Banner Pilot – Heart Beats Pacific

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© 2011 Fat Wreck Chords
Rating: ★★★★★★★★★☆

To build on the momentum of last night, I decided to sit down and do something that I have meant to for some time now.  That is to review Banner Pilot’s Heart Beats Pacific.   This has been a long time coming for me, first, when I bought the album it was delayed getting to me so I didn’t get to hear it right away and also I have just been lazy.

Either way, the album is fabulous.  It actually made my top ten list where I blamed it for causing me to speed while driving my truck.  But it is also responsible for an even more ridiculous side effect.  While alone on my 30 minute commute to town it is usually my album of choice.  One day recently I actually caught myself (and I don’t know how long I had been doing it beforehand) doing only what I could describe as the “bow down.”  Now for anyone not aware there was rap music before everybody in the club started getting tipsy and rappers had to explain why they were hot there was a group called Westside Connection who put out a single called Bow Down.  Well the video included Ice Cube, WC, and Mack 10 raising their arms and making a bowing motion, hence the name of my dance move. This isn’t the first time an album has done that to me, I actually went through a stretch of time where I would do jazz hands while listening to In Desolation.

Now I don’t know making listeners do ridiculous dances was their intention when writing but it was definitely a result.  I’m sure listeners will also experience several other side effects which may include singing along to the tremendously catchy songs which include (but are not limited to) “Alchemy”, ”Spanish Reds”, “Expat”, and “Division Street.”   There are not many bands around that are going to write catchier hooks then can be found on Heart Beats Pacific.  It may not have had the hype of some albums that came out at around the same time but it is the one that I listen to the most and it will continue to be one of my favourites for a long time.

T.J.

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Good Things – Demos

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© 2011
Rating: ★★★★★★★★☆☆

All right, here is some raw as all get out, punk to the muthafuckin’ gills rock-n-roll. “Demos” by Good Things gives up four brief tracks of basement-grade ballast; chunky guitar, chunky bass, chunky drums, chunky everything. It’s raw, but its got balls.

While you only get four tracks, the ones you get are like a time machine dragging your ass back to the early 80’s and then stomping a riot straight into your guts. Plus they have a song about Ghostdad, so Bill Cosby would pretty much love them right out of the gate.

Despite the basement laden recording, there are some dynamics that are apparent in the band if you make it all the way to track four, “The Scofflaw”. It is easily the winner for polish out of the quatrain of tunes.
While I generally don’t comment much on cover art, it does appear that Good Things are fans of sodomy, so if that’s your thing too, then perhaps you should check them out. In the end though, I think the tags on their bandcamp page really say it best: “punk fuck punk Rockville”

http://goodxthings.bandcamp.com/

–Jerry Actually

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The Menzingers – On The Impossible Past

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(c) 2012 Epitaph Records
Rating: ★★★★★★★★★★

I have had a few things on my docket in recent weeks that I said I would review, but I just haven’t done it, and I kept telling myself I have to come up with something, but couldn’t. I just wasn’t inspired enough, I just couldn’t listen and put anything together. Fast forward to today, I had taken the day off work to take my little boy in for vaccinations, and he wasn’t having the best day afterward so we were just sitting around and I came across The Punk News’ exclusive stream of The Menzingers On The Impossible Past and we shared my headphones as we listened.

Maybe it was getting to share the music with my son or the music was really just that good but I started to get a feeling of joy that one only gets when they find something that was truly worth the time spent. From the opening track I was blown away. I started thinking about past albums that may have evoked the same feelings and I thought of albums that I could tell you exactly where I was when I first heard them, Dookie (skateboarding in a friend’s basement in March of ’94), American Idiot (at a New Year’s Eve party in ’05), and The ’59 Sound (in the Toronto Airport waiting for another delayed Air Canada flight in December of ’09). I don’t know why this particular thought crossed my mind, but as the stream continued to play and we sat listening it started to become more apparent that this very album may turn to be the 4th on that list.

Top to bottom the album is stunning, lyrics, vocals, guitar, drums, everything. I think I will skip my standard picking out of stand-out tracks and just say that I love them all. While the title might seem to imply that it is impossible to bring back the past, but after listening today I would have to beg to differ and say that no matter where you are or what you are doing when you listen to this it will invoke some sort of memory, and maybe play a part in a new one.

T.J.

You can now stream The Menzingers Epitaph Records debut On The Impossible Past by going to: http://www.punknews.org/article/46191

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The Ducky Boys – Chasing The Ghost

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©2012
Rating: ★★★★★★★★☆☆

Welcome back, Ducky Boys. Chasing the Ghost, the first album from the band in six years, is definitely a rocker, albeit an often sad rocker. It is a respectable blend of punk rock tempered with rock and roll. The real world guts and grit is intact and the songs have heart and blue collar soul.

