Watch this video. It’s awesome!
What’s up friends? Craving something new in your ear holes? Bam! Done. I’ve got a tasty little EP here from Joliet, IL (yeah, like as in the prison town, and Joliet Jake for you older kids) band The Lumber Jerks. I humbly present the “First Three E.P.”
As you might expect, there are three full tracks. All of which are fast paced punk rock. The songs are sweet and short and chock full of the fervor that is rarely found outside of youthful three piece combos. Not coincidentally, The Lumber Jerks are such a combo.
If I were to try to compare the sounds being kicked down by this EP, I’d mash it up somewhere around 7 Seconds, Newbomb Turks and The Humbers. It’s a great effect. You should check it out.
I guess the fellas recorded on full analog reel to reel. That’s pretty sweet. As much as I’m a proponent of the modern digital studio, there’s something just so straight up badass about rocking the analog. Of course, I’m listening to mp3s on half good PC speakers, so a lot of that is likely falling on deaf ears.
Anyways, here’s some brand new fresh faced punk rocks for you all to get your grubby little hands on.
Share and Enjoy
03/18/14 Los Angeles, CA at House of Blues w/ Bad Cop/Bad Cop
03/19/14 San Francisco, CA at Slim’s
In that mythical era known as the 90’s, five brave young men emerged from the legendary halls of some of the mightiest bands on Fat Wreck Chords with a single mission: make all the rest of these dildo punk bands covering popular songs obsolete. They crowned themselves Me First and the Gimme Gimmes and the world rejoiced. Now, seven records, scores of singles and nearly a thousand years later, having tackled every genre under the sun, the bold young knaves known colloquially as the Gimmes have ridden their success hard, and decayed into desiccated, old divas. Yet, the diva, she is immortal. And thus, imbued with the old-world, Mystic Pizza-esque swagger of Cher, the modern pop-art sensibility of Lady Gaga and the enthusiasm-for-drug-consumption of Whitney Houston, Me First and the Gimme Gimmes have returned from their beauty rest, busting out of their sequined gowns, and throwing vases at their assistants in order to present you with their latest opus, entitled Are We Not Men? We Are Diva!, slated to be released on May 13, 2014 on none other than Fat Wreck Chords. And you’d best believe, whether because of their tantrums or their virtuosity, once you hear these fat ladies sing, there’s not gonna be a dry eye in the house.
For the uninitiated, Me First and the Gimme Gimmes consist of Lagwagon frontman Joey Cape on the guitar, Shiflett brother (and Foo Fighter) Chris Shiflett on the other guitar, Lagwagon drummer and Fat Wreck utility superhero Dave Raun on the skins, and are rounded out by Fat Wreck-head-honcho/NOFX main-dude Fat Mike, and incomparable crooner Spike Slawson. Together, Me First and the Gimme Gimmes—an outfit that has always operated more like a beer-hall Pussycat Dolls than a regular mortal band—contain so much hot air, so much pomp, so much attitude, that it’s a wonder that these guys can still manage to pull their five individual tour buses into the same parking lot, put their differences aside and belt out the ballads without clawing each other’s eyes out. But they do, for the love of the fans, the music, and of course, the applause.
Share and Enjoy
You may recall (you likely don’t) that I reviewed a previous release by Braincell Graveyard. Well, I get the distinct (dis)pleasure of coughing up some more words for this new(er) release. “The F*cking EP) came out about a year ago and I’ve had it sitting on my desk. To be honest, I wasn’t even going to review it, but at the band’s insistence and/or persistence, I gave it another listen.
This new recording doesn’t deviate far from the thematic elements of the previous “Drunk Punk Anthems”. Shooting pornos, blowing loads, and rampant sex are the topic du jour for the “The F*cking EP” as well. I’m certainly not surprised given the title. At this point though, I’m past the sophomoric schtick. It’s kinda the Andrew Dice Clay of punk, only less funny and with far more misogynistic overtones.
The “EP” offers eight tracks (which is a lot for an EP) running between 30 seconds and three and a half minutes. Maybe it’s like an maxi-EP? At any rate, once again, the talent of the performance far outpaces the quality of the concept. I was hoping that the lads had perhaps matured a bit, but alas it’s not to be. Maybe I’m missing out on this whole “Porn Punk” thing and I just don’t get it.
They made the effort, so I appreciate that, but overall, I was left feeling like this is just something that I can’t subscribe to.
