Posts Tagged Punk CD Reviews

Good Riddance

GOOD RIDDANCE, the legendary pioneers of melodic hardcore, are set to releaseCapricorn One on July 6th. In between putting out many acclaimed full-length albums,GOOD RIDDANCE kept themselves busy releasing a bevy of material via 7” singles.Capricorn One is a comprehensive collection of all these singles, as well as 6 previously unreleased tracks and other rarities. All the songs on the album have been digitally remastered by Jason Livermore of Blasting Room (Rise Against, Descendents, NOFX) fame. To complete the package, Capricorn One features a track by track commentary written by singer Russ Rankin. Here’s a little taste of what he penned regarding the album as a whole:

Throughout the history of Good Riddance there have been numerous songs which, for whatever reason, we weren’t able to include on our primary releases. Many of these tunes were frequently played live and most of them are still some of our own personal favorites.

Now that we are finished we felt it would be cool for our fans to be able to check out these hidden or obscurely released snapshots of our band during the apex of it’s existence. We hope they bring back fond memories for our fans and that, even if just for a moment, they can be transported back to a different time and place.

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Swingin’ Utters – Brand New Lungs

Brand New Lungs marks the first release of new material from the Swingin’ Utters in seven years! The 7” will be available via vinyl and digitally and will feature two songs from their upcoming fall full-length and one exclusive to the 7”. Additionally, we’ve pressed this 7” in two different colors, one you can procure from our mail order, the other will be available exclusively at the Swingin’ Utters shows. Check their tour dates below and stay tuned for details on their upcoming full-length. Please let me know if you would like a copy for review, or would like to attend a show. Best, Vanessa

06/11/10 Apple Valley, CA Angel’s Roadhouse w/ Hurry Up and Die
06/12/10 Long Beach, CA INK & IRON FEST w/ Hepcat, Stiff Little Fingers, X
06/13/10 Carlsbad, CA Hensley’s Flying Elephants Pub & Grill
06/25/10 Carson, CA Home Depot Center VAN’S WARPED TOUR
06/26/10 Mountain View, CA Shoreline Amphitheatre VAN’S WARPED TOUR
06/27/10 Ventura , CA Seaside Park VAN’S WARPED TOUR
07/16/10 Portland, OR Dante’s w/ The Cute Lepers
07/17/10 Seattle, WA Funhouse w/ The Cute Lepers
07/18/10 Vancouver, BC Canada Venue 19+ w/ The jolts
07/22/10 Boise, ID The Red Room w/ The Cute Lepers
07/23/10 Salt Lake City, UT Burt’s Tiki Lounge w/ The Cute Lepers
07/24/10 Denver, CO Marquis Theatre w/ The Cute Lepers
07/28/10 San Diego, CA The Casbah w/ The Cute Lepers
07/29/10 Riverside, CA The Vibe 18+ w/ The Cute Lepers, Lost Cabras, Madison Bloodbath
07/30/10 West Hollywood, CA Troubador w/ The Cute Lepers
07/31/10 San Francisco, CA Slim’s w/ The Cute Lepers

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The Hollowpoints – Old Haunts on the Horizon

© 2010 Sailor’s Grave Records

Rating: ★★★★½

Generally speaking, I don’t gush. I’ll take a small exception this time. I cannot stop listening to this CD. The Hollowpoints are one of the most energizing bands I’ve heard in a quite some time and quite possibly the best band I’ve heard so far this year.

Outside of my personal accolades (slightly), this disc offers 12 tracks of punk rock combined with solid songwriting ability. Perhaps I’m getting older, maybe my tastes have changed, but I appreciate quality arrangements and songwriting more than I ever used to. The Hollowpoints have both. (Maybe it’s because I listen to music on headphones before I review it now.)

What makes someone like something vs. something else? I often wonder this when I’m trying to put pen to paper (so to speak)  … well here’s my amateur psychoanalysis of the phenomenon. Certain sounds correlate to how you feel. The affectation that you get when you listen to things that enforce how you are feeling making them rise above the others.

Outside of my minor league pontification, this is one quality disc from start to finish; Great riffs, intelligent lyrics, quality instrumentation and a lot of references that I just can’t help but think might just be about me. As a point of reference (for those who need it) The Hollowpoints remind me of the following: American Steel, The Clash, Dead to Me and Cheaptrick … so there.

The bottom line: If you buy one punk rock CD this year, make it The Hollowpoints – Old Haunts on the Horizon.

–Jerry Actually

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Social Distortion Signs With Epitaph Records

May 11, 2010 – Los Angeles, CA – Epitaph Records is proud to welcome Southern California’s iconic rock ‘n’ roll group Social Distortion to the label with plans to release their first studio album since 2004 in fall 2010.  The signing pairs one of rock ‘n’ roll’s most renowned bands with one of the most respected independent labels for what could be the greatest match in decades.

