Month: August 2011

Flatout Jones – Closed Doors and Weird Situations

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©2010 Flatout Jones

A. I love punk rock.
B. I love skapunk.
C. I love comedic overtones (and undertones)

Flatout Jones provides all of the above.

Consider this: the more punk side of Less Than Jake and the ska side of the Suicide Machines; add those together, recalibrate to those settings, set the dial a bit more towards punk rock, plant tongue firmly in cheek and I think you’ll get a decent idea of what I’m picking up from Flatout Jones.

Once again I’m faced with some music outta Mass that sounds badass. Closed Doors and Weird Situations from Boston quartet Flatout Jones has it where it counts. (See the above list)

In a nutshell you’ve got a punk rock band that isn’t afraid to bring the ska and interject an ample amount of humor into the tracks. Don’t, however, let the idea of humor scare you off, ya know if you’re a totally serious jackhole that can’t for a second let down your guard and everything has to be toughguy or die. … you know who you are. I like party songs. So sue me.

The intro track/song makes me think of Killface, that muscular talon-footed fella from Frisky Dingo, Not so much from direction more from intonation and intent. For my money you don’t get better sarcastic humor than that. I digress. You’ll probably want to know a bit more about the music contained on said release.

Certainly the band offers bang for the buck. 17, count ‘em, 17 tracks contained on one release. If you we’re to compare that to, oh say The Decline from NOFX, you’d have 16 more tracks. Beat that! Really though, the tracks rip, they’re played well and the mix of mostly punk with the occasional ska break doesn’t disappoint. (Assuming that sort of thing doesn’t disappoint you.)
If you wanna hear a bit for yourself, you can check the band out here in their online cemetery/museum: http://www.myspace.com/flatoutjones

Step 1. Listen
Step 2. Rock

–Jerry Actually

Dorset Speed – “Its My Party”

Ok… It’s short, free and not at all bad. The first two tracks rip it and the latter are good, but there is a very strong resemblance to a vocal genius, not to be named by me. Sounding similar is sometimes just how it is, but to me I hear this vocalists exact style. Oh well, I wish I could posses those pipes myself. I dig these guys and hope they continue to play energetic punk with non sense lyrics, just move a little further away from copping, more to the ends of influence. Just go get it, it is worth it.

Getting to know Blue Collar Convicts

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Getting to know Blue Collar Convicts:

Where are you from and when did you get started?

Keith: Where to even start? Blue Collar Convicts got started back in 2002 (I think) up in Pepperell, MA. I’m only going by copyright paperwork and it seems we started more presently than the dates the paper work reveal anyway. Most bands get rolling with a focus on something, but in this case BCC was supposed to be a side-project and nothing more. I was playing in a band with two biological brothers that hired me to play bass for them on a studio project. Somewhere during pre-production for our sophomore effort I decided I needed a break to record some of the material I’d been writing for a few years. Gratefully the brothers were willing to learn and rehearse the stuff I’d created. We rehearsed for two months and hit the studio. The sessions were brutal at first. Too much arguing and alcohol consumption left some songs far from completion. Overall the 5-song EP that came out of it received great critical acclaim nationwide but because of the bickering I finished the album with only myself and Dave Minehan (“The Neighborhoods) turning the knobs.

The brothers wanted to go back to the other gig and finish the follow up record but I bailed because I knew in my heart that the Blue Collar Convict journey was going be special. After a year off writing and playing solo acoustic gigs I decided to get it up and rolling again. I called my longtime comrade Jonny “Smash” Doty (“The Bloodsuckers”) to come aboard and start writing new material together. Coyotero and Delorenzo (drums & bass respectively) came on to help us get rehearsals going, however they left the band due to differences and the “$2 & Change” Album was finished up with only Smash and myself. BCC was effectively dead before we could even get the album a proper release party. After about 3 years of ripping through rhythm sections we came across Steve (Drums) and Dean (Bass) and the Blue Collar Convicts lineup has been the same ever since.

Who are you and who does what in the band?

Steve: Well for starters, I’m the drummer. I also handle our entire web presence and most of the bookings for the greater Boston area. Jonny Smash is our lead guitarist/vocs and does a lot of work on our flyers and merch. He’s been in a number of bands over the years and has ridiculous skills on the strings. Keith Jerszyk is our founder and lead song writer on rhythm guitar and lead vocals and covers booking for our northern MA/southern NH constituents. Dean Rider is our voice of dissent and bassist. He’s really good at getting Keith all sorts of riled up.

How would you best describe the sound?

Keith: We have many influences and desires when it comes to music. They range from our mutual love of all things punk rock to our basic foundations of classic rock, early 50’s/60’s rock & rockabilly to your staple blues and country.

Steve: We put forth a combination of all these genres that can be best described (we think) as “Garage Punk”. It’s nitty, it’s gritty, it’s catchy, the lyrics are hard working blue-collar relatable, and it hold true to both the punk and rock ‘n roll genres.

