The Hot Toddies – Smell the Mitten (c) 2007 Asian Man Records Welcome to the sultry and saccharin sweet sounds of The Hot Toddies. Like a gang of prom queens that sipped a little too much of the spiked punch, these gals rock with a quirky seduction and loads of mischievous naughtiness. The vocal harmonies are drop dead gorgeous (especially if you miss the vocal sound of the Dance Hall Crashers) and the music kinda of an alterna-fifties indie pop. Smell the Mitten is a great full length debut from this band of Bay area beauties. They've got the chops and the hooks and the satiric wit that has me waiting for more. –Jerry Actually
The New Rivals
The New Rivals – S/T (c) 2007 SoBe Entertainment Do I have an immediate suspicion of a "punk rock" band on a beverage based label that gives top billing to label mate Brook Hogan? You bet your ass I do. The New Rivals have all the trappings of a band either sourced or designed to fit a market formula. The songs are just edgy enough, but not offensive. The tracks are almost all within the radio friendly three minute zone. The music is performed ably enough, but it seems like all of this ground has been well paved in the past. That being said, if you were to score this CD with a SoBe cap or something, that would be better than some beverage cap prizes. Incidentally, SoBe Entertainment claims to be an Indy Label: "SoBe Entertainment is an independent record label based in Miami Beach, FL." – this is right off their web site. They aren't making any claims to a connection with SoBe the beverage, but I'll draw my own I think. On top of that, this disc came to me from Universal … not exactly independent.–Jerry Actually
American Steel [Destroy Their Future]
American Steel – Destroy Their Future (c) 2007 Fat Wreck Chords American Steel are back with a new record, their first for Fat, and I say it is a good one. These veterans of the East Bay punk scene return with 12 tracks of gritty and sonically dark rock and roll. Stand out tracks include the snarkily spiteful "Mean Steak" and the rockin' yet sad "Old Croy Road". I may be off the mark here, but I hear a very wide range of influences, including: Leather Face, The Clash, The Lawrence Arms and Dropkick Murphys just to name a few. I'll admit that I hadn't heard of American Steel before this disc, but I'm totally on the look out for their back catalog. Speaking of The Lawrence Arms, American Steel are currently out on tour with their label mates, so if they happen to wander to your town, go see 'em and tell 'em I sent ya.–Jerry Actually
Andrew Jackson Jihad – People Who Can Eat People …
Andrew Jackson Jihad – People Who Can Eat People Are The Luckiest People In The World (c) 2007 Asian Man Records
I don’t quite know how to spell out how I feel about Andrew Jackson Jihad. I like them in a weird sort of way. Kinda in the same way that everyone has a really bizarre friend (unless you are the bizarre friend) and you like the friend, but sometimes you just aren’t sure why.
AJJ is a bit of an amalgamated Dead Milkmen Wally Pleasant and Old 97’s. The songs are certainly very eclectic with off the beaten path lyrics and an overall Bluegrass quality. I am compelled to recommend them highly, but I’m just not quite sure why.
–Jerry Actually
N.S.O.A. – For the Forgotten
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[rating:4.5/5]
(c) 2007 NSOA
New Society of Anarchists are back with another edition in their continuing saga of gut-wrenching and brutal musical onslaught. “For the Forgotten” explodes with 20 tracks of some of the most true to form hardcore in the game. The songs are fast, pissed and in your face. For fans of NSOA, all the familiar sounds are there: crunching guitars, machine gun drums, reinforcing backup vocals. However, In comparison to recent past releases the sound on the new disc is noticeably more raw. I suspect that this is due in part to the absence of former? bass player Jason Z. Bass and vox are now being handled simultaneously by Zakk Z. The music is certainly intact, but you can hear where things have been re-arranged to accommodate the current line up. Above all the hardcore rings true: The outrage at social injustice, The strong sense of unity, The feeling that you just got your head smacked by a Mac truck with a combat boot for a hood ornament.
