Rating: 
There’s a common theme in music and especially punk music where band’s that have been around for awhile will have fans who will say “their music was better when…..” and they yearn for the “the good old days.”. Enter Blossom Hill, a pop punk band from Finland who released their debut LP, Sidetracks, in October.
On Sidetracks, the group seems to have (fairly successfully whether intentional or not) melded together what sounds like two different eras of Green Day inspired music. From the get go a listener can expect vocals that sound like they are inspired by 39/Smooth or Kerplunk eras and guitar riffs that sound derived right from the Insomniac/Nimrod timeline.
This is what I hear when I listen, and is what I am going to base my critique on. To me they sound like one my favorite Green Day eras (Insomniac/Nimrod) and my least favorite (39/Smooth). Don’t get me wrong, I did enjoy Sidetracks, but my feelings are very mixed. I hate to make direct comparisons to bands as they take time to create something their own but I can’t get over my first impressions of the album, and for a person who can still tell you what he was doing when he first heard Dookie in ’94, nothing will ever compare. At the same time, I can’t think of another band that has brought me back in time to a groups (so-called) glory days the way they have.
With that said, Sidetracks does not really have tracks that stand out in my mind either good or bad, and it had things I liked and things I didn’t. But if you are one of those nostalgic Green Day fans who thinks “they were better when….” check out Blossom Hill, maybe they can transport you back there.
T.J.
I feel so privileged to get to listen to all the music (from all over the world) that I do. Right now I’m listening to a new single from Finland’s Dead End Story. They are a reasonably aggressive punk band with quite a bit of hardcore influence.
The boy’s grew up and went their separate ways, and now they return, and come back with surprises.
To complete this and give the album the Midas touch, John Lousteau was in charge of producing the seven-track EP Scream’s Complete Control Session which features the following tracks : Stopwatch, Get Free, Jamin at 606, Elevate, The Year Bald Head Singers Were In, Move All, Demolition Dancing. 
I know that I’m pretty lax on getting reviews up promptly a lot of the time, but from the copyright date to my door took two years, so I guess I’m not so bad… but on to the review. Queens New York natives, Dead On A Friday certainly have tenacity. Founded in 2002 they went through three drummers, several hazardous apartments, a nervous breakdown and countless hours of therapy (according to their bio) Finally after five long years, the band finally put it to wax so to speak. Hope It Was Worth It is 13 tracks of melodic punk. They have a very Bad Religion feel to me, but with the kind of cold gray edge you’d expect from East Coast winters. The music is tight, good quick pace, no epic length (over 3 minute) BS tracks. For sake of brevity, go find these guys and like them. Like them as much as your little heart can muster. Hope It Was Worth It does in fact seem every bit worth it.
Hot damn, it’s good to listen to old-fashioned, ass-kicking hardcore punk! I hope these guys have stock in bass drum heads and throat lozenges; I’m sure they go through a lot of them. 
Bosterdamian group Jaya the Cat deliver a unique fusion of punk, reggae, rock, and ska that took a few listens before it gelled into awesome. More Late Night Transmissions With… bounces across the Atlantic like Cannabis Cup winning weed followed by a dram of 20 yr barrel aged Glensomething whiskey — oh-so-hazy and smoother than a mo’fo’.
