Coquettish – High Energy Politics (c) 2005 Asian Man Recordsco·quette n. (ko-ket') – A woman who makes teasing sexual or romantic overtures; a flirt.Coquettish on the other hand are a sweet ska-tinged punk rock band outta Yokohama (where also sweet tires come from) Japan. “High Energy Politics” is the full-length debut from this quintet, the follow up to the “Total Pops Madness” EP and their first release in over 4 years. 4 years seems to be an exceedingly long amount of time for a band to wait between releases. Usually this signifies a breakup or lineup change. I can't say for certain what was the case, but I think it was worth the wait. Listen to “High Energy Politics” and see if you don't say to yourself, “I'll be damned. This sounds like Japanese-accented Suicide Machines.” This stands all too well to reason, as it is produced by the Suicide Machine's own Dan Lukacinsky. Not to say that Coquettish are coping on someone else's sound, they certainly have style of their own, but the influence is certainly there. “High Energy Politics” is a fun fast rocking CD. It's out now on Asian Man Records. Go'n get yerself a copy. Oh, and for the record, they are ninja, not geisha.http://www.justrock-store.comhttp://www.asianmanrecords.com-Jerry Actually
Screeching Weasel – Wiggle(re-release) © 2005 Asian Man Records Wiggle was their fourth full length album originally released in '92 on Lookout Records. Its been out of print for quite some time. Now its back, Remastered and redesigned with bonus tracks, never before seen photos, and special liner notes. This is a fantastic album with the rockin' and rollin' line up consisting of who else but Ben Weasel on vocs, Jughead on Guitar, Johnny Personallity on 2nd guitar, Dan Panic on Drums and Dan Vapid on bass. With their silly lack of seriousness in lyrics add some great music and voila you have a magical mix of wonderfullness. I highly recommend this album to all Screeching Weasel fans and everyone else because it totally rocks!http://www.screechingweasel.comhttp://www.asianmanrecords.com -Shann13
The Lawrence Arms [Cocktails & Dreams] © 2005 Asian Man Records“Cocktails & Dreams” is the long awaited B-sides release from Chicago’s The Lawrence Arms. The disc contains mostly tracks from now out-of-print split cd’s, however it isn’t just factory seconds and cans of creamed asparagus. There is an exclusive new song and 2 (count ‘em 1, 2) new versions of previously recorded material. Fans of the member’s former bands The Broadways and Slapstick will appreciate the melodic Chicago style punk rock. I know that I am pigeon-holing but the Chicago sound seems to be embodied by a quick paced (relatively) emo-laden punk. “Cocktails & Dreams” is 16 tracks of bittersweet melodies and cold grey weather anxiety. With songs about drinking, drinking too much, and not doing so in the future, cocktails and dreams is a must have for anyone that likes to sit in dimly lit rooms knocking back the last swig of malt liquor before finding their bottle of booze, all the while wondering where the hell this life is going to; Probably Pensacola.http://www.thelawrencearms.nethttp://www.asianmanrecords.com-Jerry Actually
© 2005 Black Butcher / KOB Records
I tried to translate “Tutti Assalti” from Italian into English with the Google Tranlslator. It came out something like “All You Onslaught” I’m not sure exactly what they mean, but if you want me to make the attempt, it means sweet freakin’ ska from Italy. Talco sounds to me like part Streetlight Manifesto, part Potshot. It works well, resulting in fast paced upbeat ska and ska/punk.
I don’t speak Italian, but I get the sense that the music is motivated and politically aware. Something important to mention, from the bio sheet, “Talco are a highly antifascist and against racism ska-punk band. They believe in music independence and in the massage it has to send against every kind of discrimination.” I say bravo! Keep up the damn fine ska. I hope to hear more from Talco. Maybe someday I’ll even know what they are singing about.
