Blood for Blood Reuniting

Blood For Blood are reuniting and heading out on tour after 6 years. An official statement from the band.

“First off, we would like to thank all our fans for hanging in there over the last six long years.  As of December 2010 Blood for Blood will embark on our first tour since 2004.  Blood for Blood has agreed to join the Persistence Tour in Europe sharing a stage with long time friends Sick of it All as well as other acts soon to be announced.
The decision to play again was not an easy one to make.  Over the last few years we have tried time and time again to contact Rob about a possible Blood for Blood reunion, but he has ignored every single attempt we have made.  Therefore, we were left with no other choice but to find someone else to fill in for his BFB responsibilities.  Now, let’s make this perfectly clear: we have no ill will towards Rob whatsoever.  We wish him well and Blood for Blood will always be open to him.
That being said, we were left with the conundrum of finding a fill-in for Rob.  After some careful thought we believe we found a perfect fill-in.  We are pleased to announce that Billy Graziadei of Biohazard will be joining Blood for Blood on stage for Persistence Tour 2010.
Again thanks for all the countless emails and support letters from all our fans over the years.  We are looking forward to seeing all your ugly faces again”.

BLOOD FOR BLOOD

About Blood For Blood:

If the ghost of Johnny Cash was to unexpectedly rise out of its tomb and supernaturally resurrect its musical soul in the form of a hardcore band, the result would be an anthemic, outlaw punch not unlike Boston’s favorite white trash hardcore hooligans, BLOOD FOR BLOOD.
While Cash grew up as a restless farm boy who longed for fast cars and fast women, the boys in BLOOD FOR BLOOD were reared in the projects and their outlaw spirit reflects the callous surroundings from which they were rendered. Blood For Blood are from outside. They stand on the threshold of society with all but a few toes tangling off the edge with a maniacal desperation, longing for sanity. Theirs is a journey from one end of alienation to the other – only to be flung violently back to the hole from which they crawled out of. “I been held down my whole life. This band is my opportunity to spit in society’s face…” says guitar player Rob Lind.
Inspired by bands such as Sheer Terror, Breakdown, Carnivore and Raw Deal, Blood For Blood formed as a reaction to the existing heavy music scene in Boston back in 1995. “We couldn’t relate to anything that was going on in Boston at the time,” says vocalist Erick Medina, “We wanted to hear music about the shit we saw and faced everyday. The scene at the time was a fashion show.” Blood For Blood make no mistake about what their talents are – and what talents they lack. They don’t sing. They don’t rap. They don’t dance. They don’t act. And they definitely ain’t too pretty. They are white trash hardcore rock and roll. And they have just begun their invasion of today’s hair-and-nails conscious heavy music scene.
Blood For Blood have cultivated a large, and dangerously loyal, fanbase since their inception almost a decade ago. Having toured with such acts as DROPKICK MURPHYS, TERROR, and SICK OF IT ALL, exposing their venom to the nation, the band has left an indelible and hungry mark on the scene. The band has successfully put five recordings under the belt, with four of them having been released through VICTORY RECORDS and having had received countless praise in the press worldwide. Blood For Blood has always garnered real, genuine admiration among their fans as well – fans who have been known to willingly bruise, bleed, and become scarred for them at their notoriously ‘high risk’ live shows. 
Musically, few bands can touch the viscously aggressive hardcore/punk rock sound of Blood For Blood which is served up like a platter full of Sheer Terror, Madball, and The Bruisers.
Lyrically, Blood For Blood combines the depravity and pain of the world they see outside their door every day with the experiences of their own dead end lives in an outlaw-poetry style that truly affects its listeners in a deep way. “We get letters from dudes in prisons in New York, Boston, Detroit and even Alabama, telling us that our shit (music) gets them through and helps ’em face another day,” says guitarist Rob Lind. Like Cash playing his outlaw songs to the inmates decades ago, today’s redemption-seeking inmates are turning to the choruses of BLOOD FOR BLOOD for solace in hard times.

