Punk CD Reviews

Jesse Lebourdais-I Go By The Sound

For those of you unfamiliar with Vancouver’s own Jesse Lebourdais, let me give you a brief introduction.  He is the lead singer of a melodic hardcore/punk band named Cambridge.  He is also an accomplished folk punk solo artist with three solo albums to his credit with his latest being I Go By The Sound.

The album was posted on Jesse’s bandcamp page Wednesday night, and I have to admit (and I have to pull this off this cheesy reference and there may be more  on the way) that I have been “following the sound” ever since and listening any chance I have gotten.

I don’t know where to start on the accolades for this album.  The song writing is sublime and in true folk fashion the story telling is rich (I am definitelythinking I must be smitten like a school girl right now because I am using words that are not normal for me).  Combine the storytelling with Lebourdais’ one of a kind vocal stylings and you have characters in the songs that sound, seem, and feel so familiar that it is almost as if they are old friends.  Check out “Union Man” for the best example of this. 

From top to bottom the 13 tracks that comprise I Go By The Sound are stellar but my personal favourite is the title track.  But I do have to say that my one issue with this song is when Lebroudais  belts out a reference to his music as “a testament to a life well wasted.”  I do have to say to Mr. Lebourdais that even if you never write another song, your life is not wasted in the least.

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Softie

© 2012 SoftieRockMusic
Rating: ★★★★★★★☆☆☆

I’m rocking out to the new release by Wichita’s own Softie. The self-titled release jam packs 15 tracks of guitar/drum duo garage-core onto a single compact disc. The tracks are diverse in their individual manner of rocking, but all are heavy on the rock and roll and to that end, the sum becomes greater than the combined parts. And folks, you just don’t always get that kind of synergy in a duo.

At any rate, Softie has been an on again, off again band in the Wichita scene for around a decade now and while I don’t have a lot of knowledge of their earlier work, I’m digging into what they are dishing up nowadays. I also am fully aware that some of the newly recorded tracks are, in fact, old tracks.

If I had to categorize, which I often do, I’d go ahead and call the band and raw blend of metal rock with a bit of punk edge, some cattle-core and a smattering of comedy. Honestly, I could do without the latter. It feels like the comedy is thrown in as a compensation measure and frankly it is unnecessary. Don’t get me wrong, some of the songs have a comedic base and that is fine, it is the little end thought false settle that seem out of place.

Jaded perspective aside, the songs do still rock. I had the CD in my car for a few trips to work and back and I didn’t opt for another disc, nor did I switch it over to NPR, so that’s a good indicator of my true feeling. Though I may have a slight bias as I know half the band, I’d still listen to this and stop in for a live show or two if I didn’t. My arbitrary points scale may not reflect it though. I’m not a math guy though. You run the numbers.

Bottom line is a fun disc with a rocking core. Go support your local bands and buy a copy, see a show, get some merch. Hell, do it all. http://www.reverbnation.com/softie

–Jerry Actually

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Pennywise-All or Nothing

A few weeks ago I was walking home from work and as I walked past the small skate park there were three kids skating.  They had their car pulled up close with the windows down so they could hear the eurotrash that was playing on the car’s stereo.  I asked the question that any self respecting skater from the 90′s would have asked “Do you actually skate to this?”  To my surprise they replied quite proudly, “Yes!”  I couldn’t help but think that if they had been skating with some of the people that I did that they would have had their boards taken forcefully and probably “focused” (which is what we called breaking the board in half).

It has been a few years since I have actually stepped on a skateboard in any meaningful way, but when I was skating in the mid ’90′s we were experiencing punk’s 3rd wave and height of popularity (check out the recent documentary One Nine Nine Four for more on this).  It wasn’t uncommon for someone to be listening to Bad Religion’s Stranger Than FictionThe Offspring’s Smash, or Pennywise’s About Time

It was the latter album that I would end up associating skating during those times with.  A lot has changed since those years though for Pennywise.  One of the biggest changes of course is the replacement of Jim Lindberg with Zoli Teglas on vocals.  Even though Jim has moved on to form another group and it was easy for me to accept them, I was much more skeptical of the new Pennywise.  I think it was because I had always associated Jim’s voice as being Pennywise and I wasn’t sure that they could move on without him.  Even after hearing the first two singles “All or Nothing”, and “Let us Hear Your Voice”, which I ,the uncertainty over their new direction still remained. 

I am now starting to think that it was because an initial synopsis said that it Pennywise’s best since Full Circle, which I definitely contend with, but not because All or Nothing isn’t good like I initially thought, but mostly because I really enjoyed Reason to Believe (Pennywise’s previous effort). 

