Month: February 2023

Toronto’s Debt Cemetary Unveil New Single ‘Let’s Murderlize ‘Em!’

Debt Cemetary strikes again with the aggressive new single “Let’s Murderlize ‘Em!”. This hard-hitting release explodes with huge vocal harmonies and ripping guitar riffs that soar throughout the track.
Inspired by the height of the civil rights movements that spanned across the globe in 2020, the song reflects the thoughts and feelings of guitarist/vocalist Eddie Knowlton. Mixed and mastered by Matt Gauthier, this latest release from Debt Cemetary shows a new side to the band while keeping true to their original and unique brand of fast punk.

This latest single is further proof that Debt Cemetary is on the rise to bigger and better things.

Public Serpents – When Pigs Lie (Official Music Video SBÄM Records 2023)

New Jersey crust-ska punks Public Serpents (featuring former Choking Victim member Skwert Gunn) released their new song and video “When Pigs Lie” today. The video was shot and edited by Benjamin Clapp. Watch it below.

The Slackers Announce Reissue Of “The Question” 2xLP

Available On March 3rd Through Pirates Press Records And March 24th Through Record Stores Comes In Two Different Variants

New York City, NY — February 10, 2023 — Legendary reggae act THE SLACKERS have announced that their 1998 album, “The Question,” will be reissued via Pirates Press Records. The double LP, available in 12″ Black and 12″ Blue & Green ‘Galaxy’ vinyl, will be available on March 3rd on Pirates Press Records’ webstore and on March 24th in record stores around the world. This release is the latest chapter in the fruitful relationship between The Slackers & Pirates Press Records. With the reissue of “The Question” joining those of “Redlight,” “Wasted Days,” and “Live at Ernesto’s,” the band’s LP output from their explosive creative period between 1997-2000 – as well as the acclaimed 2006 LP “Peculiar” – are all back in print on vinyl for fans & collectors alike! The band has also issued their best-selling brand new LP “Don’t Let the Sunlight Fool Ya” via the label, alongside numerous 12″ and 7″ singles.

“The Question” was originally released in 1998 on Hellcat Records and followed up their breakthrough, critically-acclaimed release “Redlight.” While “Redlight” put them squarely in the spotlight of the reggae and ska scenes of the late 90s, “The Question” undoubtedly reaffirmed that they were deserving of such recognition. CMJ’s Mark Woodlief proclaimed “The Question” was “…one of the brightest and most understated moments of the modern ska era.”

The Slackers took no time in 2022 making up for two years of inactivity due to the pandemic. Last spring, the band released “Don’t Let The Sunlight Fool Ya” which hit #1 on the Billboard Reggae Charts. They coupled this with relentless touring and could’ve easily rest on this. Instead, they then released a two-song 12″ UV printed record called “New York Berlin / Tell Them No” which added two more tracks to their already massive catalog.

In support of these new releases and reissues, the band will continue to travel the world including an already announced U.S. tour coupled with several European festival appearances.
Rolling Stone has hailed The Slackers as “THE legendary New York City ska band” and this is by no means hyperbole. Having formed in 1991, The Slackers released their debut album in 1996, “Better Late Than Never,” and then signing with Epitaph Records and releasing their breakthrough full-length, “Redlight,” in 1997. From there, the band traveled the world and began to develop a prolific audience through their fun and energetic shows.

14 full-lengths later, countless EPs, singles, and touring all around the world playing to thousands and thousands of fans from Tokyo, Japan to their hometown of New York City, The Slackers have remained the standard bearer for modern ska and reggae. Marc Wasserman, author of “Skaboom! An American Ska & Reggae Oral History,” says The Slackers’ “…songs are about real darkness, depression, anger, sadness and loneliness, and some of the political songs as well are pretty vibrant.”