If you’ve plowed through all your dead ends and need to find friendship in a cold hard world…If loneliness and solitude is all you’ve know and you long to find family when you had none…If rock bottom has ever left you praying under cold street lights…If in your neighborhood, you’ve seen one too many stolen cars drive by, well, then it’s time you raise your fist in the air and join in the outlaw anthems of Blood For Blood.

BLOOD FOR BLOOD’s last album, “Serenity”, was released in May 2004.

Scarlet Grey – Fancy Blood

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© 2010

[rating:2/5]

Fancy Blood is the new EP by Los Angeles band Scarlet Grey. I find the disc to be an overly produced, consumer driven, radio oriented product designed for heavily marketed to, radio baited consumer rats.

So you’re like, “ok then, what’s in it for me, the guy (or gal) you, in so many words, called a total knob douche?” To that I say, “It ain’t a total wash there buddy. I mean you can still buy some cool shit at Hot Topic, right? You just don’t tell anyone. It’ll ruin your street cred.”

Ok, but really aside from my preferential jackassery, the songs are a bit on the catchy side and they’re well played and recorded if a bit over produced. I can see how people that like emo-esque non-threatening alterna-punk could very well like this sort of thing. The question is though, do you trade eternal fame for being tomorrow’s Alphaville?

Ok, enough of my bashing. Track five, Naomi is easily the winner on the EP. It has a rather retro 60’s synthpop sound and I actually kind of like it in spite of myself.

I’ll also waste precious little time telling you about the guest vox from none other than Davey Havoc. Yes, little baby Danzig lends a hand (or throat) to the fellas of Scarlet Grey. … Remember when AFI was punk?

The bottom line is this: If you are a radio friendly rocker, don’t listen to me. Go ahead and rock this for yourself, just don’t come crying to me when your mom won’t buy you tickets to the show.

-Jerry

The Kings of Nuthin’ – Old Habits Die Hard

© 2010 Sailor’s Grave Records

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[rating:4/5]

New releases from some bands are like Christmas, immediately after the preceding one you get super excited for the next. The Kings of Nuthin’ are like that for me. I’ve been looking forward to Old Habits Die Hard since before I even knew it was coming out.

The disc doesn’t fail to impress either. The now familiar sounds of booze infused 50s rock and roll hybrid with punk guts and speed and vocals like a Dicky Barrett and Tom Waits shouting match are all intact. This time around you get to enjoy 18 new tracks and revel in the level of depth that The Kings of Nuthin’ have developed over the last several years.

Funny thing is, as much as I enjoy this disc, it wasn’t immediate. Maybe it was environment or situation or my mood at the time, but I wasn’t immediately taken. Some of the more, for lack of a better term right now, “doo-wop” moments threw me. The duet seemed wrong and out of place. Then again, I tend to be the type of person that likes sophomore efforts; the kind of releases that are the gangly and often awkward ones in a bands career.

Successive listens, however, convinced me that Old Habits Die Hard has a lot more going on musically than I initially gave it credit for. The songs are tighter now and a bit more complex. Time signatures swerve and careen but magically remain upright. Instruments weave in and out and always fall back in line. The duet really has some charm … I’m still not sure about the “doo-wop”

I think though, the overarching reason why I like this release and this band is that beyond the rockin’ they craft songs that I can relate to. At some point I can’t tell if the tracks are about someone I know, someone we all know or if they, in some strange twist of fate, started writing songs about me. I don’t know about you, but that makes me feel pretty damn connected to the music.

Cheers!

–Jerry

The Flatliners – Cavalcade

© 2010 Fat Wreck Chords

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[rating:3/5]

Call me confused. When I saw this CD in the ‘inbox’ I was super excited that I had some new psychobilly from “Thee Flatliners” … turns out that an extra e makes all the difference in the world. Immediately I was disappointed. Have you ever gone to take a drink of soda or beer or whatever and grabbed someone else’s beverage instead? Even if it isn’t something bad, the initial confusion of it not being what you expected can leave a bad taste in your mouth.

