It’s certainly a good morning knowing that there is a new Omnigone song for everyone to enjoy.
As announced a few weeks back, Omnigone is a new ska-punk project helmed by Adam Davis (Link 80/Desa) that picks up where Link 80 left off. Davis collaborates with a rotating cast of musicians from bands such as: Rx Bandits, Link 80, We are the Union, Kitty Kat Fan Club, Ogikubo Station, and more! Their debut LP, No Faith, releases on September 13th via Bad Time Records. Today, you can stream “Rather Be Alone” on Rebel Noise. The track steps outside of the ska-punk realm in favor of a more traditional ska groove and features former Rx Bandits member, Steve Borth, on sax & keys.
Tour Dates: 9/13 @ 924 Gilman – Berkeley, CA w/ Dan P. (Mu330) and Kill Lincoln
Bio: Omnigone may be a new name in the East Bay CA ska punk scene, but they’re certainly no strangers to the genre. Twenty years ago Adam Davis joined Link 80, a band that seamlessly combined ska rhythms with aggressive and politically charged hardcore punk, leaving a legacy and a sound that would change the meaning of “ska punk” indefinitely. While Link 80 is no more, Adam (Guitar/Vocals) has picked up the torch and is lighting the way with Omnigone. Joined by Barry Krippene (Link 80/Blast Bandits) and a rotating cast of players including: Brent Friedman (We Are The Union), Steve Borth (Rx Bandits / Link 80), Justin Amans (Kitty Kat Fan Club/Ogikubo Station), Jeremy Hunter (Skatune Network/We Are The Union), Bootie Pook (Beat the Red Light), Aaron Carnes (Flat Planet) & Reece Noble, Omnigone recorded thirteen tracks that make up their debut full length No Faith. No Faith hits you quick band doesn’t let up, weaving aggressive anthems across genres to make up a fun, intense, but ultimately dynamic record. Whether you’re a fan of hardcore, punk, or ska there is something for everyone on this promising debut.
DIRECTED BY JONAH RAY AND FEATURING COMEDIAN KYLE KINANE
Off With Their
Heads announce details on their forthcoming album Be Good, set for
release on August 16. The band has shared video for the track
“Disappear,” directed by Jonah Ray and featuring comedian Kyle Kinane. Watch the video for “Disappear” now.
“All the other records were about moping around and feeling sorry for
yourself,” says frontman Ryan Young. “This one is less about feeling
sorry for yourself and more about accepting how goddamn miserable you
Young and the band members—bassist Robbie Smartwood, guitarist John
Polydoros, and new drummer Kyle Manning—holed up at The Hideaway in
Minneapolis with additional recording at Pachyderm Studios, a
mid-century mansion where Nirvana recorded In Utero, to make Be Good.
Young produced the record himself, and it was the first time he enjoyed
the process, or at least tolerated it. “I don’t like how the old
records sound, and I hate recording so much,” he says. “You could just
hear all the dumb shit on them where I was like, whatever, just let it
go, I want to get out of here.”
Forced acceptance is a big theme of Be Good, though it’s a
hard-learned one, often emerging in the form of primal screams in the
band’s trademark style of gruff-punk. “Hands up to the sky and shout at
the top of your lungs, ‘til the floor falls out!” Young yells on the
title track, sounding somewhere between motivational speaker and
Much of the self-deprecation that defined the band’s previous work has
been adjusted. It was the years spent out of the van, developing a life
at home in Chicago, that gave Young his newfound, slightly more positive
perspective. “Not being on the road 250 days a year, actually trying to
develop some sort of life outside of playing shows and drinking, you’d
be surprised what that does,” he says.
If ever there was a time for Ryan Young’s distinct brand on cautious
optimism, it’s now. “The title is an answer to that question of what
you’re supposed to do now that the world is so awful and the climate of
this stupid country is so shitty,” he says. “Be good, be loud—that’s
sometimes all you can do, I guess, as cheesy as that sounds.”
Be Good Track Listing
1. Disappear – 3:15
2. Be Good – 3:32
3. You Will Die – 3:11
4. No Love – 2:53
5. Take Me Away – 4:07
6. Tear Me Apart – 2:35
7. Trash It – 3:31
8. Let It All – 2:18
9. Severe Errand – 2:53
10. Locking Eyes – 4:51
11. Death – 2:49
Off With Their Heads – Promo Photo – Credit Patrick Houdek [hi-res]
DIY Punk is alive and well in Anacortes, Washington. For the unaware, Anacortes is a small town in Northwest Washington State, damn near up to the Canadian border. It’s great to hear tunes coming out of small town USA. As testament to this, I’m listening to “All-American” the debut full-length by BUFFET.
