Wolf-Face has premiered the official video for
“Give Me A Keg of Beer”
The song and video sees the Florida lupine punks return to their thrash punk origins. The song originally appeared on their self-titled debut EP, and was remastered and re-released in 2016 on vinyl via Swamp Cabbage Records on the album “Love Songs For The Lycanthropic”.
Los Angeles-based ska-punk band The Interrupters will release their sophomore album, Say It Out Loud, on June 24 via Hellcat Records. Say It Out Loud is undeniably fun and urgent in message. And backing their modernized 2-Tone-tinged, guitar-fueled, melody-heavy sound are lyrics that confront everything from social control and self-empowerment to domestic violence and the media circus surrounding the next presidential election.
True to The Interrupters’ unabandoned passion and personal-meets-political dynamic, the first song shared from the album is “By My Side,” a fist-pumping, tender tribute to outcast solidarity.
Listen to “By My Side” now:
Since the release of their 2014 self-titled debut, The Interrupters have split their time between touring with the likes of The English Beat and Bad Religion and cranking out new material that shows off their irrepressible sensibility. So when the time came to record their sophomore album Say It Out Loud, the four-piece hit the studio with Rancid’s Tim Armstrong and fired off 14 new songs that both capture their frenetic energy and reveal a whole new level of boldness in their songwriting.
“Over the past couple years we got to know ourselves so much better as a band, and that gave us a lot of room to really grow on this album,” notes frontwoman Aimee Interrupter, whose bandmates include guitarist Kevin Bivona, bassist Justin Bivona, and drummer Jesse Bivona.
Produced by Armstrong and recorded partly at his studio (as well as at Travis Barker’s Opra Studios), Say It Out Loud are a batch of feel-good songs proving The Interrupters’ unstoppably upbeat spirit. The Interrupters have forged a formidable bond that deeply informs their music. “Loyalty, family, friendship, and unity—with upstrokes,” says Kevin. “That pretty much sums up The Interrupters and what we are all about.”
Pre-orders for Say It Out Loud are available at http://www.wearetheinterrupters.com/. The Interrupters will headline a SOLD OUT headline show at The Roxy in Hollywood, CA and are on the Vans Warped Tour all summer long, staring in Dallas, TX on June 24 through August 13 in Portland, Oregon.
Say It Out Loud Track List
1. By My Side
2. She Got Arrested
4. On A Turntable
5. The Prosecutor
7. Phantom City (feat Tim Timebomb)
8. Media Sensation
9. You’re Gonna Find A Way Out
10. Divide Us
11. The Valley
12. Good Things
13. Jenny Drinks
The Interrupters Tour Dates
June 17 Hollywood, CA – The Roxy (Record Release Show – SOLD OUT)
June 24 Dallas, TX @ Gexa Energy Pavilion
June 25 San Antonio, TX @ AT&T Center
June 26 Houston, TX @ University of Houston
June 27 New Orleans, LA @ Mardi Gras World
June 29 Nashville, TN @ Tennessee State Fairgrounds
June 30 Atlanta, GA @ Aaron’s Amphitheatre at Lakewood
July 1 St. Petersburg, FL @ Vinoy Park
July 2 Orlando, FL @ Tinker Field
July 3 West Palm Beach, FL @ Perfect Vodka Amphitheatre
July 5 Charlotte, NC @ PNC Music Pavilion
July 6 Virginia Beach, VA @ Farm Bureau Live
July 7 Syracuse, NY @ Lakeview Amphitheater
July 8 Camden, NJ @ BB&T Pavilion
July 9 Wantagh, NY @ Nikon At Jones Beach Theater
July 10 Hartford, CT @ XFINITY Theatre
July 11 Scranton, PA @ The Pavilion at Montage Mountain
July 13 Mansfield, MA @ Xfinity Center
July 14 Darien Center, NY @ Darien Lake Performing Arts Center
July 15 Pittsburgh, PA @ First Niagara Pavilion
July 16 Columbia, MD @ Merriweather Post Pavilion
July 17 Holmdel, NJ @ PNC Bank Arts Center
July 19 Indianapolis, IN @ Klipsch Music Center
July 20 Cuyahoga Falls, OH @ Blossom Music Center
July 21 Cincinnati, OH @ Riverbend Music Center
July 22 Detroit, MI @ The Palace Of Auburn Hills
July 23 Chicago, IL @ Hollywood Casino Amphitheater
July 24 Shakopee, MN @ Canterbury Park
July 26 Milwaukee, WI @ Marcus Amphitheater
July 27 St. Louis, MO @ Hollywood Casino & Hotel St. Louis
July 28 Bonners Spring, KS @ Providence Medical Center Ampitheater
July 30 Salt Lake City, UT @ Utah State Fairpark
July 31 Denver, CO @ Pepsi Center Arena Lot
Aug. 1 Albuquerque, NM @ Balloon Fiesta Park
Aug. 2 Phoenix, AZ @ Quail Run Park
Aug. 5 San Diego, CA @ Qualcomm Stadium
Aug. 6 San Francisco, CA @ Shoreline Amphitheatre
Aug. 7 Pomona, CA @ Pomona Fairplex
Aug. 9 Las Vehas, NV @ Hard Rock Hotel & Casino
Aug. 11 Boise, ID @ Ford Idaho Center
Aug. 12 Auburn, WA @ White River Amphitheatre
Aug. 13 Portland, OR @ Portland Expo Center
UGLYBoNES is a four piece hardcore/thrash punk outfit running out of the Windy City, (Chicago for those of you living under rocks) They’ve got a new album to jam up into your earholes. It’s entitled Growing Concerns and it will crush you.