(c) 2005 Asian Man Records
Comprised of the Rx Bandits with guest spots by Chris Murray and members of The Exit, is the outfit known as Satori. “Savor Every Moment” is their debut album out now on Asian Man Records. I insist that you do, in fact, savor every moment of this CD. All the elements of Dub, Rock Steady Reggae and Ska are artfully combined to create a soulful and soothing record. I’ve listened to “Savor Every Moment” about 4x in a row now and I’m still interested and still discovering new hooks and melodies. There are striking similarities to Sublime and Long Beach Dub All-stars. However, where as the aforementioned bands seem a little locked into 1 style, Satori runs the gambit of Jamaican musical styles as well as displaying R&B influences. The songs often recall the likes of Skatalites and early Wailers, yet infused with modern tones and beats, an dI’m not kidding when I say that these guys have some serious Stevie influence. “Savor Every Moment” is a beautifully restored classic car, refined with modern luxury appointments. Truly a must have disc for all fans of Jamaican music. As a bonus, check out the bands website for an audio stream of the first 3 tracks off of the CD.
(c) 2003 Victory Records
Between the Buried and Me has struck me to be one of the most intriguing bands that I have come across. This five piece band out of NC has shown a refreshing side of the “metalcore” scene. They express their diversity in many ways throughout the entire album that can send you on an emotional rollercoaster. “Lost Perfection” starts you off with countless mathematically sequenced rhythms leave you begging for more. From Clutch to Six Feet Under riffs you never lose interest on what the band is revealing to you. From there you get about half way into the album and it takes a heart felt anthem feeling with some ambient guitar tones, completely different from what the album began with. Lead singer Tommy Rogers continues to show his varied singing attributes throughout the clean softer part of the album. You get an abrupt awakening when “Ad a dglgmut” opens up, and the album continues its precise placement of speedy “riffery” to the end. This CD has not left my stereo yet….
(c) 2002 Asian Man Records
I’ve said it previously. I’ll say it again. Chris Murray is a genius. Raw the new full length CD from Chris Murray will be out in late October and damn is it worth it. Venice Shoreline Chris proves to the world that all the high tech equipment that you can muster isn’t what it takes to make a great album. With softly understated brilliance and a depth of soul to overcome the most lo-fi of recording means, Raw shines in a way I didn’t know was possible.Tracks 1-13 were recorded on a portable cassette recorder and track 14, a live version of Rock Steady, was recorded with a portable DAT. Despite the audible differences in the recording means, the disc comes across impressively, as if Chris were playing right in front of you in your garage or basement.This time around Chris Murray has quite a few guest musicians, including some from The Specials Hepcat and Go Jimmy Go. The special guests only lend to my belief that Chris Murray is one of the greatest singer/song writers of the last decade. Give your musical horizon some expansion and get Raw.www.chrismurray.net
Tiger Army II: Power of MoonliteTiger Army II: Power of Moonlite is the second release from the Bay area trio. They purport themselves to be aggressive American Psychobilly. I don�t know about any of that, but they are a three piece with upright bass and a bit of a country metal twang. This is the first Tiger Army I�ve listened to and well, I liked it. The songs are dark and at sometimes mysterious and all the while drive home a fierce grinding beat. The vocals are very reminiscent of Misfits and TSOL. Furthermore they do put on a good live show (Live review coming). And as the band says anyone who relates to or appreciates their music is part of the Tiger Army�Tiger Army never die. I had to give this a three, not too shabby.
Interview # 9 – Agnostic Front
Interviewed by Jerry Actually and Jimmy Bile – entered on or around March 05, 2002
This interview takes place with Jimmy Colette and Mike Gallo of Agnostic Front in Portland, OR on 2/12/02 outside on the street at the Meow Meow. It was bit cold out, but a good interview none the less. It is after all, Agnostic Front.:
Jimmy Colette Being around a long time.
JA (Laughs) Enough Said.
JA A lot of Bands have been influenced by Agnostic Front, who are your influences?
JC I would have to say (pointing to Jimmy Bile) this guy’s shirt right here, G.B.H. – definitely an influence.
Mike Gallo Negative Approach
JC I would have to say, the Business, Cock Sparrer.
JA A lot of old Oi stuff?
JC A lot of old Oi. A lot of old Punk and a lot of early New York scene stuff like Urban Waste, Close To O… editor (a guy walks up and tells Mike and Jimmy, “Just so you know, bands get free water in the concessions.”
JA Wow, what a deal!
