Rating: 
If you miss Nirvana and have ADD –who doesn’t? – check out Dead Cats Dead Rats’ latest album, Riff. The longest of the nine tracks clocks in at 2:52, and it all sounds more like 1989 Seattle than 2010 Massachusetts.
The first five tracks are flat out good. They’re so good, in fact, that it takes a few laps around the album before you catch your breath and realize that the second half drops off a bit. Still, I’ve been listening to the album nonstop for a week now and I’m not skipping any tracks.
Track four, “Yeah Yeah Yeah,” starts with one of the catchiest hooks I’ve heard in a while, a lazy little backbeat job that’s perfectly placed to follow the howling crescendo at the end of track three, “Subterranean.”
Track two, “Chuncky” is arguably the best of the album. Opening with the line, “Radio wouldn’t play my song,” it does the soft/hard slow/fast dynamic to perfection, and coupled with Matt Reppucci’s screaming vocals, it’s easy to see why the name “Cobain” comes up in a lot of Dead Cats Dead Rats reviews.
Tracks six and seven are the weakest on the album, but not without value. They just ramble a little and aren’t as memorable as the rest of the album, which closes with a nice little bluesy number titled, appropriately, “Fritter Blues.”
Dead Cats Dead Rats has a lot of talent and a great sound. Since their last release, they’ve gotten tighter and more polished without sacrificing any style or energy. Here’s hoping they keep doing that.
–Ozymandias
I’ve got a soft spot for Alkaline Trio. I’ve been listening to them for the better part of the last 12 years. After I first heard Goddamnit I was hooked. I have to admit that after they left Asianman Records I got a little disenchanted. Not that I begrudge them the popularity and a little recognition for their hard work, and don’t get me wrong major labels are a collective bag of douche, but I don’t blame A3 for that. However when I heard they were starting their own Heart and Skull label in conjunction with Epitaph I was relieved. I hoped that things might get back a bit closer to the earlier days. I heard that that the new release was going to rock it a bit harder. Well I finally got a copy of This Addiction and I’m fairly convinced that the rumors I heard were right. The 11 tracks are more reminiscent of something around From Here to Infirmary. The content has a little more edge and a little less emo to it. For fans of the more downtrodden of A3’s work, don’t be disappointed (or do, if that is what you’re into) I’m just saying that they brought it back a bit, but this time with a lot bigger production. There are lot more layers to the songs and a lot more variety. The zip of track two, “Dine, Dine my Darling” is refreshing. So are the 80’s keyboard sounds on “Eating Me Alive”. Hell there is even a horn track on the also up-tempo track three, “Lead Poisoning”. When it’s all said and done you know this is Alkaline Trio, but it’s an Alkaline Trio that seems somehow revitalized. This Addiction is well worth it.
The good folks at BYO Records were kind enough to send me their new retrospective CD and DVD release, “Let Them Know – The Story of Youth Brigade and BYO Records”. In several words, totally flippin’ rad. Back eons ago in the hard-scrabble Los Angeles Punk rock scene there was a handful of bands, no organization and nothing even close to the internet to get the word out about the minds music and attitude of the American youth. They desperately needed something.
So ya think hardcore can’t come from the left coast? Well you’re wrong. L.A. Based Terror flippin’ rips it up old school. Forever Crossing The Line (5 Years In The Making) comes correct in all ways. Driving rhythms, pounding drums, crushing guitar, vox with just enough menace but not too much growl. You get 17 tracks, some live, of what is ostensibly East Coast Hardcore albeit from the West Coast. Just because you have palm trees and white sand beaches doesn’t mean you ever get to see ’em. Any way, I know that this review is hella late and Terror even has a new one out (The Damned The Shamed). I was cleaning my office and found it at the bottom of the stack. I feel that this disc is worthy of attention for its true to form hardcore. 
Do you like NOFX? They like you. Wanna know how I know? It’s because they keep putting out totally sweet punk rock cds. This new one, Coaster, even has music included. You know this because it says so right on the cover. Pretty sweet, huh? Aside from the sweet retro bar theme The disc also includes 12 tracks of wisdom and boozedom. Tales of middle class America gone by and the joys and laments of being a drug abusing alcoholic. Oh and lesbian Canadians. What more could you really want? Comedic discourse aside, if you haven’t cared for the last couple of releases (shame on you, but I understand) give ol’ NOFX another try. Coaster might just bring you back into the fold.