Only Fumes & Corpses Who really cares, what really lasts

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(c) 2010 Lockjaw Records
[rating:3/5]

In a genre that has been around for quite a long time, with both great and sub-par examples, Only Fumes & Corpses exceed the marginal with piss and vinegar. Driving rhythms dressed in aggressive attitude, with a spirit of quality musicianship that shows they truly feel the passion for their music. I don’t think this album will make it to the top of the heap of the best hardcore albums, but it is far superior to the mass releases, and shows to me that I should keep a keen eye on this band and their development. I do not find a bad track on this album. It courses along with heaviness, emotion, heart, and a diverse arrangement of influence . If you like hardcore, pick this album up. You won’t be disappointed. Cheers to Only Fumes & Corpses!

–Ry-Not

Heads Held High – Dogs and Cats, Living Together

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© 2010 Failsafe Records
[rating:3.5/5]

Because I’m so disorganized as of late, I’m not only running behind on reviews, but losing bios and other materials. At least I didn’t lose the CD, right? At whatever rate, I present to you Heads Held High, a melodic hardcore band hailing from Cincinnati, OH. Turns out they are actually from Cleveland. My apologies. (at least the interwebs indicate as such) Dogs and Cats, Living Together is their new release, out now on Failsafe Records (not that I could find them on the Failsafe site)

Dogs and Cats, Living Together is 10 tracks of melodic yet rhythmic hardcore punk with a mid-fast tempo and angsty growling, yet articulate vocals. It isn’t quite hardcore in the sense of SOIA or Blood for Blood. As opposed to the initial punch in the face, it is more the linger pain as the bruises heal. At the time of recording, the band’s lineup consisted of Elliot, Jack, David, Kevin and Rob. The album related feats of these mono-named entities shall remain unknown.

The tracks tend towards guitar riff oriented with overlayed talk/sing vocals in a manner that reminds me of a more aggressive Bouncing Souls meets Hogan’s Heros, with the exception of track 9, Van on Fire, Head Hurt which has more of a jangly sing-a-long road track sound. Track length is quick with all 10 clocking in at just under 23 minutes. There are pithy movie sound clips on many tracks including personal favorite, track 5, Groundhog Day. (I’ll just bet you guess what movie gets referenced.) The lyrics are philosophical and searching. While I rarely comment on lyrics, I appreciate the thought and emotion that goes into work that seeks deeper meaning. That said, open your ears when you listen to Dogs and Cats, Living Together

Overall, a decent release. I generally prefer things more anthemic. (see track 9) I’d like a few more tunes in that flavor, but maybe I’m not singing along, ’cause I just haven’t read the words enough. I would absolutely see these guys live.

–Jerry Actually

Tracks:
1. Refurbished Kids
2. I’m Probably Wasting My Breath, But?
3. Ex Machina
4. Waiting for the Barbarians
5. Groundhog Day
6. Dear Kilgore Trout
7. Live Average, Die Average
8. Stay Mad, Stay Outrage, Stay Puft!
9. Van on Fire, Head Hurt
10. This Too Shall Pass

Cobra Skulls Bringing The War Home

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© 2011 Fat Wreck Chords
[rating:3.5/5]

Bringing The War Home is the new five track E.P. From Reno’s boys done good, Cobra Skulls. In addition it is their first release on their new home at Fat Wreck Chords. I hope everyone welcomes them warmly to their new label by going out and buying the disc and supporting them at shows.

I’ve been listening the Cobra Skulls for a while now and I like the vibe they are throwing down. They have a sound and a presentation that I truly enjoy. It isn’t overtly aggressive punk, and it isn’t quite hard rock folk. It is somewhere slightly in between while being outside the scope of either. The songs are tinged with the politics of injustice and lash out at perceived ignorance. If I had to marginalize, I’d probably label them something on the order of “roots punk”, but I think the music is accessible beyond the confines of narrow genres.

The tracks offered on the EP serve up 4 originals of the variety previously noted as well as a very unique tack on Bad Religion’s I Give You Nothing, done with an interesting blend of rockabilly and something that reminds me of Stepping Stone. At any rate, I love the EP (I’d give more stars, but well, gimme more songs) and you get five tasty tracks in the vein of a few other bands of similar sound such as, Dead to Me, American Steel, Menzingers and The Loved Ones.

