I’ve got a new demo (released September 2017) cued up at the moment. Let me tell you about it. The inconspicuously titled “Demo” by Material Remains holds five tracks of 80s flavored noisey, garagesque punk rockings. There’s not much info on the band, but I’m going to assume they are from TX, and based on the lineup listed, I’m firmly convinced that they are a trio.
There’s a solid vibe to the tracks, very lo-fi, and if I had to pick some resemblance, right now it’s really making me think of Nerve Agents (who are fucking rad) but again, it has a way more 80s lo-fi garage style to it. It’s a demo though, so these things are to be both expected and enjoyed.
There’s only 5 tracks, so you don’t get a big taste of the band, but I’m interested in how they’re going to progress. I’m hearing a solid foundation and I look forward to more. But don’t let me be the only voice you hear, listen for yourself: https://materialremainstx.bandcamp.com
1. Junkie’s Paradise 01:49
2. Broad Church 01:37
3. Dropout 01:49
4. Hate 02:41
5. Amerikkka 02:03
Wicked Bears, Utah’s best pop punk band, is going on a west coast tour in support of their new album, Tuning Out! The tour starts in Salt Lake on November 10th and concludes at 924 Gilman in Berkeley (with additional UT dates later in November).
Debut album from Helsinki Finland act, Buzzkills. 12 tracks of punk/punkbilly from up near the top of the word.
As always, it thrills me to get to hear bands from all around the world. Buzzkills is no exception. Here I am in sunny SoCal and listening to a band from damn near the other side of the world. I’ve never been to Finland, but here I am participating in a little bit of their culture, by way of an offering into our common culture of music.
Buzzkillz deliver a solid blend of rock, punk, and rockabilly. They’re an interesting ensemble in that they are a four-piece rock and roll band with the tradition lineup of vocals, guitar, bass, drums. Where the band differs is in their use of double bass as opposed to electric. The overall effect reminds me a bit of The Peacocks, but, well, different.
Tracks mid to uptempo, with a blend of Western rock / cowpunk, reminisicient in a way of Social Distortion, or perhaps more Mike Ness solo. The tracks are sung in English, so as to be more accessible to a larger audience.
The band indicates that they will have new material coming out at the end of the year, so go check out their debut and get in on the ground floor. Tell all your friends that you heard ‘em before they were cool!
1. Sick Of It All 02:41
2. Deepest Pockets 03:33
3. I’m Not The One 04:08
4. Scum Of The Earth 03:20
5. Losing The Fight 03:04
6. Outside 03:46
7. Fear Of The Unknown 03:31
8. Roll The Dice 04:34
9. Monsters 02:55
10. Some Scars 03:09
11. Sleepwalking 03:18
12. Cross To Bare 03:58
GODS.GUTTERS.STONES, the new EP from The Orphan (Melbourne Australia) blasts out three tracks of noisy garage hardcore. The tracks are an intense wash of sound to the point of being a blur. Sounds jab at you from all directions leaving you reeling from the sonic assault. Each track bleeds into the next as you begin to bleed from your ears. Individual tracks are representative of the triumvirate title, with the final track, “Stones” bringing the EP to a grinding guttural conclusion. Listen at your peril.
I’m rocking out to the brand new deluxe edition of the previously released, plain and boring old edition, of an EP from Providence-based punk band Senior Discount entitled, And That’s Goodbye. Did you hear me? I SAID DELUXE! It’s got guts, it’s got cuts. It’s got some sonofbitchin comedy, in the form of hillbilly renditions of some of the band’s previous material.
Well it’s been a year or two since I’ve heard from these Providence punkers, but they are back with some fine new block rockin’ beats. In addition to the aforementioned beats, there are a lot of covers, performed in a manner in which can only be described as cover tunes of Senior Discount songs, as performed by Senior Discount.
I know that maybe sounds kind of weird, but there is also a cover of Girls Just Wanna Have Fun, which can best be described as a cover of a Cyndi Lauper song as performed by Senior Discount. So, ya know, take it for what it’s worth.
Seriously though, the band puts in the effort. The tracks are punchy and punky, but with a depth and sincerity that is often lacking in a lot of crap you are gonna hear on shitrock radio. There are also a lot of acoustic tracks and instrumental breaks, pointing to the fact that these folks really can play. That isn’t to say that the band takes themselves too seriously. They just sometimes sound serious.
Personal favorites: Ben Broke Edge, a simple solo acoustic ditty, and Don’t Hate Me (TBNSB), a melodic punk rock track reminding me a bit of LTJ and/or NOFX.
