© 2011 Horror High
[rating:4/5]
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Imagine yourself walking through an apocalyptic 1950s Hollywood. An ominous wind howls down empty streets. A bone white moon hangs in the sky. The unsettling calm is replaced with the the sound of engines revving and tires squealing. The moon turns to blood. The scraping of shuffled feet draws near. In seconds you’re surround by pompadour-bedecked greasers and buxom undead vamps with low cut tops and the worst intentions. The upright bass begins to thump out a rhythm. Guitars wail. You don’t seem to mind that your brains are now becoming a meal.
For the undead rockabilly / psychobilly set amongst you, get yourself prepared to rock with the Cold Blue Rebels. Blood, Guts, N’ Rock & Roll is the brand new release from straight from Hollywood’s freshest dug graves.
Musically, the Cold Blue Rebels (CBR) run the psychobilly spectrum from the Stray Cats sounding, “Cold Blue & Beautiful” to a more straight up punk sounds of “Brain Food” and the Mad Sin-esque tones of “Drenched In Black”. Frankly it is nice to hear this amount of variety in what can often be a rather one-trick-pony sub genre.
Blood, Guts, N’ Rock & Roll does have, for better or worse, the trappings of the genre: zombies, zombie hookers, death, blood, gore, presented in a 50s horror film style. For what it’s worth though, a good part of the charm of psychobilly is the revision of the rockabilly culture with the horror kitsch spin; fast cars, fast guitars, switch blades, and the undead. … you know, right?
Pound for pound a damn fine effort for a bunch of undead.
For fans of: Stray Cats, Mad Sin, Elvis Hitler, Gene Vincent’s Ghost
Tracks:
1. Procession Of The Crypt Keeper
2. Cold, Blue And Beautiful
3. Hell Block 13
4. Worm Hole Hooker
5. Pumpkin King
6. Big Boss Man
7. Lil’ Grave Robber
8.Sock Hop Strangler
9. Brain Food
10. Zombie Love
11. Drenched In Black
12. Riot In Cell Block #9




This Will Die Unrecognized is the new EP from Ohio’s Prize The Doubt. Six tracks of intriguing, semi-melodic (I say semi-melodic because the songs drift from melodic to hyper-aggressive) rock. The vocals especially enforce the melodic nature of the guitar drive rock riffs.
Do you ever listen to new music and hear an influence or similarity, a subtle influence in the sound that makes your mind battle to figure out who or what it reminds you of? Well damn if I don’t have that going on when I listen to The Burned Over District, the new release from Do It With Malice.
As per the !upstarter m.o., this review is rolling in a little on the late side. I’ll go ahead and blame the holidays. At any rate, here is some manner of review.
I’m listening to War Dogs of the Pacific right now. Don’t be fooled peoples. They are totally from Kalamazoo. You know, that place where Elvis would be dead at right now, if he were still alive. Geography notwithstanding, they also happen to be a fastish, sing-yellin’ kinda rock and roll band. Some may want to call them punk. I won’t disagree, but I don’t think there is that much need to pigeonhole. Ok, if I must, they are punk.
Here’s a fun little EP. Punkish yet poppy; assuming but not precocious. Ok probably a lame little lead in. I’m ok with that. I feel the way I said.
Well folks, I am sonofabitchin impressed. I wrote something; someone actually read it; new audio shows up in the mail. (Specifically I said that I miss ska. Less specifically, I think I screamed it into the night sky.). So here’s what’s shakin’ bacon. I’m listening to the new release, The Long Dark Road by Rochester’s own Mrs Skanotto.