Reviews Archives - Page 27 of 57

Swingin’ Utters – Here, Under Protest

[ad]

I won’t belabor the historical info about Swingin’ Utters. You truly should know who they are already, but if you don’t, well, you should. (be ashamed of yourself) If you want to learn more about them, by all means check their official bio here: http://swinginutters.com/bio/ (notice the sexy url? sexy websites don’t use the www no mores)

Onto the important bits. Here, Under Protest is the first full length release from the band in eight years. That is a damn long time in punkdom. Most bands won’t even last an eighth as long, let alone have that many years between releases.

The new album is a mid-tempo rocker with some tactical velocity diversions thrown in. It is replete with all the expected hooks and chorus lines that you’ve came to love. They years have tempered the lads a bit, but not for the worse. The songs have the kind of difficult-to-define quality that pegs them as instant classics. I guess that it is a sort of timelessness that makes the songs both enjoyable and enduring. Though I gush a bit as an admitted fan, you really have to hear this one. It kicks some serious ass even after repeated listening.

So here’s what you get: 14 tracks, just under 35 minutes. Pure punk rock goodness. Oh, by the way. This is also your new favorite CD as of right now if not sooner.

–Jerry Actually

For fans of: Stiff little fingers, The last weird Let’s Go Bowling CD, Swingin’ Utters.

Tracks:
1. Brand New Lungs
2. Taking the Long Way
3. Bent Collector of 1,000 Limbs
4. Kick It Over
5. Good Thing
6. Sketch Squandered Teen
7. Heavy Head
8. (You’ve Got To) Give It All To the Man
9. Time On My Own
10. Lepers, Thieves and Whores
11. Blindness Is Kind
12. Reds and Blues and Beggars
13. Scary Brittle Frame
14. Effortless Amnesiac

Swing For The Fences “If You Only Knew…”

Well, let’s start off with the fact that I am not usually a pop punk fan. To my surprise, after giving this disc a few spins, it has grown on me. These gents from Detroit have a strong sound, good writing, and the production captures what I would guess is a tight live band. The lyric matter is usually what isn’t my cup o’ punk rock tea with regards to the pop end of the genre, but this EP strikes so much musically and vocally that I can overlook this with ease. The last two tracks really stand out to me, with their punch and nods to hardcore. If pop punk is you thing, check this release out. If it isn’t, give it a chance or check out their live shows and see what happens, you never know, right? Kudos on the title track gents.

–Ry-Not

The Rumblers – Resistor Radio

[ad]

Right now I’m listening to Resistor Radio, the new full-length release from The Rumblers. The release marks eight years since the band’s debut. While I’m not familiar with “Hold On Tight”, I can only assume that the new work represents a more focused and enlightened version of the past.

Resistor Radio features 12 tracks of politically tinged American punk rock. It isn’t quite to the level of social commentary as The Clash for instance. Instead it feels like a sampling of Social Distortion, Pennywise and Bad Religion. The sonic structure has a great level of depth with the blend of horn and organ sounds of the more expected drum/bass/guitar experience. The dynamic and well crafted songs lend to easy enjoyment. It is the type of disc that gains appreciation and respect the more you listen to it.

Aside from the more greaser style punk rock and roll there are tracks like “Bring Me Back” which are more in the vein of newer bands like Dead to Me, Menzingers and American Steel. Additional deviations are the low cowboy ballad, “The Long Con” and the slightly ska/reggae/punk “Final Words”. It shows an excellent level of diversity and writing ability for the band. Like I said, the more I listen, the more I appreciate The Rumblers.

You can find more here: www.therumblers.com

-Jerry Actually

Tracks:
1. Your Future’s Been Determined
2. Days Gone By
3. Smash Your Television
4. Border Town
5. Bring Me Back
6. Time Can Have a Way
7. The Long Con
8. Final Words
9. You’ve Got Your Guns
10. download 10. Rebel Heart
11. Run Away
12. City Lights

Swing For The Fences

[ad]

Here’s a five track demo from Swing for the Fences, a pop punk band outta the Detroit suburb of Sterling Heights. Pretty straight forward power pop riffs, snappy drum beats and rocking riffs, some solid sing-a-long chorus parts and emo enough lyrics that your girlfriend will totally make you take her to the show. (you know, if you have a girlfriend that is)

The band isn’t breaking much in the way of new ground. It is very Blink 182 influenced from my limited experience with the genre. The vocals strangely make me think that they’d be what Weird Al would sound like if he were singing in a pop punk band. I suspect that Swing for the Fences take themselves a bit more seriously, but then again, maybe not.

