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The Zeroes
© 2102 Patrick Roesle
[rating:9/10]
It’s the end of the millenium. Somewhere in the shopping mall saturated, suburban New Jersey, The Returners are riding high on the last wave of Ska. Charlie, Sal, Jack, and Joe are fresh out of high school or there about. The world is theirs and nothing stands in their way. So starts what rapidly turns to inauspicious beginnings of The Zeroes, a new novel by Patrick Roesle. At its heart The Zeroes is a story of growing up, growing apart and coming to the bitter realization that even with all the drive and all the talent and all the potential, sometimes life leads nowhere.
The book is presented in a narrative manner by a character that I can best discern remains nameless throughout. He’s Charlie’s best friend and a talented comic artist, but the storyline takes a very first person aspect and is viewed almost entirely from this lens. Charlie, of course is the brains behind The Returners a four piece, ostensibly 3rd wave Ska band with Sal on drums, Jack on bass and Joe on trombone. But this isn’t a book report.
Sufficed to say, things get bad. Nothing goes as planned and the best intentions fall to pieces. Despite the best efforts, people get out of high school and leave town. Relationships drift apart. Dreams are dashed. People snap. People become cynical and jaded. Inevitably there are those that remain behind.
The Zeroes is a fantastically depressing read. It is perhaps an epitaph upon the dying embers of the last wave of Ska or more likely, it is a somber note that not everything works out. For those of us that lived through the turn of the last century, especially ones who were into Ska, Punk and Hardcore, the book reads like a chapter out of life anywhere in the USA. The bands, the shows, the friends, the triumphs, and the failures could have all happened to any one of us.
The stark, visceral reality, combined with the sonic backdrop of my relative youth makes this one hell of a book. It reminds me of what life would be like a bit less than a generation after Salad Days. A little more jaded and a lot more East Coast, but still a wild ride that doesn’t always work up where you wanted to go.
-Jerry Actually
(Oh, for the record, Permanent Revolution is a brilliant record.)

Richmond, VA punkers Tiny Fighting Trees have a new EP out. “Bath Salts” will fuck you up, make you bight someone’s face off and shit!
Did you know that there is punk rock in Chile? Seriously! It is fucking rad. I’ve said it before, but I’m so glad that I can be a part of it. I can’t travel the world nearly as much as I like, but when bands like Lili Champ are kind enough to send their music to me, I feel like I am a much bigger part of it than I really am.
We Hate You is an album that clocked in late 2011 from Spanish punk rockers, The Pink Elephants. This new disc is the follow up to the 2009 release of 100% R&R Liquor. On the new album, this Barcelona band offers 13 tracks of punk / pop punk blend in a manner similar to a lot of early 90s punk (at least to my American ears) The accent brings a nice new spin to it that keeps it fresh.
Please join me in saying welcome to Sundials. Relatively new to the Asian Man Records roster and totally new to !upstarter, this Richmond, VA based outfit makes nice with their 90s alt vibe.
Iwanaga! (pronounced “e-wa-nah-gah”) a six member ska band that formed in 2008 in the wasteland Fresno, CA. Known for stirring up a lot of commotion in the local music scene. Iwanaga has toured up and down California and has opened up for many touring bands like voodoo glow skulls, the sheds, isolated victims, ska skank redemption and potato pirates. for more about iwanaga visit their Facebook, twitter and reverbnation.
I’m not sure about you, but I’ve been waiting years for this CD to come out. Ever since way back in the day when the world was all Choking Victim this and Leftover Crack (rock steady) that, I’ve been looking forward to hearing more from Morning Glory. Well about ten long years after the bands formation and nearly as many since I was listening to “This Is No Time Ta Sleep” and “The Whole World Is Watching”, there is finally something new for me to jam into my ears.
I’m not immediately sure what to make of Chotto Ghetto. Their music is a bit of a mystery, the good kind of mystery though. I’ve heard folks say that they are “progressive hardcore”. I suppose that is as reasonable a description as is needed for the time being. Reasonable, that is, if you think that unusual structures, instrumentation and odd melodies are progressive.