Chasing the Ghost offers 17 tracks, written primarily by bass player and vocalist Mark Lind. The tracks are often melancholy or at the very least have an overtone of loss and longing. The sounds of pining for what life could have or should have been perhaps?

In general, the tracks are mid tempo rock with several deviations such as the more lively opening track New Chapter and the sing-a-long style of Surrogates. In addition to the more “active” tracks, there is some counterpoint in the folkish styling of Feeling Alive and the rock ballad sounds on the closer: There’s Always Another Way.

The bottom line is that this is a rock solid release, but it won’t likely end up on my heavy playlist unless I’m feeling depressed and looking for catharsis. While the tracks are great, they are pretty down note. Don’t get me wrong there is a sound of hope there, but a far away hope that might not ever show.

–Jerry Actually

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The City Calls New Video for Meet In The Middle

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The City Calls new music video ‘Meet In The Middle’ has just been released. Produced by the extremely talented Josh Partridge who has worked with such U.K. bands as ‘Sell Your Sky’

The band is also heading out on tour in February with Forever August and Malokai I’ve included the dates and details below.

15.02 London – The Good Ship
16.02 Nottingham – The Maze
17.02 Yeovil – Tabernacle Junction
19.02 Winchester – The Railway Inn

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Classics of Love

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© 2012 Asian Man Records
Rating: ★★★★★★★★½☆

Firstly I have to admit that I’ve been waiting for this release since I first caught wind of it last year. I’ve been a fan of much of the past efforts that have lead to this release and I can’t say that I am disappointed by what the new album has to offer. Secondly, here is some good news. Punk’s not dead. For real this time.

For those who are unaware, Classics of Love is the current musical project of Jesse Michaels of Operation Ivy, Big Rig and more recently Common Rider. Jesse and co., a.k.a. the San Jose band, Hard Girls, combine to form the whole of this newest venture. The self-titled release is follow up to the Walking in Shadows EP. With 13 tracks on the new full length, we’re offered a bit more substance this time around, just for sheer virtue of quantity. (Quality notwithstanding)

Musically, the sound offers a nice split between the early sounds of Op Ivy and the more sophisticated sounds of Common Rider but with a decidedly more raw punk edge. As a side note, if you get the chance, see this band live. While the recorded material is completely rad, it pales in comparison to the songs performed live. I dare say they are one of the best bands I’ve seen perform.

Lyrically, the album is very socially aware. I’ve read some interviews with Jesse Michaels and while he asserts that he isn’t trying to be overtly political, the songs certainly have their finger on the pulse of some modern western problems. The songs, however, aren’t trying to cram ideas down your gob, as much as they are throwing out a point of view. They are bringing voice to the current state of hypocrisy in a world that really could use the change we’ve all been promised.

Anyway, if you’ve ever been a fan of any of the bands mentioned, this album would be hard pressed to disappoint. The bottom line is: 13 tracks of punk rock with a skapunk pedigree and a strong sense of society, political or otherwise, to boot.

–Jerry Actually

For fans of: Operation Ivy, Big Rig, Common Rider, Hard Girls

Tracks:
1.What A Shame
2.Castle In The Sky
3.World of the Known
4.Gun Show
5.Stronghold
6.Moving Pictures
7.It Will Not Be Moved
8.Bandstand
9.Would-Be Kings
10.Last Strike
11.Light Rail
12.Dissolve
13.We Need A Change

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Eli Whitney & The Sound Machine – Mickey

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© 2011
Rating: ★★★★★★★★☆☆

Mickey is a 10 track punk infused ska release by long island band Eli Whitney & The Sound Machine. The band positions itself as a skapunk outfit, and I suppose I can see that. However I think they lean, on this release at least, more towards the ska end of the spectrum. I am totally cool with that.

Mickey came out at the tail end of 2011 and from what I can tell is the third release from the band. The tracks on the album typify what I’ve come to think of as the 4th wave sound. Ska, if you know anything of its history, tends to take the traditional calypso rhythms and styles and blend them with both popular and less popular music of the current era, e.g. punk and metal of the respective 2nd and 3rd waves.

The current incarnation is to some extent bridging the divide over from the 3rd wave with a ska punk sound that has become more rooted in a less aggressive punk style and to a certain degree almost a blend of vaguely folkish rock. Eli Whitney & The Sound Machine do an admirable job with this style and easily recall their influences and contemporaries like Streetlight Manifesto and Big D. and the Kids Table.

