Speedbilly – Hold Our Beers and Watch This

Hi there. My name is Jerry. I’ll be your server today. Let me tell you about today’s special. Well, let’s see, it appears that we’re all out of everything except some, best I can tell, punkabilly dirt-rock, courtesy of Minneapolis’ own Speedbilly.

“Hold Our Beers and Watch This” is a gut stomping 4 song EP, loaded up with country twang, piss, and vinegar. The sounds is reminiscent of Zeke, Hank III, The Meatmen, and a bit of 1984 era Van Halen. The tracks extol the virtues of the 440 Magnum powered 1969 Dodge Charger, better known as The General Lee, What I can assume is a bad ass run at the tractor pull, and the dirty trick demolition derby maneuver known as the Malachi Crunch, among other things. (Not to be confused with “The Malachi Crunch” by NOFX)

The limited sampling of material is fun. I get the impression that these boys would put on a hella fine show, after a 12 pack, in a dirt patch, in the middle of the woods, from the back of a pickup truck.

Cheers!
Jerry Actually

http://www.speedbilly3.com

Speedbilly is:
Jimmy Allen Moore: Bass & Vox
John Stegner: Guitar & Vox
Jody Kimmell: Drums

Tracks:
The General Lee
Full Pull
Malachi Crunch
Maximum Destruction

NEW RELEASE: THE SLACKERS “REDLIGHT” 20th ANNIVERSARY EDITION COMES WITH 3 BONUS TRACKS!

Long out-of-print, this classic sophomore album by one of the greatest ska bands ever has been given the proper 20th anniversary treatment. This is a must-have for any Slackers fan, regardless of whether you own the original or not. Having been remastered for vinyl, and pressed on 180gram vinyl, “Redlight” has never sounded as good; and with a two-color foil stamped cover, exclusive art-print insert, and lyric sleeve, it’s never looked so good!

Originally released by Hellcat Records in 1997, this album truly solidified the Slackers’ iconic sound, blending ska, reggae, soul, jazz and dub, seamlessly, with the passion and integrity that the band has embodied for over 25 years.
TRACK LISTING:
A Side
1. Cooking For Tommy
2. Watch This
3. Married Girl
4. I Still Love You
5. Solider
6. Fried Chicken / Mary, MaryB Side
1. You Must Be Good
2. Redlight
3. Tin Tin Deo
4. She Wants To Be Alone
5. Rude And Reckless
6. Come Back Baby

Bonus Digital Tracks:
1. When I Find A Place Where I Belong
2. Calypso Jazz (Iron Bar)
3. Come Back Baby (Glen Adams Mix)

THE SLACKERS’ TOUR DATES:
March 10 – Riverside, CA – Romanos
March 11 – Los Angeles, CA – Skankin Reggae Festival
March 12 – Oakland, CA – Skankin Reggae Festival
March 22 – New Smyrna, Fl – Beachside Tavern
March 23 – Jupiter Beach, FL – Guanabanas
March 24 – Miami, Fl – Churchills
March 25 – Orlando, Fl – Beacham
March 26 – Jacksonville, Fl – Jack Rabbits
March 31 – Winchester, VA – Bright Box
April 1 – Washington DC – Rock and Roll Hotel
April 5 – Rochester, NY – Montage Music Hall
April 6 – London, ON – Rum Runners
April 8 – Toronto, ON – Horseshoe Tavern
April 9 – Syracuse, NY – Funk & Waffles
April 22 – Garwood, NJ – Crossroads
April 26 – Yuma, AZ – Alement
April 27 – Phoenix, Az – Crescent Ballroom
April 28 – Albuquerque, NM – Launch Pad
April 29 – El Paso, Tx – Rockhouse Bar
April 30 – Tuscon, Az – 181 Toole
May 2 – Denver, CO – Marquis Theater
May 3 – Denver, CO – Marquis Theater
May 19 – Montreal, QC – Pouzza Fest
May 27 – Las Vegas, NV – Punk Rock Bowling
June 16 – Boston, MA – Boat Cruise
June 23 – New York, NY – Rocks Off Cruise

Bang a Cowboy

Deposit Man Asks What if I Bang a Cowboy?

