Psychosis To Song

Psychosis to Song is another release that was sent to Upstarter from Bob Weber at CIA Records, the other being The Cat That Wouldn’t Die comp I wrote about a couple weeks ago. Bob was the drummer for one of my favorite early ‘80s bands Really Red, so it was a real treat to receive a package of cool stuff from him. If you aren’t familiar, remedy that immediately. I had a total blast listening to The Cat That Wouldn’t Die, and the release I’m writing about today I found to be maybe even more intriguing. Not only do I review music/zines as a side gig, but I’m also a psychiatric nurse by trade, and this comp is a collection of artists who all have significant mental illness. A very unexpected and welcome confluence of things I’m very passionate about.

Psychosis to Song is a project organized by Dr. Nikki Hune and Dr. Daniel Garcia in Houston, Texas regarding  music therapy for psychiatric patients. It serves as the soundtrack to a 47-minute documentary called UnSound, which is about the positive impact of music in treating mental illness. With titles like “Not My Diagnosis”, “Psychosis”, and “Reaching Out”, it’s no secret what most of the subject matter is about. Having watched the documentary portion UnSound as well, I will say that although the thematic element of mental health is prevalent in most of these songs, each artist has a very different take on it. This is true both musically, as well as their own personal journey through the mental health system that they discuss in the documentary. 

In my experience, music is massively important to almost every psych patient I’ve ever met. I can’t tell you how valuable being able to have patients check out tablets with headphones to listen to music is for someone struggling with mental illness. Not only that, but also playing instruments in group, karaoke, writing lyrics, you name it. Just thinking about my own experience in life, big moments and big feelings can always be connected to a song, often as a conduit to help validate and translate them. People diagnosed with bipolar or schizophrenia have a lot of big moments and big feelings, so it only makes sense as to why music can be so powerful for them. 

I was initially a little worried that maybe Psychosis to Song and UnSound would suggest music alone as treatment for people with schizophrenia and bipolar, but thankfully that’s not what’s happening here. The patients interviewed also mostly substantiate the importance of medication as well. I’ve seen too many wonderful humans think they can stop taking their meds and get setback for years, so I was glad to hear that echoed by those involved. Any long term success story I’ve personally encountered contains a multitude of factors, but one of them is always medication for any significant mental health diagnosis.

These songs range in style from indie rock (Eric Gray), hip hop (Chandler Thornton), jazz (Harry Darragh), to hardcore (Jonah Trachtman). It may seem like too much ground to cover in a single LP, but especially after watching UnSound and getting to know more about each individual’s story and approach, every minute of this LP is enjoyable. I was very impressed with the quality of music presented here, both in song craft and production. I’ve listened to it many, many times all the way through, and it’s been my go-to record to have on in the background while I’m puttering around the house. Running time comes in at about half an hour, and the jacket, layout, and clear vinyl all link up as a beautiful, cohesive product.

Everything about Psychosis to Song is appealing to me. I love that it gives the opportunity for people who have had the type of bad days you and I can only have nightmares about to release their art in such a cool and tactile way. It shines a light on the humanity of individuals who are often treated as pariahs in world, but in a very realistic way that doesn’t attempt to oversimplify the problem, or the solution. Although many of these songs delve into dark subject matter, the manner in which it has come together creates an album that just makes me feel good. I hope the people involved in making it were able to feel that as well.

Zach Nellis-Tessmer

 

Fake Names Release New Single

NEW ALBUM PUNK RUINS OUT OCTOBER 23 

FEATURING MEMBERS OF BAD RELIGION, REFUSED, ROCKET FROM THE CRYPT, GIRLS AGAINST BOYS & THE FAITH 

TOUR KICKS OFF JANUARY 28 

“The punk plaudits of the group are on full display, with a killer arrangement made of interlocking simple parts that builds an almost operatic rock sensibility without losing its street-level punk energy.” – Consequence 

Today, epic punk collective Fake Names share new video for single “If You Could See Me Today” ahead of their upcoming album Punk Ruins, out October 23. The track finds jangle pop emerging from the band’s D.C. post-hardcore roots; crackling guitars meet gritty basslines and effortlessly magnetic vocals, as the band reflects on remnants of a distant past. 

Listen to Fake Names’ latest single “If You Could See Me Today” here. 

Fake Names consists of punk mainstays Brian Baker (Minor Threat, Dag Nasty, Bad Religion), Dennis Lyxzén (Refused, INVSN),  Michael Hampton (S.O.A., Embrace, The Faith), Johnny Temple (Girls Against Boys, Soulside), and new drummer Mario Rubalcaba (Rocket From The Crypt, Off!). Punk Ruins was produced by Matthew Bernhardt (Superchunk, Bob Mould) at Chicago’s iconic Electrical Audio studios. 

Despite each member’s celebrated status, their collaboration feels unforced. “There are no guardrails or perceived direction here and this just comes out,” shares Baker, emphasizing, “this album is a collective expression, and a lot of the fun is seeing how the hell it is going to turn out.” The band’s musicianship elevated Baker and Hampton’s initial ideas, while giving Lyxzen room to explore vocal styles. “I think that a lot of these songs give me an opportunity to sing in a way that nowadays I usually don’t,” he explains, “It’s always cool to be able to experiment with your voice, melodic sensibility and language.” That creative freedom shines on tracks like the groove-driven “Diamond Buzz” and the title track’s undeniable D.C. hardcore sound, elevated by Lyxzén’s belting vocals and razor-sharp hooks.  

Fake Names is a “mutual admiration society,” according to Baker, melding 70s UK punk with classic hardcore energy and dynamic guitar-driven power-pop. The band released their classic rock-leaning self-titled debut in 2020, followed by 2023’s Expendables, produced by Adam “Atom” Greenspan (IDLES, Yeah Yeah Yeahs), who helmed a sonically cleaner, richer sound for the group.   

Fake Names will be heading out on tour in early 2027, with stops across Europe and the UK starting January 28. The US leg kicks off February 18 in Brooklyn, with stops in Washington, D.C. (2/19), Los Angeles (2/23), Chicago (2/27), and more. For additional information, visit: https://fakenamesofficial.com/tour. 

Fake Names 2027 Tour Dates: 

Jan 28 – Paris, France – Glazart
Jan 29 – Köln, Germany – Club Volta 
Jan 30 – München, Germany – Backstage 
Feb 1 – Milano, Italy – Legend Club 
Feb 2 – Ljubljana, Slovenia – Kino Šiška 
Feb 3 – Wien, Austria – Arena Wien 
Feb 5 – Hamburg, Germany – Knust 
Feb 6 – Berlin, Germany – Lido 
Feb 7 – London, United Kingdom – Underworld 
Feb 18 – Brooklyn, NY – Zone One at Elsewhere 
Feb 19 – Washington, D.C. – Black Cat 
Feb 20 – Philadelphia, PA – Johnny Brendas 
Feb 23 – Los Angeles, CA – The Echo 
Feb 26 – Minneapolis, MN – 7th St Entry 
Feb 27 – Chicago, IL – Cobra Lounge 
Feb 28 – Detroit, MI – El Club 

Punk Ruins Tracklist: 

1. Until It’s Normal
2. Good Old Days 
3. Punk Ruins 
4. Cover The Distance 
5. What I Tell Myself 
6. Diamond Buzz 
7. Language Lost 
8. Beautiful Scars 
9. If You Could See Me Today
10. The Little Wonders 
11. Scream 
12. Paradise 

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