Month: March 2012

The Projection – While You Were Out

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(c) 2012 Paramount Drive Records
[rating:7/10]

While You Were Out is the forthcoming release from Chicago based pop-punkers The Projection. The disc offers up ten tracks of rock and roll with the catchy hooks and snotty vocals that make pop punk the perennial favorite that it is. The tracks are all clocking in at around the 3 and a half minute mark, perfect for that drive time radio slot, right?

The genre isn’t without its flaws though. When your band started years after the Warped Tour, there is a considerably number of acts to compare to. I’m inclined to think they’re like a less cheeky Sum 41 or a slower Goldfinger minus the Ska. That said, the sonic mashup of pop and punk is still rather a new kid on the block and largely still trendy. Despite the flavor-of-the-month nature that pop punk is, this release is not without its own charm. There are some interesting progressions and breakdowns in the tunes that keep it from becoming too stale too fast.

As a bonus, literally the bonus track, the band throws in a cover of the Buddy Holly classic, Oh Boy! Any band that appreciates Buddy can’t be all bad. At any rate, the faster numbers make the cut. They’re peppy and danceable. The wanking ballad variety, on the other hand, not so much. I like the vocals and overall the band has a good sound, that is if you want an edgy version of The Rembrandts. 😉

–Jerry Actually

The Magnificent-Bad Lucky

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About once a year I will come across a band that at first listen I don’t love, but I keep goiing back to, then I try to resist buying the album because I am not sure I like it, but then I just bite the bullet and get it anyway.  The next thing I know I am waking up with the songs in my head although I may not have listened to it for a while.  Then the love affair truly begins.  This year’s album that has had that effect on me is Bad Lucky by The Magnificent. 

Looking at the album cover I can’t help but be reminded of The Ramones self titled debut album.  Then I am reminded of a quote from The Magnificent’s webpage that said ” If you are American, the music sounds English. If you are English, you have never heard of this band.”  From there I can’t help but think that  just as The Ramones’ debut introduced the world to the now legendary group, it would be nice if Bad Lucky were able to do the same type of thing for The Magnificent. 

At times the last statement may seem like wishful thinking, but when I listen I start to think that maybe it is not so far fetched.  Bad Lucky has everything that allows punk albums to endure for generations.  Not only does it contain slick guitar driven melodies and sing along choruses, the lyrics speak to a generation that doesn’t quite know how to make it’s way in the world.  All qualities which allow music to trascend time. 

Now only time will tell if this particular album will be considered great 30 + years later  (plus they may need to become known in their homeland first too), but if you take the time to listen, it will be something that you keep coming back to for some time to come.

Bad Religion – Reason Rally

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The venerated Los Angeles band Bad Religion is honored to be appearing at the historic Reason Rally this March 24th in Washington DC. The event is a free nationwide celebration intended to “unify, energize, and embolden secular people nationwide.” Bad Religion’s singer, Greg Graffin (author of Anarchy Evolution: Faith, Science, and Bad Religion in a World Without God) will sing the national anthem and the world renowned band will perform a one hour set.

Slated to be the largest secular event in world history, the rally is sponsored by the top secular organizations in the United States and will feature music, comedy, and addresses by leaders of the secular movement. Scheduled to appear are Bad Religion, author Dr. Richard Dawkins, actor and comedian Eddie Izzard, writer and comedian Bill Maher, comedian Tim Minchin and many more.  The event is intended to give secular Americans an opportunity to unite under a banner of reason and community, at a level never seen before.

Bad Religion’s appearance at the Reason Rally is only fitting. Formed over three decades ago in the suburbs of Los Angeles amidst the incendiary punk movement, the popular and influential band has a well documented history advocating for intellectual freedom and secularism. From their provocative name, to their iconic “cross buster” logo to a lyrical canon filled with humanist themes, few other artists have so unflinchingly aligned themselves with issues of humanism and rational thought.

As Bad Religion guitarist and co-songwriter Brett Gurewitz explains, “People often ask whether I think music makes a difference; whether it’s a force for change.  Bad Religion’s invitation to appear at the Reason Rally (history’s largest secular gathering) for me affirms the notion that art has the power to transform social norms, that over the past 30 years our band, through its music and message, has contributed to a real and very positive trend toward secularization.”

The band’s singer and co-songwriter Greg Graffin offers, “We thought it was a good gathering of people who want to stress that reason should characterize the citizenry of this country, not affiliation with some religious group or socioeconomic stratum or any other criterion besides the willingness to engage in reasonable debate that is informed by rational knowledge. All I’ve ever heard from fans (and that includes parents and their kids alike) is that they have been inspired to learn more and care more by listening to our music. I think therefore, that the Reason Rally—like Bad Religion—can be very inspirational. “

Bad Religion’s latest album titled, The Dissent Of Man is available on Epitaph Records.

The Reason Rally will occur this March 24th, 2012, from 10:00AM – 6:00PM at the National Mall in Washington DC. For more information go to: www.reasonrally.org/

Lemon Party – Trash City

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[rating:7/10]

© 2012 Suitors Club Records

Edgy/Indie suits Bay area outfit, Lemon Party quite nicely. The band has a new EP, Trash City out now. The EP features four tracks of past-era garage-fi melancholy, garage-fi angst, and plate reverb. (I don’t know if they actually used a big ol’ plate reverb unit or not, but the spacey echoing makes me think so. … What am I am engineer?) At any rate, there are four tracks on a recording that immediately reminds me of Dinosaur Jr. and things I can’t quite place at the moment.

