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Here’s a brand new video from San Diego Psychobilly rockers The Blackjackits!
Enjoy
[youtube 92SYBrR4x00]
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Here’s a brand new video from San Diego Psychobilly rockers The Blackjackits!
Enjoy
[youtube 92SYBrR4x00]
© 2015
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[rating:9/10]
Life had really been kicking me in the balls. My car had been in the shop for almost three weeks. The misses had started a new job and immediately injured her Achilles tendon. Eight hours in the ER on a holiday weekend, my first long weekend in some time, with nothing but bills to show for it. I spent the remainder of the weekend and the next week playing choreboy for my lady. The shit just kept on coming.
Finally a month and $2k later I had my car back. Wife was off the crutches and heading back to work. Things were looking up and there was a break in the clouds. … Life had other plans. “Go fuck yourself”, it said. Power steering pump number three blows a seal. No car again, and oh, that house you’re in escrow on, the seller won’t make repairs and your loan can’t go through. Well damn! I am tired of this scrotum football routine.
Today though I’m not kicking kicked in the nuts. I’m getting my musical ass kicked with an new release by perennial favorites Awesome and the Ass-kickers. AAK is back with a collection of hard-hitting (like a luchador) tracks. The new album is titled, AAK Featuring Joey Image & Dave Scott. It is exactly what it is.
If you’re not familiar with AAK, first, shame on you. Second, correct yourself. The band brings about a return to a simpler, fun-loving, hijinks filled era of punk rock. The sound is garage as fuck and all kinds of fun.
The new album continues in the vein of what I’ve come to expect from AAK. Odes to tits, STDs, and Fantasy Island hosts. Throw in a dash of classic punk covers and dose of guest musician street cred and you’ve got yourself one classic rock and roll album my friends.
Dig if you will these track names:
1. Ricardo Montalban 03:34
2. Horror Business 02:38
3. Douchie Man 02:47
4. Teenagers from Mars 02:37
5. Milky Tits 03:32
6. A Nice Song in the Key of D 01:20
7. Gonorrhea 03:18
8. White Hassle 01:29
The songs, as you can see, are short and sweet just the way I like ‘em. Punk rock doesn’t need to waste my time being all wanky and cerebrally challenging. Sometimes it’s nice to not need to find a deeper hidden meaning below the surface.
At any rate there’s a new album from AAK and you should seek it out immediately. In fact, go here and rent a copy of this biotch!
http://awesomeandtheasskickers.bandcamp.com/
Cheers!
Jerry Actually
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[rating:9/10]
Do you remember the early nineties? Do you remember when glam died and rock and roll made its way back into our collective hearts? Drunk Couples does.
I say that and you’re like, “what?” I’m all, “Dude I used to own Bleach on color vinyl.” Then you go, “huh?” Ok fine. I remember when grunge stomped the guts out of the hair bands reign and some guts came back into rock and roll, and well that brings us to this EP.
Most of the time I’d look up a band, see where they’re from, get a vibe for what they’re about, ya know, kinda see what’s going on. This time I’m going to take a different approach. I’ve got the Cruisin’ EP cranked on my headphones right now. I don’t want to know where this band’s from. I don’t care if they’re on their 25th bass player because their 24th joined the Merchant Marines, I just want to rock the hell out.
If you’ve read any of my reviews before, you are perhaps aware that I’m generally not that impressed with “Rock and Roll.” I’m willing to make an exception for this release. The tracks are tight. The songs have passion while avoiding being saccharine or trite. It doesn’t go into slow jam or ballad mode. “Cruising'” is five tracks of pure win.
Bottom line: Fans on Motorhead, Misfits, Tad, and The Fluid are gonna love this. Fans of Mother Love Bone might. (Unless you really were into Andy Wood’s vocals, then maybe not) Either way these tracks are decent and you should find this band and give ’em a high five or whatever the cool kids do nowadays.
(Side note: I wrote this almost entirely on a cell phone. Take that keyboards! (except for that previous sentence and this one, which I totally used a keyboard for.))
-Jerry Actually
The Barstool Preachers – One Fool Down
Pirates Press Records
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[rating: 9/10]
“Never look down on anyone, unless you’re giving ‘em a hand up.” ~The Barstool Preachers. This lyric sets the tone for the debut EP from UK ska punk band The Barstool Preachers. I’ve been listening to the three track EP for a couple weekends now and the more I listen, the more I get drawn into the upbeat hook heavy sound.
If I may make an attempt to describe the sound, (you know I’m going to) I’d say we’ve got about a 60/40 blend with the high side leaning towards the ska end of the ska-punk spectrum. I hear influences of Madness, Specials, NOFX, Dropkick Murphys, Goldfinger, and “Stay Tuned” era Let’s Go Bowling. Of course these other bands may or not be influential in the least for this band, but artifacts or their sounds can be gleaned if you listen in.
All of my perceived references aside, despite lyrics that are tinged with a bit of drunken regret, I get a solid sense of positivity out of this band’s sound. They don’t come across as pissed or whiney, but friendly and real. Sure, I like ska punk and this is 100% up my alley, but the songs tell a story and the sound puts me in a happy mood. The only drawback is that you only get four-ish minutes of this gem.
What you get at the end is a one fine EP from what seems to be a promising beginning to an new ska punk band. Three cheers for The Barstool Preachers.
