/2022 – Seattle, WA – El Corazon
Stomp & Shout Tour 2022: 07/19/2022 – Koln, DE – Sonic Ballroom 07/20/2022 – Hamburg, DE – Indra 07/21/2022 – Glaubitz, DE – Back to Future Festival 07/22/2022 – Winsen, DE – Südwinsen Festival 07/23/2022 – Berlin, DE – Wild at Heart 07/24/2022 – Hannover, DE – Vereinsgaststätte SV Arminia Hannover 07/25/2022 – Bochum, DE – Trompete 07/26/2022 – Aachen, DE – Wild Rover 07/27/2022 – Karlsruhe, DE – Alte Hackerel 07/28/2022 – Zürich, CH – Dynamo 07/29/2022 – München, DE – Import / Export 07/30/2022 – Bocholt, DE – Vogelhaus 07/31/2022 – Oostmaale, BE – Klub Kmalle 08/01/2022 – Paris, FR – Paris Punk Rock Summer 08/02/2022 – Nürnberg, DE – Kantine 08/03/2022 – Leipzig, DE – Conne Island 08/04/2022 – Eisenhüttenstadt, DE – Subculture Holiday 08/05/2022 – Münster, DE – Sputnikhalle 08/06/2022 – Duffel, BE – Brakrock 08/07/2022 – Blackpool, UK – Rebellion Festival