These bands all have something similar in their sound, and I think is is a strong reminiscence of The Clash: Punk rock with political overtones and a nature that encompasses more than one sound can confine. So maybe forget what I said about “roots punk” I think now I’m going with “Clash-ic Rock”. No, I kid, I kid. I’m not going to say that.

–Jerry Actually

Freedom Assault – Welcome to 1984

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© 2010 Freedom Assault
[rating:2.5/5]

Welcome to 1984 is a newer (Oct 2010) release from multi-regional (both Maine and Arizona) “peace punk” band Freedom Assault. From the band’s website: “We are a political and socially conscience punk rock influenced band. We play mid to fast paced music with dual female and male vocals. We are Travis, Les, Brand-o and Rob.” The sound is very very garage/lo-fi with distorted hyper-fuzz guitar and drum over low-in-the-mix vox. A very DIY sounding effort indeed. I’m not saying that is a bad thing, I like raw music, but if you like a little more polish, Welcome to 1984 may not be for you.

The lyrics are passionate and topical focusing on things like animal testing, terrorism and, you know, zombies. The tracks are quick almost entirely clocking in at under the two minute mark, just fine for me. Actually you get eight songs in just around 14 minutes. (a bonus Queers cover if you are one of the lucky ones to have the pre-order download.)

Overall, I like the spirit and I like the intensity. However, I would like just a little bit more control behind the production. The mix seems out of balance, way to guitar heavy and way too muddy in a way that it sounds like somebody hit record on a jam box during band practice. That said, Welcome to 1984 is a decent blast of DIY punk rock.

–Jerry Actually

Tracks:
1)Many Will Die…
2)Terror Front
3)Zombies!!!
4)Terrorized
5)DIY Pride
6)Survival of the Richest
7)System Failure*
8)Life Dogmatic With Pat Robertson*
9)Live This Life**

tracks 1-3, 8:
Travis – guitar, bass, vocals
les – vocals
Brand-O – drums, back up vocals

tracks 4-7, 9:
Travis – guitar, vocals
les – vocals
Rob – drums
Fernando – bass, back up vocals

*Included on the digital download
**Included on the preorder digital download, written by the Queers.
You can visit their website read more about Freedom Assault

Ashers East Coast Tour

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Clearly determined to escape the cold, dark New England winter, Ashers (featuring Mark Unseen) will be embarking on a 17-date East coast tour, culminating in a week of shows in the Sunshine State.  Look for them to share the stage with The Creepshow, DSK, and label-mates Refuse Resist, as well as make an appearance at Love Suxs Fest with Common Enemy and Gloominous Doom.

In honor of this tour, Thorp Records is offering Ashers’ debut full-length CD, Kill Your Master, with a poster and sticker for just $6 through March 31!  http://thorprecords.merchnow.com/catalogs/ashers

ASHERS

Feb 18 Philadelphia, PA @ Shore House
Feb 19 Hamburg, PA @ Behler-Hein Legion Hall – Love Sux Fest
Feb 20 Baltimore, MD @ Saint Christopher’s
Feb 21 Harrisonburg, VA @ Blue Nile
Feb 22 West Ashville, NC @ The Get Down
Feb 23 Fayetteville, NC @ Black Cat Lounge
Feb 24 Savanannah, GA @ Wormhole
Feb 25 Jacksonville, FL @ Lomax Lodge
Feb 26 Ft Lauderdale, FL @ Monterey Club w/ The Creepshow
Feb 27 Orlando, FL @ Cameo w/ Refuse Resist
Feb 28 St Petersburg, FL @ Club Fubar w/ Refuse Resist
Mar 1 Miami, FL @ Eve w/ Refuse Resist
Mar 2 Tampa, FL @ Brass Mug
Mar 3 Atlanta, GA @ Purgatory w/ DSK
Mar 4 Charlotte, NC @ Milestone
Mar 5 Wilmington, NC @ Soapbox
Mar 6 Richmond, VA @ TBA

Blood for Blood – First US Show in 6 Years

Blood For Blood announces first US show in over 6 years and gears up for another European Tour

After a very successful European Tour in December 2010, as part of the 2010 Persistence Tour with Sick Of It All, Unearth Official, Evergreen Terrace and more, Blood For Blood announces that they’ll be performing at the New England Metal Fest on April 15th in Worcester, MA, which is the bands first US show in over 6 years.