And just in case you don’t want to take my word for it, please enjoy this video:
[youtube -spSa9iyZ-E]
-Jerry Actually
I’m sitting at my desk trying to write. So uninspired. I can’t seem to find any words to say about anything these days. Bucket told me not to let the bastards grind me down. Well I’ll be damned if that isn’t exactly what they’re doing.
Maybe in a few days I’ll have something.
Cheers,
Jerry Actually
The Bricks – Here We Come
© 2015 Raven Faith Records
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[rating:5/10]
Sup y’all, here’s something for you to try on. Here We Come is the debut album from punk rock / street punk band, The Bricks. Coming at you straight out of Omaha, NE. The band hasn’t been around for more than half a year and they already have an album out. Freakin’ kudos to that. I know what a pain in the ass it can be to even get everyone to the studio.
Maybe you’re like me and you know about jack shit about the Omaha music scene other than 311 was from there, them and some sort of ironic emo hipster guy. Based on that The Bricks are a bit of fresh air to my perspective on the Omaha Sound. The album was described as punk, street punk, oi. I get that I suppose, but I think I’d probably just throw them under the good ol’ “Punk Rock” label. Probably more semantics than anything.
Here We Come has 10 tracks of gunka-gunka-gunka rock with surly vocals, a guitar hook here and there, and song titles such as Punk’s Not Dead, Yahweh, and Omaha Punks. As much as I like the idea of punk from Omaha, I’m having a hard time deciding if there is more potential here or more of a novelty that I’m momentarily amused by. I sense that it is likely the latter, but I’m willing to give this band the benefit of the doubt.
I think what might be the holdback for me is the intensity of delivery. Sadly this is a problem that I’ve identified often in faith-based music. It’s as though the bands are holding back. I’m not suggesting a band can’t celebrate their faith, but if that’s the case, use it as a stepping stone and not an anchor. That aside, I’d like to hear the band push the envelope away from the almost “slow chant” nature of the vocal lines on every song. There’s some bits early on that drift into Social Distortion territory. That maybe isn’t a bad area for this band to explore.
Bottom line is that while I’m not left speechless, I think this band has some potential with what their doing. Take this idea, fellas and run wild with it.
–Jerry Actually
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Skapunk’s not dead! Hells Yeah!
The Krayons are a new fast, raw, energetic punk / ska band from Wakefield West Yorkshire. Their songs pick up on relevant world issues and politics in a high energy ball of sonic punk passion. “Ready, Steady, Nuke” is the debut album from the angry Yorkshire 3 piece and is available now via www.underdogzrecords.co.uk . Digital versions of the album are avlialbe via iTunes, Amazon, CD baby, Band Camp, Spotify and all leading online download services.
[youtube ESpkTEMAOJ4]
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[rating: 7.5/10]
Blame Mary are an energetic garage punk rock trio out of Montreal Quebec. formed on March 10th, 2013 by members Josiah Toufexis, Marie Tilbe and Jon Cleveland. The band’s mission, from their one-sheet is, “about creating simple music that is raw and soulful, while keeping to a very basic set-up.” The statement seems to be accurate.
The band’s self-titled debut EP came out at the end of January 2015. It consists of four tracks captured live at Dirty Church recording studio in Montreal. As the “garage punk” moniker would indicate the songs have a sense of raw urgency. There is clear intensity and an intentional lack of polish.
Overall I like the effort, but on the next round I’d like to hear discrete tracking as opposed to the live capture. Not that I don’t dig raw and edgy, so much as I think there is some potential for a little bit of polish on the bands songs and sound. Not too much, but enough.
Have a listen for yourself and see.
–Jerry Actually
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Alternative Press Premieres “Perfect World” Video:
http://found.ee/TCTTPerfectWorldAltPress
Too Close To Touch has announced details of their debut album, Nerve Endings, out March 24 on Epitaph. Alternative Press has the premiere of the brand new Too Close To Touch video “Perfect World” http://found.ee/TCTTPerfectWorldAltPress.
Though Too Close To Touch is in their infancy as a band guitarists Mason Marble and Thomas Kidd, bassist Travis Moore, drummer Kenneth Downey, and Keaton Pierce have made full use of their time by making sure to never miss a beat. Since officially coming together in late 2013, the Lexington, Kentucky band focused on refining their songwriting and artistic vision as a band. Too Close To Touch began to grow in popularity thanks to their DIY work ethic, buzz on social media and impressive demos, which caught the eyes (and ears) of Epitaph. In 2014, Too Close To Touch signed to Epitaph for the release of their self-titled EP, garnering the undivided attention of fans with their single “Deep End” that clocks in at 79k YouTube streams.
In true Too Close To Touch fashion of making no haste, the band entered the studio with producer Erik Ron (Motionless In White, I The Mighty, Crown The Empire). The result of the relentless hard work of Ron and the band is Nerve Endings; an album that flows effortlessly from alternative to theatrical rock to post-hardcore. Nerve Endings is the perfect balance of dark and light. And just as meticulously cared for by band is their aesthetic. Taking cues from the 1975, Walk The Moon and the Neighbourhood, they’ve refined it to a look that’s mixes indie and classic cool, all while remaining 100-percent them.
Nerve Endings Track List:
1. Someday
2. Pretty Little Thing
3. Perfect World
4. The Deep End
5. The Chase (feat. Kellin Quinn)
6. Nerve Endings
7. Restless
8. Hell To Pay (feat. Telle Smith)
9. The Air In Me
10. Sinking So Long
11. Until I Collapse