teamupstarter – Page 4

Banner Pilot – Heart Beats Pacific

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To build on the momentum of last night, I decided to sit down and do something that I have meant to for some time now. That is to review Banner Pilot’s Heart Beats Pacific. This has been a long time coming for me, first, when I bought the album it was delayed getting to me so I didn’t get to hear it right away and also I have just been lazy.

Either way, the album is fabulous. It actually made my top ten list where I blamed it for causing me to speed while driving my truck. But it is also responsible for an even more ridiculous side effect. While alone on my 30 minute commute to town it is usually my album of choice. One day recently I actually caught myself (and I don’t know how long I had been doing it beforehand) doing only what I could describe as the “bow down.” Now for anyone not aware there was rap music before everybody in the club started getting tipsy and rappers had to explain why they were hot there was a group called Westside Connection who put out a single called Bow Down. Well the video included Ice Cube, WC, and Mack 10 raising their arms and making a bowing motion, hence the name of my dance move. This isn’t the first time an album has done that to me, I actually went through a stretch of time where I would do jazz hands while listening to In Desolation.

Now I don’t know making listeners do ridiculous dances was their intention when writing but it was definitely a result. I’m sure listeners will also experience several other side effects which may include singing along to the tremendously catchy songs which include (but are not limited to) “Alchemy”, “Spanish Reds”, “Expat”, and “Division Street.” There are not many bands around that are going to write catchier hooks then can be found on Heart Beats Pacific. It may not have had the hype of some albums that came out at around the same time but it is the one that I listen to the most and it will continue to be one of my favourites for a long time.

T.J.

The Menzingers – On The Impossible Past

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I have had a few things on my docket in recent weeks that I said I would review, but I just haven’t done it, and I kept telling myself I have to come up with something, but couldn’t. I just wasn’t inspired enough, I just couldn’t listen and put anything together. Fast forward to today, I had taken the day off work to take my little boy in for vaccinations, and he wasn’t having the best day afterward so we were just sitting around and I came across The Punk News’ exclusive stream of The Menzingers On The Impossible Past and we shared my headphones as we listened.

Maybe it was getting to share the music with my son or the music was really just that good but I started to get a feeling of joy that one only gets when they find something that was truly worth the time spent. From the opening track I was blown away. I started thinking about past albums that may have evoked the same feelings and I thought of albums that I could tell you exactly where I was when I first heard them, Dookie (skateboarding in a friend’s basement in March of ’94), American Idiot (at a New Year’s Eve party in ’05), and The ’59 Sound (in the Toronto Airport waiting for another delayed Air Canada flight in December of ’09). I don’t know why this particular thought crossed my mind, but as the stream continued to play and we sat listening it started to become more apparent that this very album may turn to be the 4th on that list.

Top to bottom the album is stunning, lyrics, vocals, guitar, drums, everything. I think I will skip my standard picking out of stand-out tracks and just say that I love them all. While the title might seem to imply that it is impossible to bring back the past, but after listening today I would have to beg to differ and say that no matter where you are or what you are doing when you listen to this it will invoke some sort of memory, and maybe play a part in a new one.

T.J.

You can now stream The Menzingers Epitaph Records debut On The Impossible Past by going to: http://www.punknews.org/article/46191

The City Calls New Video for Meet In The Middle

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The City Calls new music video ‘Meet In The Middle’ has just been released. Produced by the extremely talented Josh Partridge who has worked with such U.K. bands as ‘Sell Your Sky’

[youtube hETwA8qmRaU]

The band is also heading out on tour in February with Forever August and Malokai I’ve included the dates and details below.

15.02 London – The Good Ship
16.02 Nottingham – The Maze
17.02 Yeovil – Tabernacle Junction
19.02 Winchester – The Railway Inn

Blossom Hill – Sidetracks

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[rating:6/10]

There’s a common theme in music and especially punk music where band’s that have been around for awhile will have fans who will say “their music was better when…..” and they yearn for the “the good old days.”. Enter Blossom Hill, a pop punk band from Finland who released their debut LP, Sidetracks, in October.

On Sidetracks, the group seems to have (fairly successfully whether intentional or not) melded together what sounds like two different eras of Green Day inspired music. From the get go a listener can expect vocals that sound like they are inspired by 39/Smooth or Kerplunk eras and guitar riffs that sound derived right from the Insomniac/Nimrod timeline.

