Death Lens Announce New Album ‘What’s Left Now?’ 

Out April 24 via Epitaph Records

WATCH The Music Video For Lead Single “Monolith”

“The latest serves an uplifting release that chooses positivity amongst chaos and, despite the odds, journeys the desire to thrive in a deteriorating world, all while making sure there’s no one left behind to come along for the ride.” – Remezcla

“Cold World features catchy riffs and an authentic punk attitude that’s both nostalgic and refreshing. It’s an earnest homage to the garage rock scene, packed with tracks that demand to be played loud.” – Knotfest

“Whether or not they want to be lumped in with the current rise in popularity of hardcore as a genre, the punk influence in their music doesn’t go unnoticed — Death Lens make explicit effort to weave social and political activism into their lyrics and live shows.” – AltPress

Death Lens might be the perfect punk band for the moment: four working class, multicultural musicians from Southern California who write stage-dive anthems for the oppressed, wielding a message of resilience and a sound of sweat-soaked celebration that appeals to outsiders of all stripes. Today they are announcing their new album titled What’s Left Now? due for release on April 24th. Their first since 2024’s Cold World and their second for Epitaph Records, it was produced by Zach Tuch (Knocked Loose, Touché Amoré, Movements) for the band’s most fully realized record yet: crunchy, urgent, melancholy, raging and so goddamn easy to headbang along to.

Album opener “Monolith” is out now, beginning with an acoustic guitar and lyrics crooned in Spanish, it explodes into a frenzy of churning guitars and anthemic howling. Vocalist Bryan Torres says of the new song:

Born with stones in my hands, I carry the weight my parents left behind. Forged under pressure, hardened by everything I had no choice but to bear.” He continues, “Monolith is born from a lifetime of hardship, weight and repetition. It’s my revelation that the role life gives you isn’t the only one you have to play. A testament to how being born with nothing became the source of my strength.”

Stream “Monolith” here
Watch the “Monolith” music video here

What’s Left Now? is the product of two tumultuous years for Death Lens, both as people and as bandmates. The year Cold World dropped, the band toured for nine long months, honing their craft as live performers and increasing their fanbase tenfold. However, all of that time on the road stress-tested the band as an interpersonal unit, and Death Lens ended up shedding two members from the subsequent growing pains. Ultimately, they bounced back stronger than ever, gaining guitar virtuoso Ernie Gutierrez into the core lineup of frontman Bryan Torres, guitarist Jhon Reyes, and drummer Tony Rangel. Now, Death Lens are closer as friends and more musically in-sync than they’ve ever been, and What’s Left Now? is a testament to their glow-up.

Every time we feel like we’re gonna implode, we end up expanding,” Torres exclaims. “We thrive on stress and the energy of anxiety.

What’s Left Now? is an honest record by a band who’ve always cut the bullshit. Growing up in lower-income homes 20 miles east of Los Angeles, Death Lens’ members weren’t afforded the privilege to effortlessly ascend in the music scene. They’ve had to grind for every opportunity they’ve gotten, and they continue to write music for people just like them. “Our messaging is towards those who always feel like they don’t have a voice,” Torres explains.

Their new record includes songs about first breakups (“Am I A Drug To You?”) and learning to be genuinely, uncomfortably true to yourself (“Out of My Skin”), but also tracks about trials that are far more challenging to conquer. “Saints in the Panic Room” speaks to a present-day nightmare that Death Lens’ own families and communities are facing on U.S. soil. “I’m talking about the ICE raids, things close to home,” Torres says. “Immigrant families who don’t have papers. These are the struggles that we talk about every day.”

What’s Left Now? captures that dichotomy with creativity and candor. A fist-pumping punk-rock escape, and a hard dose of reality. Because for Death Lens, one doesn’t exist without the other.

Death Lens ‘What’s Left Now?