Well that is what I was experiencing with The Flatliners right off the bat. I’m glad that I stuck it out. I’ve been listening to Cavalcade for the last few days on my way to and from work. Over these last few days I’ve found a lot to enjoy. I also found some things to be concerned about, but I’ll discuss that later.

The disc provides 14 tracks of surprisingly diverse punk flavored tracks, each one with its own distinct flavor. There is a subtle Lawrence Arms quality as well as touches of Bracket. I think it speaks wonders for the roster consistency of Fat, no? Aside from the label mate similarities I hear bits of Bruce (Springsteen) and the other Bruce (Dickinson). Maybe I read too much into things though.

Aside from my initial disenchantment and eventual rock and roll epiphany, I can offer these words for The Flatliners – Cavalcade: Don’t be like me by almost not giving it a chance. That is wrong and I should know better and so should you.

A final word for the band, while I now appreciate what you’ve got going on, you’re flying dangerously close to the radio rock sun. Be careful Icarus. Be careful.

–Jerry

Hell Within Tour Dates

HELL WITHIN will be hitting the road May 21 through July 3 in support of their upcoming Thorp Records debut, God Grant Me Vengeance (in stores July 13).  All dates will be supported by Letter to the Exiles (Strike First Records).

You can download the songs “Condemning The Bloodline” and the title track, “God Grant Me Vengeance,” here:

http://media.thorprecords.com/mp3s/hellwithin.condemningthebloodline.mp3

http://media.thorprecords.com/mp3s/hellwithin.godgrantmevengeance.mp3

 

May 21 Lowell, MA @ The Blue Shamrock (Gemstones), 21+

May 22 New London, CT @ EL ‘N’ GEE

May 23 Waretown, NJ @ Station 36 (at Waretown Firehall)

May 25 Parkersburg, WV @ The Inferno

May 27 Wilmington, De @ MOJO 13

May 28 Chesapeake, VA @ Roger’s

May 29 Rural Retreat, VA @ Rurual Retreat Community Center

May 30 Roxboro, NC @ Palace Pointe Entertainment Center

May 31 Durham, NC @ MarVell Event Center

Jun 1 Jacksonville, NC @ The Orleans House

Jun 2 Jacksonville Beach, FL @ The Ocean Club (18+)

Jun 3 Satellite Beach @ Wynfields (18+)

Jun 4 Longwood, FL @ Liquid Scrips

Jun 5 New Port Richey, FL @ Bourbon Street

Jun 7 Tallahassee, FL @ Big Daddy’s

Jun 8 Birmingham, AL @ The Nick

Jun 10 Springfield, MO @ Outland Ballroom

Jun 11 Wichita, KS @ The Eagles Lodge

Jun 13 Kilgore, TX @ Side Pocket Lounge (16+)

Jun 14 Lubbock, TX @ Tequila Jungle

Jun 15 Federal Heights, CO @ Sidekicks Saloon

Jun 16 Casper, WY @ Downtown Grill

Jun 17 Salt Lake City, UT @ Club Vegas (21+)

Jun 18 Livermore, CA @ Pine St. Bar (21+)

Jun 19 Salem, OR @ Wasteland

Jun 21 Seattle, WA @ Studio Seven

Jun 22 Garden City, ID @ BRAWL STUDIO SHOWS

Jun 24 Missoula, MT @ The Palace

Jun 26 Fargo, North Dakota @ The Nestor

Jun 27 Norfolk, NE @ The Phoenix Room

Jun 30 Peoria, IL @ The Brass Rail (18+)

Jul 2 Buffalo, NY @ Broadway Joes

Jul 3 Providence, RI @ Club Hell

Good Riddance

GOOD RIDDANCE, the legendary pioneers of melodic hardcore, are set to releaseCapricorn One on July 6th. In between putting out many acclaimed full-length albums,GOOD RIDDANCE kept themselves busy releasing a bevy of material via 7” singles.Capricorn One is a comprehensive collection of all these singles, as well as 6 previously unreleased tracks and other rarities. All the songs on the album have been digitally remastered by Jason Livermore of Blasting Room (Rise Against, Descendents, NOFX) fame. To complete the package, Capricorn One features a track by track commentary written by singer Russ Rankin. Here’s a little taste of what he penned regarding the album as a whole:

Throughout the history of Good Riddance there have been numerous songs which, for whatever reason, we weren’t able to include on our primary releases. Many of these tunes were frequently played live and most of them are still some of our own personal favorites.

