© 2011 Fat Wreck Chords
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To build on the momentum of last night, I decided to sit down and do something that I have meant to for some time now. That is to review Banner Pilot’s Heart Beats Pacific. This has been a long time coming for me, first, when I bought the album it was delayed getting to me so I didn’t get to hear it right away and also I have just been lazy.
Either way, the album is fabulous. It actually made my top ten list where I blamed it for causing me to speed while driving my truck. But it is also responsible for an even more ridiculous side effect. While alone on my 30 minute commute to town it is usually my album of choice. One day recently I actually caught myself (and I don’t know how long I had been doing it beforehand) doing only what I could describe as the “bow down.” Now for anyone not aware there was rap music before everybody in the club started getting tipsy and rappers had to explain why they were hot there was a group called Westside Connection who put out a single called Bow Down. Well the video included Ice Cube, WC, and Mack 10 raising their arms and making a bowing motion, hence the name of my dance move. This isn’t the first time an album has done that to me, I actually went through a stretch of time where I would do jazz hands while listening to In Desolation.
Now I don’t know making listeners do ridiculous dances was their intention when writing but it was definitely a result. I’m sure listeners will also experience several other side effects which may include singing along to the tremendously catchy songs which include (but are not limited to) “Alchemy”, ”Spanish Reds”, “Expat”, and “Division Street.” There are not many bands around that are going to write catchier hooks then can be found on Heart Beats Pacific. It may not have had the hype of some albums that came out at around the same time but it is the one that I listen to the most and it will continue to be one of my favourites for a long time.
T.J.
All right, here is some raw as all get out, punk to the muthafuckin’ gills rock-n-roll. “Demos” by Good Things gives up four brief tracks of basement-grade ballast; chunky guitar, chunky bass, chunky drums, chunky everything. It’s raw, but its got balls.
I have had a few things on my docket in recent weeks that I said I would review, but I just haven’t done it, and I kept telling myself I have to come up with something, but couldn’t. I just wasn’t inspired enough, I just couldn’t listen and put anything together. Fast forward to today, I had taken the day off work to take my little boy in for vaccinations, and he wasn’t having the best day afterward so we were just sitting around and I came across The Punk News’ exclusive stream of The Menzingers On The Impossible Past and we shared my headphones as we listened.
Welcome back, Ducky Boys. Chasing the Ghost, the first album from the band in six years, is definitely a rocker, albeit an often sad rocker. It is a respectable blend of punk rock tempered with rock and roll. The real world guts and grit is intact and the songs have heart and blue collar soul.
Firstly I have to admit that I’ve been waiting for this release since I first caught wind of it last year. I’ve been a fan of much of the past efforts that have lead to this release and I can’t say that I am disappointed by what the new album has to offer. Secondly, here is some good news. Punk’s not dead. For real this time.
Mickey is a 10 track punk infused ska release by long island band Eli Whitney & The Sound Machine. The band positions itself as a skapunk outfit, and I suppose I can see that. However I think they lean, on this release at least, more towards the ska end of the spectrum. I am totally cool with that.
There’s a common theme in music and especially punk music where band’s that have been around for awhile will have fans who will say “their music was better when…..” and they yearn for the “the good old days.”. Enter Blossom Hill, a pop punk band from Finland who released their debut LP, Sidetracks, in October.