Reviews – Page 16

Gold Daggers

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[rating:8.5/10]

Here’s an interesting one. Gold Daggers are a two piece self-described “alternative/punk/shred” band from Los Angeles, CA. The new self-titled release is largely as described: “drums, bass, and yelling, which is rad.”

I’ve got to tell ya, I was both concerned and intrigued by the description. I’m glad I took the chance to give it a listen. The combination of sludging distorted bass and frenzied drums really works. I’m also happy to report that despite the description, there yelling isn’t omnipresent. The band mentions Fugazi, Deftones, Mastodon, Black Flag and Retox as references, but at the moment, I’m really thinking a more punkish Sonic Youth (with considerably less Kim Gordon), Helmet, and definitely some Motorhead bass influence.

Sometimes working with a minimal palette yields incredible results. By forcing the medium, the overly derivative and trite can sometimes be overcome. Not to gloss over things, but I’m writing this as I listen, and trying to play catch up (as always), so I’ll keep it to this: Great stuff with a refreshingly different sonic profile. Bass heavy with some amount of yelling, albeit less yelling than anticipated.

Check out the new self-title release from Gold Daggers here: golddaggers.bandcamp.com

Looters – s/t 45

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I’ve got my hot little hands on some new vinyl; the self-titled 45 from Brooklyn New York’s Looters. The band is a four piece consisting of Eliot Pride on guitar/vocals, Shane E. Kerton on drums/backing vocals, Gerard Smith on bass/backing vocals, and Dante Tuxedo on guitar. As mentioned, the band is outta Brooklyn NYC. The 45 showcases two tracks of Looters chops, with Fall Alone on the A-side and Looters on the flip.

The cuts on the record are very heavy rock influenced as much by punk as by 60s garage and 70s heavy metal. The 70s can be distinctly heard in both the bass lines and the guitar solos. Perhaps oddly, the vocals, at least in the way words are drawn out and certain line breaks, I find reminiscent of Danzig. Not the style/tone mind you, just a certain approach. Combined, it adds up to a pretty decent sound. It’s fresh and new. Not in a new car smell sort of way, but in a full on restoration way. New paint on old parts if you will.

If you’re interested, you can listed to seven full tracks on their Bandcamp site.

Cheers,

Jerry Actually

The End of 2013

Just wanted to drop a quick note to say thanks to all the bands, promoters, and labels who have submitted material for review to !upstarter in 2013. I’m humbled that you appreciate our reviews enough to send your hard work in for critique.

Thank you too to fans of the site and music in general. We wouldn’t keep doing this without you.

It’s been a rough slog this year and I apologize to all the bands that we were unable to review. I promise that we will make a better effort in the years to come.

Thanks again for your support and have a brilliant new year!

-Jerry Actually

Szewska Pasja – trzy, dwa…

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[rating: 8/10]

It’s been a bit since I’ve done any reviews. I guess I kind of hit a wall with words. Occasionally, something shows up in the mail box that makes me remember why I keep doing this. A few weeks ago I received a CD from Poland. Here’s some more words about that experience:

Szewska Pasja is a four piece punk band from Łódź Poland. If you are from the USA, chances are you’re saying Where the hell is that? Well, I looked it up, ‘cause I didn’t know either. It looks to be about smack in the middle of country. Since we’re taking a bit of an instructional turn, Google Translate indicates that the band and album are: Shoemaker Passion – three, two … Take that with a grain of salt. I don’t speak Polish. Enough with the lesson though.

Szewska Pasja seems like a pretty rocking band with a mix of surf and street into their brand of punk rock. All the vocals are in Polish, which is pretty rad. It gives me a sense of how it feels to be a kid rocking out and singing along phonetically to some big pop hit from another country, well minus the pop part I guess.

Trzy, dwa provides 11 tracks of fun and often bouncy punk, heightened for me by virtue of understanding nothing but the language of the music. The musicianship is solid and the recording is quite acceptable for what, as far as I can tell, is a DIY effort from a seemingly young band.

