Strength Approach – All The Plans We Made Are Going To Fail

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(c) 2009 Pee Records
[rating:3/5]

strength_approach_300Up until recently, and by that I mean when this disc hit my door, I hadn’t ever heard of Strenght Approach. This is, of course, too bad for me. It is also too bad for fans (who also haven’t heard them) of anthemic hardcore punk in the vein of H2O and Sick Of It All (albeit more of the former than the later) Despite my shallow knowledge pool of all things international hardcore, Italy’s own Strength Approach has a new disc out on Pee Records. (at least for Aussie distribution) “All The Plans We Made Are Going To Fail” packs 15 original musical numbers, 1 obnoxious noise track and 2 covers (Black Flag and the aforementioned Sick Of It All) 18 tracks in just under 35 minutes. I like the sound of that. By that I mean that I like the sound of this disk. Now that I’m thinking about it, the vox remind my ever-so-slightly of John Connely of Nuclear Assault. You? … Here’s the important bits though: Good disk, action packed. There is some interesting guitar work and the music is tight and a piece of listening advice, this disc sounds good loud. Tell your neighbors that I said it was ok to crank the stereo.

-Jerry Actually

Skarhead – Drugs, Music & Sex

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(c) 2009 I Scream Records
[rating:3.5/5]

skarhead_300A. There isn’t enough good Hardcore anymore. B. East Coast Hardcore is the straight up goods. C. Skarhead freakin’ kills it. Skarhead returns with Drugs, Music & Sex, out now on I Sream Records. What’s in it for you? 13 tracks of crushing Hardcore and some insight on the well founded urban confluence of Hardcore Punk and Hardcore Rap. Perhaps I should explain that. In most situations you get Hardcore bands bridging the genre from Hardcore to Rap by being more “rap-like”. In the case of Skarhead the idea happens in reverse. Traditional hip-hop/rap devices (like scratching) are transmuted into hardcore. The effect works. Genre comparisons aside, Drugs, Music & Sex is a pretty damn decent disc. 13 tracks that shred your guts out, vocals that sound like Overkill on track 4, “Bomb the System”, a whole mess of tracks that are acronyms for titles and a shit ton of self-aggrandizing name drops. Like I mentioned before, it works.

–Jerry Actually

Dead To Me – African Elephants

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© 2009 Fat Wreck Chords
[rating:4/5]

dead_to_me_300Somehow along the way I missed the bus when it comes to Dead To Me. I’m not sure how, but that is in the past now and we don’t have to dwell on it, do we? I can’t help but be curious about the prior LP and EP that I missed, but what if I listen to them and it takes away from how I feel about the new album African Elephants? I think I’ll hold off for now and bask in the glory of what is currently my favorite disc. San Francisco punk rockers, Dead To Me, have crafted an album that is at once both familiar, yet novel. The band wears their influences on their sleeve. The Clash, Police, Nirvana, perhaps even Violent Femmes? The effort, however, is far from cookie cutter or pandering to fans of their influences. Instead it is 13 tracks of diverse and unique punk rock. I’m sure I’ve mentioned it before, but there is something about trios. When done right, as it is here, they are a musical powerhouse. Flat out, African Elephants has the guts and sincerity to be a serious contender as one of my all time favorite discs.

–Jerry Actually

The Psycho Kid – Hypocrite Land

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© 2009 Logan Ave Recrods
[rating:3.5/5]

psycho_kid_hypocrite_land_300I’ve got to stop moving apartments. Once again I’ve lost the one sheet that came with “Hypocrite Land”, the new CD release by Chicago area trio The Psycho Kid. Thanks, however, to the modern miracle that is the Internets, I have their bio up online. Here’s the rundown: Glenn Brandt (vocals/guitar), Julia Zap (vocals/bass), Chris Morrow (vocals/drums)started in 2005, developing material for their next album, playing music, playing well, making people grit their teeth (not dentist friendly) and making people dance. I say these are all admirable goals, except maybe the teeth gritting part, but I am not a dentist, so I don’t really know. Ok, now that you know who the hell I’m talking about let me tell you a bit about the disc. 13 tracks of poppy punk rock with a good amount of crunch, not to say that the music is crunchy, but the instrumentation is very crisp, it’s snappy if you will. The vox have an interesting sort of talk-sing sort of thing going on with a decent amount of complimentary backups going on. Here is the weird thing though, I almost get the feeling that this disc was recorded at 78rpms and then down-shifted to 45 and then pitch corrected. I’m sure it wasn’t, but I get a weird impression that some of these songs want to be faster … ne, need to be faster. Perhaps I’m just impatient. I tell you what though, I like The Psycho Kid. They are a hard working 3-piece combo keeping the DIY spirit alive and well in Chicago. Rock on!

-Jerry Actually

Loudog – Kito

(c) 2009
[rating:3/5]

loudog_kitoLoudog hails from Braunschweig, Germany. Formerly known by the less appealing moniker “cumshot”, the band changed names in honor of their appreciation of Sublime and late (Sublime) singer Bradley’s dog. Kito delivers 11 tracks of upbeat roots ska with a bit of punk edge blended in. If I had to draw some comparison I would say that Loudog sounds a lot like a more ska oriented Millencolin. I’d also say they remind me of another band and I’m not sure who it is. I’m gonna go out on a memory loss limb and say that they sound like Umbrella Bed. Prove me wrong. If they do or don’t sound like someone else, what the do sound like is enjoyable. As usual it is refreshing to hear sounds from outside of my continent. Of note, Kito is released under the Creative Commons license. So maybe some enterprising young sound systems can mash some of these tracks into a wicked dub mix, no? It’s your call, but I like it. That said, I would have scored it a higher than a 3/5, but I think some of the tracks could have had a bit more pep.

