Author: Jerry Actually

Harrington Saints – Pride & Tradition

[ad]

© 2012 Pirates Press Records / Contra Records
[rating:8/10]

With a name like “Harrington Saints”, I’m immediately struck with the idea that this is a serious business, no holds barred, blue collar, in your face, working man’s street punk band. Maybe it’s familiarity with the genre, but there was no mistake in my assumption. These particular saints hail out of a little east bay town know as Oakland. You may have heard of it.

The band has been around since 2005 and Pride and Tradition is their second full-length. This one is produced by Lars Frederiksen. You may have heard of him. With it you get 11 tracks planted firmly in the vein of Oi and Street Punk; Blue collar rock and roll for the poor souls that have had their back broken by the man and get nothing in return.

The music is short, crisp, poignant, and timely yet timeless. (until such a time as people aren’t getting the short end of the stick I guess … so yeah, timeless.) That said, Street Punk isn’t the be all, end all for me. There is a strong tendency to get a bit repetitive. The Harrington Saints work to remedy this by not sticking strictly by the books. Tempos shift and not every track is a full on shout along. The themes run constant though; A desire for more, the tenuous grasp on the American Dream, white collar bandits, the ones who don’t put the effort in for their fair share.

Bottom line: If you like punk rock and you feel like you’ve constantly got the boot against your neck, rock the hell out and shout along with the Harrington Saints when they come crushing through your town.

–Jerry Actually

Dead Ellington – Refuse

[ad]

© 2012 Dead Ellington

[rating:8/10]

Refuse is the 3rd release from Boston’s Dead Ellington and the first EP in a three part series. Recorded at Little Eden Studios, Asbury Park, NJ with Pete Steinkopf (of Bouncing Souls), the EP delivers 5 solid punk rock tracks.

The recording, upon listening, is obviously punk rock, but there is definitely an emo-ish feel to it in both the vocals and the tempo downturns on the majority of the tracks. As well, there is a very 80’s poppy feel on the closer, “Miracle”. I’m thinking Plimsouls maybe, but what do I know? I’m not familiar with previous material from the band, so I can’t suggest that this is normal for them or otherwise. Either way, it isn’t my cup of tea, but not an unpleasant experience either.

Lyrically, the band brings a very positive message. To wit, from track three, “Network”, “There ain’t no power like the power of people, ‘cause the power of people don’t stop.” I think the band sums up their message well from their website with these words: ‘Refuse, Rethink, Rebuild is a new way of thinking. It is about looking at the reality of ones surroundings and creating something new. It’s all about refusing the present, rethinking the future, and rebuilding the past. “It’s a way of life not just music, it’s our manifesto, embracing the D.I.Y scene from street art to punk rock.”’

So, in the end, heartfelt punk rock, coming at ya straight outta Boston; Support your local scene and pick up a copy for yourself and/or your mother. You can find out more here: http://www.deadellington.com

–Jerry Actually

The Atom Age – The Hottest Thing That’s Cool

[ad]

© 2012 Asian Man Records

[rating:9/10]

It is a rather rare occurrence when an AMR release doesn’t just thrill the hell out of me when I listen to it. The Hottest Thing That’s Cool, the new release by Oakland’s The Atom Age is no exception. To that I say, “Hooray for rock and roll!”

The Atom Age is a 5-piece punk/rock band with a lot of horn laced garage punk cache. Don’t let the garage moniker throw you though; the tracks are by no means lo-fi. It is merely a designation, like a map marker to help you locate things that have some Hammond B3 in there somewhere 😉 If it’ll help you get a better idea of the sound, I’m thinking immediately of Rocket From The Crypt. That influence is inescapable, however the overall vibe is decidedly more aggressive. The additional punk-rockery (when combined with the horns) makes me think more along the lines of King’s of Nuthin’. I also guess that on a purely on a rock plus horns level, they also make me fondly remember a late 90s Portland band. So a nod to The Sauce, for all who remember.

The tracks run around the three minute mark, on average, with the occasional number clocking in at the three and half mark. This works out well with my appreciation of compact tracks. In conjunction with shortish track length, most of the songs are up tempo, with exception of track five, “I’ve Been Thinking.” For this release, I’m a fan of the faster pace as well. The structure of the music isn’t overly complex, but the addition of horns, effects, and strong arrangements make for a larger soundscape than might otherwise be imagined.

So, in a nutshell, five piece horn-laced punk rock with an intriguing and solid sound. The Hottest Thing That’s Cool is out now on Asian Man Records. The band is on tour in June, so check them out if you can. You can get more tour dates on the webs: http://theatomage.com/

–Jerry Actually

The Downtown Struts – Victoria!

