Upstarter

I’ve been learning a lot about writing lately, and have gained a different perspective on it. Some view writing as a conversation had among people interested in the same topic with every piece building upon and influenced by the last.  I never thought of it like that before.  What does it have to do with The Enders latest album?  Well I never liked comparing bands to other bands, and saying this sounds like this or that because I always felt like it was taking away from the band and their efforts.  After taking on the new view of writing, I applied it to music.  What is music if not a culmination of different influences? 

On their Reverb Nation Page the band has NOFX, Sick of it All, Agnostic Front, Motorhead, and Minor Threat listed in their Sounds Like category.  That is a fairly diverse sound if all of those groups were put together.  But it’s true, the group weaves seamlessly between more hardcore offerings like “The Ruins of Ambition” and “The Path”, to more punk tunes like “Stand Your Ground” and  “Songs for the Working Class.”  “Pragmatic ” actually is my vision of what a song would sound like if Pennywise collaborated with Ben Kowalewicz of Billy Talent. Songs like “Manifesto” even remind me of another favourite of mine, Broadcast Zero.

If punk music really is a conversation, The Enders have paid close attention.  They have listened and gathered as much information before crafting their own reply, The Ruins of Ambition.  What results is a well crafted album that draws on those that came before and add their own voice to the conversation.

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I am not displeased to be introduced to Blk Galaga. I will keep them, as an arrow in my quiver, for a while. They are tight, with nice harmonies. The band has a future touring in cramped quarters, and rocking the venue. What they need is a deal with fat records. I like the band and their sounds, but I expect more out of a band from east of the Rockies. You be the judge.

Jimmy Bile

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© 2012 Hounds and Harlots
[rating:9/10]

Hot on the tail of their most recent demo release, Bay area street punk trio, Hounds & Harlots are back at it with a brand new full length. The record dropped around the tail end of 2012 and is set to be in heavy rotation for me in 2013.

The Good Fight comes fully equipped with 12 tracks of sing-a-long, rowdy, rollicking punk rock and roll. The songs are just like I like ‘em, upper tempo punk rock numbers all hitting around the two minute mark. Lyrically the music is firmly planted in punk culture; life on the road, coming back home, loss, loneliness, the daily grind of a working class life. It is relatable and heartfelt.

Musically, the songs are tight and focused. This is consistently the reason that I tend to like trios. With fewer working parts, each member is forced to be both solid and inventive to create a larger/bigger sound that belies the minimal nature; Crisp guitar, solid bass, snappy drums and articulate vocals complement the arrangements well.

At the end of the day, this is what punk rock is all about. Anger and energy lashed together with a fierce loyalty and albeit battered and bruised, a glimmer of hope at the end of a dark night. So cheers to the fellas from Divisadero on a spot on new release, one that I helps take them up a rung or two higher in rock and roll echelons.

–Jerry Actually

Let the reviews begin!

I am taking a Master’s level writing course, I don’t know if it will make me a better writer or not, but it has made me question a few things.  The first module of the class involves questioning things that you read and to look at things from all angles before drawing any conclusions.  I think that has caused me to approach writing this review differently than I normally would.  A lot of times prior to listening to an album I will read something that has been written about it, and I don’t know if that actually affects my perception of what I am listening to, but it made me aware of that this time.

Before getting my first chance to listen to Signed and Sealed in Blood, the Dropkick Murphys’ latest offering, I read a claim talking about how the guitars are “ballsier” and the hooks are “catchier.”  I really wanted to believe that, but then I had to think, this is the Dropkick Murphys we are talking about here, can the hooks really get “catchier?”  These guys practically drew up the blueprint for catchy anthems and sing-a-long hooks.  So I listened, all the while questioning those statements.  What I came up with was this: when placed alongside their other albums, Signed and Sealed in Blood stays true to what fans of the group have come to expect, and serves to illustrate what the word “anthem” means to anyone who thought they knew what it means.

The Dropkick Murphys are not reinventing themselves with this record, but what they are doing is reestablishing themselves as the leaders of their brand of working-class punk.  Songs about family, honour, and respect are commonplace on any DKM album, and you will find more of the same on this release.  That isn’t to say that these songs feel old or recycled, which may happen to a band with 7 previous studio albums, because they don’t.  Each song attacks the subject matter as if it had never been done before.  That is what truly makes this album special and helps set it apart from the group’s previous efforts.  That and “The Season’s Upon Us”, a Christmas song that can be listened to and appreciated at any time of the year.  Signed and Sealed in Blood is what The Dropkick Murphys are all about, singing songs for the everyman, and this album truly is for everyone.

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© 2013
[rating:8/10]

Brooklyn’s best kept secret, or so I’m lead to believe by their bio, is a little band called Up For Nothing. Perhaps you remember them from last year’s “Twelve Stories Down”. If not, never fear as there is always time to pick up on what you’ve been missing out on. 2013 brings us a new batch of tunes, five to be exact, in the form of “In Trance” The new EP brings more beloved punk rock sounds with a bit more polish that only comes with hard earned time.

The tracks have a positive vibe, even in situations where the content may be squarely in the opposite direction; up-tempo and nicely orchestrated. Part of this overall goodness must surely due to incredible production. From the band’s bio, “these songs were recorded and mixed by Pete Steinkopf (The Bouncing Souls) and mastered by Stephen Egerton (The Descendents)”. If that doesn’t pique your interest right there, you might wanna just keep on walking.

At the end of it, you get five new punk rock tracks by a solid punk rock band. If you’d like to hear more, check out some of the band’s tracks here: http://www.reverbnation.com/upfornothing

–Jerry Actually