Now that we are finished we felt it would be cool for our fans to be able to check out these hidden or obscurely released snapshots of our band during the apex of it’s existence. We hope they bring back fond memories for our fans and that, even if just for a moment, they can be transported back to a different time and place.

Swingin’ Utters – Brand New Lungs

Brand New Lungs marks the first release of new material from the Swingin’ Utters in seven years! The 7” will be available via vinyl and digitally and will feature two songs from their upcoming fall full-length and one exclusive to the 7”. Additionally, we’ve pressed this 7” in two different colors, one you can procure from our mail order, the other will be available exclusively at the Swingin’ Utters shows. Check their tour dates below and stay tuned for details on their upcoming full-length. Please let me know if you would like a copy for review, or would like to attend a show. Best, Vanessa

06/11/10 Apple Valley, CA Angel’s Roadhouse w/ Hurry Up and Die
06/12/10 Long Beach, CA INK & IRON FEST w/ Hepcat, Stiff Little Fingers, X
06/13/10 Carlsbad, CA Hensley’s Flying Elephants Pub & Grill
06/25/10 Carson, CA Home Depot Center VAN’S WARPED TOUR
06/26/10 Mountain View, CA Shoreline Amphitheatre VAN’S WARPED TOUR
06/27/10 Ventura , CA Seaside Park VAN’S WARPED TOUR
07/16/10 Portland, OR Dante’s w/ The Cute Lepers
07/17/10 Seattle, WA Funhouse w/ The Cute Lepers
07/18/10 Vancouver, BC Canada Venue 19+ w/ The jolts
07/22/10 Boise, ID The Red Room w/ The Cute Lepers
07/23/10 Salt Lake City, UT Burt’s Tiki Lounge w/ The Cute Lepers
07/24/10 Denver, CO Marquis Theatre w/ The Cute Lepers
07/28/10 San Diego, CA The Casbah w/ The Cute Lepers
07/29/10 Riverside, CA The Vibe 18+ w/ The Cute Lepers, Lost Cabras, Madison Bloodbath
07/30/10 West Hollywood, CA Troubador w/ The Cute Lepers
07/31/10 San Francisco, CA Slim’s w/ The Cute Lepers

The Hollowpoints – Old Haunts on the Horizon

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© 2010 Sailor’s Grave Records

[rating:4.5/5]

Generally speaking, I don’t gush. I’ll take a small exception this time. I cannot stop listening to this CD. The Hollowpoints are one of the most energizing bands I’ve heard in a quite some time and quite possibly the best band I’ve heard so far this year.

Outside of my personal accolades (slightly), this disc offers 12 tracks of punk rock combined with solid songwriting ability. Perhaps I’m getting older, maybe my tastes have changed, but I appreciate quality arrangements and songwriting more than I ever used to. The Hollowpoints have both. (Maybe it’s because I listen to music on headphones before I review it now.)

What makes someone like something vs. something else? I often wonder this when I’m trying to put pen to paper (so to speak)  … well here’s my amateur psychoanalysis of the phenomenon. Certain sounds correlate to how you feel. The affectation that you get when you listen to things that enforce how you are feeling making them rise above the others.

Outside of my minor league pontification, this is one quality disc from start to finish; Great riffs, intelligent lyrics, quality instrumentation and a lot of references that I just can’t help but think might just be about me. As a point of reference (for those who need it) The Hollowpoints remind me of the following: American Steel, The Clash, Dead to Me and Cheaptrick … so there.