“We feel that Epitaph has a natural understanding of Social Distortion; both the history of the band and the direction we want to go,” says frontman Mike Ness.  ”Combine that with their successful track record and it felt like a good next step for us. We’ve always been open to new ideas and pushing the envelope, but we have also been very conscientious about the decisions we’ve made. We considered a lot of options, but in the end, Epitaph feels like the right home for us. We’re looking forward to taking this step forward, opening some new doors with this upcoming album and this next chapter of Social Distortion.”

“My relationship with Mike goes way back to the beginnings of our careers in the LA music scene,” adds Epitaph owner and president Brett Gurewitz.  “Through the years Social Distortion have been a matchless voice in American rock and roll and I couldn’t be more thrilled to play a part in the next chapter for this great band.”

In March the band entered a Burbank studio to record their yet to be titled seventh studio album, produced by Mike Ness, which is slated for release this fall.

“We went back to tape, old compressors and old microphones,” Ness recently told Spinner.com. “We’re just really trying to fight modern technology as much as possible.”

“The record reminds me very much of Somewhere Between Heaven and Hell (the band’s 1992 release), but also I’m bringing elements of early New York ’70s punk,” said Ness.

Social Distortion also recently announced a U.S. summer tour with Dan Sartain and The Action Design. The tour kicks off July 27 in Poughkeepsie, NY and makes seven stops in the Northeast before the band heads to Chicago for an August 7 main stage performance at this year’s Lollapalooza.  Dates with Dan Sartain and The Action Design resume in Green Bay, Wisconsin on August 8. A complete list of tour dates follows.

Formed in Fullerton, CA in 1979, Social Distortion have spent the last three decades performing their signature style of roots driven rock ‘n’ roll and hard luck stories for fans worldwide while recording six classic, critically heralded albums including Mommy’s Little Monster, Prison Bound, Social Distortion, Somewhere Between Heaven and Hell, White Light, White Heat, White Trash and Sex, Love and Rock ‘n’ Roll.

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Social Distortion Tour Dates:
July 27 – Poughkeepsie, NY – The Chance
July 28 – Hampton Beach, NH – Casino Ballroom
July 30 – Providence, RI – Lupo’s Heartbreak Hotel
July 31 – Hartford, CT – The Webster
Aug 1 – Sayreville, NJ – Starland Ballroom
Aug 3 – Wantagh, NY – Mulcahy’s
Aug 4 – Lancaster, PA – Chameleon Club
Aug 5 – Rochester, NY – Nola’s BBQ
Aug 7 – Chicago, IL – Lollapalooza
Aug 8 – Green Bay, WI – Oneida Casino
Aug 10 – Council Bluffs, IA – Stir Cove @ Harrah’s
Aug 11 – Boulder, CO – Boulder Theater
Aug 13 – Boise, ID – Knitting Factory
Aug 14 – Medford, OR – Medford Armory

For More Information:
www.socialdistortion.com
www.myspace.com/socialdistortion
www.epitaph.com

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Cobra Skulls Join Fat

We’re stoked: Cobra Skulls have an urgent political message and are one of the hottest bands in the punk scene. And with a name like Cobra Skulls, their music has to be extra good, right?!? Originally from Reno, they released a couple great LPs with Red Scare and have been playing clubs and basements in North America and Europe over the past couple years. Their dynamic sound takes influences from all sorts of bands: classic punk like Misfits and Clash mixed with newer stuff akin to Against Me! and Bad Religion. Whether it’s leftist anthems or punky love songs, Cobra Skulls craft the hits for the pit. These guys are busy in 2010 as they will be on tour from March through June and already have upcoming shows with Dead To Me, Strike Anywhere, Flatliners, and some dates on Warped Tour. We welcome these sexy serpents to the Fat family and hope to bring you a new record from them soon.

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Sadplant – The Kids Are Alright

(c) 2009 Sadplant

Rating: ★★★☆☆

The prolific Connecticut punks of Sadplant are back at it again with another DIY release. This one entitled, “The Kids Are Alright.” 14 tracks of driving punk with short track lengths with matter of fact lyrics and a straight for the throat attack. Sadplant has a definite consistency in their sound. This is certainly not a bad thing, but as opposed to very distinct releases, the albums (that I’ve heard) seem more of a continuation on a theme. There is, of note, some of the rippinist harmonica jams on track nine, “Total Piece of Shit” … so enjoy that!

What I admire the most is the tenacity in which this band attacks the DIY punk scene. They take a no holds barred approach to writing, recording and distributing rock solid punk on no terms but their own. “The Kids Are Alright” starts with the requisite intro and briskly jumps into the remaining tracks, including a gem of a cover in Suicidal’s “Possessed to Skate.” This, of course, occurs directly after the “bonus” bash the bass player segment.

So, the bottom line, Sadplant continues to deliver a consistent high quality product that doesn’t drift too far from the scope of what I’ve come to expect of the Sadplant sound. Of course by the time I finish typing these words they will have at least four new releases. Take it for what it’s worth.

