Tag: Punk CD Reviews

The Downtown Struts – Victoria!

[ad]

© 2012 Pirates Press Records
[rating:9/10]

Ok folks, here it is, Victoria! the brand new full length from Chicago’s Downtown Struts. I’ve long been a fan of the punk rock sounds coming out of the Windy City and this newest venture doesn’t disappoint; equal parts rock and roll and angst all rolled together with enough ennui to bend the ear of the most cynical among us.

The tracks are longer and a tad slower than my attention span generally allows for, but the song writing and delivery is in a such a manner that I’ll sit transfixed through the entire album (and on a bad traffic day, I’ll sit through it twice) I’ve talked about bands that are wearing this new mantle before: Dead to Me, The Loved Ones, Hollowpoints. The list could go on, but I hope you get the point. The music is full on rock and roll but loaded with introspection and damn I do love some introspection.

What you get with Victoria! is 10 tracks that set a great stage for sad story telling; telling tales of a life lost in America. To me it symbolizes lost glory, a pining for halcyon days but retaking the faded sense of hope. The album encompasses a dying ember on a still burning torch. Not everything is lost, but what exactly does it take to rekindle that waning flame?

The bottom line is one of the best new releases that I’ve heard so far this year. If you’re a punk fan that also gives a shit about song writing and you can feel the heavy weight of words, especially in combination with music that matches the spirit of the lyrics, then grab a copy of Victoria! You can find more info on the band here: http://www.facebook.com/thedowntownstruts

–Jerry Actually

Spraynard – Exton Square

[ad]

© 2012 Asianman Records
[rating:8/10]

So I can’t say that I’m terribly familiar with West Chester PA’s Spraynard. In fact, this is the first that I’ve actually listened to them. That said, I’m rather enjoying the catchy pop/punk styling and the infectious nature of the four tracks on their brand new EP, Exton Square.

If I had to group this release up, I’d say that it carries a heavy amount of influence from past Asianman peers. It strikes me as a combo of Lawrence Arms and Shortround. On a perhaps less apparent comparison, the vocals make me think of Flashlight Brown. Or maybe my wires are crossed and they sound like something else (as well as themselves) but either way, I like it.

As with most pop/punk, the songs are mid to upper tempo. The vocals are lilting, the guitar and bass saturated and the drums are big without being enormous. As noted, the tracks have pep, but there is a minor slow down on the track “Intents and Purposes”. While noticeably slower, it doesn’t kill the whole “vibe” of the release. Granted this, being an EP, only has a smattering of tracks for reference, but if these are resplendent of Spraynard as a whole, I dare say they have a new fan.

–Jerry Actually

Lemon Party – Trash City

[ad]

[rating:7/10]

© 2012 Suitors Club Records

Edgy/Indie suits Bay area outfit, Lemon Party quite nicely. The band has a new EP, Trash City out now. The EP features four tracks of past-era garage-fi melancholy, garage-fi angst, and plate reverb. (I don’t know if they actually used a big ol’ plate reverb unit or not, but the spacey echoing makes me think so. … What am I am engineer?) At any rate, there are four tracks on a recording that immediately reminds me of Dinosaur Jr. and things I can’t quite place at the moment.

The songs run tempos from the mid-slow opener, Jerusalem Cruisers to the mid-quick sophomore and junior tracks, Hesh-Kevin and Massachusetts Meltdown respectively. The latter containing some fun woo-hooing. (like a Vonage commercial w/ the 5-6-7-8s.) The senior track, if you will, keeps the tempo up, but reduces the overdrive and achieves an even more decidedly 60s sound, (tonally if not musically.) I can’t make out much lyrically on initial listen, but the words sounds on the sad side … like “love” and “anymore”.

To sum it up, Trash City by Lemon Party (curious about the name. have I lost touch with youth culture?) is a decent fun EP. I’d totally throw it in the mix every now and then for some tunes that are both up-tempo and downtrodden. Best of all it is a no risk move. Think you might like it? Think you might hate it? Is that so important these days? You can check it out compas gratis at their bandcamp page: http://lemonparty.bandcamp.com/album/trash-city

–Jerry Actually

Good Things – Demos

[ad]

© 2011
[rating:8/10]

All right, here is some raw as all get out, punk to the muthafuckin’ gills rock-n-roll. “Demos” by Good Things gives up four brief tracks of basement-grade ballast; chunky guitar, chunky bass, chunky drums, chunky everything. It’s raw, but its got balls.

While you only get four tracks, the ones you get are like a time machine dragging your ass back to the early 80’s and then stomping a riot straight into your guts. Plus they have a song about Ghostdad, so Bill Cosby would pretty much love them right out of the gate.

