(c) 2010 Spartan Records UK
There’s so much going on, and so many differences between each track, that it’s only fair to mention (nearly) every one.
Kicking off this, their debut album, is the title track, with an electro intro, leading into a hip-hop (with underlying synths) verse and shouty chorus, I guarantee you will never have heard anything like this before. And it will be a total mind fuck. There’s so many different elements to the one song, but don’t dismiss it yet.
Track two, ‘If I Were You (I Wouldn’t Be Me)’ opens with a very brief piece of acoustic guitar, then it’s straight into the (quite heavy) thrashing guitars. There’s also a creepy keyboard riff, adding an eerie element to the track. Even though there’s not as much going on, it’s still hard to place under a specific genre.
‘Call To Arms’ marks another change in sound, this one’s more emo, but still electro. Think HelloGoodbye meets Taking Back Sunday- cheesy cheerful, but screamo. Adding to this is the piano breakdown and the screamy choruses.
Track four, ‘Apathy Loves Company’ is one of the catchiest on the record. It’s still really odd, but by now you’ll have got used to the sheer weirdness of it all. Track five is more guitar driven, which suits them more, but then it’s back into the crazy mix with ‘Never Bring Your Girlfriend Flowers’- jazz piano under a hip-hop beat. But, somehow, it works. ‘9am: Monday’ is more hip-hop-y, with a emo/screamo chorus.
Then there’s track eight and 10, (‘Now! That’s What I Call Karma, ‘2378’) that are more downbeat and simple hip-hop rock.
As it’s so unusual compared to anything you’ll have ever heard, it’s impossible to really sum it up- so just check it out and decide for yourselves.
But, to recap, Ubermanoeuvre play screamo- electro- hip-hop, with synths- a- plenty.
There’s way too many dashes in that last sentence.