Tracklisting
1.    Monolith
2.    Power
3.    Out Of My Skin
4.    Waiting to Know (feat. Militarie Gun)
5.    Drown
6.    Am I A Drug To You?
7.    Saints In the Panic Room
8.    Off The Edge
9.    Useless
10.    Last Call
11.    Pulling Teeth
12.    Debt Collector

Death Lens Tour Dates
w/Seahaven
Jan. 21 – Santa Ana, CA – The Observatory

w/ Drug Church & White Reaper
March 14 – Chicago, IL – Concord Music Hall
March 15 – Madison, WI – Majestic Theater
March 16 – Minneapolis, MN – Fine Line
March 18 – St. Louis, MO – Delmar Hall
March 19 – Lawrence, KS – The Bottleneck
March 20 – Denver, CO – Summit Music Hall
March 23 – Seattle, WA – Neumos
March 24 – Porland, OR – Aladdin Theatre
March 25 – Boise, ID – Treefort Music Fest*
March 27 – San Francisco, CA – August Hall
March 28 – Los Angeles, CA – The Fonda Theatre
March 29 – San Diego, CA – The Observatory North Park
March 31 – Las Vegas, NV – Area15 Portal
April 1 – Phoenix, AZ – Walter Studios
April 3 – Dallas, TX – Ferris Wheelers
April 4 – Austin, TX – Mohawk

*Festival play

Photo Credit: Derek Pearlman

Follow Death Lens
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Epitaph iTunes Sale

I’d like to remind you that Epitaph is having a massive summer sale on iTunes.com happening right now!!!  We have eighteen albums (listed below) for the low low price of $7.99.  Check them all out here: www.iTunes.com/EpitaphRecords

Additionally, we have the compilation New Noise: Vol. 1 for the insanely low cost of $2.99, which features fourteen tracks from artists/bands like Alkaline Trio, Every Time I Die, Escape The Fate, Frank Turner, Parkway Drive and more!!!

$7.99 Epitaph Album Sale:

Alkaline Trio – This Addiction

Bad Religion – All Ages

Bad Religion – New Maps of Hell

Bring Me The Horizon – Suicide Season

Converge – Axe To Fall

Escape The Fate – Dying Is Your Latest Fashion

Escape The Fate – This War is Ours

Every Time I Die – New Junk Aesthetic

Frank Turner – Poetry of the Deed

Hearsounds – Until We Surrender

I Set My Friends on Fire – You Can’t Spell Slaughter Without Laughter

New Found Glory – Not Without A Fight

Off With Their Heads – In Desolation

Our Last Night – We Will All Evolve

Rancid – Let The Dominoes Fall

Set Your Goals – This Will Be The Death Of Us

Sing It Loud – Everything Collide

Veara – What We Left Behind

Epitaph to Re-issue Classic Blood Brothers

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Indie-hardcore Heroes’ Influential albums Revisited and Re-issued
Like Never Before

October 20, 2009 – Los Angeles, CA. – Epitaph Records announces plans to re-issue The Blood Brothers’ classic albums “Burn, Piano Island, Burn,” “Crimes,” “Young Machetes” and “March On Electric Children” on November 17. The CD and digital re-issues will include rare previously unavailable live tracks and videos, music videos and B-sides for the ultimate collectors’ edition.

From 1997 to 2007, The Blood Brothers’ “molotov mixture of suburb surrealism and sonic extremity” (Alternative Press, 2003) rocked and riveted critics and fans around the world. Formed in the suburbs of Seattle, the dueling singers Johnny Whitney and Jordan Blilie along with Cody Votolato (guitar), Morgan Henderson (bass) and Mark Gajadhar (drums) crafted a unique style of convulsive, ground breaking hardcore that was quickly embraced by critics and fans of punk, hardcore and indie rock.

Over their ten years in existence the quintet released five critically acclaimed studio albums (four of which Epitaph is re-issuing), including Burn, Piano Island, Burn, “the most prolific, beautiful, and vital statement of rock since the Stooges’ Raw Power” (PopMatters, 2003), Crimes, the sturdiest bridge between the hardcore underground and indie-rock elitists” (Alternative Press, 2004) and “one of the best of 2006” (PopMatters, 2006), Young Machetes.
Having moved on to other projects, Whitney and Votolato with indie-rockers Jaguar Love and Blilie, Gajadhar and Henderson with post-punk outfit Past Lives, The Blood Brothers called it quits at their creative peak, leaving behind a catalog the helped define a genre and continues to influence bands around the world.

Continue reading Epitaph to Re-issue Classic Blood Brothers