The songs run tempos from the mid-slow opener, Jerusalem Cruisers to the mid-quick sophomore and junior tracks, Hesh-Kevin and Massachusetts Meltdown respectively. The latter containing some fun woo-hooing. (like a Vonage commercial w/ the 5-6-7-8s.) The senior track, if you will, keeps the tempo up, but reduces the overdrive and achieves an even more decidedly 60s sound, (tonally if not musically.) I can’t make out much lyrically on initial listen, but the words sounds on the sad side … like “love” and “anymore”.

To sum it up, Trash City by Lemon Party (curious about the name. have I lost touch with youth culture?) is a decent fun EP. I’d totally throw it in the mix every now and then for some tunes that are both up-tempo and downtrodden. Best of all it is a no risk move. Think you might like it? Think you might hate it? Is that so important these days? You can check it out compas gratis at their bandcamp page: http://lemonparty.bandcamp.com/album/trash-city

–Jerry Actually

The Sidekicks-Grace

I need to start by getting a couple things off of my chest, and if you like them you can keep them, if not you can throw them back at me.  Number 1, The Sidekicks are not a punk band.  I’m not trying to be negative, or add fuel to the fire of the genre acceptance fight, but there isn’t a single punk lick on the 4 tracks which appear on Grace.  I think sometimes when music appeals to listeners who prefer punk music we have to call it punk or else we feel like (for lack of a better phrase) “not repping the brand.”

Number 2, I didn’t like the single at first, which probably has a lot to do with gripe number 1.  I took repeated listens, and I actually had to make comparisons to other music that I like in order to help me along.  This is something I don’t usually like to do, but on the first two tracks “Grace” and “The Wallflowers” (the first of which also appears on their full length Awkward Breeds) lead man Steve Ciolek  vocals bring back fond memories of rocking out to Weezer without River Cuomo’s self loathing lyrics.  The next two tracks “The 9th Piece (Alternate version)”, and “Stay” (the first once again appears on their recent full length) have the same type of feeling as Graham Nash’s Songs for Beginners (one of my favourite non-punk albums). 

It has been a long time since I have been able to say I liked a different band or album without being able to attach the punk label to them mostly because I feel like it is cheating on my musical love, but sometimes to enjoy good music I have to accept the fact that I can be friends with other genres without betraying the other.  With Grace, The Sidekicks have introduced me to a new friend.

 

 

 

 

The Class Assasins-Equalize X Distort The Studio 3 Sessions

I have long been a fan  of Rebel Time Records and I own and enjoy almost every single release on the imprint, but for some reason I have always been weary of listening to one particular group that has released music through them, The Class Assassins.  I don’t even know if I can come up with a valid reason as to why, which became even more apparent when I actually sat down and listened to them.

I recently sat and listened to their two latest releases, Treason, which is available on 7″ vinyl from Rebel Time Records, and Equalize X Distort The Studio  3 Sessions. The latter recording is an 8 song live recording which was done in November at CIUT FM in Toronto.  The recording features 6 songs from the groups back catalog (including ” Treason” and ” Start Again” from the Treason 7″) as well as two covers “Breaking the Law” and “Fortunate Son”  (which I have heard covered before but the group has definitely added their own spin to this classic with a bass and drum intro).  The recording was apparently limited to 100 copies on cd but it is available in its entirety on their bandcamp page.

Listening to The Class Assassins reminds me of the Street Dogs songs “Punk Rock ‘n’ Roll”.  Not because it sounds like it, but because if Punk Rock ‘n’ Roll was added to the many sub-genres of punk I imagine they would have either wrote the recipe for it or redefined it.  Now while I am only currently familiar with the 8 tracks from these two releases, they are full of exactly what I like in punk songs,fast paced guitar attacks and  fist pumping, rabble rousing, sing along choruses.  Treason and Equalize X Distort were my introduction to The Class Assassins, and it is as good as a place as any to start, and I highly recommend you do.

Pangea – Killer Dreams EP

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(c) 2012 Lauren Records / Ghotsbot Records
[rating:8/10]

Back in the early 80s when the first tide of Punk gave way to a New Wave, a couple new styles started to coalesce. On one side there was the move back to basics, picking up chicks style rock and roll that paved the way to all so much hair metal. On the other end there was the more cerebral college shoe gazing rock that found its way to the masses as indie or alternative.

Los Angeles based act, Pangea summons up the spirit of the latter with a four track 7” that is as much at home on 120 minutes of yesteryea as it would be now on the stage at Coachella. Killer Dreams is a quirky little EP with an alternative yet punky eclectic blender concoction of Lou Reed, The Cars, The Dickies and The Pixies all frappéd with an early 60s rock and roll feel. (and that is just “Plasma” the lead in track.)

The 7” continues with a roots/Americana Violent Femmes via Andrew Jackson Jihad sounding ditty called “Love & Alcohol”. The track carries the full weight of the emotional train wreck that the title suggests.
Moving to the B-side we’re entertained with a more up tempo number called “River”. I’m again reminded of Pixes. There is definitely a very strong influence going on there.

Finally the EP comes to a close with the title track. It is a myriad soundscape that is at once its own and yet still firmly attached to the vision and sound that alternative evokes.

Overall, Pangea’s Killer Dreams EP is a new fresh burst of familiarity that grafts a new branch on old roots. You can check out the release on their bandcamp page. Like it? You should buy it.

–Jerry Actually