If you’re curious, you can find out more about the band here: http://www.facebook.com/braincellgraveyard
Share and Enjoy
Spirit of the City is fast becoming one of my favorite releases. The disc came out in 2013. I’m just getting around to reviewing. My laziness often betrays me. As a saving grace, I had this CD in my car for a couple weeks and kept listening to it on my daily commute. The more I listen, the more hooked I become.
For those that don’t know about this band, (including myself) They hail from the bay area and have been rocking the fuck out since around 2007. Like many other badass rock and rollers, they’re a trio. And, as if you didn’t already know it, the triangle is the strongest geometric shape found in nature. Don’t believe me? Look it up.
At any rate, Spirit of the City is an intense blast of punk rock channeling the energy of both West Coast punk and East Coast hardcore. The sound, while distinct is reminiscient of Rancid, Jughead’s Revenge and Agnostic Front (albeit with more whoa whoa whoas)
The release kicks out 13 tracks. You can check out their Reverb Nation (http://www.reverbnation.com/bumcitysaints) page for a sample.
Support local punk rock, kids! Go find some of this and go see them live if you can. And stay tuned, ‘cause I hear there’s some new music from Bum City Saints coming out in the next few months.
Share and Enjoy
The A.V. Club Premieres Video For “Waiting For The Sun”
Anti- Records is proud to announce that JOLIE HOLLAND will release her bold new album Wine Dark Sea this May 20th. In anticipation of the release, the A.V. Club is premiering a video for the joyous slice of deconstructed r&b, “Waiting For The Sun.” You can watch here: http://www.avclub.com/article/get-an-exclusive-first-look-at-jolie-hollands-new–201505
JOLIE HOLLAND has always embodied everything weird and wonderful in the history of American music, but Wine Dark Sea takes it to a new level. Raw and unrestrained, bristling with kinetic energy, Wine Dark Sea is unlike anything she’s ever recorded, but is also the purest and most assured evocation of HOLLAND’s vision to date.
A joyfully unrestrained masterwork, the record delivers: louder, noisier, raw and visceral. It is an inventive and fiery reimagining of delta blues, free jazz, classic r&b and country, infused throughout with a no wave abandon.
The album features symphonic swaths of noisy electric guitars and percolating polyrhythms supporting some of the most powerful vocal performances of HOLLAND’s career. This combined with some of her most direct and memorable songs make Wine Dark Sea her most joyful and fully realized work to date.
Wine Dark Sea was self-produced by HOLLAND who mined New York’s fertile downtown jazz and experimental scene for an ensemble of talented musicians including Doug Wieselman (Lou Reed, Antony and the Johnsons), Indigo Street and others. The sense of fun they had recording the album is tangible. Says HOLLAND:
“I told Doug Wieselman I wanted an Ethiopianesque bass clarinet solo on ‘All the Love’ and he said, ‘yeah, I got that.’ I asked him to give me a tremolo guitar like Pops Staples, and he brought that spirit through for ‘Dark Days.’ I asked Geoffrey Muller, the bassist, to give us a bass line for ‘Waiting for the Sun’ like a sweet boyfriend telling his lady he’s picking up the whole bill for their vacation on the beach. I wanted it to have that comforting, manly vibe. And he hooked us up.”
In case you couldn’t tell, we’re pretty excited about this!
Jolie Holland – Wine Dark Sea Track Listing
- On And On – 3:56
- First Sign of Spring – 4:52
- Dark Days – 5:17
- Route 30 – 4:50
- I Thought It Was The Moon – 4:01
- The Love You Save – 5:13
- All The Love – 4:10
- Saint Dymphna – 6:14
- Palm Wine Drunkard – 6:06
- Out On The Wine Dark Sea – 5:51
Share and Enjoy
I’m so late on this review that I hardly think it’s fair for me to even write this, so I’m going to clip the press release for you, and tell you that this is an inspirational album in tribute to a punk rock legend. The profits from this release go to the Tony Sly Memorial Fund, so please help if you can and pick up a copy of this release.
PRESS RELEASE BELOW:
Legendary San Francisco-based punk label Fat Wreck Chords has announced the release of The Songs of Tony Sly: A Tribute. Set for an October 29 release, the 26-track covers album was recently compiled to celebrate the life of the late No Use For A Name frontman Tony Sly, who passed away on July 31, 2012 at the age of 41. Featuring bands such as Rise Against, NOFX,Yellowcard, Simple Plan, Bad Religion, The Bouncing Souls, Frank Turner and many more covering No Use For A Name songs, The Songs of Tony Sly: A Tribute is a unique showcase of Sly’s poetic and philosophical songwriting gift delivered through this varied assemblage of artists, fans and musical colleagues. Profits from the sale of the album will go towards the Tony Sly Memorial Fund(http://www.tonysly.org), which has been established to assist Sly’s wife, Brigitte, and their daughters, Fiona and Keira.