I wish I had some mp3 links for you, but alas, all I have is this Facebook page: https://www.facebook.com/szewskapasja.12 Perhaps if you speak Polish you can find some on your own.

The takeaway: Sweet Punk Rock from the (former) Eastern Bloc!

–Jerry Actually

The Skashank Redemption – To Victory!

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I miss the days of 3rd wave ska. I’m pretty sure that any other fun lovin’, skankin’, also liken punk sorta folks feel the same. Well I’ll be damned if life doesn’t sometimes provide it’s own time machine, ‘cause ska (in a decidedly 3rd wave variety) is making its rounds again.

I’m listening to “To Victory!” the new E.P. by The Skashank Redemption (not to be confused with The Skaskank Redemption … I know, confusing, right?) but I digress. These boys, Skashank, not Skaskank are from the bustling, 14th largest city in the USA, Columbus, OH. Maybe there’s something about the midwest? The beer, the weather, the sassy ladies? There’s something that brings out the pep in the horns, the plink of the strings and the silly antics of high number of member bands.

Enough of that though, To Victory! makes good with six tracks of solid ska. Among other influences, The Skashank Redemption sound reminds me so much of Spring Heeled Jack (USA) yet without coming off as derivative or posing. They’ve got plenty of their own spin in the mix. The songs are peppy and danceable and well polished. There’s an effort being put forth by the musicians that shines through in the recording. It takes a lot of talent to coordinate a seven member band with the level of precision that To Victory! provides. To that I say cheers and keep on skankin’

The only detractor for me are a bit too much of the joke banter. Some folks may like it. I’m not a fan. That aside, a solid release.

Bottom line is that if you’ve not been getting your fill of fresh ska, head on over and check out The Skashank Redemption over on their page here: https://www.facebook.com/theskashankredemption

Cheers,
Jerry Actually

The Koffin Kats – Born of the Motor

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I’m currently rocking out to some high quality Detroit built psychobilly. Motown rockers The Koffin Kats have a brand new album out and a damn fine one at that. Born of the Motor is both haunting and rocking, serious and intense.

The new release powers through 12 tracks of swagger. It is both fresh and familiar at the same time. It makes me think of what the world might be like if Elvis sang for The Smiths. The bass thumps. The drums rattle your brain. The guitar both soars and cuts. The vocals are haunting, in a good way.

If you are a fan of psychobilly, rockabilly, punk, rock and roll, there’s likely to be something on Born of the Motor to draw you in. Personal favorites include Track 3. Giving Blood. Track 4. Born of the Motor, and Track 8. Twist Apart.

Bottom line is some kick ass psychobilly, brand new for you.

–Jerry Actually

After the Fact – Limit Break

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Florida has been a stronghold for ska punk since the mid 90’s. Just check out the “Closer Than You” compilations that were released in ’96 and ’98 if you need proof. Florida ska band After The Fact fights to keep this legacy alive with their freshman release titled “Limit Break”.

The overall sound of the album is decidedly ska with heavy elements of punk, some screamo, and metal thrown in for good measure. Opening the record is “Sick as a Dog” which starts with guitar that immediately makes me think of MU330 and their big tune “LA”. The difference in this song, however, is that it soon kicks it up a notch with Reel Big Fish-style horn breaks, and Bosstones-esque vocals.

Lyrics are well written and songs are structured really well around the vocals. Clean backing vocals are everywhere on this album and if you’re anything like me you catch yourself singing along with them more than the main lines more often than not. The tune “Take a Hint” is a perfect example of the call-and-answer between the primary vocal line and gang vocals + horns that ATF does really well. There are some really sick guitar solos that blew me away and the layered harmonies made them even better.

With all of the good that’s in this album, there are some areas for improvement. Vocal performances sometimes seem pushed to their limits, horn blend is off regardless of solid performance by the players, themselves, and while listening through the CD I could occasionally hear the trademark click that can happen with digital editing.

