Psychosis To Song

Psychosis to Song is another release that was sent to Upstarter from Bob Weber at CIA Records, the other being The Cat That Wouldn’t Die comp I wrote about a couple weeks ago. Bob was the drummer for one of my favorite early ‘80s bands Really Red, so it was a real treat to receive a package of cool stuff from him. If you aren’t familiar, remedy that immediately. I had a total blast listening to The Cat That Wouldn’t Die, and the release I’m writing about today I found to be maybe even more intriguing. Not only do I review music/zines as a side gig, but I’m also a psychiatric nurse by trade, and this comp is a collection of artists who all have significant mental illness. A very unexpected and welcome confluence of things I’m very passionate about.

Psychosis to Song is a project organized by Dr. Nikki Hune and Dr. Daniel Garcia in Houston, Texas regarding  music therapy for psychiatric patients. It serves as the soundtrack to a 47-minute documentary called UnSound, which is about the positive impact of music in treating mental illness. With titles like “Not My Diagnosis”, “Psychosis”, and “Reaching Out”, it’s no secret what most of the subject matter is about. Having watched the documentary portion UnSound as well, I will say that although the thematic element of mental health is prevalent in most of these songs, each artist has a very different take on it. This is true both musically, as well as their own personal journey through the mental health system that they discuss in the documentary. 

In my experience, music is massively important to almost every psych patient I’ve ever met. I can’t tell you how valuable being able to have patients check out tablets with headphones to listen to music is for someone struggling with mental illness. Not only that, but also playing instruments in group, karaoke, writing lyrics, you name it. Just thinking about my own experience in life, big moments and big feelings can always be connected to a song, often as a conduit to help validate and translate them. People diagnosed with bipolar or schizophrenia have a lot of big moments and big feelings, so it only makes sense as to why music can be so powerful for them. 

I was initially a little worried that maybe Psychosis to Song and UnSound would suggest music alone as treatment for people with schizophrenia and bipolar, but thankfully that’s not what’s happening here. The patients interviewed also mostly substantiate the importance of medication as well. I’ve seen too many wonderful humans think they can stop taking their meds and get setback for years, so I was glad to hear that echoed by those involved. Any long term success story I’ve personally encountered contains a multitude of factors, but one of them is always medication for any significant mental health diagnosis.

These songs range in style from indie rock (Eric Gray), hip hop (Chandler Thornton), jazz (Harry Darragh), to hardcore (Jonah Trachtman). It may seem like too much ground to cover in a single LP, but especially after watching UnSound and getting to know more about each individual’s story and approach, every minute of this LP is enjoyable. I was very impressed with the quality of music presented here, both in song craft and production. I’ve listened to it many, many times all the way through, and it’s been my go-to record to have on in the background while I’m puttering around the house. Running time comes in at about half an hour, and the jacket, layout, and clear vinyl all link up as a beautiful, cohesive product.

Everything about Psychosis to Song is appealing to me. I love that it gives the opportunity for people who have had the type of bad days you and I can only have nightmares about to release their art in such a cool and tactile way. It shines a light on the humanity of individuals who are often treated as pariahs in world, but in a very realistic way that doesn’t attempt to oversimplify the problem, or the solution. Although many of these songs delve into dark subject matter, the manner in which it has come together creates an album that just makes me feel good. I hope the people involved in making it were able to feel that as well.

Zach Nellis-Tessmer

 

Fake Names Release New Single

NEW ALBUM PUNK RUINS OUT OCTOBER 23 

FEATURING MEMBERS OF BAD RELIGION, REFUSED, ROCKET FROM THE CRYPT, GIRLS AGAINST BOYS & THE FAITH 

TOUR KICKS OFF JANUARY 28 

“The punk plaudits of the group are on full display, with a killer arrangement made of interlocking simple parts that builds an almost operatic rock sensibility without losing its street-level punk energy.” – Consequence 

Today, epic punk collective Fake Names share new video for single “If You Could See Me Today” ahead of their upcoming album Punk Ruins, out October 23. The track finds jangle pop emerging from the band’s D.C. post-hardcore roots; crackling guitars meet gritty basslines and effortlessly magnetic vocals, as the band reflects on remnants of a distant past. 

Listen to Fake Names’ latest single “If You Could See Me Today” here. 

Fake Names consists of punk mainstays Brian Baker (Minor Threat, Dag Nasty, Bad Religion), Dennis Lyxzén (Refused, INVSN),  Michael Hampton (S.O.A., Embrace, The Faith), Johnny Temple (Girls Against Boys, Soulside), and new drummer Mario Rubalcaba (Rocket From The Crypt, Off!). Punk Ruins was produced by Matthew Bernhardt (Superchunk, Bob Mould) at Chicago’s iconic Electrical Audio studios. 