The release contains 10 tracks, ninety percent of which clock in well under the two minute mark. Rapid bursts of sonic aggression without being over the top ear bleed screamo assault. (totally up my alley as screamo razer vocals are fn lame)
The tracks are all solidly constructed on a foundation of the angst of fading youth. The lyrical delivery is drenched with intensity and the musical accompaniment is fraught with urgency. The overall effect is a cavalcade of pretty rad hardcore punk.
The only downside I can think of is that the tracks have a very consistent pattern of insisting on a slower breakdown segment. Not saying they don’t have merit, but it can get a bit formulaic by the end.
Any downside aside, this band deserves a little bit of your attentions. Go check out their tracks and kick ‘em down some dough so they can continue to rip this shit up.
1. Set Off 01:44
2. PCAF 01:20
3. Not The Same 01:39
4. Obscene 01:17
5. Grown Up 00:54
6. Office Destroyer 00:30
7. SUX 01:20
8. Took Too Much 01:19
9. Bendz 02:25
10. Lazy 01:38
I’m am giddy to no end listening to a fully instrumental Surf album by a band that has Viktor Venom (of Reagan Youth and Nausea) on lead guitar. Why wouldn’t I be? The idea that a vestige of 80’s East coast hardcore punk can transmute into some of the best “dark” surf music that I’ve heard in some time is, to say the least, incredible.
The one-sheet lets me know that all the tracks were recorded on 16-track 2” analog. How sweet is that? I kinda wish I would have had the album to review instead of the CD. If the digital version sounds this good, I can only imagine the vinyl is phenomonal!
Aggravatin’ Rhythms abely drops a lush soundscape of 14 tracks of riff-laden surf rock, the likes of which are rarely heard in this day and age. It’s strikingly reminiscent of foundational work from artists such as Link Wray and legendary guitarist Dick Dale. A more modern surf sensibility is certainly present as well and I can’t help but draw comparisons to by Man or Astro-man and Phantom Surfers.
I was listening to this album the other night and a description kept bubbling to the surface as I listened to track four, The Sinister Urge, “boozy apreggiated dive bombs are reverberating around the interior of my car only to launch into Gilmour-esqe soulful leads. Brilliant!” Sure it lacks some context in the middle of this, but I assure you that when you arrive upon said track, you’ll totally understand.
I’m not sure that I’ve done a write-up for an instrumental release in the past. This very well may be a first for me. So without knowing fully where to go with this, I’m going to go suggest that Aggravatin’ Rhythms by the Coffin Daggers is one of the finest surf albums I’ve heard to date. Seriously this album rocks. Get some!
Formed in San Diego in the early 90’s Unwritten Law has undeniably paved the way for Rock/Alternative musicians around the world with staple MultiPlatinum releases like Elva, Unwritten Law and Live and Lawless. Last month, the band announced their highly anticipated eighth studio album, Acoustic due out April 1, 2016, via Cyber Tracks, owned by El Hefe (guitarist of NOFX) and wife Jen Abeyta.
Today, fans are able to preorder a digital copy of Acoustic for $9 via Cyber Tracks website here and sample 30 second clips of all 13 tracks.
Upon initial purchase of the preorder, fans will receive an instant surprise gratification track immediately with two additional surprise tracks to be rewarded on March 1st and March 22nd which are before the actual release date.
Fans can be on the lookout for more exciting announcements to come soon!
Acoustic is a masterful 13track record filled with newly rerecorded Unwritten Law hits from Unwritten Law, Elva, Here’s To The Mourning, Swan, and The Hit List into flawless acoustic renditions. The emotionally rich album will also feature two brand new tracks including “Huartbreaker” a cover originally performed by John Legend and MSTRKRFT and “Belongs To You,” written by Scott Russo. The album features Scott Russo (Vocals/Guitar), Chris Lewis (Guitar, currently in Fenix TX), Jonny Grill (Bass), and original drummer Wade Youman; produced by Jim Perkins and Scott Russo, Additional production by Chris Lewis and Joe Marlett, Mixed by Joe Marlett, and Mastered by Tom Baker of Baker Mastering.