On the whole, Mickey is a great release. You can download it from the bandcamp site for whatever price you feel it’s worth. If you can afford to, I’d suggest dropping some coin for this release and in return for your download you’re donating to the honorable cause of supporting independent music.

–Jerry Actually

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Blossom Hill – Sidetracks

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Rating: ★★★★★★☆☆☆☆

There’s a common theme in music and especially punk music where band’s that have been around for awhile will have fans who will say “their music was better when…..” and they yearn for the “the good old days.”. Enter Blossom Hill, a pop punk band from Finland who released their debut LP, Sidetracks, in October.

On Sidetracks, the group seems to have (fairly successfully whether intentional or not) melded together what sounds like two different eras of Green Day inspired music. From the get go a listener can expect vocals that sound like they are inspired by 39/Smooth or Kerplunk eras and guitar riffs that sound derived right from the Insomniac/Nimrod timeline.

This is what I hear when I listen, and is what I am going to base my critique on. To me they sound like one my favorite Green Day eras (Insomniac/Nimrod) and my least favorite (39/Smooth). Don’t get me wrong, I did enjoy Sidetracks, but my feelings are very mixed. I hate to make direct comparisons to bands as they take time to create something their own but I can’t get over my first impressions of the album, and for a person who can still tell you what he was doing when he first heard Dookie in ’94, nothing will ever compare. At the same time, I can’t think of another band that has brought me back in time to a groups (so-called) glory days the way they have.

With that said, Sidetracks does not really have tracks that stand out in my mind either good or bad, and it had things I liked and things I didn’t. But if you are one of those nostalgic Green Day fans who thinks “they were better when….” check out Blossom Hill, maybe they can transport you back there.

T.J.

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REFUSED NOT F***ING DEAD

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Groundbreaking Band To Play Coachella and Way Out West Festival

The groundbreaking, highly influential Swedish hardcore band Refused have announced a series of shows scheduled for summer 2012. This is the band’s first appearance since their breakup in the late ‘90s and will include performances at the Coachella Valley Music and Arts Festival on April 13th and 20th and the Way Out West Festival in Sweden Aug 9-11.

Refused have released the following statement and the full statement can be found here:   www.officialrefused.com 

…It’s been a motley 14 years since our band came apart. We’ve all kept busy in our respective endeavors but we’ve all remained friends and kept in touch. There have been offers, and lots of jokes about these offers. We’ve sort of looked down from our high horses and made fun of people who’ve just wanted to share the psychopathic intensity that we would deliver on a nightly basis in our post-pubescent prime. A reunion has just seemed irrelevant to us. Too much other shit to do…

 …We never did “The Shape of Punk To Come” justice back when it came out, too tangled up in petty internal bickering to really focus on the job. And suddenly there’s this possibility to do it like it was intended. We wanna do it over, do it right. For the people who’ve kept the music alive through the years, but also for our own sakes…

Originally released in 1998, The Shape of Punk to Come  “blurred the lines that separate punk, metal and hardcore, while peppering this brutal fusion with bits of techno percussion, jazzy rhythmic change-ups and long, complex song structures that support politically-charged messages,” (CMJ,1998).  Refused’s most critically acclaimed and final album exploded on the scene with the jaw-dropping hardcore anthem “New Noise,” which helped change the game forever by influencing a range of genres to this day, which includes being named “Best New Re-issue” by Pitchfork.com in 2010.

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New Menzingers Release and Tour 2012

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THE MENZINGERS TO RELEASE NEW ALBUM

Band To Tour In Support Of Anticipated Epitaph Records Debut

Rising punk rock band The Menzingers create a rousing sound featuring crashing power chords, rock steady drumming and anthemic sing-along choruses alongside powerfully poetic everyman lyrics. The group is set to release their Epitaph Records debut album On The Impossible Past this February 21st. Fans are invited to pre-order the album by going to www.themenzingersstore.com.

On The Impossible Past was recorded at Atlas Studios in Chicago with longtime collaborators Matt Allison (Alkaline Trio, The Lawrence Arms) and Justin Yates. While the record retains all the raucous spirit of the band’s earlier efforts sonically, it’s a monumental step forward. “I think that ‘Gates’ is one of the most mature songs on the album,” guitarist/vocalist Tom May explains, referencing the tender rock song sung by Barnett that truly transcends genres. “I hope it surprises people because it’s not a straight-forward punk song with gang vocals or anything like that but it still definitely sounds like us.”
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