JA On Police State off of “Riot Riot Upstart” you have a pretty negative opinion of Giuliani. Has that changed in light of his publicly well accepted handling of the September 11th attacks?
JC Nooo, Definitely Not. You know the whole city turned against him for the last 5 months before that happened. Everybody turned against him and he’s really a scumbag. His true colors showed through. He just happened to be in the World Trade Center when it happened and got out and you know of course he’s in a position of power so he’s gonna take charge.
JA Saving face in light of tragedy?
JC Same thing if Mike (Gallo) was in charge, if you were in charge, if I was in charge, you’d take charge. That’s your job and that’s what you gotta do and people are going to listen to you cause you’re in charge. So of course you’re going to have the leadership qualities. And that’s what he gets paid to do. Just cause he’s a scumbag… and um you could say he’s a good leader.
JA So even despite that, you give him some credit for being a good leader at the time?
JC Obviously. Ya know anybody who is a leader, is a natural leader usually. It’s just you know, the guy’s a scumbag. It doesn’t change anything. Now he’s a hero. He’s a world wide hero and he doesn’t really deserve it. He got picked to be our mayor cause he was supposed to be a leader, ok of some sort. Whether he was the leader of the prosecutor’s office or whatever he was, he’s some sort of leader so he did what he was elected to do. So he shouldn’t be no hero.
JA Fair enough.
JA Prior to 1995 you had been absent from Agnostic Front for over a decade. What led to your early departure and how did you fill those ten years?
JA Yeah, honestly?
editor (somebody comes up and bring Jimmy and Mike some Turkey wraps and some cokes)
JC Yeah, pretty much yeah. You know I fell apart a little bit you know. I was into drugs for a while and jail and did some shit you know. I played with other bands…
JA Anything of note?
JC Not really, just a, it’s a fucked up story basically.
JA Since the beginnings of Hardcore, NYC and much of the bigger cities in the North East have always been the major source of Hardcore, do you feel it is still that same way today. What other Hardcore scenes if any do you feel rival that?
JC Oh definitely it’s always been New York, LA and England, I think ruled the punk and hardcore world. Now other places that are… definitely Boston, or course Boston was definitely in the running all the time. There’s a big Boston New York rivalry. You can put Boston in there with New York and LA and it still is. Basically, you know there’s good bands that come out of everywhere, but a lot of the credibility comes from New York and LA and Boston and London. Like Avail comes from Richmond VA, I think. You know, a good band.
JA Definitely, I love those guys.
JC Just cause they’re not from New York, you know, there’s a lot of bands like that. We just played with a band called “Rise Against” out of Chicago. It just happens to be sometimes people look at the label or the area the band’s coming from instead of looking at the band.
MG I think that the music is actually, it’s been around for so long now. So like it’s starting to branch out everywhere you know.
JC Every city and every scene is gonna have their own certain style and I guess some sounds are more popular than others. You know like upstate New York had the whole straight edge style, the metalcore straight edge scene. You know and that branched out and there’s a big scene of that in Utah. You know so it’s hard to say now, it comes from everywhere.
JA Definitely, I get a lot of stuff sent to me from around the world and a lot of times there’s good stuff coming from obscure places.
MG Totally and you would never know it, right?
JA Places I’d never think of going to in my life.
JC A lot of times bands move to places cause it’s cheaper to live. Like I know All moved to Ft. Collins, CO. Definitely, It’s hard to be a band in New York
JA The cost of living there is insane.
MG There is so much competition also.
JA Who are some of your favorite current bands?
MG Avail, Good Riddance.
JA It’s a shame about Blood for Blood (calling the new album the last) they were topping my list.
JC Blood for Blood, their new record is great.
JA “Outlaw Anthems” I think it is.
JC Mike’s band is one of my favorites, “On the Rise”.
JA Right on, I’m not familiar with them. I’ll have to check it out.
JC Roger’s (Miret) got a new band, “The Disasters” which is a great band. I like my band too, “Loved and Hated”.
MG (same time) He’s got a band called “Loved and Hated”.
JC (laughs) Plugin’ Plugin’
JA Hell yeah, that’s what it is all about.