-Jerry Actually

Sadplant – The World’s Got Problems, So Do You

© 2009 Sadplant
[rating:4/5]

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sadplantSadplant … A manufacturing plant that makes sad? An unhappy houseplant? Not sure, I can’t find the one-sheet that came with this new Sadplant disc, but damn! This band from Connecticut has got it going on something fierce. Formed in 2007 this release marks their fifth DIY effort and out of their own studio as well. Don’t wait too long to grab this one though, ‘cause there is a new new release slated for November. I have to admire this band for their sheer energy. They are nothing if not prolific. The music is catchy and punk rock with a unique style that you don’t often get these days. It is especially rare when you see a band cranking out this much material and it doesn’t end up sounding like musical Xerox. I’d like to say more, but frankly I think the new material is in my mailbox. No seriously, keep on with the rock-n-roll onslaught. Incidentally, the bonus track fucking sucks. 😉

–Jerry Actually

BYO – Let Them Know

(c) 2009 BYO Records
[rating:4/5]

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byo_let_them_knowThe good folks at BYO Records were kind enough to send me their new retrospective CD and DVD release, “Let Them Know – The Story of Youth Brigade and BYO Records”. In several words, totally flippin’ rad. Back eons ago in the hard-scrabble Los Angeles Punk rock scene there was a handful of bands, no organization and nothing even close to the internet to get the word out about the minds music and attitude of the American youth. They desperately needed something.

To fill that void, the Brothers Stern formed the Better Youth Organization as a way to form something positive out of the haphazard scene at the time. It was half built on ideals as a means to makes something positive out of the boredom of youth and half built with bored youth that needed something more positive. Through dedication and the true spirit of DIY, BYO and Youth Brigade carried the torch to bring the punk scene out of its fledgling state of loose knit neighborhood punk gangs and into a force to be reckoned with.
Continue reading BYO – Let Them Know

Alex Gomez – Love Sex & Drugs

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(c) 2008 Alex Gomez

alex_gomez_lsdHank III combined with Jon Spencer, Maybe? Black Sabbath with a slide guitar, I don’t rightly know. Either way, I have this disc from Alex Gomez. It is chock full of some seriously raw electrified blues. It slides this way and the other. It shreds (speaker cones) a bit. It is raw. I’ll make you throat hoarse if you try to sing along. Honestly I’m not completely sure of what to make of it yet. I’ve had the CD in the car for a while and it seemed to work there when the Mexican radio wasn’t quite up to par. I’m listening to it right now after several blue ribbon awarded adult beverages and it keeps getting better. Let me tell you more though. There are 10 songs. They all sound a bit similar, but once you hook into the loose slide groove, they don’t degrade in quality for the duration. So I’m hangin’ on a sort of fence on this one. I can’t say I’m adding it to heavy rotation, but I’m not going to dismiss it either. You listen. You decide.

–Jerry Actually

Provoke – This is Real

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(c) 2009 Pee Records
[rating:3.5/5]

provoke_realSo I’m listening to “This is Real” from the Brisbane, Australia band Provoke and something occurs to me. Is globalization affecting music? I think that it is. This is some serious East Coast Hardcore. I’m not saying it’s a bad thing by any means, but I find it intriguing that so many miles and so much water can separate scenes only to have music that sounds like it came from the same mean streets that brought Agnostic Front or Sick of it All or Slapshot. Maybe, instead, it is something more universal. Maybe the bullshit blue collar upbringing, the angst filled days and hope-crushing nights affect us all in a similar manner? What if this is the natural expunging of a pain that we all feel? Before I go off on a crazy sociological tangent, I’ll try to rein it back in a bit. Provoke is a four piece (currently) band from Queensland Australia and have been bringing the heavy noise since 2005. “This is Real” gives up 10 tracks, nine of which clock in well under my three minute cutoff. The final track is obviously a ballad at 4:03 and based on that I won’t even discuss it ‘round these parts. As a final note, it is refreshing to hear some honest-to-goodness hardcore that doesn’t sound like you’ve heard all their shit before. Yes it rings true to what you’re looking for, but as far as this Yank’s ears go this is some sweet new angst. Go get this. If you need some help finding it, shoot me an email and I’ll see if I can’t help you get a copy for yourself.

–Jerry Actually

Echo Screen – Goodbye Old Life

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(c)2009 ES Music
[rating:3/5]

echo_screen_goodbyeFor those of you unfamiliar with Echo Screen, They are, as far as I know, a poppy-rock quartet from straight outta Jersey. Goodbye Old Life may or may not be a departure from the bands previous two efforts, but then again it might. It is way in the pop vein, but in a weird good way. It is, oddly, like a mix between James Taylor, Neil Young and Ben Folds. Normally not my cup o’ tea, but I’m kind of in a groove with this five track EP. I say what the hell, Echo Screen is alright, even if they sound almost nice enough to be grandmother safe. The tracks tend to alternate between quick slow quick (to an extent, ’cause track five wrecks that scheme) They all have a flowing dreamy feel to them, but consequently I prefer tracks 1. “I Amsterdam” and 3. “When I Escape (L.A.)”, the later very obviously about Snake Plissken. Never the less, some not-so-bad stuff, from the East. Then again, what did I expect? New Jersey has all the best bands.

–Jerry Actually