1. “Celebration” (Originally “Celebration Song” Here’s to the Mourning, 2005)
2. “Nevermind” ( Swan, 2011)
3. “Oblivion” (Originally “Welcome to Oblivion” The Hit List, 2007 (also on Live and Lawless, 2008))
4. “Huartbreaker” (Originally performed by John Legend and MSTRKRFT)
5. “Up All Night” ( Elva, 2002)
6. “ Seeing Red” ( Elva, 2002)
7. “Teenage” (Originally “Teenage Suicide” Unwritten Law, 98)
8. “Starships” (Originally“Starships and Apocalypse” Swan, 2011)
9. “Shoulda” (Originally “I Shoulda Known Better” Live and Lawless, 08)
10. “I Like The Way” ( Here’s To The Mourning, 2005)
11. “Save Me” (Originally “Save Me (Wake Up Call)” Here’s To The Mourning, 2005)
12. “ Cailin” ( Unwritten Law, 1998)
13. “Belongs To You”
Unwritten Law will be hitting the road with Fenix TX this March kicking off their tour Pomona, CA at The Glass House and hitting Los Angeles, Atlanta, Philadelphia, Boston, New York City, and Las Vegas to name a few.
In addition, the band has two VIP options for fans:
(1) Band Hangout (ticket not included): includes early entry, first access to merch, exclusive CD featuring tracks by both bands, intimate soundcheck performance, M&G with Unwritten Law and Fenix TX, photo opportunity, signings and VIP Laminate.
(2) Band Hangout & Access (ticket not included): includes early entry, first access to merch, exclusive CD featuring tracks by both bands, intimate soundcheck performance, M&G with Unwritten Law and Fenix TX, photo opportunity, signings, VIP Laminate and watch the show from the stage (NOTE only 2 available per show)!
VIP ticket packages can be ordered here: http://ticketspin.com/ulftx
Unwritten Law Tour Dates
All dates are with Fenix TX except for the shows marked March
9 Pomona, CA @ Glass House
10 Los Angeles, CA. @ The Palladium (with Pennywise)
11 Scottsdale, AZ @ Pub Rock Live
13 Flagstaff, AZ @ The Green Room (No Fenix TX)
15 Kansas City, KS @ Riot Room (No Fenix TX)
16 Nashville, TN @ City Winery (No Fenix TX)
18 Austin, TX @ SXSW
19 Dallas, TX @ So What?! Music Festival
20 Houston, TX @ House of Blues (with NOFX)
21 San Antonio, TX @ 502 Bar
24 St. Petersburg, FL. @ The State Theatre
25 Cape Canaveral, FL. @Millikens Reef
26 Fort Pierce, FL @ The Inlet
27 Cape Coral, FL @ Dixie Roadhouse
28 Jacksonville, FL. @ Freebird Live
29 Atlanta, GA @ Masquerade
30 Baltimore, MD @ Soundstage
31 Philadelphia, PA @ Underground Arts
1 — Boston, MA @ Middle East Downstairs
2 — New York City, NY @ Marlin Room (Webster Hall)
4 — Pittsburgh, PA @ Stage AE
5 — Cleveland, OH @ The Grog Shop
6 — Columbus, OH @ A&R Music Bar
7 — Chicago, IL @ Lincoln Hall
8 — Omaha, NE @ Slowdown
9 — Denver, CO @ Marquis Theatre
10 — Colorado Springs, CO @ The Black Sheep
11 — Salt Lake City, UT @ In The Venue
12 — Reno, NV. @ PB & J’s
13 — Las Vegas, NV @ Backstage Bar
14 — Long Beach, CA @ The Federal (No Fenix TX)
15— Santa Ana, CA @ The Ritz (No Fenix TX)
16 — Santa Cruz, CA @ The Catalyst (No Fenix TX)
Bankrupt have released a lyric video for their new song Party Capital. The song (which shows influences like Teenage Bottlerocket and NOFX) is about their hometown, Budapest, a popular destination for (bachelor/ette) party tourists.
At this very moment, I’m listening to a new EP from a band called Bankshot. They are a ska punk band outta Davenport, IA. The five tracks on the self-titled release bring me back to the sweet 3rd wave days when all of my favorite bands came out of the Midwest and college towns, and sometimes from Midwest college towns. As I listen I’m reminded of old Mustard Plug, Los Rudiments, new acts like I Voted for Kodos, and the combined roots of multiple generations of punk and ska.