As I am now listening to All or Nothing for my 5th or 6th time, I am starting to let go of that skepticism, and letting it be what it is, which is a solid punk rock album that can stand head to head with any other Pennywise album.  Zoli Teglas steps in to fill the void Jim has left, and truly makes being the lead vocalist for Pennywise his own, which wouldn’t be an easy task for a lesser band let alone punk rock legends. There are songs on the album that will remind long time fans of past music, and it also has a few songs that will leave fans feel as if they are listening to something fresh and new.  So while I was skeptical of the addition of Teglas originally, it turns out he can not only match the band’s past energy he also brings a fresh sound that helps vary the bands sound in a good way.

  Pennywise has been spreading messages of staying strong through adversity for years, and they have taken their own advice and turned out a very strong showing with their latest album.  I would recommend this album to anyone, and I actually have two copies of the cd, so I have been carrying one in my pocket when I go to work so that if I see those kids skating again I can give it to them so they have something to skate to.

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Anti-Flag-The General Strike

On March 20th, Anti-Flag released their 8th studio album, The General Strike, and it seems like they haven’t received a whole lot of press for their efforts.  But that isn’t to say they don’t deserve it.  Much like their last record, The People or the Gun, Anti-Flag has once again scored the soundtrack to an important political issue of the time, the Occupy movement ( while the previous album addressed the Bailout situation).

It seems funny to me that just like both of these events have been largely ignored by the mainstream, Anti-Flag’s last two albums have seemingly flew under the radar of the punk scene.  Now, Anti-Flag is not breaking any new ground with their latest 12 tracks as they carry the same type of sound that they have become known for by mixing melodic moments with more street punk sounds.  What they are doing is putting together politically scathing lyrics and touching upon subject matter that is not common in a lot of music. When they released The Bright Lights of America, I read a review stating that the album really lacked direction.  This is not the case with The General Strike, and the direction becomes quite clear from the first aggressive track. Combine their tried and true sound with their lyric themes and direction and then you get something special.

I just received my copy of the album yesterday and I am still getting a handle on it, but I am completely enjoying it.  One of the coolest surprises though was when I opened up my package and a drop card for the Vans Warped Tour EP came out which includes 3 songs from the album and 2 unreleased tracks (“SKATE” and “Whistleblower”).  I knew that the download would be given out at the cd release shows, but I didn’t know it would be included in my order.  All I can say is this, if you are at all interested in Anti-Flag or political punk rock give the album its due, give it a listen, you won’t be disappointed.

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Top 10 of 2011

It’s been a long and productive year here at !upstarter and a lot of good music came across this desk. I regret that I didn’t have the time to review each and every release. I can only hope that in 2012 the music keeps on coming in and that I once again have the privilege of listening to the hopes, dreams, and efforts of musicians and bands from around the world.

People love lists, so once again I’ve compiled a top ten for this year’s reviews. There were so many great releases to choose from, but after some deliberation I’ve narrowed it down to the following:

#1. Dan P. & The Bricks – Watch Where You Walk

#2. 20 Bulls Each – A Glorious and Bloody Revolution

#3. Swingin’ Utters – Here, Under Protest

#4. The Snallygasters – Black Aggie EP

#5. Cubicle – The Severance Package

#6. Shoot the Hostage – So Polite

#7. Überband – Live In Poland

#8. Prize The Doubt – This Will Die Unrecognized

#9. Do It With Malice – The Burned Over District

#10. Flatout Jones – Closed Doors and Weird Situations

There you have it, the top ten reviews for 2011. Let’s have a big round of applause for all the bands that made the cut.

I’d also like to give honorable mention to a few bands that didn’t hit the top ten. Holding Onto Sound for their EP – The Tempest and to Darrow Chemical Company who sent in a kick ass release that I didn’t have time to review.

–Jerry Actually

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Shoot the Hostage – So Polite

© 2011 Shoot the Hostage
Rating: ★★★★★★☆☆☆☆

I’m listening to “So Polite” the debut release by Seattle’s Shoot the Hostage. My initial reaction is that this release sounds much like Helmet, albeit in a less directly aggressive and staccato fashion. There is almost a pre-grunge quality about it. (And that’s nice, because Seattle owes the world a tremendous debt for having effectively killed thrash metal with their fancy grunge bands. … ok ok, they also saved the world from the scourge of hair metal, so maybe we owe them a debt of gratitude too.)

“So Polite” is grounded in rock and roll hooks and musically it is well put together. The tracks are a little on the lengthy side for my preference, but they are dynamic enough that the length doesn’t become a drag. I also appreciate the maturity of the song writing. It can be easy for younger bands to come across as juvenile. Shoot the Hostage is crafting songs that deftly maneuver around age brackets. (not that I really have any clue how old they are. They could all be senior citizens for all I know.)