The production quality is excellent for a demo, so kudos to everyone that played and produced this. I’m not sure what bandwidth is left in the market for more material of this variety, but since Blink tours again there is always hope. While the demo has plenty of polish and skills, it is all a little too saccharin for me, but if pop punk is your thing, check the band out at their myspace page: http://www.myspace.com/sftfmusic

–Jerry Actually

Tracks:
1. Running Away
2. Spill Your Heart
3. You Shoot For The Stars Because You’re Afraid To Land
4. Just Being Honest
5. If Only You Knew

Dead Dick Hammer – Welcome Home Babydoll

[ad]

Dead Dick Hammer and the TBA Band is a ghoulish undead trio from the hellbilly area of Kentucky’s Temple Hill. Apparently the band died in their rockabilly prime sometime, I gather, around All Hallows Eve, 1957. The opening haunt, 10.30.57 is an eerie tribute to their demise.

Welcome Home Babydoll unearths eight rocking tracks (and a mystery number) all very much focusing on the macabre. Themes center on such pleasantries as stalking, domestic violence, murder and necrophilia; All the things that you love, of course. Presumably tongue-in-cheek, but the disc does have an overwhelming air of misogyny about it. I suspect it is merely thematic, but if it were any other genre of band, it would sit pretty uneasy.

The music is a dark combination of 50s style rock and rockabilly. Think of perhaps: Big Bopper meets Elvis Hitler with a bit more hillbilly swagger in the mix. The sound is a mix of rockabilly and harder more distorted punk ala many psychobilly acts. It is solid, performed and recorded well and certainly blends well to the dark nature of the subject matter.

Overall, a solid debut from Dead Dick Hammer, though I should certainly hope that they’d be able to hone their craft in the over 50 years of practice time they’ve had. At any rate if you like your rockabilly server dark cold and dead, then Dead Dick Hammer has got just what (whether you want it or not)

–Jerry Actually

For fans of: Elvis Hitler, Sour Mash Whiskey, Stabbing

Tracks:
1. 10.30.57
2. Elcumino
3. Welcome Home Babydoll
4. She Likes It Ruff (My Baby)
5. Sweet Connie
6. Creep’r Creep’n
7. Girl I Won’t Hit You
8. Black & Blue

Tom Page Trio – Dust Bowl Demos part 1

[ad]

This demo from Wichita KS country/blues/other act goes a bit outside the scope of what I generally review, so I apologize in advance if I step on too many toes.

Dust Bowl Demos part one features 5 tracks of guitar (ala namesake Tom Page) driven folksy/bluesy/rock tinged country. The first 3 penned by page with the trailing two being attributed as “traditional” It reminds me considerably of Townes Van Zandt / Guy Clark style Southwest Texas rambling cowboy music especially on the opening track, Alpine. The guitar work is impressive in quality and range and the rhythm section backs the solid lead ably.

The tracks are a mix of both instrumental and with vocals. The vocals have a unique quality for the musical stylings. I almost want to draw a comparison to either John Linnell or John Flansburgh, but I can’t quite decide which; maybe both.

At any rate, a decent demo and I’m glad to see that the Wichita music scene is alive and keeping and keeping it real to its roots.

www.facebook.com/tompagetrio

-Jerry Actually

For fans of: Townes Van Zandt, TMBG, Lowsome wailing cowboy songs.

Tracks:
1. Alpine
2. Walk All Over Me
3. Spicy Tomato Puree
4. Nobody’s Fault
5. G Boogie

Can Toker – Six Sick Sixty Second Songs

[ad]

Assuming that they made it through the recent tidal waves, Can Toker is a low-fi punk rock quintent from outta Santa Cruz, CA. The band consists of: Jack Mehauf (raging vocals), Chappy Left Standing (blazing guitar), Bon Gripper (thunderous bass) and JT Murdoc (earth shaking drums).

Six Sick Sixty Second Songs is the new demo out by the band and in all fairness, the songs, all six of them are sick, however not a single one of them is, in fact, sixty seconds long. This, to me, seems like a glaring oversight. I’m willing to let this slide because I like the raw garage punk thats barreling into my eardrums right now.