[ad]

© 2012 Pirates Press Records
[rating:9/10]

Ok folks, here it is, Victoria! the brand new full length from Chicago’s Downtown Struts. I’ve long been a fan of the punk rock sounds coming out of the Windy City and this newest venture doesn’t disappoint; equal parts rock and roll and angst all rolled together with enough ennui to bend the ear of the most cynical among us.

The tracks are longer and a tad slower than my attention span generally allows for, but the song writing and delivery is in a such a manner that I’ll sit transfixed through the entire album (and on a bad traffic day, I’ll sit through it twice) I’ve talked about bands that are wearing this new mantle before: Dead to Me, The Loved Ones, Hollowpoints. The list could go on, but I hope you get the point. The music is full on rock and roll but loaded with introspection and damn I do love some introspection.

What you get with Victoria! is 10 tracks that set a great stage for sad story telling; telling tales of a life lost in America. To me it symbolizes lost glory, a pining for halcyon days but retaking the faded sense of hope. The album encompasses a dying ember on a still burning torch. Not everything is lost, but what exactly does it take to rekindle that waning flame?

The bottom line is one of the best new releases that I’ve heard so far this year. If you’re a punk fan that also gives a shit about song writing and you can feel the heavy weight of words, especially in combination with music that matches the spirit of the lyrics, then grab a copy of Victoria! You can find more info on the band here: http://www.facebook.com/thedowntownstruts

–Jerry Actually

Softie

[ad]

© 2012 SoftieRockMusic
[rating:7/10]

I’m rocking out to the new release by Wichita’s own Softie. The self-titled release jam packs 15 tracks of guitar/drum duo garage-core onto a single compact disc. The tracks are diverse in their individual manner of rocking, but all are heavy on the rock and roll and to that end, the sum becomes greater than the combined parts. And folks, you just don’t always get that kind of synergy in a duo.

At any rate, Softie has been an on again, off again band in the Wichita scene for around a decade now and while I don’t have a lot of knowledge of their earlier work, I’m digging into what they are dishing up nowadays. I also am fully aware that some of the newly recorded tracks are, in fact, old tracks.

If I had to categorize, which I often do, I’d go ahead and call the band and raw blend of metal rock with a bit of punk edge, some cattle-core and a smattering of comedy. Honestly, I could do without the latter. It feels like the comedy is thrown in as a compensation measure and frankly it is unnecessary. Don’t get me wrong, some of the songs have a comedic base and that is fine, it is the little end thought false settle that seem out of place.

Jaded perspective aside, the songs do still rock. I had the CD in my car for a few trips to work and back and I didn’t opt for another disc, nor did I switch it over to NPR, so that’s a good indicator of my true feeling. Though I may have a slight bias as I know half the band, I’d still listen to this and stop in for a live show or two if I didn’t. My arbitrary points scale may not reflect it though. I’m not a math guy though. You run the numbers.

Bottom line is a fun disc with a rocking core. Go support your local bands and buy a copy, see a show, get some merch. Hell, do it all. http://www.reverbnation.com/softie

–Jerry Actually

The Real McKenzies Westwinds

[ad]

© 2012 Fat Wreck Chords
[rating: 8/10]

Vancouver BC’s venerable Scottish torch bearers are at it once again with a new release. 2012’s Westwinds gives us 14 new tales of wild seas, bad luck, foolish ways and the drink.

For the uninitiated, The Real McKenzies are a Canadian Celt-Core band with a focus on Scotland as opposed to the more or less omnipresent Irish variety. The lads bring a be-kilted, bagpipe heavy, and a Mike Meyers-esque ala “So I married an Axe Murderer” variety of Scottish charm to the genre. For those in the know, Westwinds brings with it the quality and character that you’ve come to expect.

As with many bands that have any sort of duration, there is maturity in the songwriting especially as it pertains to the ability to work together and the quality of craftsmanship. In other words, the song writing isn’t suffering from age or boredom. While all the tracks are top notch in their own right, a few that standout for me are the opener, “The Tempest” and the self-deprecation of track 6, “Burnout”.

In the end, what you have is another fine release by the best damn Scottish-Canadian band in the world.

–Jerry Actually

Spraynard – Exton Square

[ad]

© 2012 Asianman Records
[rating:8/10]

So I can’t say that I’m terribly familiar with West Chester PA’s Spraynard. In fact, this is the first that I’ve actually listened to them. That said, I’m rather enjoying the catchy pop/punk styling and the infectious nature of the four tracks on their brand new EP, Exton Square.

If I had to group this release up, I’d say that it carries a heavy amount of influence from past Asianman peers. It strikes me as a combo of Lawrence Arms and Shortround. On a perhaps less apparent comparison, the vocals make me think of Flashlight Brown. Or maybe my wires are crossed and they sound like something else (as well as themselves) but either way, I like it.