Deposit Man, a punk band based in Oulu, Finland has released the first single from their upcoming sophomore record. The track Bang a Cowboy premiered in digital format on 28.2.2017 along with a music video.

Bang a Cowboy shows off a lighter yet more versatile side to Deposit Man. “I wanted to compose a more romantic song then Lance named it Bang a Cowboy”, explains composer Elias Casanova.

Vocalist-Guitarist Lance Fono explains the idea behind the lyrics, “People these days stick religiously to their political sides, left or right and I wrote these lyrics to question what happens if you wanted to bang a gun toting cowboy, which side do you choose then?”.

Wanna Write For Upstarter?

On a damn near continual basis I wish that I could do more to raise awareness for the bands and music that I, that we, love. Alas, I am just a one man show. One man with a day job.

Long story short, I’m looking for content contributors.

I can not pay you, but your soul shall reap the rewards of a life well lived. Your name will be shouted, and guts festooned about the halls of Valhalla.

So, for reals, if you fancy yourself a writer, or if you just wanna promote your scene, hit me up. I’m not hyper critical.

All I ask is that you keep it roughly to the format of “not mainstream”

Cheers,
Jerry Actually

Threatpoint – RIP

[rating: 8/10]

Ominous, dark, ambient sounds slowly give way to high speed menacing in the form of distraught distorted guitar, pummeling drums, thundering bass, and brutal yet harrowing vocals. That’s what you get on the beginning of R.I.P. the new release by Scranton, PA (The Electric City) based, Threatpoint.

Fucky yeah! I say. Old school thrash metal style. Reminds me a bit of latter year M.O.D. vocally, but more metal musically. It’s funny, I suppose. I was way into metal and thrash when I was a kid. I don’t listen to it a bunch these days. Listening to this makes me feel a bit nostalgic, and it also makes me want to start a mosh pit in my office. (I’m writing this while on a coffee break, ‘cause outside my spare time, I’m a fucking office drone.)

Because I’ve been out of this genre for a while I don’t have anything to readily compare it to. Not that comparisons are all that important. Suffice it to say that it’s doomy thrash metal. The band bio indicates that they’re a “Groove Metal” band. I don’t know what that means. Sounds fucking like something a hippie that’s also into meth might say. Beyond my shallow categorization, R.I.P. is a freaking gut punch and just what I need on a Friday afternoon to get psyched for the weekend.

Lyrically the themes are dark, as I’m sure you can assume from the song titles. It’s different from the more “Fuck you, and fuck society too” type of mantra that you get from hardcore punk. Much more gothic, doom, you know, more metal.

What I liked most of all, was the Spotify commercial in the middle of the album. … ok I actually didn’t fucking like that at all.

At the end of the day, I’d say this is a damn solid, dark thrash metal release from a band to which I hadn’t been privileged to hear before today.

Check em out! https://www.threatpointofficial.com/

Cheers!
Jerry Actually

Tracks:
R.I.P.
Deadend Machineland
Tombstone of My Enemies
Thy Will Be Done
Light Bleeds Through the Black
Bury the Wicked
Laugh Now… Cry Later
Writings on the Wall
One in the Chamber, One in the Chest
Face Your Fear
Angels with Broken Wings

WEAK13 release new music video for “Obey The Slave

British underground post punk band WEAK13 have released a new music video for their song “Obey The Slave” from their 2016 album They Live. The music video was filmed in a real English magistrates court and revolves around a theme of law and order. The song raises questions about authority and activism with thought provoking lyrics and proudly shouts “Don’t start a revolution. Have a revelation and share. Wake up”. Check out the video below.

The band is currently preparing to record their second as yet untitled studio album with producer John Stewart at FrEQ in Coventry, England. Speaking to the website, frontman and guitarist Nick J Townsend revealed “We were so impressed with the engineering by Stewart on the They Live album; it’s important news that we’ll be able to work with him again and we know already that he’ll do the new material the justice it deserves”. The They Live album contains the song “Obey The Slave” and is only available from weak13official.com

WEAK13 – OBEY THE SLAVE