The New York Times dubbed the Slackers part of ‘the sound of New York,’ and The Slackers just keep at it, only improving with age and experience – writing better and better songs, and continuing to build and strengthen that global Slackers family. Washington Post has described the impact The Slackers have left on the ska scene: “The Slackers have become the elder statesmen in American ska music, setting the stage for a new generation of musicians and a thriving scene….they remain at the top of their game.”
Catch The Slackers on tour:
04/17/2023 – Atlanta, GA – Masquerade
04/18/2023 – Charleston, SC – Tin Roof Alley
04/19/2023 – Charlotte, NC – Neighborhood Theatre
04/20/2023 – Blacksburg, VA – The Lyric
04/21/2023 – Baltimore, MD – Soundstage
04/22/2023 – Croydon, PA – Broken Goblet Brewery
04/23/2023 – Pittsburgh, PA – Crafthouse
04/25/2023 – Cleveland, OH – Grog Shop
04/26/2023 – Buffalo, NY – Mohawk Place
04/27/2023 – Toronto, Ontario, Canada – Opera House
04/28/2023 – Kitchener, Ontario, Canada – The Hub
04/30/2023 – Ithaca, NY – Deep Dive05/17/2023 – St. Louis, MO – Blueberry Hill
05/18/2023 – Kansas City, MO – Madrid Theatre
05/19/2023 – Omaha, NE – Slowdown
05/20/2023 – Denver, CO – TBA
05/21/2023 – Colorado – TBA
05/23/2023 – Albuquerque, NM – Launchpad
05/25/2023 – Phoenix, AZ – Crescent Ballroom
05/26/2023 – Flagstaff, AZ – Yucca North
05/27/2023 – Las Vegas, NV – Punk Rock Bowling
8/03/2023-8/05/2023 – Blackpool, UK –  Rebellion Festival
08/08/2023-08/11/2023 – Tolmin, Slovenia – Punk Rock Holiday

The Slackers are:
Vic Ruggiero – vocals, organ
Agent Jay – guitar
Dave Hillyard – saxophone
Glen Pine – trombone, vocals
Marcus Geard – bass
Ara Babajian – drums

Straightline – “Keep Your Cool”

“Oh no, is this a straight edge band?” I thought to myself like an asshole after receiving this link for the new album by Straightline. A quick google image search revealed a guy in Suicidal Tendencies hat and RKL shirt. Phew. No way that dude’s sober, unless temporarily ordered by the court. Sobriety, by the way, is cool as hell (I mean, not for me, but for lots of other people). The straight edge trope of hardcore just has too much baggage and endless unintentional buffoonery for me to get into a new band with that schtick. Which Straightline DO NOT have, to be clear. Lots of great classic straight edge hardcore out there that I’m glad exists, some of which is ironically great drinking music. Try putting on Turning Point or Chain of Strength next time you knock a few back and you can thank me later, if you remember. It’s for the best that culture didn’t mix those two things though, punch dancing would be absolute mayhem if everyone was hammered. 

Straightline are from Munich, Germany and have been together in one iteration or another since the late 90s. They definitely borrow their sound from metallic skate punk of that decade, but also bring in elements of crossover thrash and screamo. The album starts out very strong with massive pounding drums (the entire production on this record is HUGE) and chugga-chugga guitars on “Global Frustration”, which is perhaps called that because of how hard it is to remember how to play. Straightline songs have LOTS of parts. The second song “Virus” is even better, and reminds me of when metal guys on YouTube cover old Nintendo songs. If you’re a nerd of a certain age, you know these are some of the greatest songs ever created, so I mean it as a compliment. Seriously, maybe no song in the history of music has consistently delivered me goosebumps on each listen more than the moon theme from Duck Tales for the NES. Late 80s Japanese video game music composition is the fourth genre of music that Straightline master here. 

The album takes an interesting turn on the third track with “Undone”, which is a massively catchy tune that could hang with the best stuff on Leche Con Carne by NUFAN. It’s my favorite song on the album, and the one I go back to the most. Straightline just absolutely crush each of these genres so well that these poppier songs really help to break up the record effectively, rather than sound as if they were awkwardly tacked on. A couple other album highlights are “Shame on You”, and the straight up thrash of “Stood for Something Else”. It’s pretty impressive to have both “Undone” and “Stood for Something Else” on the same record, because they’re both such great and incredibly different songs. 

Straightline have toured as an opening act for Ten Foot Pole, Big Wig, and Satanic Surfers, which makes sense stylistically. Honestly though, they’re better than all of those bands. They also remind me a little bit of label mates One Hidden Frame, especially in song structure and technical ability. Even though I’m not personally a fan of screamo or metal solos, Straightline use and master them well here. I saw some live footage, and they were all wearing shorts on stage (which I am definitely PRO) and jumping in unison. My rule of thumb with bands that scream is that they must be wearing shorts, otherwise it’s lame. Black pants with loops and extra belts and shit? Forget about it, no screaming for you. They also appear to be politically sound, from at least an environmental standpoint, with song titles like “Global Citizens” and “Earth Defenders”, which is cool. Protecting the Earth rules. The other planets fucking suck, from what we know of them. 

If any of this has piqued your musical interest, I should mention that Straightline offer their LP on its own, or as a merch bundle with a skateboard deck. 

–Zack Akenson