A few of the stand out tracks at #3 Fire California and #9 Hard to Say. All together a competent and listenable release outta the Pacific Northwest.

–Jerry Actually

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MayOrWest – We, Reborn

© 2011
Rating: ★★★★★★☆☆☆☆

I’ve got a new release here from Hoboken New Jersey’s MayOrWest and well, things are looking up. The last time I reviewed this band, I had a bit of a beef with the lengthy tracks. Much to my preference, “We, Reborn” does, for the most pat, deliver on shorter track length. I also made some assumptions about sound and influence. I’m happy to report that the band is starting to find their ground. Whereas in the last review, I likened them to a mix of AFI and Queensryche, this time around I’m confident that MayOrWest is really paving new ground with their sonic dimensions. So, um, yeah, advice partially taken.

Positive leanings aside, I still find the band a bit operatic. As well There is a busy quality surrounding a lot of the tracks. It really strikes me as an audio version of MTV fast camera. It’s as though everything is a cut scene and because there is so much going on in the background, it makes it really hard to focus.

I won’t belabor my minimalist critique. Either you get it or you don’t, but here’s the take away; MayOrWest: definitely better over time; Still going in a direction that leads them more towards radio than any other direction. If that is what they are aiming for though, then, by all accounts, this is a successful release.

–Jerry Actually

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Up For Nothing – Twelve Stories Down

© 2011
Rating: ★★★★★★★★☆☆

I’m listening to Twelve Stories Down, the brand sparkin’ new release from Up For Nothing. Straight away, I’m going to lead in a specific direction; I don’t know if these guys ever listened to Pistol Grip at all, but there is a serious similarity there, not in a rip-off way, but in the way that Up For Nothing is awesome like Pistol Grip is awesome. I’m not trying to type-cast, mind you; I’m just saying that there is an influence here that I dig.

The title “Twelve Stories Down” coincides nicely with the twelve tracks, stories, if you will, on the new disc. There are few epic ballads, clocking in over 3 minutes, but the rest are of the short attention span friendly < 3:00 mark. All of them, even the “ballads”, have an underlying aggression musically, yet retain coherence. A.k.a. no horrid scream-o vocals over the top of wanking solos.

I know I tend to pigeonhole and compartmentalize bands when I review them. It is solely for conveyance of what I’m hearing. To that end, and inclusive of prior references, the songs are a lot like mixing Pistol Grip with American Steel: Hardcore edge mixed with loads of punk, yet a very tangible emotional level to the songs. In other words, there are “hey heys” and “whoa whoa whoas”, but they are simultaneously rowdy and encouraging while being heartfelt and sincere.

At the end of it all, what you get is twelve tracks of punk rock, some more hardcore, some more emo, but all of it damn good. I defy you to listen to this disc and not like it. If you don’t, I think maybe you’re not paying attention at all.

–Jerry Actually

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Dead End Story

Rating: ★★★☆☆
© 2011 Dead End Story

I feel so privileged to get to listen to all the music (from all over the world) that I do. Right now I’m listening to a new single from Finland’s Dead End Story. They are a reasonably aggressive punk band with quite a bit of hardcore influence.

With this being a single, there are only two tracks, so I won’t draw this out so much, but what I’m hearing I mostly like. The guitar work is a little more melodic that I normally go for, but not so over the top that it detracts from the rest of the music. The tracks are still solid and I wouldn’t hesitate for a second to go see this band live.

It’s a more modern style of punk rock; It makes me think a bit of Rise Against.

Bottom line: new model punkcore from Finland.

–Jerry Actually

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Sugar Louise – Everything’s Better With Sugar

© 2011 Naked Hollywood Records
Rating: ★★★★★★★☆☆☆

So, I’m listening to Norwegian Pop-punk. Um, yeah, you read that right. Sugar Louise is a newer band from Norway. They’ve been around since 2009 and deliver a catchy, bono hating variety of happy poppy punk.

Everything’s Better With Sugar brings 12 up-tempo smile-inducing tracks. The songs clock in at mostly the twoish minute mark and are heavily influenced by 60’s pop. In fact, the influence is so pronounced that if you didn’t know it was a cover, Sugar Louise’s version of Henry the Eighth would feel like an original.

At any rate, the songs are quirky, catchy and incredibly likable. And while I like this band, there are a few drawbacks: 1. Guitar solos. 2. The music feels a little safe. (If you can write a song about telling your parents that you’ve become a porn star, I think there should be a bit more grit.) … My gripes are pretty minor though. Sugar Louise has a solid grip on peppy pop punk and are a great departure from the Black Metal that I generally expect from bands near and above the Arctic Circle.

Bottom line: Pop punk with a little more pop than punk. Likely a fun live band.

–Jerry Actually

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