Despite each member’s celebrated status, their collaboration feels unforced. “There are no guardrails or perceived direction here and this just comes out,” shares Baker, emphasizing, “this album is a collective expression, and a lot of the fun is seeing how the hell it is going to turn out.” The band’s musicianship elevated Baker and Hampton’s initial ideas, while giving Lyxzen room to explore vocal styles. “I think that a lot of these songs give me an opportunity to sing in a way that nowadays I usually don’t,” he explains, “It’s always cool to be able to experiment with your voice, melodic sensibility and language.” That creative freedom shines on tracks like the groove-driven “Diamond Buzz” and the title track’s undeniable D.C. hardcore sound, elevated by Lyxzén’s belting vocals and razor-sharp hooks.  

Fake Names is a “mutual admiration society,” according to Baker, melding 70s UK punk with classic hardcore energy and dynamic guitar-driven power-pop. The band released their classic rock-leaning self-titled debut in 2020, followed by 2023’s Expendables, produced by Adam “Atom” Greenspan (IDLES, Yeah Yeah Yeahs), who helmed a sonically cleaner, richer sound for the group.   

Fake Names will be heading out on tour in early 2027, with stops across Europe and the UK starting January 28. The US leg kicks off February 18 in Brooklyn, with stops in Washington, D.C. (2/19), Los Angeles (2/23), Chicago (2/27), and more. For additional information, visit: https://fakenamesofficial.com/tour. 

Fake Names 2027 Tour Dates: 

Jan 28 – Paris, France – Glazart
Jan 29 – Köln, Germany – Club Volta 
Jan 30 – München, Germany – Backstage 
Feb 1 – Milano, Italy – Legend Club 
Feb 2 – Ljubljana, Slovenia – Kino Šiška 
Feb 3 – Wien, Austria – Arena Wien 
Feb 5 – Hamburg, Germany – Knust 
Feb 6 – Berlin, Germany – Lido 
Feb 7 – London, United Kingdom – Underworld 
Feb 18 – Brooklyn, NY – Zone One at Elsewhere 
Feb 19 – Washington, D.C. – Black Cat 
Feb 20 – Philadelphia, PA – Johnny Brendas 
Feb 23 – Los Angeles, CA – The Echo 
Feb 26 – Minneapolis, MN – 7th St Entry 
Feb 27 – Chicago, IL – Cobra Lounge 
Feb 28 – Detroit, MI – El Club 

Punk Ruins Tracklist: 

1. Until It’s Normal
2. Good Old Days 
3. Punk Ruins 
4. Cover The Distance 
5. What I Tell Myself 
6. Diamond Buzz 
7. Language Lost 
8. Beautiful Scars 
9. If You Could See Me Today
10. The Little Wonders 
11. Scream 
12. Paradise 

FOLLOW FAKE NAMES 

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V/A – The Cat That Wouldn’t Die

Few things spark nostalgia in me like a good compilation tape/CD/LP. Technological advancements in regards to music consumption peaked with the advent of the punk comp, and you’ll never be able to convince me otherwise. The Cat That Wouldn’t Die is an ambitious project that looks, feels, and (sometimes) sounds like these treasured collections of our youths, but is also tailored for those of us whose parameters for classifying something as punk have widened to the point of almost being unrecognizable. If you randomly select a track off of here, chances are it’s not going to scream punk to you (though it does have its fair share of straight forward rippers, like those offerings from The Obsessions and 100KICKS). Dissecting microgenres of music always feels cringey, but there are all sorts of freaky branches of the punk rock tree represented here. In the case of this release, there are branches that fell off, got infected with spores of some unclassified fungi, and became something entirely novel. Meaning, some of the shit on here is WEIRD (looking at you, Malgrupp and Sekuu). One moment you might be listening to hardcore, then lounge music, spoken word, hip-hop, and the next you’re hearing what sounds like someone slowly letting air out of a balloon. This probably reads like a knock, but it isn’t. I loved every minute of this monster.

Forty-five artists (admittedly, none of whom I had previously heard of) from thirteen different countries playing such different styles of music could be a case of biting off more than you can chew in lesser hands, but TCTWD is executed so well that it pulls it off. A couple of things make it easy to navigate and enjoy. First of all, it was released to coincide with the 40th anniversary of the regionally legendary The Dog That Wouldn’t Die cassette only comp that contained tons of Texas punk/industrial bands from the early ‘80s, including PainTeens, My Dolls, Culturcide, and many more. Cool backstory, interest piqued. Next, all the songs included are (give or take a few seconds) two minutes long. Bite sized, making it easy to consume large quantities. Also, it comes with a full-sized book. Each band was given a full 12” x 12” page to submit along with their song, resulting in a nice, tactile roadmap accompaniment to the music. It was also put out by C.I.A. Records, which is run by Bob Weber, drummer of early ‘80s Houston punk legends, Really Red. I have such a soft spot in my heart for progressive, confrontational Texas punk bands from this era like Big Boys, The Dicks, MDC, and the aforementioned Really Red, so this added detail makes it all the more enticing.