This is what I hear when I listen, and is what I am going to base my critique on. To me they sound like one my favorite Green Day eras (Insomniac/Nimrod) and my least favorite (39/Smooth). Don’t get me wrong, I did enjoy Sidetracks, but my feelings are very mixed. I hate to make direct comparisons to bands as they take time to create something their own but I can’t get over my first impressions of the album, and for a person who can still tell you what he was doing when he first heard Dookie in ’94, nothing will ever compare. At the same time, I can’t think of another band that has brought me back in time to a groups (so-called) glory days the way they have.

With that said, Sidetracks does not really have tracks that stand out in my mind either good or bad, and it had things I liked and things I didn’t. But if you are one of those nostalgic Green Day fans who thinks “they were better when….” check out Blossom Hill, maybe they can transport you back there.

T.J.

REFUSED NOT F***ING DEAD

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Groundbreaking Band To Play Coachella and Way Out West Festival

The groundbreaking, highly influential Swedish hardcore band Refused have announced a series of shows scheduled for summer 2012. This is the band’s first appearance since their breakup in the late ‘90s and will include performances at the Coachella Valley Music and Arts Festival on April 13th and 20th and the Way Out West Festival in Sweden Aug 9-11.

Refused have released the following statement and the full statement can be found here: www.officialrefused.com

…It’s been a motley 14 years since our band came apart. We’ve all kept busy in our respective endeavors but we’ve all remained friends and kept in touch. There have been offers, and lots of jokes about these offers. We’ve sort of looked down from our high horses and made fun of people who’ve just wanted to share the psychopathic intensity that we would deliver on a nightly basis in our post-pubescent prime. A reunion has just seemed irrelevant to us. Too much other shit to do…

…We never did “The Shape of Punk To Come” justice back when it came out, too tangled up in petty internal bickering to really focus on the job. And suddenly there’s this possibility to do it like it was intended. We wanna do it over, do it right. For the people who’ve kept the music alive through the years, but also for our own sakes…

Originally released in 1998, The Shape of Punk to Come “blurred the lines that separate punk, metal and hardcore, while peppering this brutal fusion with bits of techno percussion, jazzy rhythmic change-ups and long, complex song structures that support politically-charged messages,” (CMJ,1998). Refused’s most critically acclaimed and final album exploded on the scene with the jaw-dropping hardcore anthem “New Noise,” which helped change the game forever by influencing a range of genres to this day, which includes being named “Best New Re-issue” by Pitchfork.com in 2010.

New Menzingers Release and Tour 2012

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THE MENZINGERS TO RELEASE NEW ALBUM

Band To Tour In Support Of Anticipated Epitaph Records Debut

Rising punk rock band The Menzingers create a rousing sound featuring crashing power chords, rock steady drumming and anthemic sing-along choruses alongside powerfully poetic everyman lyrics. The group is set to release their Epitaph Records debut album On The Impossible Past this February 21st. Fans are invited to pre-order the album by going to www.themenzingersstore.com.

On The Impossible Past was recorded at Atlas Studios in Chicago with longtime collaborators Matt Allison (Alkaline Trio, The Lawrence Arms) and Justin Yates. While the record retains all the raucous spirit of the band’s earlier efforts sonically, it’s a monumental step forward. “I think that ‘Gates’ is one of the most mature songs on the album,” guitarist/vocalist Tom May explains, referencing the tender rock song sung by Barnett that truly transcends genres. “I hope it surprises people because it’s not a straight-forward punk song with gang vocals or anything like that but it still definitely sounds like us.”
Continue reading New Menzingers Release and Tour 2012

Year End Top 10

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It’s that time of year again when everyone is posting their “best of” year end lists. For me, it would be ridiculous to think that my list is going to be a whole lot different in content then somebody elses, there may be some differences, but mostly I just want to feel important by posting my list for everyone else to read:

1) Polar Bear Club–Clash Battle Guilt Pride-This was was not my favourite album of the year, although it would definitely be near the top, I think it is the best written album of the year and really shows the group coming into their own.

2) The Horrible Crowes–Elsie-This album contains some of my favourite Brian Fallon songs, as well as some of my least favourite, but what I respect most about this album is that Fallon and bandmate Ian Perkins were able to step out of the shadow cast by The Gaslight Anthem and create something uniquely their own.

3) The Rebel Spell-It’s A Beautiful Future-My personal favourite album of the year, it has all the ferocity of their prior releases plus a sense of urgency that is a direct reflection of the time it was written.