At any rate, there’s a DELUXE version of “And That’s Goodbye” available, and that’s as DELUXE is the whole goddamn world gets! Go find a copy, ideally at a live show in your neck of the woods. … if that doesn’t work for ya, check ‘em out here: www.seniordiscountmusic.com
Tracks: (Just to prove how fucking deluxe it really is)
01 And That’s Goodbye
02 Ataxia (Bluegrass)
03 Caley’s Song (Acoustic)
04 Don’t Hate Me (TBNSB)
05 Girls Just Wanna Have Fun
06 Ben Broke Edge
07 I’m Crazy (Live and Revived)
08 A Death Threat to the World at Large (VBW Song Part 2)
09 Explode RI (Re-Ignited)
10 Explode RI (Big Mac Version)
Band Bio: (which includes things that I wrote)
Senior Discount has played over 200 shows in RI, MA, CT, NH, NJ, NY, PA, and VT, and won the Providence Phoenix Best Music Poll for Best Punk Band two years in a row.
We’ve shared the stage with such acts as Anti-Flag, Gym Class Heroes, Girl Talk, Boys Like Girls, The Bravery, Guttermouth, Less Than Jake, The Ataris, Leftover Crack, A Wilhelm Scream, the Street Dogs, Zox, Big D and the Kids Table, Darkbuster, The Swingin Utters, Rehab, Mickey Avalon, Streetlight Manifesto, the Bloodshot Hooligans,The Loved Ones, MC Lars, Suburban Legends, Patent Pending, The Toasters, The Pilfers, and many many more.
Our first album “There Were Four Who Tried…“, has gotten positive reviews from all over the US (and internationally), including very positive reviews from Maximum Rock N Roll(CA), which boasted, “These guys can rock and scream….a strong full-length,” and the revered AbsolutePunk.net, which stated “The band really acts out their emotions….Every track from the album is an anthem to punk rock’s principles.” Our second release received the comment “These guys slay on record and live!” from mash-up DJ sensation Girl Talk.
We also focus heavily on film production, as we’ve used short films to promote for our shows and releases. Our one full-length film (“VBW Attack: The Senior Discount Movie“) was reviewed by The Noise (Boston) which reported “…let’s just say that this DVD is gold and that the band, and those with them, have some mighty winds at their sails.” The national television network G4 has bought and aired footage from the film. The band has totalled around 40,000 views on their streaming video sites.
Upon the release of our newest package, the CD/DVD “This is Not the End,” Upstarter (CA) said “The band has developed an obvious maturity….serious and sincere” while The Noise (Boston) called the album “smart, loco, epic punk…a pleasant assemblage of earnest songrcraft.” In the past year, the band played some dates of theSka Goes Solo tour with the singers of Less Than Jake and Catch 22, while Senior Discount lead singer Chuck Staton played solo shows with Chuck Ragan (The Revival Tour/Hot Water Music), Dave Hause (The Loved Ones), and Kris Roe (The Ataris). We were recently nominated for Best Pop Punk Band in Motif Magazine.
Angular is the new curve, at least a curve on the regular old garage punk you’ve been jamming up your ear-orifices lately. To alter that in a direction that maybe you’ll enjoy, I offer, Pink Muscles new LP “The Signal.” 14 tracks of absolutely mental psych-garage-punk-noise. It is angular as fuck!
The band hails from Seattle, and that is about all I know of them, aside from the album that I’m listening to right now. Best I can tell you is that I’m getting a vibe. I don’t know what the vibe means or represents. I mean it might be a drug flashback, or maybe it’s a flash forward to drugs I may be required to do in the future. It really is hard to tell.
The music is swirling and shouty, punctuated with computer-like, precision supersonics. It’s as though a less distorted, or perhaps differently distorted Al Jourgensen was fronting for an alternate history of Voivoid ala Dimension Hatröss, throw in some Prong outtakes of Steady Decline for good measure. Does that give you a feel for what’s going on here? Yeah, probably not. I think you’re just gonna have to give ‘em a listen.
The tunes are brief, but in the time allotted, they go in a myriad of directions, sometimes simultaneously. Frenetic like Mr. Bungle, but not so circusy, more robotic. However, the scattered, yet robotic nature of the music belies its underlying humanity, humanity that is in end stage. It feels like a world in breakdown mode and from these crumbling ruins a new world will rise, Phoenix-like, with more printed circuits and transistors the next time around.
At the end of the day, if you like your music odd, and noisy, and something that will still probably scare the crap out of your parents, teachers, friends, and neighbors, then by all means, give The Signal, by Pink Muscles a whirl.
Find out more about the band:
2 Teenage Rainbows
4 Star Grove
5 The Man at the End of My Street
6 Black Market Tampons
7 Battery Acid
8 Party at Murder Beach
9 The Egg Lady
10 I Wrote This Song With My Father’s Guitar
11 The Master
12 Officers of the Universe
13 Heaven is for Real
14 Mouth House
If you like your punk served up old school British style, but want something new to be mad chuffed about, then here’s your ticket, kiddies.