The album is all all jagged edges and garage spirit. 14 tracks of rock and roll energy. While the sound is familiar, it’s also refreshingly new. The intro track, “Land” has a lot of the same vibe as “Possessed” by Suicidal. The band professes to be influenced by Circle Jerks and Descendents, and I can totally hear that.
The tunes progress rapidly, ADD fashion. The bulk of the songs clock in under the 2 minute mark. It’s important. There’s a lot of shit going on. No one needs to be weighed down by the burden of epic ballads, unless they choose that. Viva short songs!
There is a small selection of the songs that slow down the pace and pick up the emotion. Track 6, “Throne” is the pinnacle of this. It works well as a point to catch your breath. After that it’s back into the full swing.
The structures are simple and repetitive, great for driving home the point. The notes claim the album was recorded “live” at Anacortes Unknown. I take this to mean it was recorded as the full band, at once. This is as opposed to individual multi-tracks. If this isn’t the case, damn there must not have been a single person at that show.
Personal favorite is track 8, “4 Brides For 4 Guys”. It’s short and sweet. Autobiographical, perhaps, or maybe just wishful thinking.
As I’m sure you can tell from the dust around here, I don’t get around to writing about much anymore. Another phase of my life I suppose. What’s a fella to do? Every now and then I get a brief impetus to write something though. Today I shall grace you with the results of one of those urges.
I’ve got Shot Balowski’s self-titled debut album, out 03/29/2019, fired up on ye olde hifi and I’m rocking out to it. There’s a bit of a Ramonescore vibe as well as secondary source influence like Teenage Bottlerocket and Masked Intruder, combine that with a mix of The Pixies, an odd dash of Motorhead, add in a left-leaning bent and somewhat more raw of a sound and that’ll give you the gist.
The album provides 12 tracks of mostly up-tempo 3-piece punk rock, interlaced with the occasional folksy ballad on track six, Kitchen Sink / Girl in the Call Centre. There’s a bit of spoken word poetry as well mixed into the overall pastiche of a protest album. This isn’t to say it’s derivative in an overt way, so much as the song writing seems aware of its roots.
Overall it’s a great debut and I look forward to more from Shot Balowski in the future.
Hit the band up online to find out where to buy the new album, or catch a live show! Twitter:@shotbalowski
ShoT BAlowSki is a three-piece UK rock band with a leftist attitude and punk leanings. Debbie, Simon and Tef take grit, melody and acerbic lyrics and spit them out in two minutes flat.
Their self-titled debut album is released by Abnormal Product on Friday 29 March 2019 – it will be available on CD, download and streaming. It’s high-octane, classic punk rock from the dis-United Kingdom, tackling subjects like far right populism, and corrupt media, organisations and governments, while giving props to radical heroes like Emily Wilding Davison and Muhammad Ali.
The album’s tracks include Commander in Cheat (about Trump’s sexist, racist presidency), Nissan Poppy 24/7 (about patriotism and the politicisation of remembrance), Emily Does (about militant suffragette martyr Emily Wilding Davison), In the Suicide Forest (a short tone poem about vacuous vlogger Logan Paul), and a punk rock cover of Bob Marley’s Redemption Song.
Destroy the Daily Mail features a section written and performed by Wales’ most prominent living literary figure, poet and playwright Patrick Jones (see patrick-jones.info), elder brother of Nicky Wire of the Manic Street Preachers and a frequent collaborator with the Welsh chart-topping band. Jones adds a stream-of-consciousness set of Mail-esque headlines. He agreed to the collaboration after reading the lyrics and listening to the raw track, calling the song “important and powerful”.
I’m listening to the new EP by Liverpool based “Stadt Skulls”. The band is a punk rock trio heavily in the vein of early Asian Man Records bands like Alkaline Trio, and The Lawrence Arms, along with some more aggressive bursts ala Off With Their Heads Dead To Me.
Intriguingly, perhaps, is listening to how they’ve evolved over the last couple years. They’ve moved away from more poppy takes into a darker sound. Good choice if you ask me.