The music on the whole is energetic and upbeat the way in the way that you’d assume if you knew anything about skapunk. In keeping with the nature of the genre, track length is short (generally) and the songs are rather rapid paced. The tracks can, at times, seem a bit busy and perhaps careening towards falling apart. That’s not a bad thing per se, as within those same attributes, there’s the raw urgency of youth. a quality which rarely transcends later years. The production is sparse and suited to the material. There’s a very garage rock / old school sound to the recording. I think it provides a sense of how the band might sound live.
With only five tracks, it is a brief introduction into what has the potential to be a very promising band if they can keep on refining and defining their sound.
There’s a warm feeling that overcomes some people when certain sounds, something familiar and inviting plays. I’m getting those kind of feelings now as I listen to the new Leftover Crack album, Constructs of the State. It’s been the better part of a decade since the controversial and exceptional Fuck World Trade was released. Just in time for the holiday season, for your gatherings with kith and kin are the crack rocksteady sounds both old and new to warm your cold dead hearts.
The new release stays true to form with 13 scathing salvos against a broken system, what’s new is more sonic diversity. Track five, Slave to the Throne is a brutally metallic track with speed metal thrash riffs more akin to Slayer or Obituary than more common ska-punk outfits. There’s also a wider range of instrumentation in play with folkish sounds of banjo and possibly a washboard on track six, Bedbugs and Beyond.
Many of the tracks feature film or tv soundtrack backdrops to frame the context of the lyrics. “Of course I’m dangerous, I’m police. I can do terrible things to people..with impunity.” from True Detective sets the tone of the track Corrupt Vision. In addition to the tonal variety of the individual tracks, there’s plenty of guest vocals including track four, System Fucked featuring Jesse Michaels of Op Ivy.
The album continues in a consistent manner, lashing out at broken systems of finance, patriarchy, healthcare and prison systems. The sounds of the songs may change from track to track but the tone is the same. There’s something very broken. I don’t know if an album can provide solutions to the complex problems that we face as a society, but if it can make people think it’s a start.
The album does get to a point where I believe that it’s almost too overproduced. It’s a fine example of production, but the it serves to burnish the raw edge that I’m missing. Between that and what I think is an imbalance of more ska heavy content I’ve had to knock the score down a bit. All aside it’s a fantastic album, fit for a time when things are in constant threat of being ripped apart at the seams.
Final note: I’ve been going over this release for about a week now. Initially I didn’t feel quite so strongly about it as I’ve become over successive listens. The more times I hear it, the more the music sinks in and the impact of the band’s rage takes hold. We’re living during some incredible times, but we’re also living through some incredibly fucked up times. If you ask me, it’s times like these that music is the best weapon against a war to which we’ve all been blindly conscripted.
It’s been a statistically significant amount of time since I’ve heard anything from the Seattle, WA punk rock getup The Hollowpoints. It’s been over five years since I reviewed “Old Haunts”, and well, that’s just been too damn long. Hell, it’s damn near a third of the time that I’ve been reviewing music. I’d just about given up. Thankfully now I can continue trucking on.
A bit over five years ago, the previous Hollowpoints release was the darling of the day. I pegged it as a must have album and my favorite thus far in 2010. (It actually landed at the #5 spot for my Top 10 or 2010) Now I’ve got my hot little hands on Rocket to Rainier. The new album drops on October 2, 2015 (Did you totally just read me saying “The new album DROPS?” Yeah, I’m pretty insidery and shit, but enough about me. Here’s some important things that you might want to know about the new record: It contains 13 songs. They are all rad. The material is face paced and melodic but with the rough edges left intact.
The band has stayed consistent to my perception of them from time past. The songs are sonically rich with excellent arrangement. However, I don’t want to mislead you. The songs are not technically complex or all bizarre wanking fusion or some such thing. They are orchestrated well, musically and sonically, for fast-paced punk rock tunes. The tracks still resonate with my lyrically as well; poignant, anthemic, without attempting to become (too) epic. Combined, it’s the kind of music that captures the existential angst of a begrudgingly depressing life in America. It’s the kind of tunes that I’d imagine that Springsteen or Petty would make if they would have been born decades after their respective births. (except with vocals that sound eerily reminiscent of Roger from Less Than Jake on occasion)
As I dig my heels into this record, it is in turn latching its hooks into my brain. I have a feeling that this is going to get a bit of heavy rotation though this month. As far as influences go, at least ones that I’m perceiving, the reminders of the Clash and Cheap Trick are still there. I can’t help thinking of American Steele too. In fact, everything I loved about the last album is here, only perhaps more so. Once again I am inclined to highly recommend Hollowpoints. Support your local punk rock band kids. Go to the shows. Buy some records and t-shirts!