“Radio Therapy” is the debut EP by South UK, “‘77 style” punkers, Brash Bullets. While you only get six tracks, what you get is chock full of punk tunes tempered by the influence of bands like, Crass, Business, Sham 69, Stiff Little Fingers, etc. I ain’t gonna lie to ya, if you’re not into the “77” sound you’re probably going to pan it as derivative. However, if you ARE into that, I think this will be right up your alley.
The tracks are mostly mid to up tempo and clock in around the two minute mark on average. This is great for short attention span folks like myself. Oddly the epic length track, Girl Next Door, registering in at a mind bending 2:34 is my personal fav on the EP.
As far as the “sound” coming from my speakers, the recording seems efficient, and there’s a rather garage/basement vibe. Not that the tracks aren’t clean, so much as they are minimalist. It seems that overdubs are used sparingly if at all and I’d suspect that it was recorded in as few tracks, with as few takes as possible. I like the result, it’s sharp, yet raw. I think overproduction would diminish that feel.
At any rate, a solid dose of new punk from some old soul upstarts in the South of the UK, check ‘em out.
Here’s a grip o’ ways you can get in touch with the band:
Brash Bullets started gigging in mid 2015 flying the punk flag in the south of the UK. Taking inspiration from many of the ’77 punk bands and adding a pinch of modern life, Brash Bullets’ aim is to leave you questioning the existence of glossy la-dee-dah talent shows & mainstream pop. Ripping through their set lists at rapid pace, they have found themselves sharing the stage of punk royalty such as Richie Ramone, Anti-Nowhere League, GBH, Angelic Upstarts and Peter & The Test Tube Babies to name a few. Their debut ep ‘Radio Therapy’ is available now!
2. I Wanna Buy Her Love
4. Girl Next Door
5. Capital City Disappointment
6. Soldier On
At Both Ends is a pop-punk ska band reminiscent of the big 90’s 3rd wave era. They come from Sacramento and “Wheel’s Out the Window”, released under Morning Wood Records! Is their second album.
Alright, let’s get into it. One word I would use to describe this album is dynamic, and my opinion changed several times as the album progressed. As a predominately hardcore and ska-core fan, I was pleasantly surprised by some elements in this work. From the great rumbling bass riff to a thrash-like breakdown, I found many things to enjoy. Don’t let me paint this as a heavy ska-punk album though. The majority of the riffs are built around a poppy electric (emphasis on electric) guitar that most of the time got on my nerves, as did the singing which I will get into soon.
I do have to say I am a big fan of the horns on this album. Although they aren’t in every song I found them fantastic and well linked with the guitar, but were also original and crisp similar to that of Streetlight Manifesto’s many hits. Overall I am a fan of the music except for the voice. The lyrics and singer definitely put a damper on my appreciation of the piece. Though the songs have themes of unconformity (“Your Way”) and freedom (“Freedom”), the lead singer Gene sounds similar to the tone you think of when someone says pop-punk and not in a good way. Not to mention cheesy lyrics and rhymes, I found the album at its best when there wasn’t any singing at all. However, if Reel Big Fish, Green Day, and Less Than Jake are your jams, I think you will enjoy this album. Personally if Gene could pull off a kind of Jason Navarro of The Suicide Machines this album would be twice as good.
Overall I would recommend the album due to an overall appreciation for creating something fresh in the ska scene that announces similar values to that of the masters. Although I critiqued the guitar heavily, it did have its moments as well as the rest of the instruments. About 2/3 of the songs I can see myself listening to again, leaving about 5 or so songs that were in my opinion mediocre due to a pop sound and vocals.
You can find it at bancamp at:
Thanks for reading and leave your comments and opinions below! What did you think of the album?
Ska, Punk, Rock and Roll!
New Jersey based The Best of the Worst is back at it with a brand new EP. Painted Fools (available on 04/20/2017) offers up 7 new tracks of, well, ska, punk, and rock and roll.
From dreamy to screamy the band hits a wide range of sounds both across and within individual tracks. I’ll be honest here, I’m not at all familiar with this band, so I’m going to go out on a limb here with who their influences might be. I hear the subtle guiding hand of Bomb the Music Industry, Less Than Jake, Isaac Green and the Skalars, Lawrence Arms and, I don’t know, maybe some Tom Petty.
I am honestly a bit disappointed that I haven’t heard of them before, because I’m rather enjoying what I’m hearing. They’ve got track complexity, without being obtuse. The songs are well crafted with subtlety and nuance. Good takes. Good mix. There’s a link below. Go and buy a copy. Support local music, even if local is 1000s of miles away from where you really are.
We have the internet people! You can listen to sweet new music and then give a band some of your hard earned ducats so that they too can enjoy the sweet life of top shelf ramen on occasion.
1. Habits Live Hard
2. Inside My Apartment
3. Where Complacency Lives.
4. Spoiler Alert:
5. Doesn’t Really Matter, (feat. Tom Etts)
6. Like Bugs in Amber
7. We’ve Been Held Captive