I certainly don’t want to pigeonhole the band. They do have their own sound going on. Track 3, the title track, “Against the Cult of the Reptile God”, I feel, is more resplendent of this. It’s a bit more frenetic and anxious, if you will. The overall point of the comparison is that fans of the former are exceedingly likely to be fans of the latter.
The tracks are brief and have a slightly lo-fi feel to the mix. The end result is definitely very listenable. I’d suggest you check ‘em out.
1. Leif the Lucky
2. Nostalgia for what?
3. Against the Cult of the Reptile God
4. Ink and Spear
Noteworthy: These chaps’ noggins fit inside jack-o-lanterns!
Currently listening to The Barstool Preachers forthcoming album, Grazie Governo. (Out Aug 24th on Pirates Press) The new album proffers 13 tracks of rather polished sounding punk-based rock and roll. I like the sound, a lot of the time, I think… Well I’m a bit on the fence honestly.
Let me try to give an example. A track will start, like track four, “Choose My Friends” and it sort of drifts in feeling a bit more like Blue October than a ska punk song. I’m sort of not feeling it, but then the chorus kicks in and I’m suddenly way into it. Most of the tracks have given me a similar feeling thus far.
Don’t get me wrong though. The material is solid. It’s well written, played, recorded etc, but there’s something hanging over it that leaves me feeling a slight bit insecure about it I suppose.
I was reading through their bio just now and I think one line in particular helped put a finer point on what I’m feeling. “The Bar Stool Preachers are a band for EVERYONE”. This is exactly what is shining through. Having a broad appeal is fine, but it can stretch too thin sometimes. Imagine a restaurant that has a sweeping wide menu covering food and drinks in a thousand directions. Sure they’ll satisfy the needs of a wide range of customers. It’s rare however that all the items are particularly amazing. I’m more the type who likes places that offers a handful of things they do exceedingly well. You go to them when you know what you want.
I had pretty high hopes for the band when I reviewed an earlier EP. I was anticipating things would take a different turn, or rather be a continuum in a determined direction. I don’t like panning something, and I hope I’m not doing so here. I really do enjoy the opener/title track and the overall gist of the sound. I enjoy the spirit of the album, and honestly from the photos they seem like a fun and happy bunch of blokes. I like most of the choruses as well. Heck, I’ll go on record and say that if this album was all chorus, I would be entirely on board.
There are some additional tracks that have a little more of what I’m looking for. Including the title track:
1. Grazie Governo
11. Since You
12. Force Fed
The bottom line is it ain’t bad, it just ain’t for me.
SWINGIN’ UTTERS are readying themselves for a busy year. Coming off the heels of celebrating thirty years as a band, and releasing a greatest-hits collection last year, they also managed to write and record a brand new full-length! Today, we’re thrilled to present the first song from the SWINGIN’ UTTERS dynamic new album, Peace and Love. The lead single is called “Human Potential,” and you can take a listen over at Brooklyn Vegan. Peace and Love will hit the streets on August 31st, and you can pre-order it now! Then, don’t miss them on tour. For all the dates and info, head here!
While its origin story has gone through more reboots than Batman, Superman and Spider-Man combined, punk rock has been a consistent presence on the musical landscape for more than 40 years. You might be surprised to know, however, that the Swingin’ Utters have been around for nearly as long —the band celebrated their 30th anniversary with a greatest-hits collection last year. Hell, this Bay Area street-punk band is so well-respected among their peers, there’s even a whole tribute compilation dedicated to their extensive catalog, including covers by the likes of Dropkick Murphys, Fucked Up and Teenage Bottlerocket.
Since that comp came out in 2010, the Utters have issued three more full-lengths, each more fiery than the last, and now sit on the verge of releasing their ninth proper LP. Recorded at Nu-Tune Studios in Pittsburg, California, this past March by Chris Dugan (Green Day, Iggy Pop), the album is titled Peace And Love, but don’t let that fool you: This isn’t some Haight and Ashbury hippie shit. In fact, according to guitarist/vocalist Darius Koski, Peace And Love’s content is as politically outspoken as the Utters have ever been.
“This is, by far, our absolutely most political record we’ve ever done,” Koski says. “We don’t generally write very pointedly political songs. We tend to be a little more vague and abstract. But this one is pretty pointedly disgusted and pissed off and really directly attacking these fuckin’ people in office.”