With stand out songs like “Ridiculous” and “Last Fight”, ATF might just be going places if they continue to polish their sound. As someone who listens to a lot of ska (probably more than I should), I really enjoyed hearing all the influences that these guys have. I suggest you go like them on Facebook (at https://www.facebook.com/atffla) and check out if they’re playing a show near you.

THE TL;DR is..

After the Fact’s freshman album “Limit Break” scored 7/10 with me. The songs are killer and well written. The members are talented and bring some great moments to the album. That said, there are some recording issues that hold this back from being really top notch.

-Joe Ska

Trash Monsters – There’s a Rat in the Tunnel of Love

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[rating: 8/10]

I’ve been wanting to write up a review of this release for the past couple of weeks and just haven’t found the words. I still haven’t found them, but I figured that you probably shouldn’t miss out on a gem of a release just because I’ve got writer’s block. (or a severe mental deficiency) Never the less, I’m listening to “There’s a Rat in the Tunnel of Love” the sophomore release from OC’s Trash Monsters and it’s good.

As I mentioned, the band hails from Orange County and offers a blend of punk, rock and a slight hint of pop. The influences are almost too far ranging to pick up on. I hear hints of Swingin’ Utters, Rancid, Cheap Trick, and The Cure. There’s plenty more where that came from, all washed down with a health dose of swagger. (I don’t quite know what an unhealthy dose would be. Maybe cutting tracks with the Old Spice guy would be too much.)

The 15 tracks on the release tend to run a bit long for my short attention span, but they are catchy, diverse, and well constructed to the point that boredom doesn’t set in. The pace varies a bit throughout, from mid-tempo slow on track 6, “This City” to the more breakneck pace of track 8, “I Hate Everything”. Overall the effect works.

Bottom line is that this band rocks it! Check them out or forever go ignorant at your peril. http://trashmonsters.net

–Jerry Actually

The Vandon Arms – No Loyalty Among Thieves

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[rating:8.5/10]

Did you realize there was Celtic style “folk” punk coming outta Des Moines, IA? I sure didn’t. I’m rather pleased and completely taken by surprise with “No Loyalty Among Thieves”, a new release by The Vandon Arms.

The disc offers 13 tracks of mostly original (and original arrangements) of rollicking drunken barroom fare. I’m blasting it in the living right now and it sure is making these beers go down faster.

I’ll say this, the band is not paving new ground. If you wanted to, you could probably call them The Poguing Mollys. Don’t let that dissuade you though, because I don’t believe that paving a new way is their goal. The important part is the fun, and The Vandon Arms has that in spades.

Bottom line is that if you like celtic inspired tunes to drink and be rowdy to, and you’re tired of listening to the same releases that you’ve got laying around, then please do give “No Loyaly Among Thieves” a spin.

–Jerry Actually

For fans of: Pogues, Flogging Molly, The Tossers

The Welch Boys – Bring Back The Fight

[rating:9/10]

The Welch Boys are indeed bringing back the fight. Hand’s down my favorite release so far this year brings back these Boston stalwarts. I haven’t taken much time to write as of late, but I felt I owed it to you to tell you about this. If you haven’t caught on by now, I’m talking about “Bring Back The Fight”, the brand new album from The Welch Boys. Grit, vitriol, and punk rock are all well intact in the new one. I wouldn’t have it any other way.

This time around, the tunes bring a whole new level of polish. Not that things were shabby before, but time, and time well spent, bring about the next level of songcraft. It’s fucking here. It’s fucking now. It lets you realize that hardcore punk rock and roll is still alive!

Slight aside, but I’m a little bit concerned that The Welch Boys are so poorly represented here on the left coast, and hopefully my little bit of lip service will help to remedy that. Maybe it’s California where the sun never sets and it never gets cold where folks just don’t appreciate anthems of angst, hardship, and hope? I don’t know. Maybe I have an east coast soul that draws me to the aforementioned. No matter what it is, this is the real deal.

I’ll quit boring you with my gushing. At the end of the of a hard working day, what more do you need than a fist full of beers and a new album to ease you back into the world of the living?

–Jerry Actually

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