Being a double LP (both transparent, one green and one orange), huge book, and cool artwork puts it among my favorite additions of the year. It also lends itself to repeated listens, as there’s so much art here to unpack. Maybe you’re a busy adult like me who has limited time to unpack art, but TCTWD is a nice reminder that making the effort to spend time with a release like this really is worth your time. I don’t want to give too much away, but instead encourage you to experience it mostly blind the way I did. The more we can listen to music like the internet doesn’t exist, the better. Highly recommended.

Zach Nellis-Tessmer 

Fake Names Announce New Album Punk Ruins, Share Video for “Until It’s Normal”

NEW ALBUM PUNK RUINS OUT OCTOBER 23 

FEATURING MEMBERS OF BAD RELIGION, REFUSED, ROCKET FROM THE CRYPT, GIRLS AGAINST BOYS & THE FAITH 

US TOUR STARTS FEBRUARY 2027  

“Every melodic, almost classically punk track contains elements that are immediately recognizable as each member’s contributions, yet none of them sound like a B-side from any of their previous bands.” – SPIN 

Punk mainstays Fake Names are back with their third studio album, Punk Ruins, out October 23. Their first new music in three years, today they share the new song / video for “Until It’s Normal,” the guitar-driven album opener that airs frustration with those who believe in today’s Fascist propaganda.  

Punk Ruins finds guitarists Brian Baker (Minor Threat, Dag Nasty, Bad Religion) and Michael Hampton (S.O.A., Embrace, The Faith), vocalist Dennis Lyxzén (Refused, INVSN), bassist Johnny Temple (Girls Against Boys, Soulside), and new drummer Mario Rubalcaba (Rocket From The Crypt, OFF!) effortlessly merging D.C. post-hardcore with modern power-pop. Throughout, Punk Ruins dissects the political manipulation and social neurosis of modern life, while holding onto punk’s salvation.    

Watch the video for Fake Names’ latest release “Until It’s Normal.” 

Recorded at the legendary Electrical Audio studio in Chicago and working with producer Matthew Barnhardy (Superchunk, Bob Mould), Punk Ruins transcends genre as the ultimate amalgam of fury and fun. “We recorded twelve songs in five days, and all of them are on the album,” Baker explains, adding that Lyxzén tracked his vocals in a single day. “One of the advantages of us all working at home is there’s plenty of time to figure out what you’re going to do,” Baker says when asked how the band were able to create such a fully formed album in the time some of their other acts have spent solely on pre-production. “I know what the guitar solo is going to be because I’ve already done it at home and sent it to Michael to tweak it,” he adds. “It’s not as hard as you think.”    

“This album is a collective expression and a lot of the fun is seeing how the hell it is going to turn out,” Baker shares, adding that the musicianship of the other players helped elevate his and Hampton’s initial ideas into something far beyond what they anticipated. Tracks like “Diamond Buzz” provide a hypnotic groove while the title track showcases the band’s undeniable D.C. hardcore sound, with Lyxzén belting out his vocals, elevating the song’s already razor-sharp hooks.  

Fake Names is a “mutual admiration society,” according to Baker, melding 70’s UK punk with classic hardcore energy and dynamic guitar-driven power-pop. The band released their classic rock-leaning self-titled debut in 2020, followed by 2023’s Expendables, produced by Adam “Atom” Greenspan (IDLES, Yeah Yeah Yeahs), who helmed a sonically cleaner, richer sound for the group.  

Fake Names will be heading out on a short US tour in February 2027, making stops in Brooklyn (2/18), Los Angeles (2/23), Chicago (2/27), and more. For more information, visit: https://fakenamesofficial.com/tour. 

Fake Names Tour Dates:

Feb 18 – Brooklyn, NY – Zone One at Elsewhere
Feb 19 – Washington, D.C. – Black Cat 
Feb 20 – Philadelphia, PA – Johnny Brendas 
Feb 23 – Los Angeles, CA – The Echo 
Feb 26 – Minneapolis, MN – 7th St Entry 
Feb 27 – Chicago, IL – Cobra Lounge 
Feb 28 – Detroit, MI – El Club 

Punk Ruins Tracklist: 

1. Until It’s Normal
2. Good Old Days 
3. Punk Ruins 
4. Cover The Distance 
5. What I Tell Myself 
6. Diamond Buzz 
7. Language Lost 
8. Beautiful Scars 
9. If You Could See Me Today 
10. The Little Wonders 
11. Scream 
12. Paradise

FOLLOW FAKE NAMES

INSTAGRAM | FACEBOOK | YOUTUBE | WEBSITE