“I agree it is our most political record,” remarks singer Johnny Bonnel. “When sexism, racism, and nationalism is the agenda, it’s time to speak up.”
Peace And Love certainly pulls no lyrical punches — we’ll give you three guesses as to who “Yes I Hope He Dies” is about, and the first two don’t count — but the Utters also keep things interesting from a musical perspective, whether it’s the Ramones worship of “E.C.T.” (think of it as the long-gestating counterpoint to “Gimme Gimme Shock Treatment”), the surprisingly melodic, Beatles-esque “Seeds Of Satisfaction” (which Koski lovingly refers to as his “surf-goth song”) or the gorgeous, haunting closing track H.L.S., written and performed by guitarist/vocalist Jack Dalrymple and inspired by the sudden death of his former One Man Army bandmate Heiko Schrepel, who passed away in 2015. “Jack actually emailed me that song several years ago, right after Heiko died,” Koski recalls. “Immediately, I knew this is the last song on the record. My only suggestion was that it started with him acoustic, then the band joins in. You don’t really hear Jack that naked ever. That song gives me chills when I hear it.”
The rebellious spirit of the Swingin’ Utters is as present as ever on Peace And Love, although the band looks and sounds a little bit different this time around, thanks to their new rhythm section of Tony Teixeira on bass and Luke Ray on drums. “Both Luke and Tony are stellar musicians who study their work,” says Bonnel. “Luke has amazing ability, but all his drumming is tasteful—it’s never overkill. Tony managed to come up with classic bass lines that made every song a little bit stronger.”Koski echoes Bonnel’s praise, commenting, “We love having these new dudes in the band. Tony is a really melodic, pretty player, whereas Luke is a fucking monster. Tony and Luke are best friends, and they’ve been playing together for years in other bands like Cobra Skulls and Sciatic Nerve, so that really helps.”
It’s been four years since the Utters’ last full-length, so all three songwriters in the band had a stockpile of material when they headed into the studio. That means what you’re getting on Peace And Love is the cream of the crop.
“We usually abandon songs if we think they’re shitty or filler,” Koski admits. “I still have tons of songs; Johnny does too. But we try not to make records super-long.”
Given that the last time the Utters came off a prolonged hiatus, the band ended up cranking out three full-lengths in four years; one has to wonder if Peace And Love is going to be the start of another extended burst of creativity for these punk lifers. Koski isn’t thinking that far ahead, though. In fact, he finds it hard to even enjoy the present. Even though his band has achieved three decades and nine albums together—two feats nearly impossible for most bands—Koski wrestles with his legacy a bit.
“We just keep on going,” he says. “I’m glad we’re still doing it. Johnny’s 50; I’m in my late 40s. I don’t think anything particularly new is gonna happen—we’re not gonna be on TRL any time soon. That’s fine. It’s a total accomplishment to stay together this long, but I’m a total pessimist. I should be totally grateful—and I am! But it’s hard to be a plumber when you wanna be a full-time musician. But wah wah wah—I still get paid to travel and play my songs all over the world. I’m not a millionaire, but who cares? I get to make records, and someone out there cares about them.”
Swingin’ Utters — 2018 Tour Dates
08/23/18 Morro Bay, CA at The Siren
08/24/18 Long Beach, CA at Alex’s Bar
08/25/18 San Diego, CA at Casbah
08/26/18 Las Vegas, NV at Dive Bar
08/28/18 Tempe, AZ at Yucca Tap Room
08/30/18 Albuquerque, NM at Launchpad
08/31/18 Colorado Springs, CO at The Black Sheep
09/01/18 Denver, CO at Streets of London
09/02/18 Salt Lake City, UT at Urban Lounge
09/04/18 Reno, NV at Shea’s Tavern
09/05/18 Sacramento, CA at Harlow’s
09/06/18 Albany, CA at Ivy Room
09/07/18 San Jose, CA at The Ritz
09/08/18 Redding, CA at The Dip
Peace and Love track listing:
Louise and Her Spider
Demons of Springtime
Seeds of Satisfaction
Yes I Hope He Dies
Imitation of Silence
Here’s something I didn’t even know that I needed. “Look to the Skies”, a the brand new album from The Filaments. Punk, Oi, Ska from Essex, UK. Evidently I’ve been under a rock, as this band has been around since 2009 and here it is the first time I’m hearing them.