The bottom line: If you buy one punk rock CD this year, make it The Hollowpoints – Old Haunts on the Horizon.

–Jerry Actually

VIDEO PREMIERE: ANGEL CITY OUTCASTS

Visit BlankTV.com for the exclusive premier of Angel City Outcasts’ “Five Guns West” music video! It’s wild, wild west rock ‘n’ roll at it’s best, so check it out!!  They’re also giving away all three ACO CDs, so be sure to enter the free contest while you’re there.

http://blanktv.com

Social Distortion Signs With Epitaph Records

May 11, 2010 – Los Angeles, CA – Epitaph Records is proud to welcome Southern California’s iconic rock ‘n’ roll group Social Distortion to the label with plans to release their first studio album since 2004 in fall 2010.  The signing pairs one of rock ‘n’ roll’s most renowned bands with one of the most respected independent labels for what could be the greatest match in decades.

“We feel that Epitaph has a natural understanding of Social Distortion; both the history of the band and the direction we want to go,” says frontman Mike Ness.  “Combine that with their successful track record and it felt like a good next step for us. We’ve always been open to new ideas and pushing the envelope, but we have also been very conscientious about the decisions we’ve made. We considered a lot of options, but in the end, Epitaph feels like the right home for us. We’re looking forward to taking this step forward, opening some new doors with this upcoming album and this next chapter of Social Distortion.”

“My relationship with Mike goes way back to the beginnings of our careers in the LA music scene,” adds Epitaph owner and president Brett Gurewitz.  “Through the years Social Distortion have been a matchless voice in American rock and roll and I couldn’t be more thrilled to play a part in the next chapter for this great band.”

In March the band entered a Burbank studio to record their yet to be titled seventh studio album, produced by Mike Ness, which is slated for release this fall.

“We went back to tape, old compressors and old microphones,” Ness recently told Spinner.com. “We’re just really trying to fight modern technology as much as possible.”

“The record reminds me very much of Somewhere Between Heaven and Hell (the band’s 1992 release), but also I’m bringing elements of early New York ’70s punk,” said Ness.

Social Distortion also recently announced a U.S. summer tour with Dan Sartain and The Action Design. The tour kicks off July 27 in Poughkeepsie, NY and makes seven stops in the Northeast before the band heads to Chicago for an August 7 main stage performance at this year’s Lollapalooza.  Dates with Dan Sartain and The Action Design resume in Green Bay, Wisconsin on August 8. A complete list of tour dates follows.

Formed in Fullerton, CA in 1979, Social Distortion have spent the last three decades performing their signature style of roots driven rock ‘n’ roll and hard luck stories for fans worldwide while recording six classic, critically heralded albums including Mommy’s Little Monster, Prison Bound, Social Distortion, Somewhere Between Heaven and Hell, White Light, White Heat, White Trash and Sex, Love and Rock ‘n’ Roll.

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Social Distortion Tour Dates:
July 27 – Poughkeepsie, NY – The Chance
July 28 – Hampton Beach, NH – Casino Ballroom
July 30 – Providence, RI – Lupo’s Heartbreak Hotel
July 31 – Hartford, CT – The Webster
Aug 1 – Sayreville, NJ – Starland Ballroom
Aug 3 – Wantagh, NY – Mulcahy’s
Aug 4 – Lancaster, PA – Chameleon Club
Aug 5 – Rochester, NY – Nola’s BBQ
Aug 7 – Chicago, IL – Lollapalooza
Aug 8 – Green Bay, WI – Oneida Casino
Aug 10 – Council Bluffs, IA – Stir Cove @ Harrah’s
Aug 11 – Boulder, CO – Boulder Theater
Aug 13 – Boise, ID – Knitting Factory
Aug 14 – Medford, OR – Medford Armory

For More Information:
www.socialdistortion.com
www.myspace.com/socialdistortion
www.epitaph.com