Dream rock moment (real or not)?

Jonny: I had a dream where I went to see KISS and they were old, not in makeup, and wearing their 80’s glam garb. They were at an arena but nobody was there. I just walked up to the stage and chatted them up and they invited me up on stage. We started running through their old 70’s stuff and the crowd started showing up and we really rocked the house. Everything was fine until Paul wanted to play “Lick It Up” (which I do, regrettably, know how to play) and then I woke up!

Does the time I took mescaline and watched Headbangers Ball and Gene Simmons stuck his head out of the TV and wagged his tongue in 3D count?

Steve: I am a die-hard Fat Wreck Chords fan. In that, my biggest (real) dream is to be in a band that either gets on the label or at least gets recognition from them. I think we have the sound and the ingenuity for it, but are just lacking in the notability nationwide. Now that things are moving, hopefully that will change.

Dean: To tour oversees (or anywhere for that matter) without coming home in the hole.

Still got day jobs?

Dean: While there is definitely great potential for BCC, we do have families and jobs to tend to. Keith works his ass off (10-12 hour days 5-6 days a week) has a wife and two sons that he needs to keep a lot of time for. Jonny works full-time and has a newborn son and a beautiful wife. Steve works behind a desk full-time and has to take on side-contracts to barely squeak by. I’m a truck driver with a newborn on the way (6 months or so down the line).

Any regrets?

Steve: I think our only real regret is not getting the band together as the line-up stands sooner. BCC has ripped through rhythm sections like one may cheap whores. Bassist after bassist, drummer after drummer and only 8-9 years later did we finally settle on a lineup that is all of what Blue Collar Convicts is, wants to be and stands for. The only problem now is that many of us have full fledged families making large-based touring pretty much out of the question and an ever growing shitty economy makes it hard to pay the personal bills, let alone keeping the gas flowing for local gigs, the electricity pumping for our rehearsal studio and the extra funds to cover things such as merch or studio time for a new album.

Jonny: That I squandered most of my talent for drugs. That I sold my VoxAC10TS for rent (and drugs/smokes). That I should’ve gone to Berklee on guitar instead of taking the flute scholarship. That my date with Winona Ryder fell through..frickin’ Johnny Depp…true story…

The Adventures of Rain Dance Maggie

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Last July 30th, Red Hot Chili Peppers held a late afternoon jam session on a California rooftop near Venice Beach, to record the official music video for “The Adventures of Rain Dance Maggie,” the first single from their forthcoming album “I’m With You” to be released on August 30th.
Today august 17th they invited fans from internet to enjoy the video on MSN, the video has a Beatles atmosphere, when they played the last time together on the rooftop for everybody who were close by.

For the Peppers, this wasn’t a goodbye, but a hello, we’re back!!

[youtube RtBbinpK5XI ]

cheers!

Stella

Getting to know Phat Meegz

Where are you from and when did you get started?

We’re a band from Tasmania, Australia, and all of us live here, albeit a bit scattered across the island at the moment. We got started sometime in early 2009, right after I moved to Tassie from Sydney. I was 16 and just moved out of my parent’s house to live with a friend halfway across the country.

At the time Tassie was a bit of a hotspot for traveller crusties and other such riffraff cause of these massive protests over the logging of the upper florentine, which is an old-growth forest that was getting turned into wood chips and chopsticks. So, living here, I quickly gravitated to a few other out-of-town punks that had just stopped by to fulfill their rent-a-riot duties, one of which (Joey) became the bassist of the band. We used to jam even though he claimed he hated reggae, and wrote a bunch of songs. We then found a drummer and enlisted him cause he was wearing an Op Ivy shirt, and a second guitarist just cause we could. Eventually we found a music nerd to play trombone for us. After about 3 months we decided to go on tour around Australia and all spent a bunch of money and met a bunch of people, which was cool.

Who are you and who does what in the band?

Well, I’m Ethan, I sing and play guitar. Joey is our bassist, he gets naked a lot on stage. Sam is our drummer and he’s the level-headed one. At the moment our Second guitarist is Jono, he’s 17 or something and has to sneak into all our shows. Luis is our trombone player, he lives on the other side of the island and handles all the complicated musical stuff, he doubles as our sound engineer and tambourine player.

How would you best describe the sound?

Old school reggae, if everyone in Jamaica was high on tweak instead of weed, and also white, angry and underage.

Dream rock moment (real or not)?

Real: Having the power cut at a show for playing too long, Joey being completely naked, and everyone in the crowd singing the words anyway.
Not Real: Brad Nowell somehow being alive and us opening for Sublime, and Joey flashing his balls to the entire crowd.

Still got day jobs?

