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Author: Jerry Actually
Americana-Na
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Americana-Na
© 2015
[rating:8/10]
Welcome to the debut release by Wichita, KS based folk/rock/garage/americana/tejano/cowpunk act, Americana-Na. The self-titled debut brings about an intriguing blend of musical genres. The songs are uptempo and of short duration in the vein of punk rock, but with less vitriol and intensity that is often associated with the aforementioned genre. The prior has been replaced with tongue-in-cheek (I assume) storytelling about American flag t-shirts ala the opener, “American” and what seems to be the Spanglish, or maybe it’s Gringlish stylings of “Eclipse”. Musically, the songs are simple chord driven 4/4 numbers with a “kick/snare, kick/snare, kick/snare, fill” cowboy/country rhythm.
The overall vibe comes across as slightly less than serious. This isn’t a bad thing mind you, so much as something to note. Vocally, the tunes sound a bit tortured, as though someone was trying to wring a note out of a old worn boot. I think that, in significant part, helps with the less-than-serious overtone. The songs are raw and rough around the edges. I think the mutli-colored duct tape cover provides a nice visual compliment to the tracks being haphazardly held together, perhaps by the very mystical properties of duct tape itself.
I’d be hard pressed to list all of the influences that are melded into the sound, but there’s a little band that I’m reminded of continually as I listen to this: Awesome and the Ass-kickers. … If you haven’t heard them, look them up.
At the end of it, the debut release by Americana-Na is 8 short, fun tracks and one track that is about double the length of the others. … that’s like getting ten tracks I’d say. Good deal!
If you’re in the Midwest and/or upper-ish Midwest, word on the street is the the boys are doing a mini-tour coming up soon. Have some fun. Check them out.
Cheers,
Jerry Actually
Revolt Revolt Video Premier for Hold On Let’s Go
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Here at !upstarter we’re happy to premier the brand new video for Hold On Let’s Go.
Revolt Revolt comes to us from the population metropolis of the Inter-mountain West, aka Boise ID. The put together a blend of rock and psychedelic and the occasional foray into more aggressive territory. The video track is spacial and trippy, with stabs of noise and reverberated lush backing. If it’s your thing, I’d bet this would be a freaking awesome jam to get really really wasted whilst listening too. It’s really kinda freaking me out and I’m totally sober right now.
At any rate, watch and enjoy!
-Jerry Actually
[youtube cfCvTEhDfmI]
Revolt Revolt
“Hold On Let’s Let Go”
Wild Unraveling
2015
20 Sided Records
The footage for the video to “Hold On Let’s Let Go” was captured by Joseph David Lockhart while on tour with Revolt Revolt & Mindrips in May of 2015. The band(s) toured from Idaho through Las Vegas, and made their way up the California coastline on into Oregon and Washington. Some of the footage includes scenes from Venice Beach, Portland, Olympia, and Seattle. Cameos include Members of Mindrips, Joseph Lockhart, & Ben Brunn (Stereo Embers/Past RevoltRevolt)
Hold On Let’s Let Go was recorded at Audio Lab Studios Boise, Idaho by Todd Dunnigan. This is an original song by RevoltRevolt which additionally features the talents of Dug Marstch (Built to Spill) on guitars, Todd Dunnigan on The Hammond Organ, and Legendary Earl Huges on Steel Guitar. Dunnigan’s gospel tinged organ gives the poignant melody of “Hold On Let’s Let Go” a dark, unnerving tone. Bock’s bluesy, distorted solo duels with Martsch’s mixed down, metallic shredding to disturb the song’s calm, quiet feel, then quickly vanishes to let the woeful vocals and mournful sustained notes of special guest Earl Hughes’s steel guitar take the tune home. Lyrically this song speaks of the importance of remembering to let go.. fear less live more.
SHAI HULUD TEAMS UP WITH NO SLEEP RECORDS ON UPCOMING RECORD
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Slim Wray – Post No Bills
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[rating: 8/10]
It’s a rare stormy day here in San Diego. I’m kicking it on the sofa with my headphones on, listening to a new EP by the garage/surf act Slim Wray. If I had to to choose one word to describe this new release, (even a made up word) I’d go with “retrolicious.”