In truth, you get six tracks that clock (mostly) in around the minute mark. Snarly vocals, snarly guitar, snarly bass, drums (not snarly) The tracks are mostly about day-to-day goings on. Life in a tiny town. Smoking out a improvised can pipe. You know, living the American dream.

You can find more about ’em on the wide wide world of webs: http://cantoker.com/

-Jerry Actually

For fans of: The Meatmen, Awesome and the Asskickers, smoking things from cans.

Tracks:
1. Just My Job
2. Wheelbite
3. Decay
4. Implant
5. Fishbowl Town
6. Can Toker

Hay Perro – Eastern Ideas of Death

[ad]

More back than ever before, and better too even, Hay Perro resurges with a gauntlet of renaissance metal. Still from Chicago and rocking the four piece combo, Eastern Ideas of Death jams with a serious fury of doom tinged metalicious rock and roll.

The new release gives up nine tracks of Maiden/Sabbath-esque tracks that will damn near shred your face off. I think this latest effort reaps the benefit of time. The production is better and sound is much more coalesced. The trappings of Zeke are gone from this new effort replaced with a much more consistent foundation.

The funny thing is that while I re-read the review of 2008’s Summer of Destruction (EP), I am getting bits of deja vu. Their sound has definitely kept consistent over that last several year. Now in 2011, it is just that much more polished: The new razor edge of the sword lowered to impale your sniveling non-metal guts.

While the songs border on the too long side, for short attention span folks like me, they have enough musical diversity to keep things interesting. When it all boils down, the result is one strong ass rock record. I’d love to have this on vinyl, with the knobs on the stereo dimed, shaking the paint off the neighbors walls.

–Jerry Actually

Tracks:
1. The Isopod
2. Vicious Beast
3. No Visions
4. Ride the Laser
5. Homunculus
6. Blue Mother
7. Mammal Disaster
8. He’s From Norway
9. Eastern Ideas of Death

Überband – Live In Poland

Uberband

[ad]

The end of the Cold War brought many things. For the West, a long hard battle was won. For the East, doors to unfamiliar lands and individual commerce were opened. Along with that came new freedoms. For instance, the freedom to rock! Flash forward a couple decades and the culmination of the good fight has finally been realized.

Live in Poland, from the planet’s, dare I say, most uber band, Überband. Is a frenetic electric rock monster of the highest order. I’m gonna drop a spoiler here, but, well… Originally released in 2009, and apparently taking several years to makes its way to the West, Überband’s new disc is neither live nor from Poland. This in no manner, stops the rock.

Nine tracks of inane madness are thrust forth with a level of attack that makes you think that Faith No More and Mr. Bungle have been condensed into a singularity. The vocals are hauntingly Pattonesque and the musical melange is both rock and roll, and carnival side show. Songs like, Fuck I’m Richard Marx and Heinz 57 and Cocaine are the slightest indications of the rock laced ironic humor that comprises this Überband.

All said, you get quality rock and roll with a serious Faith No More vibe. More humor based than the aforementioned is, but irony aside, a powerhouse of a disc. I recommend it to you, your mom, your mom’s friend Mary, your mailman, your buddy Steve.

Serve with ample liquor.

–Jerry Actually

Track listing:

1. Intro
2. Fuck! I’m Richard Marx
3. The Net
4. Yello Vulva
5. I Am an Attorney
6. Heinz 57 and Cocaine
7. Sperm
8. Ballad of the Intergalactic Hitman Underwear Fetishist
9. Tonight We’re Going to Drink Alcohol at a Party We Will Attend to Get Drunk [Explicit]

Only Fumes & Corpses Who really cares, what really lasts

[ad]

In a genre that has been around for quite a long time, with both great and sub-par examples, Only Fumes & Corpses exceed the marginal with piss and vinegar. Driving rhythms dressed in aggressive attitude, with a spirit of quality musicianship that shows they truly feel the passion for their music. I don’t think this album will make it to the top of the heap of the best hardcore albums, but it is far superior to the mass releases, and shows to me that I should keep a keen eye on this band and their development. I do not find a bad track on this album. It courses along with heaviness, emotion, heart, and a diverse arrangement of influence . If you like hardcore, pick this album up. You won’t be disappointed. Cheers to Only Fumes & Corpses!

–Ry-Not

M	T	W	T	F	S	S
	1	2	3	4	5	6
7	8	9	10	11	12	13
14	15	16	17	18	19	20
21	22	23	24	25	26	27
28	29	30