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The Crisis Kings

Jul 28

Posted by Jerry Actually in Hardcore CD Reviews | No Comments

(c) 2011


Rating: ★★½☆☆

The Crisis Kings are a new band in the old familiar genres of thrash/grind/hardcore metal. Newly formed in 2011, the East U.K. quartet wasted no time in busting out a 7 track EP. The seven tracks do an adequate job of showcasing the band’s skills and for a debut effort recorded in a pig shed, it really deserves praise just for sheer effort.

The music is great. It is aggressive and brutal with overtones of Sick of it All, but tempered with more plodding riffs and screamo / growl vocals in the vein of Superjoint Ritual and perhaps Crowbar. There is also a certain dissonance that I enjoy. This style is especially prevalent on track 4 – S.O.W. the overall effect really reminds me of Leatherface.

However, (and here’s where we bring in the down note kids) As with so many things musical, the major detractor for me is screaming vocals. I just don’t like ‘em. So take that in stride if you’re reading this review. Again, the music lives up to its brutal roots, but takes it over the top with too much throat sandpaper. Seriously man, you’re gonna snap a vocal cord or something.

But, here, check ‘em out for yourself: http://www.facebook.com/thecrisiskings

–Jerry Actually

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Ubermanoeuvre – Burn This

Jul 7

Posted by frankii in Punk CD Reviews | 1 Comment

(c) 2010 Spartan Records UK

Ubermanoeuvre are a five-piece band, from South East London, UK. They have been compared to Rage Against The Machine and Enter Shikari, to name a few, and dub their own style as high energy rock.

There’s so much going on, and so many differences between each track, that it’s only fair to mention (nearly) every one.

Kicking off this, their debut album, is the title track, with an electro intro, leading into a hip-hop (with underlying synths) verse and shouty chorus, I guarantee you will never have heard anything like this before. And it will be a total mind fuck. There’s so many different elements to the one song, but don’t dismiss it yet.

Track two, ‘If I Were You (I Wouldn’t Be Me)’ opens with a very brief piece of acoustic guitar, then it’s straight into the (quite heavy) thrashing guitars. There’s also a creepy keyboard riff, adding an eerie element to the track. Even though there’s not as much going on, it’s still hard to place under a specific genre.

‘Call To Arms’ marks another change in sound, this one’s more emo, but still electro. Think HelloGoodbye meets Taking Back Sunday- cheesy cheerful, but screamo. Adding to this is the piano breakdown and the screamy choruses.

Track four, ‘Apathy Loves Company’ is one of the catchiest on the record. It’s still really odd, but by now you’ll have got used to the sheer weirdness of it all. Track five is more guitar driven, which suits them more, but then it’s back into the crazy mix with ‘Never Bring Your Girlfriend Flowers’- jazz piano under a hip-hop beat. But, somehow, it works. ’9am: Monday’ is more hip-hop-y, with a emo/screamo chorus.

Then there’s track eight and 10, (‘Now! That’s What I Call Karma, ’2378′) that are more downbeat and simple hip-hop rock.

As it’s so unusual compared to anything you’ll have ever heard, it’s impossible to really sum it up- so just check it out and decide for yourselves.

But, to recap, Ubermanoeuvre play screamo- electro- hip-hop, with synths- a- plenty.

There’s way too many dashes in that last sentence.

–Frankii

 

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