–Jerry Actually
Autonomadic [The Missionary]
Autonomadic – The Missionary (c) 2007 Bleeding Ear Music "The Missionary" is a dirty little EP from Seattle punk rock trio Autonomadic. Don't let the cover fool ya though. The disc isn't much at all about a rather phallic missile or the missionary position. The Missionary contains seven track of socially aware old school punk rock swager. They rage against complacency, corporations, institutions and assholes all to a four four beat. I was vaguely familiar with Autonomadic from the Punks and Pints comp. I'm glad to hear some additional material. Pretty decent stuff over all, but I would like to see it take it up a notch. The amount of outrage in the lyrics could be better paired with a bit more musical frenzy.–Jerry Actually
TPOMC
The Pleasures Of Merely Circulating – S/T (c) 2007 Ettabelle Records Marfa, TX band The Pleasures of Merely Circulating are equal parts precocious and punk. Their self-titled debut CD hold 13 tracks of love, loss, pining and rollicking all tinged by their southern rock roots. The songs are peppy and short and chock full of energy and guts. The music rings out in that raw yet urgent way that only a finely tuned three-piece can muster. Fun new material from Texas. Go on, giver a whirl.–Jerry Actually
Streets Ahead [The Album]
Streets Ahead – The Album (c) 2007 Streets Ahead Like the pull of a mighty vortex, the whirlwind of America siphons away from the edges and drains somewhere towards the center. In this case we have three musicians from disparate corners of the nation. The three fell together in Cleveland, Ohio only to be melded together into the punk rock band, Streets Ahead. "The Album" is full of crunchy hooks and clever and unusual lyrical constructs. The music is punk, but not in the regurgatative ripoff sense. Streets Ahead hold some distinctive sounds, but not so far out that they will alienate potential fans. Think of something like Billy Corgan and TMBG colliding with Seven Seconds. They are not trying to reinvent the wheel, but they also aren't trying to be the wheel, dig? Either way, let me reiterate, Cleveland Rocks! and Streets Ahead keeps that rock (bad pun alert!) rolling.–Jerry Actually
Buck-O-Nine – Sustain
(c) 2007 Asian Man Records
[rating:4/5]
I got the increasingly rare opportunity to attend a Buck-O-Nine CD release show last Saturday at their, and my newly re-adopted, hometown stomping grounds. The show was at The Casbah, a downtown San Diego ska friendly staple. It is a great little venue, perfect for intimate shows with your favorite bands and the 24oz. cans of PBR aren’t stupid expensive. As a bonus for attending the show, every ticket holder received a copy of Sustain, their first new release in seven years. For fans of Buck-O-Nine, you wont be disappointed. As far as I’m concerned the disc is an instant ska classic. The songs are tight. The horns hit. They can hold muster to a couple adult beverages and remain dance-able. The shout along choruses are intact. If you are new to ska, (wow that cave must have been crazy dark and quiet all these years) dig into their back catalog. There is more good stuff to be had. What more can I say about the disc other than it is a great piece of work from one of my favorites and now on one of my favorite labels too. For those that didn’t get to attend the show. Buck-O-Nine was opened by another local ska act, The Lifters. They too put on a great show. Check ’em out if you have a chance.
–Jerry Actually
Buck-O-Nine [Sustain]
Buck-O-Nine – Sustain (c) 2007 Asian Man Records I got the increasingly rare opportunity to attend a Buck-O-Nine CD release show last Saturday at their, and my newly re-adopted, hometown stomping grounds. The show was at The Casbah, a downtown San Diego ska friendly staple. It is a great little venue, perfect for intimate shows with your favorite bands and the 24oz. cans of PBR aren't stupid expensive. As a bonus for attending the show, every ticket holder received a copy of Sustain, their first new release in seven years. For fans of Buck-O-Nine, you wont be disappointed. As far as I'm concerned the disc is an instant ska classic. The songs are tight. The horns hit. They can hold muster to a couple adult beverages and remain dance-able. The shout along choruses are intact. If you are new to ska, (wow that cave must have been crazy dark and quiet all these years) dig into their back catalog. There is more good stuff to be had. What more can I say about the disc other than it is a great piece of work from one of my favorites and now on one of my favorite labels too. For those that didn't get to attend the show. Buck-O-Nine was opened by another local ska act, The Lifters. They too put on a great show. Check 'em out if you have a chance.–Jerry Actually