JA I see from the Agnostic Front website that you’re a big fan or “Drink Drugs Sex and Music” not necessarily in that order, is that still the case? Or have you chosen an order for them?
JC Whatever comes along.
everyone (laughter all around)
JA If you had to choose, who would you say has the best tattoos in the band and why?
JC Me, cause their mine!
everyone (more laughter)
JC I guess everyone would have to say that, cause I, all the tattoos I got all mean something. If I were to explain each one of them, it would take three hours.
JA We’ll run out of tape long before that happens.
MG I’d have to say Roger has the most.
JA You’ve apparently been at hardcore for a while, what events in your life set you down that path.
MG Hating everyone else around you.
JC Being an outcast of society is what drew, I know Roger Vinnie (stigma) and I into the scene. And that’s how the scene began. I know when Mike came around it was a different scene. But it’s still probably the same reasons. For us it was only about 50 people tops that were around in New York. And that’s when everybody came out of the wood work and we were the outcasts of New York. We got tattooed cause we didn’t wanna be like anyone else. We said fuck you fuck your jobs.
MG People say you get a tattoo you’ll never get a job. Well fuck you!
JA I don’t want a job anyway.
JC We don’t want it. We don’t want it and that’s basically how we wanted to live. We wanted to live outside of society.
MG Now it’s trendy.
JC Now it’s trendy.
JA I know doesn’t that suck. Gotta keep going on.
JC So we stopped.
JA Although I suppose this a very hypothetical question, what would you be doing in life if you weren’t playing Hardcore?
JC Probably selling drugs.
JC To be honest, yes.
MG I’d be doing either construction or landscaping.
JC Time, We’d be doing time. That’s what we’d be doing.
everyone (more laughter)
JA Jimmy, I’ve heard that you do most of the writing for Agnostic Front; does that include music as well as lyrics and arrangement?
JA Interesting, I wouldn’t have suspected that. It seems that Roger is usually the most interviewed and what not.
JC Well, Roger has a lot of influence with the lyrics also. Basically for an Agnostic Front song, I write the lyrics for Roger. The lyrics I write that he sings that he doesn’t help with, they’re written for him anyway. They’re not basically written about me, a lot of them are written about him.
MG He’s got to sing them, so if he doesn’t like them he’s not gonna sing them.
JC A lot of them are written about his life too. But basically we all have kind of the same life but, I’ll think what he thinks about. And I’ll put it in more of a poetic way than he does. Most of them are his ideas, I get them on to paper faster I guess.
JA At most hardcore shows that I go to, the age of the crowd stays relatively the same over time at around 17-25 or so, explain?
JC It’s only in America. It’s because America’s very trendy and people… girls are very trendy. And it’s well known that girls aren’t very loyal fans, they’re great fans when they’re your fans, but they don’t stick around too long. They seem to change a little bit with life as they get older, they grow up sometimes.
MG You can’t say that for all.
JC Say when a trend hits, like the “mall scene” it’s gonna be a lot of girls and sometimes this attracts a lot of guys of course, and they’re the people that just come and go. The fans just go. There’s a lot of die hard women and a lot of die hard guys. But um I think when the guys get a little bit older they’re scared their not gonna get laid anymore so they start changin’ the way they dress.
everyone (laughter all around)
JC The women they just fade out, but the guys they get fuckin’ scared. So they puss out. But you look at South America, Japan, Australia every other country, you’ll see 55 year old skin heads at the show, or punk rockers. Charlie Harper for instance. I mean he’s not the only one. He’s not the only old punk rocker there is, you know what I’m sayin. I stayed in Amsterdam for a couple of weeks and I seen a 70 year old skin head, an old man. I mean he’s in boots and bracers and you’d never see him at a show, but that’s how he’s been living his life, I guess since he was young and he stayed that way. What you are is what you are. You don’t change with the times. That’s how we are. Even though Agnostic front stopped playing for a few years, nobody changed. Everybody’s still the same.
JA I can tell that in music.
JC We just come right back as the same people. We just aren’t like, we haven’t stopped hangin out with the people. We didn’t start going to discos or something like that ya know.