The new EP, eponymously titled “The Slim Wray EP” (As it turns out, this EP is actually entitled “Post No Bills”, but you try telling that to my media player du jour! Never the less, all else applies except where prohibited) provides six tracks of 60s flavored garage rock tinted with pop sensibilities akin to Neil Diamond, Tommy James, and The Monkees. The throwback aside you get modern quality recording (so the garage aspect must be by design) and a sound that is well balanced and engineered.
This release is a bit on the outside of my typical genre spectrum, but if you dig retro 60s pop rock, I suspect you’ll wanna check this one out.
The lightning is cutting through the sky outside my window. I can hear a slight rumble of thunder through the cans and rain hitting the concrete in the space in between the tracks. I’m gonna rock The Slim Wray EP out until the tracks end.
Cheers!
Jerry Actually
The Caustics – The Beat Up
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Here’s a brand new video from Montreal Quebec punk/rock band The Caustics. Edgy and raw with vocals that sound oddly like Axl Rose at times. Give a whirl!
For more info, check them out here:
PEARS – Go to Prison
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[rating:9/10]
(c) 2015 Fat Wreck Chords
Damn! PEARS “Go to Prison” is the best, most intense, and my favoritist new release since maybe the Classics of Love “Walking in Shadows” EP.
Barreling straight at you out of the Crescent City, this hardcore punk rock unit is down with intensity and rapidity.
I’ll have to check my references, but I believe it was something on the order of eight weeks (nope, it was totally five) from formation to this albums release on Fat Wreck Chords. I understand the label’s interest. The band has chops, guts, the energy of Suicide Machines (minus the ska), hardcore intensity, and some hooks like NOFX.
I’ll cut this short for now, because I’m into the whole brevity thing. This album rules. It’s my current new favorite. It’s a whipped up mix of punk and hardcore to the benefit of both genes. Frankly I’m a bit jealous that my band didn’t have its shit together like PEARS.
I’d have given this a perfect 10, but it’s about two tracks to short to make the full drive to work. … Maybe I should live closer. Read on if you want the full press release.
Cheers!
Jerry Actually
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Beastfest 2015
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Lineup everyone and get your tickets to an all-day hardcore event in Secaucus, NJ.
Beast Entertainment, the fine folks who have been bringing badass shows to your doorsteps all this year, present Beastfest 2015. This is the first of a hopefully annual hardcore music showcase at the Blue Room in Secaucus, NJ. Here’s a lowdown on the showdown:
Bands:
Endwell
Knuckle Up!
Doomsday Mourning
Binary Code
Me With Creeps
Silence Equals Death
Low Road
Strength Through Suffering
No Fucking Chance
Full Scale Riot
Under the Red Hood
Hope It Dies
The Dead Drop
Location:
The Blue Room
201 Secaucus Rd.
Secaucus, NJ
Date:
Saturday, August 8th, 2015
Time:
3:30 PM
Cash:
$10 in advance
$12 at the door
Age:
18+
Booze:
21+
Tickets:
Beast Entertainment NJ
Castoff release new EP
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San Diego, California based melodic punk rock four-piece Castoff have released their new EP “Lines And Passages” on Morning Wood Records and Bird Attack Records today!
Influenced by melodic punk stalwarts Bad Religion, Pennywise, Strung Out and Propagandhi, “Lines and Passages” blends vocal harmonies, fast guitar riffing with technical flourishes and a furious rhythm section. Castoff incorporate thought provoking lyrics around societal issues and the ups and downs of human existence.
After releasing DIY efforts “The Dividing Line” (EP, 2013) and “Acquisition” (EP, 2014) and sharing the stage with Guttermouth, Implants, Counterpunch, After the Fall and others, they spent months of writing new material. As a result Castoff went into Doubletime studios to work with Jeff Forrest (Blink 182, Rocket From the Crypt, As I Lay Dying) to track and mix their first effort with the new lineup. The result is “Lines and Passages”, which was mastered by Jason Livermore at The Blasting Room in Fort Collins, Colorado.
Castoff: “We’re four nerds who like to play punk rock with some metal. We also like to sing about important stuff.”
Reality: Fast, ripping 90’s skatepunk with shredding guitar work, interesting melodies and catchy vocal harmonies!