Despite the basement laden recording, there are some dynamics that are apparent in the band if you make it all the way to track four, “The Scofflaw”. It is easily the winner for polish out of the quatrain of tunes.
While I generally don’t comment much on cover art, it does appear that Good Things are fans of sodomy, so if that’s your thing too, then perhaps you should check them out. In the end though, I think the tags on their bandcamp page really say it best: “punk fuck punk Rockville”

http://goodxthings.bandcamp.com/

–Jerry Actually

Cubicle – The Severance Package

[rating:4/5]

Cubicle is an L.A. based punk band, rocking out with near total corporate schtick; Songs of coffee, languishing in noward* mobility, and Ponzi Scheme greed abound. The sound is somewhat comical ala Guttermouth and certainly classic punk reminiscent of Circle Jerks. The later influence goes even so far as to include a very convincing cover of “Beverly Hills”

The band certainly isn’t a tribute band though. While harnessing much of the energy of the early California punk sound, they manage to admirably infuse their roots with a new burst of energy and a style of their own. The EP offers up five originals and the aforementioned cover. The tracks keep up the pace and remain edgy throughout without sounding either too garage-y or over-produced.

Overall a fun release with a decidedly anti white collar wage slave agenda. You can listen to some tracks on the band’s MySpace page (whatever that is)

-Jerry Actually

*noward is neither upward or downward. lateral.

Tracks:
1. Not Going Anywhere Fast
2. Brainwashed
3. Ponzi Scheme
4. Coffee Break
5. Beverly Hills
6. Yo-Yo

Burning Streets – Sit Still

[ad]

[rating:7/10]
© 2011 Sailor’s Grave Records

Boston band Burning Streets has a new release. “Sit Still” is out now on Sailor’s Grave Records and with it you get 11 tracks of emotionally charged rock and roll. On the whole, Sit Still hovers in the punk rock vein, but is heavily laced with a melancholy that accompanies other similar acts like The Loved Ones or American Steel and to a lesser degree, Dead to Me.

The songs, averaging around the four minute mark, tend to be longer than what usually sits well with me. However the individual tracks have enough variety to maintain interest. The album is also well arranged, so the lengthy tracks aren’t as much a hindrance as they might otherwise be.
Nearly all the tracks are of the emotive and moody variety. In the right frame of mind I can get into this more mellow side of punk rock. The album begins to gain momentum around track five, “The Safety”. After which the velocity appears to be too much and begins to lose control of itself as it careens into the oddly Black Crows gone glam rock sounding “Let Me Go”.

Once the wreck is over “Sit Still” falls back into its more familiar, and frankly more enjoyable, paces. The disc winds down through a few more tracks and culminates into the feedback and tape hiss of its final track leaving you, I can only hope, feeling cathartic.

So as a final note, while I prefer my punk faster, a bit more raw, and a little less emo, this is still pretty good stuff and great if you’re a fan of the sub-genre. Don’t believe me? Check out some tracks for yourself over at Sailor’s Grave Records

–Jerry Actually

Tracks:
1 Distance Between
2 Disappointed
3 Blood I Need
4 Different Drums
5 The Safety
6 Let Me Go
7 Comfort In Confusion
8 Simplicity
9 Full-Time Gamblers
10 Strange Me
11 M.I.A. (Hold On)

Holding Onto Sound – The Tempest

[ad]

© 2011 GC Records
[rating:7/10]

When you think of musical entertainment in Las Vegas, there’s a pretty good (or bad) chance that you’re conjuring up images of Beatles tributes bands, performers in drag, or heaven forbid, Celine Dion. Well, if this describes you, you can extract yourself from the turnip truck right now.

Holding Onto Sound (or HOTS) are stalwarts of the Vegas music scene and over the last eight years have honed their brand of progressive punk rock to a fine edge. The music is filled with intensity and sincerity alongside its punk rock core. The band elicits a comparison to bands like Dead to Me and American Steel, but with enough distinction that you’d not want to pass over one for the other.

The Tempest is the bands newest release and provides three tracks of the aforementioned intense and sincere punk rock. In just about 9 minutes you get a showcase of some of the best efforts for HOTS that I’ve heard to date. If you get a chance, check out their live show. The band plays fairly frequently around the West and of course, Las Vegas.

… and while I know that it is only a 7” with a sparse three tracks, and sure, that probably won’t fill you up, instead, they give you enough to leave you wanting more.

You can pre-order the new release from GC Records.

–Jerry Actually

Getting to know 20 Bulls Each

[ad]
Getting to know 20 Bulls Each

Where are you from and when did you get started?

We’re from Dublin – Ireland, not Dublin Ohio! We started in 2002, and have been at it ever since, line up has changed a little over the years and we’ve recently moved to being a 5 piece band. Hopefully we’ve improved slightly since then too as we were truly terrible at the start.

Who are you and who does what in the band?