I’ve got the new album rolling right now and it’s entirely crushing it. You don’t start out your new album with a track titled ‘Fuck the “Alt” – Right’ without meaning absolute business.
11 tracks of badass punk rock in the vein of Rancid, Bosstones, Street Dogs, Leatherface, The Clash, and more. It’s essentially all of the sounds that I’ve opined about through the years, crammed into a singular action packed album.
I see limited point these days explaining that the band is capable of playing their instruments. It’s getting damn hard to find bands that ain’t worth their salt anymore. Suffice it to say, they do not suck.
Vocals range between Oi style gang vocals on the intro track into Dickie Barrett gravely on track five, “Living in the Crosshairs”. The music follows just as much dynamic shift. Full on ska, in-your-face punk, blistering pick-scratch guitars intros to full orchestral sounds.
1. Fuck The “Alt”-Right 01:15
2. Look To The Skies 02:42
3. Rip-Off World 02:21
4. No Men To Parade 02:31
5. Living In The Crosshairs 03:10
6. Underdogs 03:25
7. Tread Carefully 01:57
8. Ask No Favours 04:21
9. All We’ve Ever Known 01:54
10. The Verge 02:30
11. Killing Machine 01:33
THE FILAMENTS have released a new track called “Rip-Off World” from their new LP “Look To The Skies,” out June 15th. You can listen to the new song HERE.
The band previously released the title track, “Look To The Skies,” which can be listened to HERE.
Since The Filaments reformed in 2009, they’ve taken their long-established track record of amazing songwriting and energetic stage performances to new heights, and have been steadily attracting swaths of new fans across England, Europe and the world. With multiple full-lengths and countless tours under their belts, these veterans are still full of drive, and roaring to deliver this amazing new album to the world.
This music, like the band, is really one-of-a-kind. Almost like UK ’82 style punk battered by a barrage of dub, 2-tone ska, psychobilly and even a bit of traditional Oi!/streetpunk. It creates an overall sound that is like nothing else; it has something for everyone, and a general appeal that gets people from all segments of the punk community dancing and singing along.
The Filaments are now absolute staples in the punk world, especially at the essential European festivals like Rebellion and Punk ‘n’ Disorderly; but they have also graced the stage at larger outdoor getups like Glastonbury (UK), and others. They are as punk as it gets, but because their music is so unique and SO FUN, and their positive message is so clear, they are by no means ‘too punk’ to scare off the masses. In fact, their very clear message rings even louder, and they stand out even more amidst a backdrop of so much banality.
1. Fuck The “Alt”-Right
2. Look to the Skies
3. Rip-Off World
4. No Men to Parade
5. Living in the Crosshairs
7. Tread Carefully
8. Ask No Favors
9. All We’ve Ever Known
10. The Verge
11. Killing Machine
CATCH THE FILAMENTS ON TOUR!
06/08/2018 – Dijon, France – Maloka Fest
06/09/2018 – Opwijk, Belgium – Loco Fest
06/16/2018 – London, UK – Underworld Camden (Record release show)
08/04/2018 – Amsterdam, Netherlands – Rebellion Festival
08/09/2018 – Bristol, UK – Boomtown Festival
09/14/2018 – Derby, UK – Hairy Dog
10/06/2018 – Rennes, France – The Bobbleshop Rennes
Gut and grit, check. A street punk old school hardcore vibe, check. Call / response bilingual vocals, check. Rock and roll, CHECK! I’m rocking the new EP, Hymns of the Working Class by Santa Cruz based ¡No Acción! and it is punk rock and roll that’s right up my alley. They tracks are brief, fast, and intelligible.
I’m not going to delve into lyrics and meaning. I’m just going to scratch the surface a bit. The songs are about fast cars, fast women, the working class, and social justice. I think that is something that might resonate with the kids, ya know.
The music is akin to SoCal staples like Social Distortion, The Cadillac Tramps, tempered with more NorCal punk like Rancid, all founded in the roots of whatever hardcore punk anyones listened to since before your dad could drive.
¡No Acción! is a four-piece band with a Punk Rock attitude and a RockN’Roll soul. We grew up in the Salad Bowl of the Salinas Valley, stretching through Watsonville and on to Santa Cruz California. We’re the sons of the working class… los hijos de campesinos y la clase obrera.