(c) 2008 Sorry About Your Couch
[rating: 3.75/5]
In a world where you bust your ass somewhere around 20/7 (a fella’s got to sleep sometime) you occasionally get the reviews out a little late. I have a serious stack of material in my inbox, so without further adieu, here is Sorry About You Couch. Hailing from the darkest depths of Central Wisconsin and the home of Point Special Beer comes some rude young lads and their new album Greeen! (Though the mailing address on the back is listed as Wisconsin Dells they claim to be from Stevens Point) No matter which place they are from, I spent plenty of my youth in both of those towns and though it was many years ago, I never expected much out of either area musically. Fortunately for me, time or fate has intervened and saw fit to send this disc to my door. SAYC is a raw blend of punk and roots. Frankly they remind me of Rudiments. The sound is a bit on the lofi side, but the raw nature of the tracks only serves to amplify the angst of youth. But what you get is 14 tracks and a bonus one. Running from raw rock to ska punk while trading verses like throwing around the ol’ pigskin, Greeen! makes for a good listen. Incidentally, with an album name like this, I really expected more overt stoner-rasta content. Not that is absent mind you, I just expected more. On another note, there is a cuddly green monster on the cover that appears to be destroying Toronto. I’d like to provide a slightly more in depth analysis, however I am beat. Sufficed to say that if you like the 3rd wave a bit more to the punk side then odds are fair you’ll like Sorry About Your Couch.
–Jerry Actually
Crack Rock Steady sound is back with yet another incarnation. This time that familiar societal lash back is tempered with the addition of some ladies. Don’t let the kinder, gentler sound fool you. For all of its additional polish and melody, Star Fucking Hipsters may be the most subversive of the crack rock stead bands yet. SFH currently consists of the following lineup: Sturg Fuckin’ Hipster – Vocals/Guitar, Nico De Gaillo – Vocals, Frank Piegaro – Guitar/Bass, Yula Beeri – Bass, Ara Slack – Drums. Until We’re Dead contains 12 full tracks and an intro. Alternating male/female vox and some silky smooth harmonies over top of a death grip of worldly angst help to solidify the album as plenty high up on my list of currently favorites. So, please do enjoy.
If you’ve been reading the reviews on !upstarter for any length of time, you would realize by now that I’m a big fan of Chris Murray. Ever since I saw him open for Skavoovie and the Epitones and Less Than Jake in Lawrence, KS ages ago (1996 maybe?), I’ve been hooked. Time has seen several new releases since the 4-Track Adventures of Venice Shoreline Chris, each of which has been rock solid in its own way. Why So Rude is no exception.
I got the increasingly rare opportunity to attend a Buck-O-Nine CD release show last Saturday at their, and my newly re-adopted, hometown stomping grounds. The show was at The Casbah, a downtown San Diego ska friendly staple. It is a great little venue, perfect for intimate shows with your favorite bands and the 24oz. cans of PBR aren’t stupid expensive. As a bonus for attending the show, every ticket holder received a copy of Sustain, their first new release in seven years. For fans of Buck-O-Nine, you wont be disappointed. As far as I’m concerned the disc is an instant ska classic. The songs are tight. The horns hit. They can hold muster to a couple adult beverages and remain dance-able. The shout along choruses are intact. If you are new to ska, (wow that cave must have been crazy dark and quiet all these years) dig into their back catalog. There is more good stuff to be had. What more can I say about the disc other than it is a great piece of work from one of my favorites and now on one of my favorite labels too. For those that didn’t get to attend the show. Buck-O-Nine was opened by another local ska act, The Lifters. They too put on a great show. Check ’em out if you have a chance.
I have to start by telling you that I've been anticipating this release for quite some time and because I'm a fan, this may come across as a bit biased. For the unaware among us, Slackness is a collaborative project between Chris Murray and The Slackers. I'll have to admit I was taken a bit by surprise with Slackness. I wasn't sure what to expect, so let me tell you what I got. 12 great tracks of the heart and soul of ska. The recording offers up a smorgasboard of ska reggae and roots, some old and some new. Slackness starts with a great cover of "Janie Jones" and into a more traditional Chris sounding track that appears to be co-written with Dan Potthast of Mu330 fame. (admittedly I'm assuming here based on the writing credits.) The CD continues into a few remakes of older Chris songs with the added twist of being backed by The Slackers, one of the hardest working bands in ska today. I particularly enjoy "Rastaman Rock", a tuffed up version of the original. The tracks close with a ironically upbeat war protest song entitled, "Why We Go To War". I guess this is like the magical moment when someone got their peanut butter on someone else's chocolate. If you've ever wondered what Chris would sound like backed up by a full band of the caliber of the Slackers, give Slackness a whirl. Out now on Unstrictly Roots In closing, you can tell that Chris Murray is totally OG … Check that freakin' bling homie!
I first heard of Chris Murray, AKA Venice Shoreline Chris about 6 years ago. forgive me for not being aware of King Apparatus… But none the less I was at a show in Lawrence Kansas at the Grenada, with a lineup of Venice Shoreline Chris, Less than Jake and Skavoovie and the Epitones. Chris Murray impressed the hell out of me with his "Campfire Ska" and on top of his opening set he played keyboards for Skavoovie. Damn, what a show. I was quite pleased when I learned that Chris was going to put a new acoustic album out, and it does not disappoint. I think the true brilliance of Chris Murray is exemplified in this album. from cleverly constructed lyrics to rich melodies. This CD is a perfect companion on a rainy Portland day. You can listen to track 3 "California Time" and feel the sun shine in. I gave this disc a 5, which I rarely if ever will do. But when you combine the excellent singing and song writing with the fact that it is all done on a four track, the points really stack up in it's favor. Go get this disk!!