We are.
Gar – Vocals
Gav – Guitar
Adrian – Bass
Olly – Guitar
Paul – Drums

Olly and Adrian are the new guys, who joined us recently after Gar decided that he didn’t want to play guitar anymore and our last bassist left due to other commitments. Standard issue 5 piece hardcore line up.

How would you best describe the sound?

On a good day we sound somewhere in the middle of a rumble between Sick Of It All, Misfits & Cromags.

Paul said this when I asked, he’s got a better explaination:

“Hard to describe our sound. We all bring somethign different to the band and it all gets melded together so it’s hard for us to pinpoint any one style as sticking out. I guess we sound like hardcore, heavy riffs, shouty vocals, the occaisional melodic sing along bit and some slow stompy parts too.”

Adrian had this to say:

“Journalists are the best in pigeonholing bands so it’s up to them to describe our sound.”

Thanks Adrian, very helpful!

Dream rock moment (real or not)?

Dream rock moment for me would be to play at Reading festival, it’s always something I went to as a kid. Bands would always say that their first time playing Reading was amazing. Maybe someday…

Asked Paul again:

“Real dream rock moment was for me was probably meeting Mackie and John Jospeh when we palyed with them as the Fearless Vampire Killers in the Voodoo Lounge. that was amazing and they were both really really nice blokes. Another Dream Rock moment would be being able to give up my crappy job and being able to do this full time.”

And Adrian:

“My dream rock moment, realistic one would be:to make living out of what we’re doing (is that a rock moment?it would rock for me) and unrealistic one would be playing Wembley”

Still got day jobs?

Unfortunately yes.

I work in an office, Paul works in a place printing funeral cards, Olly is a part time piercer and film / video maker, Adrian runs ReINKarnated tattoo studio in Dublin and Gar runs a pub called The Thomas House. I fully endorse these two establishments! Come and visit us in either of these places if you’re in Dublin, drink and get tattooed.

Any regrets?

No big regrets. You’ve got to make the most of what you have. Adrian wanted to add: “Only regret I have is: I wish I started earlier.”

Oh and I regret that some dick head stole my Fernandes guitar before I had even played a show with it. Bastard.

Up For Nothing – Twelve Stories Down

[ad]

© 2011
[rating:8/10]

I’m listening to Twelve Stories Down, the brand sparkin’ new release from Up For Nothing. Straight away, I’m going to lead in a specific direction; I don’t know if these guys ever listened to Pistol Grip at all, but there is a serious similarity there, not in a rip-off way, but in the way that Up For Nothing is awesome like Pistol Grip is awesome. I’m not trying to type-cast, mind you; I’m just saying that there is an influence here that I dig.

The title “Twelve Stories Down” coincides nicely with the twelve tracks, stories, if you will, on the new disc. There are few epic ballads, clocking in over 3 minutes, but the rest are of the short attention span friendly < 3:00 mark. All of them, even the “ballads”, have an underlying aggression musically, yet retain coherence. A.k.a. no horrid scream-o vocals over the top of wanking solos. I know I tend to pigeonhole and compartmentalize bands when I review them. It is solely for conveyance of what I’m hearing. To that end, and inclusive of prior references, the songs are a lot like mixing Pistol Grip with American Steel: Hardcore edge mixed with loads of punk, yet a very tangible emotional level to the songs. In other words, there are “hey heys” and “whoa whoa whoas”, but they are simultaneously rowdy and encouraging while being heartfelt and sincere. At the end of it all, what you get is twelve tracks of punk rock, some more hardcore, some more emo, but all of it damn good. I defy you to listen to this disc and not like it. If you don’t, I think maybe you’re not paying attention at all. --Jerry Actually

Society’s Ills – Full Length

[ad]

© 2011 Society’s Ills
[rating:3.5/5]

I don’t want to be the guy that throws labels around. Honestly, there are just too many of them, but since I’m a jerk, I’ll throw one more in the mix. Montreal’s Society’s Ills is (and you can quote me on this) “post-punk-core/hardcore/semi-melodic”

No, but really, I’m listening to the new full length by Society’s Ills and it is pretty damn rockin’. My goofy labels aside, it is 14 tracks of short burst hardcore laced punk with a lot of energy and decent amount of grit. As I listen to this, the tracks get better and better. I can see this becoming a regular rotation release on my car ride to work, ‘cause nothing makes the ride into work better than some kickass fastbreak punk rock.

So, um yeah, 14 fast tracks of hardcore punk with great guitar work, intelligible vocals, and a rock solid rhythm section. It reminds me of H2O a bit with undertones of way fast Black Sabbath, but more punk less posicore (regarding H2O, not Sabbath) if you know what I’m saying.
Bottom line is, great stuff, buy it now!

–Jerry Actually