4) Red City Radio-The Dangers of Standing Still-The bands Paper and Plastick debut built off of their earlier EP and showed that they are continuing to get better.

5) Mall’d to Death–The Process of Reaching Out-This was another of my favourite releases and also contains my favourite song of the year “Migraine Belt.”

6) Banner Pilot–Heart Beats Pacific-This album is currently on repeat in my truck and I blame it for my speeding.

7) The Slow Death–Born Ugly Got Worse-This is the album I turn to if I just want to enjoy listening to music.

8) Junior Battles–Idle Ages-It took me a long time to catch onto this album, but when I did it was as close to a revelation as I came this year.

9) Have Nots–Proud-This album was the one I anticipated the most, and it did not disappoint me.

10) Against Me!-Total Clarity-I know this album was made up of mainly demos that weren’t all that different then the songs that went on the album, but the unreleased tracks brought me back to when I first heard them and was quite inspired.

Sunrise Belongs to Moderate Drinkers

Broadcast Zero – Some Concerns Regarding This Revolt

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[rating:8/10]

The album I have been listening to lately is one that I have been wanting to listen to for a long time, but so much music that I am interested, or have become interested has come out since its release date that it has been put on the back burner. But lately, I have been back on the hunt for new music and not finding anything of particular interest. Well about two weeks ago Rebel Time Records sent out a tweet seemingly from above about a sale that they were having. Their entire discography was put on sale for 5 dollars a cd (you can still take advantage of this deal until the new year), a price I couldn’t say no to. So I finally decided to do what I had set out to do in September 2010, and purchase a copy of Broadcast Zero’s Some Concerns Regarding This Revolt. Considering the album is over a year old and the band is no longer together, I’m not really sure if what I am about to write is a review or a revisit.

The album itself is very good and packed with 16 fast paced punk songs and if you have ever heard Broadcast Zero, the style of the songs does not stray too much from what you might expect from them. There are two major digressions from their norm although. The first, happened right at the time I pressed play, it was the Yellow Ledbetter-esque intro to “Wake me Up.” The change of pace (one that I found very interesting) only lasted 26 seconds and then it broke out into Broadcast Zero’s signature guitar sound that would continue to last for 16 songs with the endurance of a triathlete and speed and explosiveness of a 100 meter sprinter.

The second digression is the theme of the album, and I don’t think I could explain it better then the title of the album itself. I found it very interesting. Most of the time punk bands are very steadfast in their beliefs, opinions, and politics. Some concerns….. really calls this practice into question throughout the album with such songs as “On Freedom” where Nick Shrubsole sings from two perspectives where the status quo tells “Tommy Bones” “Tommy you are deaf you see because this revolution will set you free.” Tommy replies “freedom for you ain’t freedom for I because when you speak for me you take away my autonomy.”

I can’t really pick any particular favourite tracks as I do really like them all, but “Just Entertainment” really sticks out to me as it references one of my favourites and fellow Rebel Time band The Rebel Spell throughout the song. As I said, the album is very good, and I recommend it to anyone, so go ahead, take a chance, head on over to Rebel Time and pick it up for 5 bucks, you won’t be disappointed.

-T.J.

The Slow Death – Born Ugly Got Worse

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[rating:8/10]

I have been a fan of mid-west pop punk for some time now, but I am still new enough that I am unfamiliar with the other bands that The Slow Death members belong to (Pretty Boy Thorson, or The Ergs for example), and maybe is that ignorance that is skewing my perception of the record. But I have heard enough to know that these guys aren’t reinventing the wheel, but what they are doing (and it comes out in the music) is making the type of music they love, and loving it all the while.

It reminds me of yesterday while I was watching one of my favourite movies, Rocky Balboa (don’t judge me). A line at the beginning of the movie says “all of boxing is looking for a warrior who thrills us with their passion.” While boxing in real life is in much the same state, music is too, but music can give us something boxing can’t, the warriors who can thrill us .I think that is what drove me to buy the record, and when the band recently had a Kickstarter campaign to help them go on a European tour, I purchased the record again (only this time signed). Sadly the campaign failed and I won’t get to add that record to my collection.

But enough of my bitterness, Born Ugly Got Worse is a collection of 12 pop punk anthems that are full of the 3 punk H’s:hooks, heartbreak, and hanging out drinking. What else could you want if you are a fan? What else could you ask for? To me, nothing. If you want a good down and dirty pop punk album, listen to Born Ugly Got Worse, if you’re looking for something else, you won’t find it here.

-T.J.