JA How did you get your start as a musician and were you shown a lot of support by your family?
JC No, not at all. Well actually my whole family, my entire family, aunts uncles grand parents and all that, they bought me my first drum set. And they were supportive when I was younger.
MG It does taste like glue! (the aforementioned turkey wraps)
JC Yeah, It tastes like glue, right!
MG (to Jimmy Bile and I) Would you like some glue?
JA No I’m gonna have to pass on that.
Jimmy Bile No thanks.
MG You remember havin this in junior high school?
JC (back to the questions) When they started hearin the drums playin, they weren’t too supportive no more. And as I didn’ go to school any more, it wasn’t just the music, but my behavior wasn’t normal I guess, they didn’t look upon music as something great, they probably thought it was something that was hindering my attitude.
JA Just a phase? You’ll get over it?
JC No they probably thought it was something that was hindering my attitude or something. No, I wasn’t supported with this. I’m still not.
MG My parents are a lot younger. I come from a family of musicians. My father’s not crazy about punk rock and hardcore, but he supports me.
JC (again with the turkey wraps) THIS TASTES LIKE FUCKING GLUE!
everyone (big laughs)
Jimmy Bile Portland Hippie Food!
MG What do they put glue instead of mayo on that shit?
JC It’s glue right?
JA Of course it’s not real turkey man, you’re in Portland it’s “Tofurkey”
JC (sounding bummed) Ohh…, Is it really?
JA God I hope not.
JA How did you come about with the lineup for this tour? Was there any special motivation for the supporting acts?
JC A lot of it is just falling together at the right place at the right time bands that are available. Also we don’t take out anybody we don’t like.
JA Of course.
JC So um, of course TSOL they’re a great band from way back when, they deserve it, they’re playing again and we wanted to play with them. I think a lot of people want to see two big bands one from the east coast one from the west coast together. Casualties from New York they’re friends of ours. They’re a great punk band. Course were gonna take someone like them in. We’ve been trying to take them out for years. It’s just our schedules don’t always match. Rise Against is a brand new band that I, I was actually, I played drums for F-Minus for a while when their drummer was absent and it was on the AFI tour and we liked the guys and our booking agent booked them, we said let’s bring these guys, but they’re not on tour anymore. They did their two weeks and you know.
JA One last question, if you had to be represented by a malt liquor, which one would it be?
JC (emphatically) Balantine!
JC (even more emphasis) BALANTINE!
JA Aw Yeah! I haven’t had Balantine in a few years.
MG I’d have to say Old E, though only because it’s essentially the only malt liquor I’ve ever really had.
JC Balantine is the old Skin Head beer. Balantine is what we used to drink in front of CBGB’s every Sunday…(laughs) To keep warm.
JA Well shit guys that’s the end of the questions, I certainly appreciate your time.
JC Ok, you can plug the other bands, “The Loved and The Hated”, coming out with a full length LP on uh, or CD whatever you call it now on GMM records. It should be out in June. “On the Rise” is recording right now, it should be out around the same time.
MG On Eyescream records.
JC And “Roger Miret and the Disasters” it’ll be out on Hellcat. All coming out probably around the same time.
(c) 2001 Asian Man Records
I first heard of Chris Murray, AKA Venice Shoreline Chris about 6 years ago. forgive me for not being aware of King Apparatus… But none the less I was at a show in Lawrence Kansas at the Grenada, with a lineup of Venice Shoreline Chris, Less than Jake and Skavoovie and the Epitones. Chris Murray impressed the hell out of me with his "Campfire Ska" and on top of his opening set he played keyboards for Skavoovie. Damn, what a show. I was quite pleased when I learned that Chris was going to put a new acoustic album out, and it does not disappoint. I think the true brilliance of Chris Murray is exemplified in this album. from cleverly constructed lyrics to rich melodies. This CD is a perfect companion on a rainy Portland day. You can listen to track 3 "California Time" and feel the sun shine in. I gave this disc a 5, which I rarely if ever will do. But when you combine the excellent singing and song writing with the fact that it is all done on a four track, the points really stack up in it's favor. Go get this disk!! www.chrismurray.net