Drive By – I Hate Every Day Without You Kid… (c)2006 Riot Squad RecordsHere is some more music on the Emo tip. Not quite as bad as the crap that I usually hate. Drive By has a bit of an Alkaline Trio feel albeit with less punk rock and more emo-pop driving it. I guess the drive by that they are taking about is the one where you drive by the flower shop and pick up some flowers for a funeral or something. Don't get me wrong though, I listened to the whole CD a couple times and not once did I run away screaming or try to stab myself in the ears with a pen. The debut CD from Drive By is definitely music for the depressed, the ones that are looking for catharsis.
Angel City Outcasts – Deadrose Junction (c) 2006 Sailor's Grave RecordsThough they may tout the word outcast, these L.A. Boys massively recall the extremely embraced early 80's SoCal rock sound, albeit blended with more punk attitude. The Angel City Outcasts new release "Deadrose Junction" begs to be compared to early Crue and G'N'R. It is definitely straight ahead rock, but thankfully it lacks the posturing and pretense of the 80's hair-metal glam scene. "Deadrose Junction" also raises the rock bar with some of their more aggressive punk riffs. Comparisons and critiques aside, I still can't help but think that I could really get into blasting this on a beat up jam box while riding around drunk in the back of a pickup anywhere in the Midwest. 3 cheers for Rock and Roll!
(c) 2006 Susspool Records
Punk punk punk punk punk it up! Yeah the Acrobrats do that. They also bust out 8 tracks of contagious pop-laced punk rock-n-roll on their sophomore release “…Go Down Swinging” As well as busting out cleverly rockin’ originals, there is also a cover of post new wave darlings The Primitives’ hit single “Crash”. I always thought that’d be a great cover. Incidentally, I was right.
If I had to liken their sound to something, right now, I’m inclined to think it would be as if 7 seconds got fused with pieces of Rancid. Above all, a fun peppy release that doesn’t weigh you down with filler. If you care to check out some tracks visit their site at www.theacrobrats.com
b.t.w. for anyone reading this, bands and labels and p.r. folk that send swag can totally sway my opinion.
The Ducky Boys – The War Back Home (c) 2006 Sailor's Grave Records Ah, when I think of Boston, I think of Blood for Blood or Slap Shot. But that does not mean everyone thinks like jimmy bile. The Ducky Boys…THE WAR BACK HOME…Sailors Grave Records, is reminiscent of the story telling of the ancient days past. I appreciate the no “verse chorus verse” idea and the mad antics of the instrumentals, but they might do better keeping the attention of the audience by speeding up the pace. Don't get me wrong, they rock, and I'll give them most of my thumbs up! thanks for reading, jimmy bile
Flashlight Brown – Blue(c) 2006 Hollywood RecordsFlashlight Brown , refreshingly, defies the pigeon-holeing that I am often reduced to. Are they punk? Are they rock? Are they 4th wave ska? Are they a secret government laboratory band from outer space? Hell if I know. I do know this though, they make me want to pogo like a mofo. The songs are catchy both musically and lyrically. Though there is a bit a static pattern throughout the tracks, ala verse chorus verse, but because the tracks average out to around the 3 minute mark or less, I don't find myself becomeing bored. I guess if I had to try to compare their sound to anything it would be a melange of 7 seconds Goldfinger and perhaps Sum 41. Flashlight Brown will be playing on the warped tour this summer as well as quite a few independent dates prior go check 'em out. What have you got to lose? You're problably going to the Warped Tour anyway. To break it on down. Flashlight Brown is catchy poppy and fun. However, perhaps a bit indulgent if you're too damn hardcore that you can't admit to singing along with Weezer songs.
Born To Lose – Sweet Misery (c) 2006 Sailor's Grave Records Born To Lose ' debut Sailor's Grave record "Sweet Misery" is 12 anthemic tracks of pure Texas punk. Based out of Austin, the hotbed of Texas college culture and the home of SXSW, it comes as a small surprise that there is no lap steel guitar or lowsome yodelling on this record. Kidding aside, Born To Lose is a solid punk rock band that has a lot of the qualities of Avail or the more sing along parts of H2O. Bottom line, punk rock presented in the form of punk rock. Good Stuff.
The Kings of Nuthin' – Over The Counter Culture (c) 2006 Sailor's Grave RecordsThe King's of Nuthin' except bad ass rock and fucking roll. "Over the Counter Culture" is the long awaited follow up to "Fight Songs…" and I for one am impressed. The Kings of Nuthin' embody the passion of The Wanderers with the ethos of all that is punk rock. I have little but praise for the 50's inspired sound that these fellas rekindle. The Kings of Nuthin' are redefining an entire genre of music. Much like their hometown brethren, The Mighty Mighty Bosstones, The Kings of Nuthin' have done for Rock and Roll what the aforementioned did for ska. I can't recommend this CD enough. Be amazed with their originals and provoked with the, dare I say "classic punk" covers. Who needs a president when you already have multiple kings!
The Welch Boys
(c) 2006 Sailor’s Grave Records
The Welch Boys are doing their part to keep Boston, MA on the punk rock map. With the official release of their self-titled CD out now on Sailor's Grave Records. The Welch Boys are a 5 member street punk band from straight outta Boston replete with aggressive guitar work crashing drums and rowdy sing-a-long choruses. Comprised of members of legendary acts such as The Blue Bloods and Slapshot, The pedigree of The Welch Boys doesn't fail to impress. If you're a fan of Dropkick or Streetdogs, odds are great that you'll also be a fan of The Welch Boys. The 15 tracks clock in at just over a half an hour so those with short attention spans need not be concerned. The songs contain many usual punk concerns such as unity, false friendship, emotional struggle, and as with most of the Boston punk, there is an overwhelming sense of civic pride. Though they run around a lot of familar territory, The Welch Boys bring a fresh sound and voice to the anthemic Boston punk sound. Bottom line, The Welch Boys don't dissapoint.
(c) 2006 Sailor's Grave Records
The U.S. Bombs are back with a new CD — fronted per usual by the venerable Duane Peters. Peter's is arguably one of the hardest working guys in punk rock with The skating, the shoe and clothing lines and of course the myriad of musical projects: U.S. Bombs, Die' Huns and The Duane Peters Gunfight.
"We Are The Problem" brings 15 new surprisingly diverse tracks of punk, from sing-a-long anthems like the opening title track, flanged out 50's style punk like "Just Like You" and near folksy ballads like "Guns of the West"
"We Are The Problem" shows that old punks need not fade away, but why? because they're a shit ton better than the bullshit radio baby pablum that the hot topic punks can muster today.
V/A – The Dirtier Inch: Volume 2©2005 Beer Metal Records Punk Rock from Seattle? You freakin' bet your ass! What we have here is "The Dirtier Inch: Volume 2" 28 Old School, skull bustin, mohawk sportin' punk rock songs from the land of grunge. I am not going to expound on any of the 28 tracks in specific, but sufficed to say, this comp rocks. I don't know anything about Volue 1, but if that is available, go damn get 'em both. www.beermetalrecords.com