A few days after this long-awaited US show Blood For Blood will kick off a short European run including a performance at Belgium’s Groezrock Festival on April 23rd. Blood For Blood will be joined by Crushing Caspars and My City Burning.

More European dates will be announced very soon.

Blood For Blood upcoming shows

April 15 – Worcester, MA / New England Metal Fest

April 20 – Bydgoszcz, Poland/ Estrada Stage Bar

April 21 – Berlin,Germany / SO36
April 22 – Haarlem, Netherlands / Patronaat
April 23 – Meerhout, Belgium / Groezrock Festival
April 24 – Stüttgart, Germany / Röhre

Metal & Hardcore Festival 2011

Rebuke – Wouldworks

[rating:2/5]
(c) 2010 Kickass Records / Disconnect Records

Somewhere in Gothenburg, Sweden, there is a mad punk rock scientist toiling away in his punk rock lab. His creation? Rebuke.

The latest album from the Swedish quartet, Wouldworks, is an aggressive hybrid of the band’s varied influences. The melodic Gothenburg metal style is painted all over the California punk sound, so much so that at times it leaves you wondering if In Flames was jamming with Bad Religion with the occasional hardcore yell thrown in from time to time. With more tempo and time signature changes than Metallica’s …And Justice For All, Rebuke seems not unsure, but unwilling to settle on which direction they are heading in, with the short punk-rock-length songs (the majority of the album’s songs are under 2:30) resembling a teenager flipping between 6 different TV channels in 1 minute. Not one song of the 13 ever starts with a distinct sound and sticks to it.

Simply put, remember when you used to take a cup at the soda fountain and put some of each different flavor in it? Yeah, it’s sorta like that (and it tastes worse than you remember).

In the end, Wouldworks could have been a decent metal-tinged punk album, but just gets too mired in its own ADHD to come together.

Getting to know Mall’d to Death

Mall'd To Death

Getting to know Mall’d to Death:
Where are you from and when did you get started?

We’re from the Twin Cities of Minneapolis and St. Paul, Minnesota.  We first got started way back in late spring/early summer of 2009.

Who are you and who does what in the band?

Dani – drums and sometimes backing vocals
Tyler – bass and vocals
Dan – guitar and 2-inch tape

How would you best describe the sound?

Tyler: Melodic punk for the ADD Generation.

Dani: Sergei Prokofiev of punk.

Dream rock moment (real or not)?

Dani: Playing drums for Katy Perry. I guess that’s not a moment though.

Tyler: I’m not sure. Having our album [Can’t Make a Living] put out on GC Records and a vinyl release [out soon on Bitter Melody Records] is cool enough for me.

Still got day jobs?

Dani:  I just got laid off, actually. But I worked at a grocery store.
Tyler: Yeah.  I guess I default with the Chuck Dukowski philosophy claiming he’d rather work a day job for the rest of his life than ever become dependent on his music.

Any regrets?

Dani: Telling Tyler he could take credit for all the songs I wrote.
Tyler: Telling Dani he could take part in this interview.

Mall’d To Death’s latest release, Can’t Make A Living, is out now on GC Records

Getting to know Mall’d to Death:

Where are you from and when did you get started?

We’re from the Twin Cities of Minneapolis and St. Paul, Minnesota.  We first got started way back in late spring/early summer of 2009.

Who are you and who does what in the band?

Dani – drums and sometimes backing vocals
Tyler – bass and vocals
Dan – guitar and 2-inch tape

How would you best describe the sound?

Tyler: Melodic punk for the ADD Generation.

Dani: Sergei Prokofiev of punk.

Dream rock moment (real or not)?

Dani: Playing drums for Katy Perry. I guess that’s not a moment though.

Tyler: I’m not sure. Having our album [Can’t Make a Living] put out on GC Records and a vinyl release [out soon on Bitter Melody Records] is cool enough for me.

Still got day jobs?

Dani:  I just got laid off, actually. But I worked at a grocery store.
Tyler: Yeah.  I guess I default with the Chuck Bukowski philosophy claiming he’d rather work a day job for the rest of his life than ever become dependent on his music.

Any regrets?

Dani: Telling Tyler he could take credit for all the songs I wrote.
Tyler: Telling Dani he could take part in this interview.