–Jerry Actually

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Dead Cats Dead Rats – Riff

Rating: ★★★★☆

If you miss Nirvana and have ADD –who doesn’t? – check out Dead Cats Dead Rats’ latest album, Riff.  The longest of the nine tracks clocks in at 2:52, and it all sounds more like 1989 Seattle than 2010 Massachusetts.

The first five tracks are flat out good.  They’re so good, in fact, that it takes a few laps around the album before you catch your breath and realize that the second half drops off a bit.  Still, I’ve been listening to the album nonstop for a week now and I’m not skipping any tracks.

Track four, “Yeah Yeah Yeah,” starts with one of the catchiest hooks I’ve heard in a while, a lazy little backbeat job that’s perfectly placed to follow the howling crescendo at the end of track three, “Subterranean.”

Track two, “Chuncky” is arguably the best of the album.  Opening with the line, “Radio wouldn’t play my song,” it does the soft/hard slow/fast dynamic to perfection, and coupled with Matt Reppucci’s screaming vocals, it’s easy to see why the name “Cobain” comes up in a lot of Dead Cats Dead Rats reviews.

Tracks six and seven are the weakest on the album, but not without value.  They just ramble a little and aren’t as memorable as the rest of the album, which closes with a nice little bluesy number titled, appropriately, “Fritter Blues.”

Dead Cats Dead Rats has a lot of talent and a great sound.  Since their last release, they’ve gotten tighter and more polished without sacrificing any style or energy.  Here’s hoping they keep doing that.

–Ozymandias

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Alkaline Trio – This Addiction

(c)2010 Heart and Skull / Epitaph Records
Rating: ★★★★☆

I’ve got a soft spot for Alkaline Trio. I’ve been listening to them for the better part of the last 12 years. After I first heard Goddamnit I was hooked. I have to admit that after they left Asianman Records I got a little disenchanted. Not that I begrudge them the popularity and a little recognition for their hard work, and don’t get me wrong major labels are a collective bag of douche, but I don’t blame A3 for that. However when I heard they were starting their own Heart and Skull label in conjunction with Epitaph I was relieved. I hoped that things might get back a bit closer to the earlier days. I heard that that the new release was going to rock it a bit harder. Well I finally got a copy of This Addiction and I’m fairly convinced that the rumors I heard were right. The 11 tracks are more reminiscent of something around From Here to Infirmary. The content has a little more edge and a little less emo to it. For fans of the more downtrodden of A3′s work, don’t be disappointed (or do, if that is what you’re into) I’m just saying that they brought it back a bit, but this time with a lot bigger production. There are lot more layers to the songs and a lot more variety. The zip of track two, “Dine, Dine my Darling” is refreshing. So are the 80′s keyboard sounds on “Eating Me Alive”. Hell there is even a horn track on the also up-tempo track three, “Lead Poisoning”. When it’s all said and done you know this is Alkaline Trio, but it’s an Alkaline Trio that seems somehow revitalized. This Addiction is well worth it.

–Jerry Actually

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The Singularity – A Heartbreaking Work of Staggering Drunkenness

(c) 2009

Rating: ★★★★☆

In the interest of brevity (no, I’m not running late on deadline again. I make my own deadlines, so just shut it already.) I want to say that I love the f-ing guts out of this EP. A Heartbreaking Work of Staggering Drunkenness brings five originals and a Crimpshrine cover (Another Day) and let me say that it brings it well. If you like your punk rock with nicely layered and alternated vocals and hook laden riffs then by all means head on over to www.myspace.com/thesingularity and check this Bay Area band out and help spread the word. My only regret is that it is only an EP. (Oh, I also dig the album artwork)

–Jerry Actually

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Damn The Empire – With Trends Like These

(c) 2009 Pee Records
Rating: ★★★★☆

damn_the_empire_300This CD works straight out the gate! Damn The Empire is pissed. The world is going to hell. The government is fucked. The music industry is right down the toilet. The scene sucks. Prius owners are self-righteous pricks. “With Trends Like These…” doesn’t hold back on the anti-everything vitriol. I find it refreshing. This disc has something that a lot of punk rock has been lacking as of late, conviction. Damn The Empire means it without being smug or overly attitudinal. The band is fuming about meaningful timely issues, almost as if they were culturally aware with what is going on in America. … Here’s the thing though, they’re from Melbourne. It really serves to hammer home the homogeneity of the problems of the world (at least the Western World) Despite the gravity of the content, the band, thankfully, isn’t humorless. Tracks like 3. The Last Gasp Of An Entire Scene, Neutered and 12. This Free Music Download Brought To You Courtesy of Metallica’s Lars Ulrich let in some welcome cynical comedy. So here’s what you get 16 tracks of punk rock that is about as real as anything out there. I detect a lot of H2O and Down by Law as I’m listening to it. Of note, this disc was mixed at The Blasting Room. There is something magical about that place I tell ya. Cheers to Damn The Empire for a damn fine disc from Down Under and for uniting the world one punk rock song at a time.

–Jerry Actually

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