With over one million albums sold collectively throughout its 25-year career, No Use For A Name are one of the most successful and prolific acts to come out of the ’90s skate-punk scene. In 1987, at the age of 17, Sly joined No Use For A Name and immediately proved to be an essential part of the band due to his knack for effortless songwriting. He helped the band release its full-length debut,Incognito, in 1990, which was produced by Bad Religion guitarist/songwriter and Epitaph Records label head Brett Gurewitz and released by Bay Area record label, New Red Archives.
In 1993, No Use For A Name would go on to sign with Fat Wreck Chords for the release of their album The Daily Grind. But it would be the release of the band’s next full-length album, Leche Con Carne, in 1995 that would be credited for providing the band with an increase in wider popularity. This album featured the song “Soulmate” which was the first Fat Wreck Chords single to ever receive airplay on MTV. Collectively, Sly recorded nine studio and live albums with No Use For A Name and spent 23 years extensively touring the world, including five Warped Tour stints and countless music festivals throughout North America, Europe, Asia, Australia, New Zealand, and South America.
Sly was loved and respected by a wide variety of artists and musicians, and nowhere is that more evident than the roster of contributors to The Songs of Tony Sly: A Tribute. Bands from the Americas, Europe, Australia, UK, and even Israel contributed to this final chapter in the storied career of No Use For A Name and serves as an essential body of work honoring Sly’s celebrated talent and memory.
The Songs of Tony Sly: A Tribute track listing:
01. Karina Denike – “Biggest Lie”
02. Mad Caddies – “AM”
03. Strung Out – “Soulmate”
04. Rise Against – “For Fiona”
05. Bad Religion – “Let It Slide”
06. NOFX – “The Shortest Pier”
07. Snuff – “On The Outside”
08. The Bouncing Souls – “Homecoming”
09. Old Man Markley – “Feel Good Song of the Year”
10. Lagwagon – “Discomfort Inn”
11. Teenage Bottlerocket – “Via Munich”
12. Frank Turner – “Keira”
13. Get Dead – “Premedicated Murder”
14. Pennywise – “Devonshire and Crown”
15. Alkaline Trio – “Straight from the Jacket”
16. Brian Fallon of The Gaslight Anthem – “Capo 4th Fret”
17. Yellowcard – “Already Won”
18. Swingin’ Utters – “Not Your Savoir”
19. The Flatliners – “Fireball”
20. Simple Plan – “Justified Black Eye”
21. Useless ID – “Frances Stewart”
22. Jon Snodgrass & the Dead Peasants – “On The Outside”
23. American Steel – “Dark Corner”
24. Frenzal Rhomb – “Flying South”
25. Anti-Flag – “Toaster in the Bathtub”
26. Joey Cape with Scorpios – International You Day”
Share and Enjoy
Share and Enjoy
MORNING GLORY have completed work on their new album War Psalms. It’s packed with 13 memorable songs and will be released on March 4th. Listen to the brand new song, “Nationality Anthem,” which appears on both War Psalms and the limited edition split EP with Off With Their Heads. Read what Ezra Kire, singer of Morning Glory, had to say:
We took the summer off to record this record. We were driving Jesse (Cannon) nuts by camping out in his studio. I was up to writing at all hours of the night, taking brief naps under the piano. In the end we had 27 tracks from which to assemble this album. People who like earlier M-glory are definitely gonna like it. It’s faster, heavier, & more raw & stripped down than Poets, but retains that anthemic morning glory message. Brian Viglione (dresden dolls, and now violent femmes) added massive strength to the entire record with his powerhouse drumming style. Music is a forward moving journey & I can’t wait for it to be released. Everyone who’s heard it agrees that this record rocks.
War Psalms track listing:
1. Calm and Alarm
2. Standard Issue
3. Natas Behind Me
4. I Am Machine Gun
5. Nationality Anthem
6. I Want Control
7. War Haka
8. War Dance
9. Punx Not Dead, I Am
10. Karry On
11. This Kool-Aid Is Delicious
12. Know Your Wrongs
13. Home Free
Share and Enjoy
NEW ALBUM OUT MARCH 11TH