As with most pop/punk, the songs are mid to upper tempo. The vocals are lilting, the guitar and bass saturated and the drums are big without being enormous. As noted, the tracks have pep, but there is a minor slow down on the track “Intents and Purposes”. While noticeably slower, it doesn’t kill the whole “vibe” of the release. Granted this, being an EP, only has a smattering of tracks for reference, but if these are resplendent of Spraynard as a whole, I dare say they have a new fan.

–Jerry Actually

The Projection – While You Were Out

[ad]

(c) 2012 Paramount Drive Records
[rating:7/10]

While You Were Out is the forthcoming release from Chicago based pop-punkers The Projection. The disc offers up ten tracks of rock and roll with the catchy hooks and snotty vocals that make pop punk the perennial favorite that it is. The tracks are all clocking in at around the 3 and a half minute mark, perfect for that drive time radio slot, right?

The genre isn’t without its flaws though. When your band started years after the Warped Tour, there is a considerably number of acts to compare to. I’m inclined to think they’re like a less cheeky Sum 41 or a slower Goldfinger minus the Ska. That said, the sonic mashup of pop and punk is still rather a new kid on the block and largely still trendy. Despite the flavor-of-the-month nature that pop punk is, this release is not without its own charm. There are some interesting progressions and breakdowns in the tunes that keep it from becoming too stale too fast.

As a bonus, literally the bonus track, the band throws in a cover of the Buddy Holly classic, Oh Boy! Any band that appreciates Buddy can’t be all bad. At any rate, the faster numbers make the cut. They’re peppy and danceable. The wanking ballad variety, on the other hand, not so much. I like the vocals and overall the band has a good sound, that is if you want an edgy version of The Rembrandts. 😉

–Jerry Actually

Lemon Party – Trash City

[ad]

[rating:7/10]

© 2012 Suitors Club Records

Edgy/Indie suits Bay area outfit, Lemon Party quite nicely. The band has a new EP, Trash City out now. The EP features four tracks of past-era garage-fi melancholy, garage-fi angst, and plate reverb. (I don’t know if they actually used a big ol’ plate reverb unit or not, but the spacey echoing makes me think so. … What am I am engineer?) At any rate, there are four tracks on a recording that immediately reminds me of Dinosaur Jr. and things I can’t quite place at the moment.

The songs run tempos from the mid-slow opener, Jerusalem Cruisers to the mid-quick sophomore and junior tracks, Hesh-Kevin and Massachusetts Meltdown respectively. The latter containing some fun woo-hooing. (like a Vonage commercial w/ the 5-6-7-8s.) The senior track, if you will, keeps the tempo up, but reduces the overdrive and achieves an even more decidedly 60s sound, (tonally if not musically.) I can’t make out much lyrically on initial listen, but the words sounds on the sad side … like “love” and “anymore”.

To sum it up, Trash City by Lemon Party (curious about the name. have I lost touch with youth culture?) is a decent fun EP. I’d totally throw it in the mix every now and then for some tunes that are both up-tempo and downtrodden. Best of all it is a no risk move. Think you might like it? Think you might hate it? Is that so important these days? You can check it out compas gratis at their bandcamp page: http://lemonparty.bandcamp.com/album/trash-city

–Jerry Actually

Pangea – Killer Dreams EP

[ad]

(c) 2012 Lauren Records / Ghotsbot Records
[rating:8/10]

Back in the early 80s when the first tide of Punk gave way to a New Wave, a couple new styles started to coalesce. On one side there was the move back to basics, picking up chicks style rock and roll that paved the way to all so much hair metal. On the other end there was the more cerebral college shoe gazing rock that found its way to the masses as indie or alternative.

Los Angeles based act, Pangea summons up the spirit of the latter with a four track 7” that is as much at home on 120 minutes of yesteryea as it would be now on the stage at Coachella. Killer Dreams is a quirky little EP with an alternative yet punky eclectic blender concoction of Lou Reed, The Cars, The Dickies and The Pixies all frappéd with an early 60s rock and roll feel. (and that is just “Plasma” the lead in track.)

The 7” continues with a roots/Americana Violent Femmes via Andrew Jackson Jihad sounding ditty called “Love & Alcohol”. The track carries the full weight of the emotional train wreck that the title suggests.
Moving to the B-side we’re entertained with a more up tempo number called “River”. I’m again reminded of Pixes. There is definitely a very strong influence going on there.

Finally the EP comes to a close with the title track. It is a myriad soundscape that is at once its own and yet still firmly attached to the vision and sound that alternative evokes.

Overall, Pangea’s Killer Dreams EP is a new fresh burst of familiarity that grafts a new branch on old roots. You can check out the release on their bandcamp page. Like it? You should buy it.

–Jerry Actually