Sortof. I’m usually unemployed but I just started work at a lettuce farm, picking and planting little lettuce babies. Joey goes to university and works at a fancy art gallery, Sam does furniture design at the same uni. Luis goes to Uni in Launceston, the other, shittier major city in Tasmania. Johno is still in year 12.

Any regrets?

Too many to count.

MXRCXL – Dump

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[rating:3.5/5]

Dump, from MXRCXL, is a two track demo that leaves me wanting more. The music is punk with indy leanings and a lot of articulation. It is modern in a very post-grunge way. Almost Helmet meats Nirvana, yet with more songcraft. … fans of King’s X might enjoy this.

It’s challenging to put forth volumes of critique (at least as far as my critique style goes) on a demo discs, but it does make it easier to be more direct. I like the two tracks and I genuinely hope there will be more forthcoming.

–Jerry Actually

Vultures – I’m Bad

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©2010
[rating:3/5]

Here I am in a position, once again, where I get to both critique and possibly introduce music from around the world to an entire new audience. At the moment, I’m listening to “I’m Bad”, a three track demo of macabre punk-a-billy from Ruma, Serbia. How freakin’ cool is that? Pretty freakin’ cool if you ask me.

The three tracks have the death and ghoulishness of Psychobilly down pat with a little metallic tinge on the guitar work. The tracks are in English and the vocals are articulate. Musically, I’d be hard pressed to distinguish Vultures as being from any particular region or not. I suppose that is neither here nor there, but it certainly is a testament to the impact that rock and roll music has had around the globe.

At any rate, Psychobilly is (dead) alive and well the world over and Serbia’s Vultures are proof to that. Let’s hope that there is a full-length release in the works.

–Jerry Actually

The Johnny Five – Stay Black!

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(c) 2010
[rating:3/5]

Stay Black! is a peppy little EP from The Johnny Five, a three-piece get up outta Texas. Musically in the vein of Screechin Weasel, Queers, Teenage Bottlerocket … [insert modern era Ramones-core band name here]

Don’t let the “Ramones-core” label throw ya though. The songs are quick little pop punk bursts with clever, albeit somewhat juvenile lyrics complemented with three-chord riffery and a solid rhythm section backing them up.

The Johnny Five has been around since 2000, but as life tends to do, life got in the way. School was attended. Degrees were conferred. Children were born. Now that life has jammed its ugly head back in the sand, The Johnny Five are back with this new EP, plans for a new full length and some touring.

If you’re down with the poppy punk thang and you especially dig tongue-in-cheek tales of robot legs and David Hasselhoff, Stay Black! is right the hell up your alley.

–Jerry Actually

For fans of: Queers, Riverdales, Ramones, Bands that sound like the Ramones.

Band Links: http://www.myspace.com/thejohnnyfive

Phat Meegz – M.S.G. To Rudy

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[rating:3/5]

Damn, sometimes I wish this was my job so I could be all like, “Damn, I love my job!” As it is, the only payment I get from this little hobby is the whole world of music that I get left on my doorstep, if you will.

What I’m listening to right now is “M.S.G. To Rudy” (as in the oh so delicious seasoning that makes you crave the Colonel’s chicken fortnightly) from the band Phat Meegz. The band hails from that tiny island at the bottom of Australia. You know the one famous for devils and commercial meat slicers? (ok, maybe Hobart Corp isn’t from Australia, but Hobart is the capital of Tasmania, therefore it should be from there.) At any rate, straight outta Tasmania, Phat Meegz is self-described as, “crusty reggae hardcore shit on like, a sublime/crack rock steady tip, with all the retarded braindead flavour so typical to Australia.” I will not disagree.

M.S.G. To Rudy delivers 12 gritty tracks with a heavy dose reggae swagger (and maybe Old Spice Swagger) as well as the more crack rocksteady punkish flavor of Leftover Crack, INDK, Morning Glory etc. On top of that, track 11 reminds me of the ska/punk band, Knowledge (a Link 80 related project off of Asianman a few years back) It is intriguing though, beneath the rather convoluted veneer, there seems to be some genuine soul. Track six, for instance, with a title like “For a Girl” things might seem immediately trite. However, I feel like there is a little more going on there. Damnit, there is some emotion going on in these songs. … I guess that isn’t so crack rocksteady after all, is it?

When you boil it all down though, M.S.G To Rudy has got enough back beat and horns to please the ska kids and a generous amount of down note calypso for those that prefer their island sound a bit slower. As if that wasn’t already enough, there is still the whole crust-o-matic throat sheering thrash explosion that graces a few tracks. If you like reggae and/or ska at all, or if you’re just some kind of d-bag hater, check Phat Meegz out, why don’t ya?

–Jerry Actually

Check the band out and stream the album here: www.phatmeegz.bandcamp.com or if you want to order a real object made out of plastic and other space age polymers, try sending an email here: emandc at gmail dot com